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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93AD51 it is the complementary color #6C52AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93AD51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93AD51 shade: #98AD4C, #A9BF5F, #BAD172, #CBE385 and #DCF598

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93AD51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93AD51 shade: #93AD51, #829B3E, #71892B, #607718 and #4F6505

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93AD51 shade: #93AD51, #ACAD51, #AD9551, #AD7D51 and #AD6451

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93AD51 shade: #93AD51, #7AAD51, #61AD51, #51AD5A and #51AD72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93AD51 shade matches the following richer shades: #93AD51, #9CC23C, #A5D628 and #AEEB13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93AD51 shade: #93AD51, #8A9866, #81847A, #786F8F and #6F5AA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93AD51 shade: #AD9451, #ADAD51, #94AD51, #7CAD51 and #63AD51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93AD51 shade: #637537, #7B9144, #93AD51, #A4BA6D and #B6C789

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93AD51 shade: #93AD51, #51AD7C and #A151AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93AD51 shade: #93AD51, #5194AD and #AD5194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93AD51 shade: #93AD51, #51AD7C, #6A51AD and #AD5182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93AD51 shade: #93AD51, #51AD97, #6A51AD and #AD5167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

Complementary color

CMYK 38 / 53 / 0 / 32

HEX #6C52AE

RGB 108 82 174

HSL 256.96, 0.36%, 0.5%

LAB 41.66, 32.32, -45.63

 

CMYK 12 / 0 / 56 / 32

HEX #98AD4C

RGB 152 173 76

HSL 72.99, 0.39%, 0.49%

LAB 67.34, -21.86, 46.6

 

CMYK 12 / 0 / 50 / 25

HEX #A9BF5F

RGB 169 191 95

HSL 73.75, 0.43%, 0.56%

LAB 73.88, -22.15, 45.51

 

CMYK 11 / 0 / 45 / 18

HEX #BAD172

RGB 186 209 114

HSL 74.53, 0.51%, 0.63%

LAB 80.32, -22.37, 44.36

 

CMYK 11 / 0 / 41 / 11

HEX #CBE385

RGB 203 227 133

HSL 75.32, 0.63%, 0.71%

LAB 86.67, -22.54, 43.21

 

CMYK 10 / 0 / 38 / 4

HEX #DCF598

RGB 220 245 152

HSL 76.13, 0.82%, 0.78%

LAB 92.92, -22.66, 42.08

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 16 / 0 / 60 / 39

HEX #829B3E

RGB 130 155 62

HSL 76.13, 0.43%, 0.43%

LAB 60.37, -23.14, 44.82

 

CMYK 18 / 0 / 69 / 46

HEX #71892B

RGB 113 137 43

HSL 75.32, 0.52%, 0.35%

LAB 53.57, -22.72, 45.59

 

CMYK 19 / 0 / 80 / 53

HEX #607718

RGB 96 119 24

HSL 74.53, 0.66%, 0.28%

LAB 46.64, -22.09, 45.69

 

CMYK 22 / 0 / 95 / 60

HEX #4F6505

RGB 79 101 5

HSL 73.75, 0.91%, 0.21%

LAB 39.55, -21.17, 44.39

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 1 / 0 / 53 / 32

HEX #ACAD51

RGB 172 173 81

HSL 60.65, 0.36%, 0.5%

LAB 68.93, -13.11, 46.47

 

CMYK 0 / 14 / 53 / 32

HEX #AD9551

RGB 173 149 81

HSL 44.35, 0.36%, 0.5%

LAB 62.49, 0.1, 38.87

 

CMYK 0 / 28 / 53 / 32

HEX #AD7D51

RGB 173 125 81

HSL 28.7, 0.36%, 0.5%

LAB 56.23, 13.44, 31.19

 

CMYK 0 / 42 / 53 / 32

HEX #AD6451

RGB 173 100 81

HSL 12.39, 0.36%, 0.5%

LAB 50.21, 27.44, 23.48

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 29 / 0 / 53 / 32

HEX #7AAD51

RGB 122 173 81

HSL 93.26, 0.36%, 0.5%

LAB 65.45, -33.07, 41.5

 

CMYK 44 / 0 / 53 / 32

HEX #61AD51

RGB 97 173 81

HSL 109.57, 0.36%, 0.5%

LAB 64.18, -41.62, 39.67

 

CMYK 53 / 0 / 48 / 32

HEX #51AD5A

RGB 81 173 90

HSL 125.87, 0.36%, 0.5%

LAB 63.65, -45.03, 34.36

 

CMYK 53 / 0 / 34 / 32

HEX #51AD72

RGB 81 173 114

HSL 141.52, 0.36%, 0.5%

LAB 64.04, -40.95, 22.2

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 20 / 0 / 69 / 24

HEX #9CC23C

RGB 156 194 60

HSL 77.01, 0.53%, 0.5%

LAB 73.53, -31.61, 60.19

 

CMYK 23 / 0 / 81 / 16

HEX #A5D628

RGB 165 214 40

HSL 76.9, 0.69%, 0.5%

LAB 79.75, -38.2, 72.63

 

CMYK 26 / 0 / 92 / 8

HEX #AEEB13

RGB 174 235 19

HSL 76.94, 0.85%, 0.5%

LAB 86.24, -44.5, 82.18

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 9 / 0 / 33 / 40

HEX #8A9866

RGB 138 152 102

HSL 76.8, 0.2%, 0.5%

LAB 60.62, -13.76, 24.7

 

CMYK 2 / 0 / 8 / 48

HEX #81847A

RGB 129 132 122

HSL 78, 0.04%, 0.5%

LAB 54.63, -3.05, 5

 

CMYK 16 / 22 / 0 / 44

HEX #786F8F

RGB 120 111 143

HSL 256.88, 0.13%, 0.5%

LAB 48.69, 10.34, -16.2

 

CMYK 32 / 45 / 0 / 36

HEX #6F5AA4

RGB 111 90 164

HSL 257.03, 0.29%, 0.5%

LAB 43.32, 25.54, -37.05

 

CMYK 0 / 14 / 53 / 32

HEX #AD9451

RGB 173 148 81

HSL 43.7, 0.36%, 0.5%

LAB 62.22, 0.65, 38.55

 

CMYK 0 / 0 / 53 / 32

HEX #ADAD51

RGB 173 173 81

HSL 60, 0.36%, 0.5%

LAB 69.02, -12.69, 46.58

 

CMYK 14 / 0 / 53 / 32

HEX #94AD51

RGB 148 173 81

HSL 76.3, 0.36%, 0.5%

LAB 67.11, -23.02, 43.88

 

CMYK 28 / 0 / 53 / 32

HEX #7CAD51

RGB 124 173 81

HSL 91.96, 0.36%, 0.5%

LAB 65.57, -32.33, 41.67

 

CMYK 43 / 0 / 53 / 32

HEX #63AD51

RGB 99 173 81

HSL 108.26, 0.36%, 0.5%

LAB 64.27, -40.99, 39.8

 

CMYK 15 / 0 / 53 / 54

HEX #637537

RGB 99 117 55

HSL 77.42, 0.36%, 0.34%

LAB 46.51, -17.26, 31.71

 

CMYK 15 / 0 / 53 / 43

HEX #7B9144

RGB 123 145 68

HSL 77.14, 0.36%, 0.42%

LAB 56.96, -20.4, 37.86

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 12 / 0 / 41 / 27

HEX #A4BA6D

RGB 164 186 109

HSL 77.14, 0.36%, 0.58%

LAB 72.3, -20.11, 36.5

 

CMYK 9 / 0 / 31 / 22

HEX #B6C789

RGB 182 199 137

HSL 76.45, 0.36%, 0.66%

LAB 77.64, -16.15, 29.18

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 53 / 0 / 28 / 32

HEX #51AD7C

RGB 81 173 124

HSL 148.04, 0.36%, 0.5%

LAB 64.24, -38.96, 17.03

 

CMYK 7 / 53 / 0 / 32

HEX #A151AD

RGB 161 81 173

HSL 292.17, 0.36%, 0.5%

LAB 47.6, 47.02, -35.23

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 53 / 14 / 0 / 32

HEX #5194AD

RGB 81 148 173

HSL 196.3, 0.36%, 0.5%

LAB 57.99, -14.13, -19.64

 

CMYK 0 / 53 / 14 / 32

HEX #AD5194

RGB 173 81 148

HSL 316.3, 0.36%, 0.5%

LAB 48.14, 46.09, -19.46

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 53 / 0 / 28 / 32

HEX #51AD7C

RGB 81 173 124

HSL 148.04, 0.36%, 0.5%

LAB 64.24, -38.96, 17.03

 

CMYK 39 / 53 / 0 / 32

HEX #6A51AD

RGB 106 81 173

HSL 256.3, 0.36%, 0.5%

LAB 41.16, 32.13, -45.84

 

CMYK 0 / 53 / 25 / 32

HEX #AD5182

RGB 173 81 130

HSL 328.04, 0.36%, 0.5%

LAB 47.47, 43.35, -9.69

 

CMYK 15 / 0 / 53 / 32

HEX #93AD51

RGB 147 173 81

HSL 76.96, 0.36%, 0.5%

LAB 67.04, -23.42, 43.78

 

CMYK 53 / 0 / 13 / 32

HEX #51AD97

RGB 81 173 151

HSL 165.65, 0.36%, 0.5%

LAB 64.86, -32.84, 2.99

 

CMYK 39 / 53 / 0 / 32

HEX #6A51AD

RGB 106 81 173

HSL 256.3, 0.36%, 0.5%

LAB 41.16, 32.13, -45.84

 

CMYK 0 / 53 / 40 / 32

HEX #AD5167

RGB 173 81 103

HSL 345.65, 0.36%, 0.5%

LAB 46.64, 39.86, 5.45

 

Description

Color code: HEX #93AD51 | qconv.com Color code: HEX #93AD51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 173 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 173 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 53 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 53% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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