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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD5BB it is the complementary color #702A44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD5BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD5BB shade: #94D5B6, #A5E7C9, #B6F9DC, #C7FFEF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD5BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD5BB shade: #8FD5BB, #7EC3A8, #6DB195, #5C9F82 and #4B8D6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD5BB shade: #90D4BB, #90D4A8, #90D496, #9CD490 and #AFD490

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD5BB shade: #90D4BB, #90D4CD, #90C9D4, #90B6D4 and #90A4D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD5BB shade matches the following richer shades: #90D4BB, #83E1BE, #77EDC1 and #6AFAC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD5BB shade: #90D4BB, #9CC8B8, #A8BCB4, #B5AFB1 and #C1A3AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD5BB shade: #90D495, #90D4A8, #90D4BA, #90D4CC and #90CAD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD5BB shade: #54BE96, #72C9A9, #90D4BB, #ADE0CD and #CBEBDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD5BB shade: #8FD5BB, #909CD4 and #D49E90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD5BB shade: #8FD5BB, #BA90D4 and #D4BA90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD5BB shade: #8FD5BB, #909CD4, #D490AA and #D4C890

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD5BB shade: #8FD5BB, #9890D4, #D490AA and #CCD490

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 12 / 16

HEX #8FD5BB

RGB 143 213 187

HSL 157.71, 0.45%, 0.7%

LAB 80.19, -27.55, 5.89

 

Complementary color

CMYK 0 / 63 / 39 / 56

HEX #702A44

RGB 112 42 68

HSL 337.71, 0.45%, 0.3%

LAB 28.16, 33.71, -0.32

 

CMYK 31 / 0 / 15 / 16

HEX #94D5B6

RGB 148 213 182

HSL 151.38, 0.44%, 0.71%

LAB 80.33, -27.1, 8.79

 

CMYK 29 / 0 / 13 / 9

HEX #A5E7C9

RGB 165 231 201

HSL 152.73, 0.58%, 0.78%

LAB 86.69, -26.88, 7.98

 

CMYK 27 / 0 / 12 / 2

HEX #B6F9DC

RGB 182 249 220

HSL 154.03, 0.85%, 0.85%

LAB 92.95, -26.68, 7.22

 

CMYK 22 / 0 / 6 / 0

HEX #C7FFEF

RGB 199 255 239

HSL 162.86, 1%, 0.89%

LAB 95.95, -20.74, 1.87

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 33 / 0 / 12 / 16

HEX #8FD5BB

RGB 143 213 187

HSL 157.71, 0.45%, 0.7%

LAB 80.19, -27.55, 5.89

 

CMYK 35 / 0 / 14 / 24

HEX #7EC3A8

RGB 126 195 168

HSL 156.52, 0.37%, 0.63%

LAB 73.74, -27.77, 6.71

 

CMYK 38 / 0 / 16 / 31

HEX #6DB195

RGB 109 177 149

HSL 155.29, 0.3%, 0.56%

LAB 67.18, -28, 7.58

 

CMYK 42 / 0 / 18 / 38

HEX #5C9F82

RGB 92 159 130

HSL 154.03, 0.27%, 0.49%

LAB 60.5, -28.24, 8.53

 

CMYK 47 / 0 / 21 / 45

HEX #4B8D6F

RGB 75 141 111

HSL 152.73, 0.31%, 0.42%

LAB 53.7, -28.47, 9.56

 

CMYK 32 / 0 / 12 / 17

HEX #90D4BB

RGB 144 212 187

HSL 157.94, 0.44%, 0.7%

LAB 79.96, -26.77, 5.57

 

CMYK 32 / 0 / 21 / 17

HEX #90D4A8

RGB 144 212 168

HSL 141.18, 0.44%, 0.7%

LAB 79.52, -30.56, 15.06

 

CMYK 32 / 0 / 29 / 17

HEX #90D496

RGB 144 212 150

HSL 125.29, 0.44%, 0.7%

LAB 79.17, -33.8, 24.05

 

CMYK 26 / 0 / 32 / 17

HEX #9CD490

RGB 156 212 144

HSL 109.41, 0.44%, 0.7%

LAB 79.71, -30.84, 28.01

 

CMYK 17 / 0 / 32 / 17

HEX #AFD490

RGB 175 212 144

HSL 92.65, 0.44%, 0.7%

LAB 80.86, -24.2, 29.75

 

CMYK 32 / 0 / 12 / 17

HEX #90D4BB

RGB 144 212 187

HSL 157.94, 0.44%, 0.7%

LAB 79.96, -26.77, 5.57

 

CMYK 32 / 0 / 3 / 17

HEX #90D4CD

RGB 144 212 205

HSL 173.82, 0.44%, 0.7%

LAB 80.42, -22.85, -3.38

 

CMYK 32 / 5 / 0 / 17

HEX #90C9D4

RGB 144 201 212

HSL 189.71, 0.44%, 0.7%

LAB 77.55, -15.66, -11.38

 

CMYK 32 / 14 / 0 / 17

HEX #90B6D4

RGB 144 182 212

HSL 206.47, 0.44%, 0.7%

LAB 72.32, -5.65, -19.26

 

CMYK 32 / 23 / 0 / 17

HEX #90A4D4

RGB 144 164 212

HSL 222.35, 0.44%, 0.7%

LAB 67.45, 4.26, -26.69

 

CMYK 32 / 0 / 12 / 17

HEX #90D4BB

RGB 144 212 187

HSL 157.94, 0.44%, 0.7%

LAB 79.96, -26.77, 5.57

 

CMYK 42 / 0 / 16 / 12

HEX #83E1BE

RGB 131 225 190

HSL 157.66, 0.61%, 0.7%

LAB 83.12, -35.89, 8.44

 

CMYK 50 / 0 / 19 / 7

HEX #77EDC1

RGB 119 237 193

HSL 157.63, 0.77%, 0.7%

LAB 86.18, -43.58, 11.17

 

CMYK 58 / 0 / 22 / 2

HEX #6AFAC4

RGB 106 250 196

HSL 157.5, 0.94%, 0.7%

LAB 89.59, -51.25, 14.39

 

CMYK 32 / 0 / 12 / 17

HEX #90D4BB

RGB 144 212 187

HSL 157.94, 0.44%, 0.7%

LAB 79.96, -26.77, 5.57

 

CMYK 22 / 0 / 8 / 22

HEX #9CC8B8

RGB 156 200 184

HSL 158.18, 0.29%, 0.7%

LAB 77.18, -17.77, 3.25

 

CMYK 11 / 0 / 4 / 26

HEX #A8BCB4

RGB 168 188 180

HSL 156, 0.13%, 0.7%

LAB 74.56, -8.41, 1.71

 

CMYK 0 / 3 / 2 / 29

HEX #B5AFB1

RGB 181 175 177

HSL 340, 0.04%, 0.7%

LAB 72, 2.5, -0.27

 

CMYK 0 / 16 / 10 / 24

HEX #C1A3AE

RGB 193 163 174

HSL 338, 0.19%, 0.7%

LAB 69.89, 12.83, -1.58

 

CMYK 32 / 0 / 30 / 17

HEX #90D495

RGB 144 212 149

HSL 124.41, 0.44%, 0.7%

LAB 79.15, -33.97, 24.54

 

CMYK 32 / 0 / 21 / 17

HEX #90D4A8

RGB 144 212 168

HSL 141.18, 0.44%, 0.7%

LAB 79.52, -30.56, 15.06

 

CMYK 32 / 0 / 12 / 17

HEX #90D4BA

RGB 144 212 186

HSL 157.06, 0.44%, 0.7%

LAB 79.93, -26.98, 6.06

 

CMYK 32 / 0 / 4 / 17

HEX #90D4CC

RGB 144 212 204

HSL 172.94, 0.44%, 0.7%

LAB 80.39, -23.07, -2.88

 

CMYK 32 / 5 / 0 / 17

HEX #90CAD4

RGB 144 202 212

HSL 188.82, 0.44%, 0.7%

LAB 77.83, -16.17, -10.97

 

CMYK 56 / 0 / 21 / 25

HEX #54BE96

RGB 84 190 150

HSL 157.36, 0.45%, 0.54%

LAB 70.12, -40.19, 11.08

 

CMYK 43 / 0 / 16 / 21

HEX #72C9A9

RGB 114 201 169

HSL 157.93, 0.45%, 0.62%

LAB 74.96, -33.73, 7.85

 

CMYK 32 / 0 / 12 / 17

HEX #90D4BB

RGB 144 212 187

HSL 157.94, 0.44%, 0.7%

LAB 79.96, -26.77, 5.57

 

CMYK 23 / 0 / 8 / 12

HEX #ADE0CD

RGB 173 224 205

HSL 157.65, 0.45%, 0.78%

LAB 85.3, -20.23, 3.94

 

CMYK 14 / 0 / 5 / 8

HEX #CBEBDF

RGB 203 235 223

HSL 157.5, 0.44%, 0.86%

LAB 90.52, -12.72, 2.3

 

CMYK 33 / 0 / 12 / 16

HEX #8FD5BB

RGB 143 213 187

HSL 157.71, 0.45%, 0.7%

LAB 80.19, -27.55, 5.89

 

CMYK 32 / 26 / 0 / 17

HEX #909CD4

RGB 144 156 212

HSL 229.41, 0.44%, 0.7%

LAB 65.33, 8.77, -29.96

 

CMYK 0 / 25 / 32 / 17

HEX #D49E90

RGB 212 158 144

HSL 12.35, 0.44%, 0.7%

LAB 69.8, 18.17, 15.16

 

CMYK 33 / 0 / 12 / 16

HEX #8FD5BB

RGB 143 213 187

HSL 157.71, 0.45%, 0.7%

LAB 80.19, -27.55, 5.89

 

CMYK 12 / 32 / 0 / 17

HEX #BA90D4

RGB 186 144 212

HSL 277.06, 0.44%, 0.7%

LAB 65.86, 28.33, -28.85

 

CMYK 0 / 12 / 32 / 17

HEX #D4BA90

RGB 212 186 144

HSL 37.06, 0.44%, 0.7%

LAB 76.76, 3.12, 24.73

 

CMYK 33 / 0 / 12 / 16

HEX #8FD5BB

RGB 143 213 187

HSL 157.71, 0.45%, 0.7%

LAB 80.19, -27.55, 5.89

 

CMYK 32 / 26 / 0 / 17

HEX #909CD4

RGB 144 156 212

HSL 229.41, 0.44%, 0.7%

LAB 65.33, 8.77, -29.96

 

CMYK 0 / 32 / 20 / 17

HEX #D490AA

RGB 212 144 170

HSL 337.06, 0.44%, 0.7%

LAB 67.16, 29.45, -3.13

 

CMYK 0 / 6 / 32 / 17

HEX #D4C890

RGB 212 200 144

HSL 49.41, 0.44%, 0.7%

LAB 80.36, -4.21, 29.57

 

CMYK 33 / 0 / 12 / 16

HEX #8FD5BB

RGB 143 213 187

HSL 157.71, 0.45%, 0.7%

LAB 80.19, -27.55, 5.89

 

CMYK 28 / 32 / 0 / 17

HEX #9890D4

RGB 152 144 212

HSL 247.06, 0.44%, 0.7%

LAB 62.82, 17.96, -33.79

 

CMYK 0 / 32 / 20 / 17

HEX #D490AA

RGB 212 144 170

HSL 337.06, 0.44%, 0.7%

LAB 67.16, 29.45, -3.13

 

CMYK 4 / 0 / 32 / 17

HEX #CCD490

RGB 204 212 144

HSL 67.06, 0.44%, 0.7%

LAB 82.88, -13.43, 32.8

 

Description

Color code: HEX #8FD5BB | qconv.com Color code: HEX #8FD5BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 213 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 213 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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