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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD3E5 it is the complementary color #702C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD3E5 shade: #94D3E0, #A5E5F3, #B6F7FF, #C7FFFF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD3E5 shade: #8FD3E5, #7EC1D2, #6DAFBF, #5C9DAC and #4B8B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD3E5 shade: #8FD2E4, #8FBBE4, #8FA4E4, #918FE4 and #A88FE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD3E5 shade: #8FD2E4, #8FBBE4, #8FA4E4 and #8F8FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD3E5 shade matches the following richer shades: #8FD2E4, #84D9EF and #79DFFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD3E5 shade: #8FD2E4, #9ACCD9, #A5C6CE, #B0BFC3 and #BCB9B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD3E5 shade: #8FE4C8, #8FE4DF, #8FD3E4, #8FBCE4 and #8FA6E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD3E5 shade: #4CB8D5, #6EC5DC, #8FD2E4, #B0E0EC and #D2EDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD3E5 shade: #8FD3E5, #B18FE4 and #E4D38F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD3E5 shade: #8FD3E5, #E48FD3 and #D3E48F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD3E5 shade: #8FD3E5, #B18FE4, #E4A08F and #C2E48F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD3E5 shade: #8FD3E5, #CB8FE4, #E4A08F and #A9E48F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 8 / 0 / 10

HEX #8FD3E5

RGB 143 211 229

HSL 192.56, 0.62%, 0.73%

LAB 80.79, -16.91, -15.66

 

Complementary color

CMYK 0 / 61 / 77 / 56

HEX #702C1A

RGB 112 44 26

HSL 12.56, 0.62%, 0.27%

LAB 27.63, 28.94, 26.29

 

CMYK 34 / 6 / 0 / 12

HEX #94D3E0

RGB 148 211 224

HSL 190.26, 0.55%, 0.73%

LAB 80.89, -16.8, -12.81

 

CMYK 32 / 6 / 0 / 5

HEX #A5E5F3

RGB 165 229 243

HSL 190.77, 0.76%, 0.8%

LAB 87.25, -16.79, -13.27

 

CMYK 29 / 3 / 0 / 0

HEX #B6F7FF

RGB 182 247 255

HSL 186.58, 1%, 0.86%

LAB 93.31, -18.36, -10.39

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 38 / 8 / 0 / 10

HEX #8FD3E5

RGB 143 211 229

HSL 192.56, 0.62%, 0.73%

LAB 80.79, -16.91, -15.66

 

CMYK 40 / 8 / 0 / 18

HEX #7EC1D2

RGB 126 193 210

HSL 192.14, 0.48%, 0.66%

LAB 74.34, -16.86, -15.22

 

CMYK 43 / 8 / 0 / 25

HEX #6DAFBF

RGB 109 175 191

HSL 191.71, 0.39%, 0.59%

LAB 67.78, -16.79, -14.76

 

CMYK 47 / 9 / 0 / 33

HEX #5C9DAC

RGB 92 157 172

HSL 191.25, 0.33%, 0.52%

LAB 61.1, -16.68, -14.29

 

CMYK 51 / 9 / 0 / 40

HEX #4B8B99

RGB 75 139 153

HSL 190.77, 0.34%, 0.45%

LAB 54.3, -16.52, -13.79

 

CMYK 37 / 8 / 0 / 11

HEX #8FD2E4

RGB 143 210 228

HSL 192.71, 0.61%, 0.73%

LAB 80.48, -16.64, -15.58

 

CMYK 37 / 18 / 0 / 11

HEX #8FBBE4

RGB 143 187 228

HSL 208.94, 0.61%, 0.73%

LAB 74.18, -4.56, -25.14

 

CMYK 37 / 28 / 0 / 11

HEX #8FA4E4

RGB 143 164 228

HSL 225.18, 0.61%, 0.73%

LAB 68.01, 8.16, -34.63

 

CMYK 36 / 37 / 0 / 11

HEX #918FE4

RGB 145 143 228

HSL 241.41, 0.61%, 0.73%

LAB 62.73, 20.73, -42.87

 

CMYK 26 / 37 / 0 / 11

HEX #A88FE4

RGB 168 143 228

HSL 257.65, 0.61%, 0.73%

LAB 64.62, 27.11, -39.78

 

CMYK 37 / 8 / 0 / 11

HEX #8FD2E4

RGB 143 210 228

HSL 192.71, 0.61%, 0.73%

LAB 80.48, -16.64, -15.58

 

CMYK 37 / 18 / 0 / 11

HEX #8FBBE4

RGB 143 187 228

HSL 208.94, 0.61%, 0.73%

LAB 74.18, -4.56, -25.14

 

CMYK 37 / 28 / 0 / 11

HEX #8FA4E4

RGB 143 164 228

HSL 225.18, 0.61%, 0.73%

LAB 68.01, 8.16, -34.63

 

CMYK 37 / 37 / 0 / 11

HEX #8F8FE4

RGB 143 143 228

HSL 240, 0.61%, 0.73%

LAB 62.58, 20.2, -43.12

 

CMYK 37 / 8 / 0 / 11

HEX #8FD2E4

RGB 143 210 228

HSL 192.71, 0.61%, 0.73%

LAB 80.48, -16.64, -15.58

 

CMYK 45 / 9 / 0 / 6

HEX #84D9EF

RGB 132 217 239

HSL 192.34, 0.77%, 0.73%

LAB 82.25, -20.12, -18.82

 

CMYK 52 / 11 / 0 / 2

HEX #79DFFB

RGB 121 223 251

HSL 192.92, 0.94%, 0.73%

LAB 83.86, -22.34, -22.78

 

CMYK 37 / 8 / 0 / 11

HEX #8FD2E4

RGB 143 210 228

HSL 192.71, 0.61%, 0.73%

LAB 80.48, -16.64, -15.58

 

CMYK 29 / 6 / 0 / 15

HEX #9ACCD9

RGB 154 204 217

HSL 192.38, 0.45%, 0.73%

LAB 79.08, -13.2, -11.73

 

CMYK 20 / 4 / 0 / 19

HEX #A5C6CE

RGB 165 198 206

HSL 191.71, 0.29%, 0.73%

LAB 77.78, -9.26, -7.67

 

CMYK 10 / 2 / 0 / 24

HEX #B0BFC3

RGB 176 191 195

HSL 192.63, 0.14%, 0.73%

LAB 76.33, -4.33, -3.78

 

CMYK 0 / 2 / 2 / 26

HEX #BCB9B8

RGB 188 185 184

HSL 15, 0.03%, 0.73%

LAB 75.36, 0.87, 0.87

 

CMYK 37 / 0 / 12 / 11

HEX #8FE4C8

RGB 143 228 200

HSL 160.24, 0.61%, 0.73%

LAB 84.74, -31.95, 5.57

 

CMYK 37 / 0 / 2 / 11

HEX #8FE4DF

RGB 143 228 223

HSL 176.47, 0.61%, 0.73%

LAB 85.33, -26.8, -5.7

 

CMYK 37 / 7 / 0 / 11

HEX #8FD3E4

RGB 143 211 228

HSL 192, 0.61%, 0.73%

LAB 80.76, -17.15, -15.17

 

CMYK 37 / 18 / 0 / 11

HEX #8FBCE4

RGB 143 188 228

HSL 208.24, 0.61%, 0.73%

LAB 74.45, -5.1, -24.72

 

CMYK 37 / 27 / 0 / 11

HEX #8FA6E4

RGB 143 166 228

HSL 223.76, 0.61%, 0.73%

LAB 68.54, 7.03, -33.81

 

CMYK 64 / 14 / 0 / 16

HEX #4CB8D5

RGB 76 184 213

HSL 192.7, 0.62%, 0.57%

LAB 69.91, -21.99, -23.75

 

CMYK 50 / 10 / 0 / 14

HEX #6EC5DC

RGB 110 197 220

HSL 192.55, 0.61%, 0.65%

LAB 75.09, -20.07, -19.57

 

CMYK 37 / 8 / 0 / 11

HEX #8FD2E4

RGB 143 210 228

HSL 192.71, 0.61%, 0.73%

LAB 80.48, -16.64, -15.58

 

CMYK 25 / 5 / 0 / 7

HEX #B0E0EC

RGB 176 224 236

HSL 192, 0.61%, 0.81%

LAB 86.3, -12.76, -10.93

 

CMYK 14 / 3 / 0 / 4

HEX #D2EDF4

RGB 210 237 244

HSL 192.35, 0.61%, 0.89%

LAB 92.04, -7.41, -6.38

 

CMYK 38 / 8 / 0 / 10

HEX #8FD3E5

RGB 143 211 229

HSL 192.56, 0.62%, 0.73%

LAB 80.79, -16.91, -15.66

 

CMYK 22 / 37 / 0 / 11

HEX #B18FE4

RGB 177 143 228

HSL 264, 0.61%, 0.73%

LAB 65.43, 29.71, -38.45

 

CMYK 0 / 7 / 37 / 11

HEX #E4D38F

RGB 228 211 143

HSL 48, 0.61%, 0.73%

LAB 84.52, -3.76, 35.82

 

CMYK 38 / 8 / 0 / 10

HEX #8FD3E5

RGB 143 211 229

HSL 192.56, 0.62%, 0.73%

LAB 80.79, -16.91, -15.66

 

CMYK 0 / 37 / 7 / 11

HEX #E48FD3

RGB 228 143 211

HSL 312, 0.61%, 0.73%

LAB 70.07, 42.06, -21.46

 

CMYK 7 / 0 / 37 / 11

HEX #D3E48F

RGB 211 228 143

HSL 72, 0.61%, 0.73%

LAB 87.64, -18.84, 39.61

 

CMYK 38 / 8 / 0 / 10

HEX #8FD3E5

RGB 143 211 229

HSL 192.56, 0.62%, 0.73%

LAB 80.79, -16.91, -15.66

 

CMYK 22 / 37 / 0 / 11

HEX #B18FE4

RGB 177 143 228

HSL 264, 0.61%, 0.73%

LAB 65.43, 29.71, -38.45

 

CMYK 0 / 30 / 37 / 11

HEX #E4A08F

RGB 228 160 143

HSL 12, 0.61%, 0.73%

LAB 71.97, 23.15, 18.99

 

CMYK 15 / 0 / 37 / 11

HEX #C2E48F

RGB 194 228 143

HSL 84, 0.61%, 0.73%

LAB 86.47, -25.17, 37.88

 

CMYK 38 / 8 / 0 / 10

HEX #8FD3E5

RGB 143 211 229

HSL 192.56, 0.62%, 0.73%

LAB 80.79, -16.91, -15.66

 

CMYK 11 / 37 / 0 / 11

HEX #CB8FE4

RGB 203 143 228

HSL 282.35, 0.61%, 0.73%

LAB 67.98, 37.45, -34.29

 

CMYK 0 / 30 / 37 / 11

HEX #E4A08F

RGB 228 160 143

HSL 12, 0.61%, 0.73%

LAB 71.97, 23.15, 18.99

 

CMYK 26 / 0 / 37 / 11

HEX #A9E48F

RGB 169 228 143

HSL 101.65, 0.61%, 0.73%

LAB 84.95, -34.03, 35.6

 

Description

Color code: HEX #8FD3E5 | qconv.com Color code: HEX #8FD3E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 211 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 211 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 8 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 8% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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