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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FF18D it is the complementary color #700E72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FF18D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FF18D shade: #94F188, #A5FF9B, #B6FFAE, #C7FFC1 and #D8FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FF18D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FF18D shade: #8FF18D, #7EDF7A, #6DCD67, #5CBB54 and #4BA941

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FF18D shade: #8FF08D, #AAF08D, #C5F08D, #DFF08D and #F0E78D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FF18D shade: #8FF08D, #8DF0A6, #8DF0C1, #8DF0DB and #8DEBF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FF18D shade matches the following richer shades: #8FF08D and #85FB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FF18D shade: #8FF08D, #99E697, #A3DCA2, #ADD2AC and #B7C7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FF18D shade: #C5F08D, #ABF08D, #90F08D, #8DF0A4 and #8DF0BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FF18D shade: #47E744, #6BEC68, #8FF08D, #B3F5B2 and #D7FAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FF18D shade: #8FF18D, #8DE0F0 and #F08DB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FF18D shade: #8FF18D, #8D90F0 and #F08D90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FF18D shade: #8FF18D, #8DE0F0, #ED8DF0 and #F09E8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FF18D shade: #8FF18D, #8DC2F0, #ED8DF0 and #F0BB8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 41 / 5

HEX #8FF18D

RGB 143 241 141

HSL 118.8, 0.78%, 0.75%

LAB 87.33, -48.33, 39.43

 

Complementary color

CMYK 2 / 88 / 0 / 55

HEX #700E72

RGB 112 14 114

HSL 298.8, 0.78%, 0.25%

LAB 26.66, 51.19, -32.77

 

CMYK 39 / 0 / 44 / 5

HEX #94F188

RGB 148 241 136

HSL 113.14, 0.79%, 0.74%

LAB 87.48, -47.54, 42.12

 

CMYK 35 / 0 / 39 / 0

HEX #A5FF9B

RGB 165 255 155

HSL 114, 1%, 0.8%

LAB 92.52, -45.65, 39.47

 

CMYK 29 / 0 / 32 / 0

HEX #B6FFAE

RGB 182 255 174

HSL 114.07, 1%, 0.84%

LAB 93.68, -37.51, 31.72

 

CMYK 22 / 0 / 24 / 0

HEX #C7FFC1

RGB 199 255 193

HSL 114.19, 1%, 0.88%

LAB 94.96, -29.02, 24.02

 

CMYK 15 / 0 / 17 / 0

HEX #D8FFD4

RGB 216 255 212

HSL 114.42, 1%, 0.92%

LAB 96.36, -20.29, 16.45

 

CMYK 41 / 0 / 41 / 5

HEX #8FF18D

RGB 143 241 141

HSL 118.8, 0.78%, 0.75%

LAB 87.33, -48.33, 39.43

 

CMYK 43 / 0 / 45 / 13

HEX #7EDF7A

RGB 126 223 122

HSL 117.62, 0.61%, 0.68%

LAB 81.08, -48.48, 40.66

 

CMYK 47 / 0 / 50 / 20

HEX #6DCD67

RGB 109 205 103

HSL 116.47, 0.5%, 0.6%

LAB 74.76, -48.56, 41.92

 

CMYK 51 / 0 / 55 / 27

HEX #5CBB54

RGB 92 187 84

HSL 115.34, 0.43%, 0.53%

LAB 68.36, -48.52, 43.17

 

CMYK 56 / 0 / 62 / 34

HEX #4BA941

RGB 75 169 65

HSL 114.23, 0.44%, 0.46%

LAB 61.87, -48.29, 44.36

 

CMYK 40 / 0 / 41 / 6

HEX #8FF08D

RGB 143 240 141

HSL 118.79, 0.77%, 0.75%

LAB 87.04, -47.91, 39.06

 

CMYK 29 / 0 / 41 / 6

HEX #AAF08D

RGB 170 240 141

HSL 102.42, 0.77%, 0.75%

LAB 88.35, -39.41, 41

 

CMYK 18 / 0 / 41 / 6

HEX #C5F08D

RGB 197 240 141

HSL 86.06, 0.77%, 0.75%

LAB 89.91, -30.01, 43.32

 

CMYK 7 / 0 / 41 / 6

HEX #DFF08D

RGB 223 240 141

HSL 70.3, 0.77%, 0.75%

LAB 91.65, -20.37, 45.88

 

CMYK 0 / 4 / 41 / 6

HEX #F0E78D

RGB 240 231 141

HSL 54.55, 0.77%, 0.75%

LAB 90.6, -9.41, 44.82

 

CMYK 40 / 0 / 41 / 6

HEX #8FF08D

RGB 143 240 141

HSL 118.79, 0.77%, 0.75%

LAB 87.04, -47.91, 39.06

 

CMYK 41 / 0 / 31 / 6

HEX #8DF0A6

RGB 141 240 166

HSL 135.15, 0.77%, 0.75%

LAB 87.36, -44.51, 26.89

 

CMYK 41 / 0 / 20 / 6

HEX #8DF0C1

RGB 141 240 193

HSL 151.52, 0.77%, 0.75%

LAB 87.89, -39.46, 13.71

 

CMYK 41 / 0 / 9 / 6

HEX #8DF0DB

RGB 141 240 219

HSL 167.27, 0.77%, 0.75%

LAB 88.49, -33.92, 1.03

 

CMYK 41 / 2 / 0 / 6

HEX #8DEBF0

RGB 141 235 240

HSL 183.03, 0.77%, 0.75%

LAB 87.66, -26.62, -11.19

 

CMYK 40 / 0 / 41 / 6

HEX #8FF08D

RGB 143 240 141

HSL 118.79, 0.77%, 0.75%

LAB 87.04, -47.91, 39.06

 

CMYK 47 / 0 / 48 / 2

HEX #85FB83

RGB 133 251 131

HSL 119, 0.94%, 0.75%

LAB 89.68, -56.62, 47.16

 

CMYK 40 / 0 / 41 / 6

HEX #8FF08D

RGB 143 240 141

HSL 118.79, 0.77%, 0.75%

LAB 87.04, -47.91, 39.06

 

CMYK 33 / 0 / 34 / 10

HEX #99E697

RGB 153 230 151

HSL 118.48, 0.61%, 0.75%

LAB 84.79, -39.01, 31.18

 

CMYK 26 / 0 / 26 / 14

HEX #A3DCA2

RGB 163 220 162

HSL 118.97, 0.45%, 0.75%

LAB 82.69, -29.39, 22.76

 

CMYK 18 / 0 / 18 / 18

HEX #ADD2AC

RGB 173 210 172

HSL 118.42, 0.3%, 0.75%

LAB 80.71, -19.46, 14.85

 

CMYK 8 / 0 / 9 / 22

HEX #B7C7B6

RGB 183 199 182

HSL 116.47, 0.13%, 0.75%

LAB 78.63, -8.63, 6.64

 

CMYK 18 / 0 / 41 / 6

HEX #C5F08D

RGB 197 240 141

HSL 86.06, 0.77%, 0.75%

LAB 89.91, -30.01, 43.32

 

CMYK 29 / 0 / 41 / 6

HEX #ABF08D

RGB 171 240 141

HSL 101.82, 0.77%, 0.75%

LAB 88.4, -39.07, 41.08

 

CMYK 40 / 0 / 41 / 6

HEX #90F08D

RGB 144 240 141

HSL 118.18, 0.77%, 0.75%

LAB 87.08, -47.62, 39.12

 

CMYK 41 / 0 / 32 / 6

HEX #8DF0A4

RGB 141 240 164

HSL 133.94, 0.77%, 0.75%

LAB 87.32, -44.85, 27.87

 

CMYK 41 / 0 / 20 / 6

HEX #8DF0BF

RGB 141 240 191

HSL 150.3, 0.77%, 0.75%

LAB 87.85, -39.86, 14.69

 

CMYK 69 / 0 / 71 / 9

HEX #47E744

RGB 71 231 68

HSL 118.9, 0.77%, 0.59%

LAB 81.24, -70.52, 64.04

 

CMYK 55 / 0 / 56 / 7

HEX #6BEC68

RGB 107 236 104

HSL 118.64, 0.78%, 0.67%

LAB 84.03, -61.01, 52.59

 

CMYK 40 / 0 / 41 / 6

HEX #8FF08D

RGB 143 240 141

HSL 118.79, 0.77%, 0.75%

LAB 87.04, -47.91, 39.06

 

CMYK 27 / 0 / 27 / 4

HEX #B3F5B2

RGB 179 245 178

HSL 119.1, 0.77%, 0.83%

LAB 90.83, -33.27, 25.81

 

CMYK 14 / 0 / 14 / 2

HEX #D7FAD6

RGB 215 250 214

HSL 118.33, 0.78%, 0.91%

LAB 95.02, -17.85, 13.53

 

CMYK 41 / 0 / 41 / 5

HEX #8FF18D

RGB 143 241 141

HSL 118.8, 0.78%, 0.75%

LAB 87.33, -48.33, 39.43

 

CMYK 41 / 7 / 0 / 6

HEX #8DE0F0

RGB 141 224 240

HSL 189.7, 0.77%, 0.75%

LAB 84.62, -21.21, -15.75

 

CMYK 0 / 41 / 23 / 6

HEX #F08DB8

RGB 240 141 184

HSL 333.94, 0.77%, 0.75%

LAB 70.2, 42.85, -6.1

 

CMYK 41 / 0 / 41 / 5

HEX #8FF18D

RGB 143 241 141

HSL 118.8, 0.78%, 0.75%

LAB 87.33, -48.33, 39.43

 

CMYK 41 / 40 / 0 / 6

HEX #8D90F0

RGB 141 144 240

HSL 238.18, 0.77%, 0.75%

LAB 63.26, 22.41, -48.69

 

CMYK 0 / 41 / 40 / 6

HEX #F08D90

RGB 240 141 144

HSL 358.18, 0.77%, 0.75%

LAB 69.18, 37.82, 14.77

 

CMYK 41 / 0 / 41 / 5

HEX #8FF18D

RGB 143 241 141

HSL 118.8, 0.78%, 0.75%

LAB 87.33, -48.33, 39.43

 

CMYK 41 / 7 / 0 / 6

HEX #8DE0F0

RGB 141 224 240

HSL 189.7, 0.77%, 0.75%

LAB 84.62, -21.21, -15.75

 

CMYK 1 / 41 / 0 / 6

HEX #ED8DF0

RGB 237 141 240

HSL 298.18, 0.77%, 0.75%

LAB 71.79, 50.94, -34.68

 

CMYK 0 / 34 / 41 / 6

HEX #F09E8D

RGB 240 158 141

HSL 10.3, 0.77%, 0.75%

LAB 72.83, 28.59, 21.47

 

CMYK 41 / 0 / 41 / 5

HEX #8FF18D

RGB 143 241 141

HSL 118.8, 0.78%, 0.75%

LAB 87.33, -48.33, 39.43

 

CMYK 41 / 19 / 0 / 6

HEX #8DC2F0

RGB 141 194 240

HSL 207.88, 0.77%, 0.75%

LAB 76.4, -5.69, -28.23

 

CMYK 1 / 41 / 0 / 6

HEX #ED8DF0

RGB 237 141 240

HSL 298.18, 0.77%, 0.75%

LAB 71.79, 50.94, -34.68

 

CMYK 0 / 22 / 41 / 6

HEX #F0BB8D

RGB 240 187 141

HSL 27.88, 0.77%, 0.75%

LAB 79.61, 13.24, 30.6

 

Description

Color code: HEX #8FF18D | qconv.com Color code: HEX #8FF18D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 241 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 241 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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