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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93A697 it is the complementary color #6C5968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93A697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93A697 shade: #98A692, #A9B8A5, #BACAB8, #CBDCCB and #DCEEDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93A697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93A697 shade: #93A697, #829484, #718271, #60705E and #4F5E4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93A697 shade: #91A595, #92A591, #98A591, #9DA591 and #A2A591

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93A697 shade: #91A595, #91A59B, #91A5A0, #91A5A5 and #919FA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93A697 shade matches the following richer shades: #91A595, #81B58C, #71C583, #61D579 and #51E570

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93A697 shade: #91A595, #A1959F, #B185A8, #C175B1 and #D165BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93A697 shade: #98A591, #92A591, #91A595, #91A59A and #91A5A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93A697 shade: #667D6B, #7A927F, #91A595, #A8B8AB and #BECAC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93A697 shade: #93A697, #919DA5 and #A59195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93A697 shade: #93A697, #9591A5 and #A59591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93A697 shade: #93A697, #919DA5, #A591A1 and #A59991

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93A697 shade: #93A697, #9197A5, #A591A1 and #A59F91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 9 / 35

HEX #93A697

RGB 147 166 151

HSL 132.63, 0.1%, 0.61%

LAB 66.3, -9.62, 5.51

 

Complementary color

CMYK 0 / 18 / 4 / 58

HEX #6C5968

RGB 108 89 104

HSL 312.63, 0.1%, 0.39%

LAB 40.13, 10.64, -5.67

 

CMYK 8 / 0 / 12 / 35

HEX #98A692

RGB 152 166 146

HSL 102, 0.1%, 0.61%

LAB 66.54, -8.75, 8.68

 

CMYK 8 / 0 / 10 / 28

HEX #A9B8A5

RGB 169 184 165

HSL 107.37, 0.12%, 0.68%

LAB 73.18, -8.77, 7.88

 

CMYK 8 / 0 / 9 / 21

HEX #BACAB8

RGB 186 202 184

HSL 113.33, 0.15%, 0.76%

LAB 79.69, -8.79, 7.12

 

CMYK 8 / 0 / 8 / 14

HEX #CBDCCB

RGB 203 220 203

HSL 120, 0.2%, 0.83%

LAB 86.1, -8.81, 6.4

 

CMYK 8 / 0 / 7 / 7

HEX #DCEEDE

RGB 220 238 222

HSL 126.67, 0.35%, 0.9%

LAB 92.42, -8.84, 5.7

 

CMYK 11 / 0 / 9 / 35

HEX #93A697

RGB 147 166 151

HSL 132.63, 0.1%, 0.61%

LAB 66.3, -9.62, 5.51

 

CMYK 12 / 0 / 11 / 42

HEX #829484

RGB 130 148 132

HSL 126.67, 0.08%, 0.55%

LAB 59.52, -9.65, 6.29

 

CMYK 13 / 0 / 13 / 49

HEX #718271

RGB 113 130 113

HSL 120, 0.07%, 0.48%

LAB 52.58, -9.7, 7.13

 

CMYK 14 / 0 / 16 / 56

HEX #60705E

RGB 96 112 94

HSL 113.33, 0.09%, 0.4%

LAB 45.47, -9.77, 8.02

 

CMYK 16 / 0 / 20 / 63

HEX #4F5E4B

RGB 79 94 75

HSL 107.37, 0.11%, 0.33%

LAB 38.16, -9.86, 9.01

 

CMYK 12 / 0 / 10 / 35

HEX #91A595

RGB 145 165 149

HSL 132, 0.1%, 0.61%

LAB 65.83, -10.17, 5.93

 

CMYK 12 / 0 / 12 / 35

HEX #92A591

RGB 146 165 145

HSL 117, 0.1%, 0.61%

LAB 65.8, -10.57, 8.13

 

CMYK 8 / 0 / 12 / 35

HEX #98A591

RGB 152 165 145

HSL 99, 0.1%, 0.61%

LAB 66.24, -8.4, 8.81

 

CMYK 5 / 0 / 12 / 35

HEX #9DA591

RGB 157 165 145

HSL 84, 0.1%, 0.61%

LAB 66.61, -6.56, 9.4

 

CMYK 2 / 0 / 12 / 35

HEX #A2A591

RGB 162 165 145

HSL 69, 0.1%, 0.61%

LAB 67, -4.7, 10

 

CMYK 12 / 0 / 10 / 35

HEX #91A595

RGB 145 165 149

HSL 132, 0.1%, 0.61%

LAB 65.83, -10.17, 5.93

 

CMYK 12 / 0 / 6 / 35

HEX #91A59B

RGB 145 165 155

HSL 150, 0.1%, 0.61%

LAB 65.98, -9, 2.81

 

CMYK 12 / 0 / 3 / 35

HEX #91A5A0

RGB 145 165 160

HSL 165, 0.1%, 0.61%

LAB 66.11, -8, 0.21

 

CMYK 12 / 0 / 0 / 35

HEX #91A5A5

RGB 145 165 165

HSL 180, 0.1%, 0.61%

LAB 66.25, -6.96, -2.37

 

CMYK 12 / 4 / 0 / 35

HEX #919FA5

RGB 145 159 165

HSL 198, 0.1%, 0.61%

LAB 64.59, -3.69, -4.82

 

CMYK 12 / 0 / 10 / 35

HEX #91A595

RGB 145 165 149

HSL 132, 0.1%, 0.61%

LAB 65.83, -10.17, 5.93

 

CMYK 29 / 0 / 23 / 29

HEX #81B58C

RGB 129 181 140

HSL 132.69, 0.26%, 0.61%

LAB 69.19, -25.59, 15.51

 

CMYK 43 / 0 / 34 / 23

HEX #71C583

RGB 113 197 131

HSL 132.86, 0.42%, 0.61%

LAB 72.95, -39.68, 25.35

 

CMYK 54 / 0 / 43 / 16

HEX #61D579

RGB 97 213 121

HSL 132.41, 0.58%, 0.61%

LAB 76.99, -52.34, 35.71

 

CMYK 65 / 0 / 51 / 10

HEX #51E570

RGB 81 229 112

HSL 132.57, 0.74%, 0.61%

LAB 81.27, -63.15, 45.4

 

CMYK 12 / 0 / 10 / 35

HEX #91A595

RGB 145 165 149

HSL 132, 0.1%, 0.61%

LAB 65.83, -10.17, 5.93

 

CMYK 0 / 7 / 1 / 37

HEX #A1959F

RGB 161 149 159

HSL 310, 0.06%, 0.61%

LAB 62.99, 6.28, -3.66

 

CMYK 0 / 25 / 5 / 31

HEX #B185A8

RGB 177 133 168

HSL 312.27, 0.22%, 0.61%

LAB 60.74, 22.73, -11.96

 

CMYK 0 / 39 / 8 / 24

HEX #C175B1

RGB 193 117 177

HSL 312.63, 0.38%, 0.61%

LAB 59.19, 38.63, -19.27

 

CMYK 0 / 52 / 11 / 18

HEX #D165BB

RGB 209 101 187

HSL 312.22, 0.54%, 0.61%

LAB 58.46, 53.48, -25.93

 

CMYK 8 / 0 / 12 / 35

HEX #98A591

RGB 152 165 145

HSL 99, 0.1%, 0.61%

LAB 66.24, -8.4, 8.81

 

CMYK 12 / 0 / 12 / 35

HEX #92A591

RGB 146 165 145

HSL 117, 0.1%, 0.61%

LAB 65.8, -10.57, 8.13

 

CMYK 12 / 0 / 10 / 35

HEX #91A595

RGB 145 165 149

HSL 132, 0.1%, 0.61%

LAB 65.83, -10.17, 5.93

 

CMYK 12 / 0 / 7 / 35

HEX #91A59A

RGB 145 165 154

HSL 147, 0.1%, 0.61%

LAB 65.95, -9.2, 3.33

 

CMYK 12 / 0 / 3 / 35

HEX #91A5A0

RGB 145 165 160

HSL 165, 0.1%, 0.61%

LAB 66.11, -8, 0.21

 

CMYK 18 / 0 / 14 / 51

HEX #667D6B

RGB 102 125 107

HSL 133.04, 0.1%, 0.45%

LAB 50.16, -12.2, 7.06

 

CMYK 16 / 0 / 13 / 43

HEX #7A927F

RGB 122 146 127

HSL 132.5, 0.1%, 0.53%

LAB 58.25, -12.43, 7.25

 

CMYK 12 / 0 / 10 / 35

HEX #91A595

RGB 145 165 149

HSL 132, 0.1%, 0.61%

LAB 65.83, -10.17, 5.93

 

CMYK 9 / 0 / 7 / 28

HEX #A8B8AB

RGB 168 184 171

HSL 131.25, 0.1%, 0.69%

LAB 73.25, -8.02, 4.71

 

CMYK 6 / 0 / 4 / 21

HEX #BECAC1

RGB 190 202 193

HSL 135, 0.1%, 0.77%

LAB 80.2, -5.77, 3.07

 

CMYK 11 / 0 / 9 / 35

HEX #93A697

RGB 147 166 151

HSL 132.63, 0.1%, 0.61%

LAB 66.3, -9.62, 5.51

 

CMYK 12 / 5 / 0 / 35

HEX #919DA5

RGB 145 157 165

HSL 204, 0.1%, 0.61%

LAB 64.04, -2.59, -5.63

 

CMYK 0 / 12 / 10 / 35

HEX #A59195

RGB 165 145 149

HSL 348, 0.1%, 0.61%

LAB 62.01, 8.15, 0.62

 

CMYK 11 / 0 / 9 / 35

HEX #93A697

RGB 147 166 151

HSL 132.63, 0.1%, 0.61%

LAB 66.3, -9.62, 5.51

 

CMYK 10 / 12 / 0 / 35

HEX #9591A5

RGB 149 145 165

HSL 252, 0.1%, 0.61%

LAB 61.1, 5.5, -9.98

 

CMYK 0 / 10 / 12 / 35

HEX #A59591

RGB 165 149 145

HSL 12, 0.1%, 0.61%

LAB 62.96, 5.21, 4.25

 

CMYK 11 / 0 / 9 / 35

HEX #93A697

RGB 147 166 151

HSL 132.63, 0.1%, 0.61%

LAB 66.3, -9.62, 5.51

 

CMYK 12 / 5 / 0 / 35

HEX #919DA5

RGB 145 157 165

HSL 204, 0.1%, 0.61%

LAB 64.04, -2.59, -5.63

 

CMYK 0 / 12 / 2 / 35

HEX #A591A1

RGB 165 145 161

HSL 312, 0.1%, 0.61%

LAB 62.36, 10.36, -5.68

 

CMYK 0 / 7 / 12 / 35

HEX #A59991

RGB 165 153 145

HSL 24, 0.1%, 0.61%

LAB 64.02, 2.99, 5.78

 

CMYK 11 / 0 / 9 / 35

HEX #93A697

RGB 147 166 151

HSL 132.63, 0.1%, 0.61%

LAB 66.3, -9.62, 5.51

 

CMYK 12 / 8 / 0 / 35

HEX #9197A5

RGB 145 151 165

HSL 222, 0.1%, 0.61%

LAB 62.4, 0.75, -8.07

 

CMYK 0 / 12 / 2 / 35

HEX #A591A1

RGB 165 145 161

HSL 312, 0.1%, 0.61%

LAB 62.36, 10.36, -5.68

 

CMYK 0 / 4 / 12 / 35

HEX #A59F91

RGB 165 159 145

HSL 42, 0.1%, 0.61%

LAB 65.62, -0.31, 8.08

 

Description

Color code: HEX #93A697 | qconv.com Color code: HEX #93A697 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 166 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 166 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 9 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 9% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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