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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F988A it is the complementary color #706775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F988A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F988A shade: #949885, #A5AA98, #B6BCAB, #C7CEBE and #D8E0D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F988A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F988A shade: #8F988A, #7E8677, #6D7464, #5C6251 and #4B503E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F988A shade: #8F978A, #93978A, #96978A, #97958A and #97928A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F988A shade: #8F978A, #8B978A, #8A978D, #8A9790 and #8A9794

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F988A shade matches the following richer shades: #8F978A, #8AA979, #85BB67, #80CD55 and #7BDE43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F988A shade: #8F978A, #94869C, #9974AE, #9E62BF and #A350D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F988A shade: #96978A, #93978A, #8F978A, #8C978A and #8A978C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F988A shade: #666E61, #7A8475, #8F978A, #A4ABA0 and #B9BEB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F988A shade: #8F988A, #8A9795 and #978A94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F988A shade: #8F988A, #8A8F97 and #978A8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F988A shade: #8F988A, #8A9795, #938A97 and #978A8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F988A shade: #8F988A, #8A9697, #938A97 and #978C8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 9 / 40

HEX #8F988A

RGB 143 152 138

HSL 98.57, 0.06%, 0.57%

LAB 61.77, -5.94, 6.25

 

Complementary color

CMYK 4 / 12 / 0 / 54

HEX #706775

RGB 112 103 117

HSL 278.57, 0.06%, 0.43%

LAB 44.84, 6.4, -6.54

 

CMYK 3 / 0 / 13 / 40

HEX #949885

RGB 148 152 133

HSL 72.63, 0.08%, 0.56%

LAB 62.04, -4.97, 9.51

 

CMYK 3 / 0 / 11 / 33

HEX #A5AA98

RGB 165 170 152

HSL 76.67, 0.1%, 0.63%

LAB 68.76, -5.08, 8.67

 

CMYK 3 / 0 / 9 / 26

HEX #B6BCAB

RGB 182 188 171

HSL 81.18, 0.11%, 0.7%

LAB 75.36, -5.18, 7.88

 

CMYK 3 / 0 / 8 / 19

HEX #C7CEBE

RGB 199 206 190

HSL 86.25, 0.14%, 0.78%

LAB 81.84, -5.27, 7.12

 

CMYK 4 / 0 / 7 / 12

HEX #D8E0D1

RGB 216 224 209

HSL 92, 0.19%, 0.85%

LAB 88.22, -5.36, 6.4

 

CMYK 6 / 0 / 9 / 40

HEX #8F988A

RGB 143 152 138

HSL 98.57, 0.06%, 0.57%

LAB 61.77, -5.94, 6.25

 

CMYK 6 / 0 / 11 / 47

HEX #7E8677

RGB 126 134 119

HSL 92, 0.06%, 0.5%

LAB 54.88, -5.88, 7.07

 

CMYK 6 / 0 / 14 / 55

HEX #6D7464

RGB 109 116 100

HSL 86.25, 0.07%, 0.42%

LAB 47.83, -5.82, 7.94

 

CMYK 6 / 0 / 17 / 62

HEX #5C6251

RGB 92 98 81

HSL 81.18, 0.09%, 0.35%

LAB 40.58, -5.76, 8.9

 

CMYK 6 / 0 / 23 / 69

HEX #4B503E

RGB 75 80 62

HSL 76.67, 0.13%, 0.28%

LAB 33.09, -5.69, 9.96

 

CMYK 5 / 0 / 9 / 41

HEX #8F978A

RGB 143 151 138

HSL 96.92, 0.06%, 0.57%

LAB 61.49, -5.39, 5.85

 

CMYK 3 / 0 / 9 / 41

HEX #93978A

RGB 147 151 138

HSL 78.46, 0.06%, 0.57%

LAB 61.8, -3.91, 6.34

 

CMYK 1 / 0 / 9 / 41

HEX #96978A

RGB 150 151 138

HSL 64.62, 0.06%, 0.57%

LAB 62.04, -2.78, 6.72

 

CMYK 0 / 1 / 9 / 41

HEX #97958A

RGB 151 149 138

HSL 50.77, 0.06%, 0.57%

LAB 61.58, -1.3, 6.06

 

CMYK 0 / 3 / 9 / 41

HEX #97928A

RGB 151 146 138

HSL 36.92, 0.06%, 0.57%

LAB 60.76, 0.37, 4.88

 

CMYK 5 / 0 / 9 / 41

HEX #8F978A

RGB 143 151 138

HSL 96.92, 0.06%, 0.57%

LAB 61.49, -5.39, 5.85

 

CMYK 8 / 0 / 9 / 41

HEX #8B978A

RGB 139 151 138

HSL 115.38, 0.06%, 0.57%

LAB 61.18, -6.86, 5.37

 

CMYK 9 / 0 / 7 / 41

HEX #8A978D

RGB 138 151 141

HSL 133.85, 0.06%, 0.57%

LAB 61.19, -6.65, 3.67

 

CMYK 9 / 0 / 5 / 41

HEX #8A9790

RGB 138 151 144

HSL 147.69, 0.06%, 0.57%

LAB 61.26, -6.06, 2.08

 

CMYK 9 / 0 / 2 / 41

HEX #8A9794

RGB 138 151 148

HSL 166.15, 0.06%, 0.57%

LAB 61.37, -5.25, -0.02

 

CMYK 5 / 0 / 9 / 41

HEX #8F978A

RGB 143 151 138

HSL 96.92, 0.06%, 0.57%

LAB 61.49, -5.39, 5.85

 

CMYK 18 / 0 / 28 / 34

HEX #8AA979

RGB 138 169 121

HSL 98.75, 0.22%, 0.57%

LAB 65.87, -19.73, 21.37

 

CMYK 29 / 0 / 45 / 27

HEX #85BB67

RGB 133 187 103

HSL 98.57, 0.38%, 0.57%

LAB 70.53, -32.95, 36.9

 

CMYK 38 / 0 / 59 / 20

HEX #80CD55

RGB 128 205 85

HSL 98.5, 0.55%, 0.57%

LAB 75.39, -44.76, 51.32

 

CMYK 45 / 0 / 70 / 13

HEX #7BDE43

RGB 123 222 67

HSL 98.32, 0.7%, 0.57%

LAB 80.1, -54.81, 63.73

 

CMYK 5 / 0 / 9 / 41

HEX #8F978A

RGB 143 151 138

HSL 96.92, 0.06%, 0.57%

LAB 61.49, -5.39, 5.85

 

CMYK 5 / 14 / 0 / 39

HEX #94869C

RGB 148 134 156

HSL 278.18, 0.1%, 0.57%

LAB 57.8, 9.54, -9.79

 

CMYK 12 / 33 / 0 / 32

HEX #9974AE

RGB 153 116 174

HSL 278.28, 0.26%, 0.57%

LAB 54.36, 25.48, -25.34

 

CMYK 17 / 49 / 0 / 25

HEX #9E62BF

RGB 158 98 191

HSL 278.71, 0.42%, 0.57%

LAB 51.57, 40.93, -39.46

 

CMYK 22 / 62 / 0 / 18

HEX #A350D1

RGB 163 80 209

HSL 278.6, 0.58%, 0.57%

LAB 49.65, 55.49, -52.82

 

CMYK 1 / 0 / 9 / 41

HEX #96978A

RGB 150 151 138

HSL 64.62, 0.06%, 0.57%

LAB 62.04, -2.78, 6.72

 

CMYK 3 / 0 / 9 / 41

HEX #93978A

RGB 147 151 138

HSL 78.46, 0.06%, 0.57%

LAB 61.8, -3.91, 6.34

 

CMYK 5 / 0 / 9 / 41

HEX #8F978A

RGB 143 151 138

HSL 96.92, 0.06%, 0.57%

LAB 61.49, -5.39, 5.85

 

CMYK 7 / 0 / 9 / 41

HEX #8C978A

RGB 140 151 138

HSL 110.77, 0.06%, 0.57%

LAB 61.26, -6.49, 5.49

 

CMYK 9 / 0 / 7 / 41

HEX #8A978C

RGB 138 151 140

HSL 129.23, 0.06%, 0.57%

LAB 61.16, -6.84, 4.2

 

CMYK 7 / 0 / 12 / 57

HEX #666E61

RGB 102 110 97

HSL 96.92, 0.06%, 0.41%

LAB 45.41, -5.7, 6.21

 

CMYK 8 / 0 / 11 / 48

HEX #7A8475

RGB 122 132 117

HSL 100, 0.06%, 0.49%

LAB 53.95, -6.66, 6.84

 

CMYK 5 / 0 / 9 / 41

HEX #8F978A

RGB 143 151 138

HSL 96.92, 0.06%, 0.57%

LAB 61.49, -5.39, 5.85

 

CMYK 4 / 0 / 6 / 33

HEX #A4ABA0

RGB 164 171 160

HSL 98.18, 0.06%, 0.65%

LAB 69.15, -4.54, 4.8

 

CMYK 3 / 0 / 4 / 25

HEX #B9BEB6

RGB 185 190 182

HSL 97.5, 0.06%, 0.73%

LAB 76.39, -3.21, 3.42

 

CMYK 6 / 0 / 9 / 40

HEX #8F988A

RGB 143 152 138

HSL 98.57, 0.06%, 0.57%

LAB 61.77, -5.94, 6.25

 

CMYK 9 / 0 / 1 / 41

HEX #8A9795

RGB 138 151 149

HSL 170.77, 0.06%, 0.57%

LAB 61.4, -5.05, -0.55

 

CMYK 0 / 9 / 2 / 41

HEX #978A94

RGB 151 138 148

HSL 313.85, 0.06%, 0.57%

LAB 58.88, 6.74, -3.56

 

CMYK 6 / 0 / 9 / 40

HEX #8F988A

RGB 143 152 138

HSL 98.57, 0.06%, 0.57%

LAB 61.77, -5.94, 6.25

 

CMYK 9 / 5 / 0 / 41

HEX #8A8F97

RGB 138 143 151

HSL 216.92, 0.06%, 0.57%

LAB 59.23, -0.17, -4.87

 

CMYK 0 / 9 / 5 / 41

HEX #978A8F

RGB 151 138 143

HSL 336.92, 0.06%, 0.57%

LAB 58.73, 5.78, -0.91

 

CMYK 6 / 0 / 9 / 40

HEX #8F988A

RGB 143 152 138

HSL 98.57, 0.06%, 0.57%

LAB 61.77, -5.94, 6.25

 

CMYK 9 / 0 / 1 / 41

HEX #8A9795

RGB 138 151 149

HSL 170.77, 0.06%, 0.57%

LAB 61.4, -5.05, -0.55

 

CMYK 3 / 9 / 0 / 41

HEX #938A97

RGB 147 138 151

HSL 281.54, 0.06%, 0.57%

LAB 58.62, 5.87, -5.71

 

CMYK 0 / 9 / 7 / 41

HEX #978A8C

RGB 151 138 140

HSL 350.77, 0.06%, 0.57%

LAB 58.65, 5.23, 0.69

 

CMYK 6 / 0 / 9 / 40

HEX #8F988A

RGB 143 152 138

HSL 98.57, 0.06%, 0.57%

LAB 61.77, -5.94, 6.25

 

CMYK 9 / 1 / 0 / 41

HEX #8A9697

RGB 138 150 151

HSL 184.62, 0.06%, 0.57%

LAB 61.18, -4.08, -2.01

 

CMYK 3 / 9 / 0 / 41

HEX #938A97

RGB 147 138 151

HSL 281.54, 0.06%, 0.57%

LAB 58.62, 5.87, -5.71

 

CMYK 0 / 7 / 9 / 41

HEX #978C8A

RGB 151 140 138

HSL 9.23, 0.06%, 0.57%

LAB 59.13, 3.73, 2.54

 

Description

Color code: HEX #8F988A | qconv.com Color code: HEX #8F988A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 152 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 152 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 9 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 9% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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