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Color name
HEX #8FD969

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD969 it is the complementary color #702696. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD969. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD969 shade: #94D964, #A5EB77, #B6FD8A, #C7FF9D and #D8FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD969. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD969 shade: #8FD969, #7EC756, #6DB543, #5CA330 and #4B911D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD969 shade: #8ED968, #ACD968, #CBD968, #D9C868 and #D9A968

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD969 shade: #8ED968, #6FD968, #68D97E, #68D99D and #68D9BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD969 shade matches the following richer shades: #8ED968, #89E858 and #84F749

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD969 shade: #8ED968, #93C977, #98BA86, #9DAB95 and #A29CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD969 shade: #CCD968, #ADD968, #8FD968, #71D968 and #68D97C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD969 shade: #60BF2F, #75D147, #8ED968, #A7E189 and #BFE9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD969 shade: #8FD969, #68D9C8 and #D968BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD969 shade: #8FD969, #688FD9 and #D9688F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD969 shade: #8FD969, #68D9C8, #B168D9 and #D96879

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD969 shade: #8FD969, #68C8D9, #B168D9 and #D97968

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 52 / 15

HEX #8FD969

RGB 143 217 105

HSL 99.64, 0.6%, 0.63%

LAB 79.89, -42.76, 47.56

 

Complementary color

CMYK 25 / 75 / 0 / 41

HEX #702696

RGB 112 38 150

HSL 279.64, 0.6%, 0.37%

LAB 31.88, 50.43, -46.91

 

CMYK 32 / 0 / 54 / 15

HEX #94D964

RGB 148 217 100

HSL 95.38, 0.61%, 0.62%

LAB 80.09, -41.61, 50.2

 

CMYK 30 / 0 / 49 / 8

HEX #A5EB77

RGB 165 235 119

HSL 96.21, 0.74%, 0.69%

LAB 86.38, -41.59, 49.09

 

CMYK 28 / 0 / 45 / 1

HEX #B6FD8A

RGB 182 253 138

HSL 97.04, 0.97%, 0.77%

LAB 92.59, -41.52, 47.95

 

CMYK 22 / 0 / 38 / 0

HEX #C7FF9D

RGB 199 255 157

HSL 94.29, 1%, 0.81%

LAB 94.35, -34.25, 41.21

 

CMYK 15 / 0 / 31 / 0

HEX #D8FFB0

RGB 216 255 176

HSL 89.62, 1%, 0.85%

LAB 95.69, -25.79, 33.75

 

CMYK 34 / 0 / 52 / 15

HEX #8FD969

RGB 143 217 105

HSL 99.64, 0.6%, 0.63%

LAB 79.89, -42.76, 47.56

 

CMYK 37 / 0 / 57 / 22

HEX #7EC756

RGB 126 199 86

HSL 98.76, 0.5%, 0.56%

LAB 73.52, -42.76, 48.68

 

CMYK 40 / 0 / 63 / 29

HEX #6DB543

RGB 109 181 67

HSL 97.89, 0.46%, 0.49%

LAB 67.05, -42.65, 49.66

 

CMYK 44 / 0 / 71 / 36

HEX #5CA330

RGB 92 163 48

HSL 97.04, 0.55%, 0.41%

LAB 60.5, -42.38, 50.35

 

CMYK 48 / 0 / 80 / 43

HEX #4B911D

RGB 75 145 29

HSL 96.21, 0.67%, 0.34%

LAB 53.85, -41.84, 50.38

 

CMYK 35 / 0 / 52 / 15

HEX #8ED968

RGB 142 217 104

HSL 99.82, 0.6%, 0.63%

LAB 79.83, -43.2, 47.95

 

CMYK 21 / 0 / 52 / 15

HEX #ACD968

RGB 172 217 104

HSL 83.89, 0.6%, 0.63%

LAB 81.51, -32.56, 50.36

 

CMYK 6 / 0 / 52 / 15

HEX #CBD968

RGB 203 217 104

HSL 67.43, 0.6%, 0.63%

LAB 83.61, -20.58, 53.36

 

CMYK 0 / 8 / 52 / 15

HEX #D9C868

RGB 217 200 104

HSL 50.97, 0.6%, 0.63%

LAB 80.21, -6.38, 49.64

 

CMYK 0 / 22 / 52 / 15

HEX #D9A968

RGB 217 169 104

HSL 34.51, 0.6%, 0.63%

LAB 72.31, 9.91, 40.06

 

CMYK 35 / 0 / 52 / 15

HEX #8ED968

RGB 142 217 104

HSL 99.82, 0.6%, 0.63%

LAB 79.83, -43.2, 47.95

 

CMYK 49 / 0 / 52 / 15

HEX #6FD968

RGB 111 217 104

HSL 116.28, 0.6%, 0.63%

LAB 78.46, -52.7, 45.98

 

CMYK 52 / 0 / 42 / 15

HEX #68D97E

RGB 104 217 126

HSL 131.68, 0.6%, 0.63%

LAB 78.51, -51.42, 35.2

 

CMYK 52 / 0 / 28 / 15

HEX #68D99D

RGB 104 217 157

HSL 148.14, 0.6%, 0.63%

LAB 79.04, -45.88, 19.93

 

CMYK 52 / 0 / 14 / 15

HEX #68D9BB

RGB 104 217 187

HSL 164.07, 0.6%, 0.63%

LAB 79.7, -39.41, 4.98

 

CMYK 35 / 0 / 52 / 15

HEX #8ED968

RGB 142 217 104

HSL 99.82, 0.6%, 0.63%

LAB 79.83, -43.2, 47.95

 

CMYK 41 / 0 / 62 / 9

HEX #89E858

RGB 137 232 88

HSL 99.58, 0.76%, 0.63%

LAB 83.83, -52.7, 59.62

 

CMYK 47 / 0 / 70 / 3

HEX #84F749

RGB 132 247 73

HSL 99.66, 0.92%, 0.63%

LAB 87.92, -61.22, 69.69

 

CMYK 35 / 0 / 52 / 15

HEX #8ED968

RGB 142 217 104

HSL 99.82, 0.6%, 0.63%

LAB 79.83, -43.2, 47.95

 

CMYK 27 / 0 / 41 / 21

HEX #93C977

RGB 147 201 119

HSL 99.51, 0.43%, 0.63%

LAB 75.64, -32.42, 35.44

 

CMYK 18 / 0 / 28 / 27

HEX #98BA86

RGB 152 186 134

HSL 99.23, 0.27%, 0.63%

LAB 71.9, -21.16, 22.7

 

CMYK 8 / 0 / 13 / 33

HEX #9DAB95

RGB 157 171 149

HSL 98.18, 0.12%, 0.63%

LAB 68.36, -9.06, 9.67

 

CMYK 2 / 5 / 0 / 35

HEX #A29CA5

RGB 162 156 165

HSL 280, 0.05%, 0.63%

LAB 65.1, 3.9, -3.91

 

CMYK 6 / 0 / 52 / 15

HEX #CCD968

RGB 204 217 104

HSL 66.9, 0.6%, 0.63%

LAB 83.69, -20.18, 53.46

 

CMYK 20 / 0 / 52 / 15

HEX #ADD968

RGB 173 217 104

HSL 83.36, 0.6%, 0.63%

LAB 81.57, -32.18, 50.45

 

CMYK 34 / 0 / 52 / 15

HEX #8FD968

RGB 143 217 104

HSL 99.29, 0.6%, 0.63%

LAB 79.88, -42.87, 48.02

 

CMYK 48 / 0 / 52 / 15

HEX #71D968

RGB 113 217 104

HSL 115.22, 0.6%, 0.63%

LAB 78.54, -52.15, 46.09

 

CMYK 52 / 0 / 43 / 15

HEX #68D97C

RGB 104 217 124

HSL 130.62, 0.6%, 0.63%

LAB 78.48, -51.73, 36.17

 

CMYK 50 / 0 / 75 / 25

HEX #60BF2F

RGB 96 191 47

HSL 99.58, 0.61%, 0.47%

LAB 69.44, -52.37, 59.74

 

CMYK 44 / 0 / 66 / 18

HEX #75D147

RGB 117 209 71

HSL 100, 0.6%, 0.55%

LAB 75.97, -51.24, 57.79

 

CMYK 35 / 0 / 52 / 15

HEX #8ED968

RGB 142 217 104

HSL 99.82, 0.6%, 0.63%

LAB 79.83, -43.2, 47.95

 

CMYK 26 / 0 / 39 / 12

HEX #A7E189

RGB 167 225 137

HSL 99.55, 0.59%, 0.71%

LAB 83.9, -34.16, 37.22

 

CMYK 18 / 0 / 27 / 9

HEX #BFE9AA

RGB 191 233 170

HSL 100, 0.59%, 0.79%

LAB 88.09, -24.87, 26.28

 

CMYK 34 / 0 / 52 / 15

HEX #8FD969

RGB 143 217 105

HSL 99.64, 0.6%, 0.63%

LAB 79.89, -42.76, 47.56

 

CMYK 52 / 0 / 8 / 15

HEX #68D9C8

RGB 104 217 200

HSL 170.97, 0.6%, 0.63%

LAB 80.03, -36.3, -1.47

 

CMYK 0 / 52 / 13 / 15

HEX #D968BC

RGB 217 104 188

HSL 315.4, 0.6%, 0.63%

LAB 60.14, 54.57, -23.82

 

CMYK 34 / 0 / 52 / 15

HEX #8FD969

RGB 143 217 105

HSL 99.64, 0.6%, 0.63%

LAB 79.89, -42.76, 47.56

 

CMYK 52 / 34 / 0 / 15

HEX #688FD9

RGB 104 143 217

HSL 219.29, 0.6%, 0.63%

LAB 59.52, 7.38, -41.98

 

CMYK 0 / 52 / 34 / 15

HEX #D9688F

RGB 217 104 143

HSL 339.29, 0.6%, 0.63%

LAB 58.64, 48.32, -0.14

 

CMYK 34 / 0 / 52 / 15

HEX #8FD969

RGB 143 217 105

HSL 99.64, 0.6%, 0.63%

LAB 79.89, -42.76, 47.56

 

CMYK 52 / 0 / 8 / 15

HEX #68D9C8

RGB 104 217 200

HSL 170.97, 0.6%, 0.63%

LAB 80.03, -36.3, -1.47

 

CMYK 18 / 52 / 0 / 15

HEX #B168D9

RGB 177 104 217

HSL 278.76, 0.6%, 0.63%

LAB 56.34, 48.61, -46.6

 

CMYK 0 / 52 / 44 / 15

HEX #D96879

RGB 217 104 121

HSL 350.97, 0.6%, 0.63%

LAB 58.07, 45.88, 11.85

 

CMYK 34 / 0 / 52 / 15

HEX #8FD969

RGB 143 217 105

HSL 99.64, 0.6%, 0.63%

LAB 79.89, -42.76, 47.56

 

CMYK 52 / 8 / 0 / 15

HEX #68C8D9

RGB 104 200 217

HSL 189.03, 0.6%, 0.63%

LAB 75.61, -23.7, -17.17

 

CMYK 18 / 52 / 0 / 15

HEX #B168D9

RGB 177 104 217

HSL 278.76, 0.6%, 0.63%

LAB 56.34, 48.61, -46.6

 

CMYK 0 / 44 / 52 / 15

HEX #D97968

RGB 217 121 104

HSL 9.03, 0.6%, 0.63%

LAB 61.16, 35.62, 25.81

 

Description

Color code: HEX #8FD969 | qconv.com Color code: HEX #8FD969 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 217 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 217 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 52 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 52% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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