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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FEED3 it is the complementary color #70112C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FEED3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FEED3 shade: #94EECE, #A5FFE1, #B6FFF4, #C7FFFF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FEED3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FEED3 shade: #8FEED3, #7EDCC0, #6DCAAD, #5CB89A and #4BA687

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FEED3 shade: #90EED3, #90EEBA, #90EEA0, #98EE90 and #B2EE90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FEED3 shade: #90EED3, #90EEED, #90D6EE, #90BCEE and #90A3EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FEED3 shade matches the following richer shades: #90EED3 and #85F8D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FEED3 shade: #90EED3, #9AE4CF, #A4D9CA, #AFCFC6 and #B9C5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FEED3 shade: #90EE9F, #90EEB8, #90EED2, #90EEEB and #90D8EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FEED3 shade: #48E3B7, #6CE9C5, #90EED3, #B3F3E1 and #D7F9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FEED3 shade: #8FEED3, #9099EE and #EEAC90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FEED3 shade: #8FEED3, #D290EE and #EED290

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FEED3 shade: #8FEED3, #9099EE, #EE90AC and #EEE490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FEED3 shade: #8FEED3, #A290EE, #EE90AC and #DBEE90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 11 / 7

HEX #8FEED3

RGB 143 238 211

HSL 162.95, 0.74%, 0.75%

LAB 87.82, -34.26, 4.24

 

Complementary color

CMYK 0 / 85 / 61 / 56

HEX #70112C

RGB 112 17 44

HSL 342.95, 0.74%, 0.25%

LAB 23.76, 41.51, 9.71

 

CMYK 38 / 0 / 13 / 7

HEX #94EECE

RGB 148 238 206

HSL 158.67, 0.73%, 0.76%

LAB 87.92, -34, 7.03

 

CMYK 35 / 0 / 12 / 0

HEX #A5FFE1

RGB 165 255 225

HSL 160, 1%, 0.82%

LAB 93.86, -33.33, 5.84

 

CMYK 29 / 0 / 4 / 0

HEX #B6FFF4

RGB 182 255 244

HSL 170.96, 1%, 0.86%

LAB 95.16, -24.65, -1.98

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 40 / 0 / 11 / 7

HEX #8FEED3

RGB 143 238 211

HSL 162.95, 0.74%, 0.75%

LAB 87.82, -34.26, 4.24

 

CMYK 43 / 0 / 13 / 14

HEX #7EDCC0

RGB 126 220 192

HSL 162.13, 0.57%, 0.68%

LAB 81.53, -34.43, 5.06

 

CMYK 46 / 0 / 14 / 21

HEX #6DCAAD

RGB 109 202 173

HSL 161.29, 0.47%, 0.61%

LAB 75.15, -34.59, 5.94

 

CMYK 50 / 0 / 16 / 28

HEX #5CB89A

RGB 92 184 154

HSL 160.43, 0.39%, 0.54%

LAB 68.67, -34.72, 6.88

 

CMYK 55 / 0 / 19 / 35

HEX #4BA687

RGB 75 166 135

HSL 159.56, 0.38%, 0.47%

LAB 62.1, -34.79, 7.91

 

CMYK 39 / 0 / 11 / 7

HEX #90EED3

RGB 144 238 211

HSL 162.77, 0.73%, 0.75%

LAB 87.86, -34, 4.31

 

CMYK 39 / 0 / 22 / 7

HEX #90EEBA

RGB 144 238 186

HSL 146.81, 0.73%, 0.75%

LAB 87.3, -39.13, 16.54

 

CMYK 39 / 0 / 33 / 7

HEX #90EEA0

RGB 144 238 160

HSL 130.21, 0.73%, 0.75%

LAB 86.81, -43.81, 29.23

 

CMYK 36 / 0 / 39 / 7

HEX #98EE90

RGB 152 238 144

HSL 114.89, 0.73%, 0.75%

LAB 86.92, -43.9, 37.49

 

CMYK 25 / 0 / 39 / 7

HEX #B2EE90

RGB 178 238 144

HSL 98.3, 0.73%, 0.75%

LAB 88.27, -35.4, 39.51

 

CMYK 39 / 0 / 11 / 7

HEX #90EED3

RGB 144 238 211

HSL 162.77, 0.73%, 0.75%

LAB 87.86, -34, 4.31

 

CMYK 39 / 0 / 0 / 7

HEX #90EEED

RGB 144 238 237

HSL 179.36, 0.73%, 0.75%

LAB 88.54, -28.06, -8.3

 

CMYK 39 / 10 / 0 / 7

HEX #90D6EE

RGB 144 214 238

HSL 195.32, 0.73%, 0.75%

LAB 81.94, -15.92, -18.7

 

CMYK 39 / 21 / 0 / 7

HEX #90BCEE

RGB 144 188 238

HSL 211.91, 0.73%, 0.75%

LAB 74.87, -2.21, -29.49

 

CMYK 39 / 32 / 0 / 7

HEX #90A3EE

RGB 144 163 238

HSL 227.87, 0.73%, 0.75%

LAB 68.24, 11.69, -39.76

 

CMYK 39 / 0 / 11 / 7

HEX #90EED3

RGB 144 238 211

HSL 162.77, 0.73%, 0.75%

LAB 87.86, -34, 4.31

 

CMYK 46 / 0 / 13 / 3

HEX #85F8D8

RGB 133 248 216

HSL 163.3, 0.89%, 0.75%

LAB 90.36, -40.19, 5.26

 

CMYK 39 / 0 / 11 / 7

HEX #90EED3

RGB 144 238 211

HSL 162.77, 0.73%, 0.75%

LAB 87.86, -34, 4.31

 

CMYK 32 / 0 / 9 / 11

HEX #9AE4CF

RGB 154 228 207

HSL 162.97, 0.58%, 0.75%

LAB 85.43, -27.41, 2.95

 

CMYK 24 / 0 / 7 / 15

HEX #A4D9CA

RGB 164 217 202

HSL 163.02, 0.41%, 0.75%

LAB 82.8, -20.13, 1.83

 

CMYK 15 / 0 / 4 / 19

HEX #AFCFC6

RGB 175 207 198

HSL 163.13, 0.25%, 0.75%

LAB 80.64, -12.41, 0.9

 

CMYK 6 / 0 / 2 / 23

HEX #B9C5C1

RGB 185 197 193

HSL 160, 0.09%, 0.75%

LAB 78.52, -4.86, 0.58

 

CMYK 39 / 0 / 33 / 7

HEX #90EE9F

RGB 144 238 159

HSL 129.57, 0.73%, 0.75%

LAB 86.79, -43.97, 29.72

 

CMYK 39 / 0 / 23 / 7

HEX #90EEB8

RGB 144 238 184

HSL 145.53, 0.73%, 0.75%

LAB 87.26, -39.51, 17.52

 

CMYK 39 / 0 / 12 / 7

HEX #90EED2

RGB 144 238 210

HSL 162.13, 0.73%, 0.75%

LAB 87.84, -34.21, 4.8

 

CMYK 39 / 0 / 1 / 7

HEX #90EEEB

RGB 144 238 235

HSL 178.09, 0.73%, 0.75%

LAB 88.48, -28.54, -7.34

 

CMYK 39 / 9 / 0 / 7

HEX #90D8EE

RGB 144 216 238

HSL 194.04, 0.73%, 0.75%

LAB 82.49, -16.94, -17.87

 

CMYK 68 / 0 / 19 / 11

HEX #48E3B7

RGB 72 227 183

HSL 162.97, 0.73%, 0.59%

LAB 81.69, -50.54, 9.84

 

CMYK 54 / 0 / 15 / 9

HEX #6CE9C5

RGB 108 233 197

HSL 162.72, 0.74%, 0.67%

LAB 84.74, -43.37, 6.97

 

CMYK 39 / 0 / 11 / 7

HEX #90EED3

RGB 144 238 211

HSL 162.77, 0.73%, 0.75%

LAB 87.86, -34, 4.31

 

CMYK 26 / 0 / 7 / 5

HEX #B3F3E1

RGB 179 243 225

HSL 163.13, 0.73%, 0.83%

LAB 91.29, -23.68, 2.19

 

CMYK 14 / 0 / 4 / 2

HEX #D7F9EF

RGB 215 249 239

HSL 162.35, 0.74%, 0.91%

LAB 95.34, -12.85, 1.1

 

CMYK 40 / 0 / 11 / 7

HEX #8FEED3

RGB 143 238 211

HSL 162.95, 0.74%, 0.75%

LAB 87.82, -34.26, 4.24

 

CMYK 39 / 36 / 0 / 7

HEX #9099EE

RGB 144 153 238

HSL 234.26, 0.73%, 0.75%

LAB 65.66, 17.41, -43.8

 

CMYK 0 / 28 / 39 / 7

HEX #EEAC90

RGB 238 172 144

HSL 17.87, 0.73%, 0.75%

LAB 75.88, 20.73, 23.97

 

CMYK 40 / 0 / 11 / 7

HEX #8FEED3

RGB 143 238 211

HSL 162.95, 0.74%, 0.75%

LAB 87.82, -34.26, 4.24

 

CMYK 12 / 39 / 0 / 7

HEX #D290EE

RGB 210 144 238

HSL 282.13, 0.73%, 0.75%

LAB 69.34, 41.04, -37.61

 

CMYK 0 / 12 / 39 / 7

HEX #EED290

RGB 238 210 144

HSL 42.13, 0.73%, 0.75%

LAB 85.14, 0.78, 36.29

 

CMYK 40 / 0 / 11 / 7

HEX #8FEED3

RGB 143 238 211

HSL 162.95, 0.74%, 0.75%

LAB 87.82, -34.26, 4.24

 

CMYK 39 / 36 / 0 / 7

HEX #9099EE

RGB 144 153 238

HSL 234.26, 0.73%, 0.75%

LAB 65.66, 17.41, -43.8

 

CMYK 0 / 39 / 28 / 7

HEX #EE90AC

RGB 238 144 172

HSL 342.13, 0.73%, 0.75%

LAB 70.25, 38.96, 0.63

 

CMYK 0 / 4 / 39 / 7

HEX #EEE490

RGB 238 228 144

HSL 53.62, 0.73%, 0.75%

LAB 89.71, -8.37, 42.18

 

CMYK 40 / 0 / 11 / 7

HEX #8FEED3

RGB 143 238 211

HSL 162.95, 0.74%, 0.75%

LAB 87.82, -34.26, 4.24

 

CMYK 32 / 39 / 0 / 7

HEX #A290EE

RGB 162 144 238

HSL 251.49, 0.73%, 0.75%

LAB 64.8, 27.35, -45.05

 

CMYK 0 / 39 / 28 / 7

HEX #EE90AC

RGB 238 144 172

HSL 342.13, 0.73%, 0.75%

LAB 70.25, 38.96, 0.63

 

CMYK 8 / 0 / 39 / 7

HEX #DBEE90

RGB 219 238 144

HSL 72.13, 0.73%, 0.75%

LAB 90.88, -20.58, 43.38

 

Description

Color code: HEX #8FEED3 | qconv.com Color code: HEX #8FEED3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 238 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 238 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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