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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD136 it is the complementary color #702EC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD136 shade: #94D131, #A5E344, #B6F557, #C7FF6A and #D8FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD136 shade: #8FD136, #7EBF23, #6DAD10, #5C9B00 and #4B8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD136 shade: #90D137, #B9D137, #D1C037, #D19637 and #D16D37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD136 shade: #90D137, #66D137, #3CD137, #37D15B and #37D185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD136 shade matches the following richer shades: #90D137, #92E523 and #95F90F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD136 shade: #90D137, #8DBD4B, #8AAA5F, #879672 and #848286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD136 shade: #D1BF37, #BAD137, #91D137, #68D137 and #3FD137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD136 shade: #639421, #7AB629, #90D137, #A2D959 and #B5E07A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD136 shade: #8FD136, #37D196 and #D137CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD136 shade: #8FD136, #3791D1 and #D13791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD136 shade: #8FD136, #37D196, #7737D1 and #D13772

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD136 shade: #8FD136, #37D1C4, #7737D1 and #D13744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 74 / 18

HEX #8FD136

RGB 143 209 54

HSL 85.55, 0.63%, 0.52%

LAB 77.11, -43.64, 65.61

 

Complementary color

CMYK 44 / 77 / 0 / 21

HEX #702EC9

RGB 112 46 201

HSL 265.55, 0.63%, 0.48%

LAB 37.14, 59.13, -68.76

 

CMYK 29 / 0 / 77 / 18

HEX #94D131

RGB 148 209 49

HSL 82.88, 0.63%, 0.51%

LAB 77.35, -42.07, 67.55

 

CMYK 27 / 0 / 70 / 11

HEX #A5E344

RGB 165 227 68

HSL 83.4, 0.74%, 0.58%

LAB 83.63, -42.56, 67.62

 

CMYK 26 / 0 / 64 / 4

HEX #B6F557

RGB 182 245 87

HSL 83.92, 0.89%, 0.65%

LAB 89.83, -42.91, 67.2

 

CMYK 22 / 0 / 58 / 0

HEX #C7FF6A

RGB 199 255 106

HSL 82.55, 1%, 0.71%

LAB 93.75, -39.65, 64.02

 

CMYK 15 / 0 / 51 / 0

HEX #D8FF7D

RGB 216 255 125

HSL 78, 1%, 0.75%

LAB 94.99, -31.7, 57.38

 

CMYK 32 / 0 / 74 / 18

HEX #8FD136

RGB 143 209 54

HSL 85.55, 0.63%, 0.52%

LAB 77.11, -43.64, 65.61

 

CMYK 34 / 0 / 82 / 25

HEX #7EBF23

RGB 126 191 35

HSL 85, 0.69%, 0.44%

LAB 70.75, -43.05, 65.07

 

CMYK 37 / 0 / 91 / 32

HEX #6DAD10

RGB 109 173 16

HSL 84.46, 0.83%, 0.37%

LAB 64.3, -42.22, 63.34

 

CMYK 41 / 0 / 100 / 39

HEX #5C9B00

RGB 92 155 0

HSL 84.39, 1%, 0.3%

LAB 57.77, -41.12, 60.08

 

CMYK 45 / 0 / 100 / 46

HEX #4B8900

RGB 75 137 0

HSL 87.15, 1%, 0.27%

LAB 51.14, -39.62, 54.57

 

CMYK 31 / 0 / 74 / 18

HEX #90D137

RGB 144 209 55

HSL 85.32, 0.63%, 0.52%

LAB 77.16, -43.22, 65.36

 

CMYK 11 / 0 / 74 / 18

HEX #B9D137

RGB 185 209 55

HSL 69.35, 0.63%, 0.52%

LAB 79.72, -27.28, 68.7

 

CMYK 0 / 8 / 74 / 18

HEX #D1C037

RGB 209 192 55

HSL 53.38, 0.63%, 0.52%

LAB 77, -8.77, 66.79

 

CMYK 0 / 28 / 74 / 18

HEX #D19637

RGB 209 150 55

HSL 37.01, 0.63%, 0.52%

LAB 66.25, 13.48, 56.34

 

CMYK 0 / 48 / 74 / 18

HEX #D16D37

RGB 209 109 55

HSL 21.04, 0.63%, 0.52%

LAB 56.85, 35.46, 46.7

 

CMYK 31 / 0 / 74 / 18

HEX #90D137

RGB 144 209 55

HSL 85.32, 0.63%, 0.52%

LAB 77.16, -43.22, 65.36

 

CMYK 51 / 0 / 74 / 18

HEX #66D137

RGB 102 209 55

HSL 101.69, 0.63%, 0.52%

LAB 75.27, -56.9, 62.85

 

CMYK 71 / 0 / 74 / 18

HEX #3CD137

RGB 60 209 55

HSL 118.05, 0.63%, 0.52%

LAB 74.09, -66.44, 61.28

 

CMYK 74 / 0 / 56 / 18

HEX #37D15B

RGB 55 209 91

HSL 134.03, 0.63%, 0.52%

LAB 74.3, -63.54, 46.7

 

CMYK 74 / 0 / 36 / 18

HEX #37D185

RGB 55 209 133

HSL 150.39, 0.63%, 0.52%

LAB 74.89, -56.69, 26.62

 

CMYK 31 / 0 / 74 / 18

HEX #90D137

RGB 144 209 55

HSL 85.32, 0.63%, 0.52%

LAB 77.16, -43.22, 65.36

 

CMYK 36 / 0 / 85 / 10

HEX #92E523

RGB 146 229 35

HSL 85.67, 0.79%, 0.52%

LAB 83.06, -51.73, 76.27

 

CMYK 40 / 0 / 94 / 2

HEX #95F90F

RGB 149 249 15

HSL 85.64, 0.95%, 0.52%

LAB 89.01, -59.03, 84.29

 

CMYK 31 / 0 / 74 / 18

HEX #90D137

RGB 144 209 55

HSL 85.32, 0.63%, 0.52%

LAB 77.16, -43.22, 65.36

 

CMYK 25 / 0 / 60 / 26

HEX #8DBD4B

RGB 141 189 75

HSL 85.26, 0.46%, 0.52%

LAB 71.26, -33.98, 51.29

 

CMYK 19 / 0 / 44 / 33

HEX #8AAA5F

RGB 138 170 95

HSL 85.6, 0.31%, 0.52%

LAB 65.73, -23.93, 35.03

 

CMYK 10 / 0 / 24 / 41

HEX #879672

RGB 135 150 114

HSL 85, 0.15%, 0.52%

LAB 60.05, -12.06, 17.25

 

CMYK 1 / 3 / 0 / 47

HEX #848286

RGB 132 130 134

HSL 270, 0.02%, 0.52%

LAB 54.65, 1.54, -1.9

 

CMYK 0 / 9 / 74 / 18

HEX #D1BF37

RGB 209 191 55

HSL 52.99, 0.63%, 0.52%

LAB 76.74, -8.26, 66.54

 

CMYK 11 / 0 / 74 / 18

HEX #BAD137

RGB 186 209 55

HSL 68.96, 0.63%, 0.52%

LAB 79.79, -26.88, 68.8

 

CMYK 31 / 0 / 74 / 18

HEX #91D137

RGB 145 209 55

HSL 84.94, 0.63%, 0.52%

LAB 77.22, -42.85, 65.43

 

CMYK 50 / 0 / 74 / 18

HEX #68D137

RGB 104 209 55

HSL 100.91, 0.63%, 0.52%

LAB 75.34, -56.33, 62.95

 

CMYK 70 / 0 / 74 / 18

HEX #3FD137

RGB 63 209 55

HSL 116.88, 0.63%, 0.52%

LAB 74.15, -65.92, 61.36

 

CMYK 33 / 0 / 78 / 42

HEX #639421

RGB 99 148 33

HSL 85.57, 0.64%, 0.35%

LAB 56.03, -34.34, 51.55

 

CMYK 33 / 0 / 77 / 29

HEX #7AB629

RGB 122 182 41

HSL 85.53, 0.63%, 0.44%

LAB 67.84, -40.36, 60.58

 

CMYK 31 / 0 / 74 / 18

HEX #90D137

RGB 144 209 55

HSL 85.32, 0.63%, 0.52%

LAB 77.16, -43.22, 65.36

 

CMYK 25 / 0 / 59 / 15

HEX #A2D959

RGB 162 217 89

HSL 85.78, 0.63%, 0.6%

LAB 80.75, -37.68, 56.12

 

CMYK 19 / 0 / 46 / 12

HEX #B5E07A

RGB 181 224 122

HSL 85.29, 0.62%, 0.68%

LAB 84.25, -30.57, 45.24

 

CMYK 32 / 0 / 74 / 18

HEX #8FD136

RGB 143 209 54

HSL 85.55, 0.63%, 0.52%

LAB 77.11, -43.64, 65.61

 

CMYK 74 / 0 / 28 / 18

HEX #37D196

RGB 55 209 150

HSL 157.01, 0.63%, 0.52%

LAB 75.21, -53.17, 18.12

 

CMYK 0 / 74 / 1 / 18

HEX #D137CF

RGB 209 55 207

HSL 300.78, 0.63%, 0.52%

LAB 52.72, 75.09, -46.38

 

CMYK 32 / 0 / 74 / 18

HEX #8FD136

RGB 143 209 54

HSL 85.55, 0.63%, 0.52%

LAB 77.11, -43.64, 65.61

 

CMYK 74 / 31 / 0 / 18

HEX #3791D1

RGB 55 145 209

HSL 204.94, 0.63%, 0.52%

LAB 57.72, -5.23, -40.48

 

CMYK 0 / 74 / 31 / 18

HEX #D13791

RGB 209 55 145

HSL 324.94, 0.63%, 0.52%

LAB 49.9, 66.57, -14.47

 

CMYK 32 / 0 / 74 / 18

HEX #8FD136

RGB 143 209 54

HSL 85.55, 0.63%, 0.52%

LAB 77.11, -43.64, 65.61

 

CMYK 74 / 0 / 28 / 18

HEX #37D196

RGB 55 209 150

HSL 157.01, 0.63%, 0.52%

LAB 75.21, -53.17, 18.12

 

CMYK 43 / 74 / 0 / 18

HEX #7737D1

RGB 119 55 209

HSL 264.94, 0.63%, 0.52%

LAB 40.01, 58.34, -68.68

 

CMYK 0 / 74 / 45 / 18

HEX #D13772

RGB 209 55 114

HSL 337.01, 0.63%, 0.52%

LAB 48.89, 63.37, 2.76

 

CMYK 32 / 0 / 74 / 18

HEX #8FD136

RGB 143 209 54

HSL 85.55, 0.63%, 0.52%

LAB 77.11, -43.64, 65.61

 

CMYK 74 / 0 / 6 / 18

HEX #37D1C4

RGB 55 209 196

HSL 174.94, 0.63%, 0.52%

LAB 76.31, -41.79, -4.94

 

CMYK 43 / 74 / 0 / 18

HEX #7737D1

RGB 119 55 209

HSL 264.94, 0.63%, 0.52%

LAB 40.01, 58.34, -68.68

 

CMYK 0 / 74 / 67 / 18

HEX #D13744

RGB 209 55 68

HSL 354.94, 0.63%, 0.52%

LAB 47.89, 60.09, 29.35

 

Description

Color code: HEX #8FD136 | qconv.com Color code: HEX #8FD136 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 209 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 209 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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