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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F9505 it is the complementary color #706AFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F9505. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F9505 shade: #949500, #A5A713, #B6B926, #C7CB39 and #D8DD4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F9505. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F9505 shade: #8F9505, #7E8300, #6D7100, #5C5F00 and #4B4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F9505 shade: #8E9404, #947304, #944C04, #942604 and #940404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F9505 shade: #8E9404, #679404, #409404, #1A9404 and #049415

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F9505 shade matches the following richer shades: #8E9404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F9505 shade: #8E9404, #838810, #777B1D, #6C6F29 and #616236

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F9505 shade: #944C04, #947204, #8F9404, #699404 and #429404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F9505 shade: #414402, #686C03, #8E9404, #B4BC05 and #DBE407

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F9505 shade: #8F9505, #049426 and #5F0494

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F9505 shade: #8F9505, #048F94 and #94048F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F9505 shade: #8F9505, #049426, #090494 and #940472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F9505 shade: #8F9505, #049451, #090494 and #940447

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 97 / 42

HEX #8F9505

RGB 143 149 5

HSL 62.5, 0.94%, 0.3%

LAB 59.29, -17.07, 61.94

 

Complementary color

CMYK 55 / 58 / 0 / 2

HEX #706AFA

RGB 112 106 250

HSL 242.5, 0.94%, 0.7%

LAB 52.57, 41.4, -71.47

 

CMYK 1 / 0 / 100 / 42

HEX #949500

RGB 148 149 0

HSL 60.4, 1%, 0.29%

LAB 59.7, -14.89, 63.19

 

CMYK 1 / 0 / 89 / 35

HEX #A5A713

RGB 165 167 19

HSL 60.81, 0.8%, 0.36%

LAB 66.28, -16.29, 65.96

 

CMYK 2 / 0 / 79 / 27

HEX #B6B926

RGB 182 185 38

HSL 61.22, 0.66%, 0.44%

LAB 72.75, -17.49, 67.44

 

CMYK 2 / 0 / 72 / 20

HEX #C7CB39

RGB 199 203 57

HSL 61.64, 0.58%, 0.51%

LAB 79.13, -18.47, 67.83

 

CMYK 2 / 0 / 66 / 13

HEX #D8DD4C

RGB 216 221 76

HSL 62.07, 0.68%, 0.58%

LAB 85.42, -19.29, 67.56

 

CMYK 4 / 0 / 97 / 42

HEX #8F9505

RGB 143 149 5

HSL 62.5, 0.94%, 0.3%

LAB 59.29, -17.07, 61.94

 

CMYK 4 / 0 / 100 / 49

HEX #7E8300

RGB 126 131 0

HSL 62.29, 1%, 0.26%

LAB 52.58, -15.46, 57.13

 

CMYK 4 / 0 / 100 / 56

HEX #6D7100

RGB 109 113 0

HSL 62.12, 1%, 0.22%

LAB 45.72, -13.73, 51.42

 

CMYK 3 / 0 / 100 / 63

HEX #5C5F00

RGB 92 95 0

HSL 61.89, 1%, 0.19%

LAB 38.66, -11.94, 45.55

 

CMYK 3 / 0 / 100 / 70

HEX #4B4D00

RGB 75 77 0

HSL 61.56, 1%, 0.15%

LAB 31.36, -10.08, 39.48

 

CMYK 4 / 0 / 97 / 42

HEX #8E9404

RGB 142 148 4

HSL 62.5, 0.95%, 0.3%

LAB 58.92, -17.01, 61.77

 

CMYK 0 / 22 / 97 / 42

HEX #947304

RGB 148 115 4

HSL 46.25, 0.95%, 0.3%

LAB 50.18, 3.82, 55.56

 

CMYK 0 / 49 / 97 / 42

HEX #944C04

RGB 148 76 4

HSL 30, 0.95%, 0.3%

LAB 40.37, 26.15, 48.73

 

CMYK 0 / 74 / 97 / 42

HEX #942604

RGB 148 38 4

HSL 14.17, 0.95%, 0.3%

LAB 33.33, 44.51, 44.34

 

CMYK 0 / 97 / 97 / 42

HEX #940404

RGB 148 4 4

HSL 0, 0.95%, 0.3%

LAB 30.38, 52.84, 42.35

 

CMYK 4 / 0 / 97 / 42

HEX #8E9404

RGB 142 148 4

HSL 62.5, 0.95%, 0.3%

LAB 58.92, -17.01, 61.77

 

CMYK 30 / 0 / 97 / 42

HEX #679404

RGB 103 148 4

HSL 78.75, 0.95%, 0.3%

LAB 56.16, -33.78, 58.45

 

CMYK 57 / 0 / 97 / 42

HEX #409404

RGB 64 148 4

HSL 95, 0.95%, 0.3%

LAB 54.32, -47.32, 56.21

 

CMYK 82 / 0 / 97 / 42

HEX #1A9404

RGB 26 148 4

HSL 110.83, 0.95%, 0.3%

LAB 53.39, -55.17, 55.07

 

CMYK 97 / 0 / 86 / 42

HEX #049415

RGB 4 148 21

HSL 127.08, 0.95%, 0.3%

LAB 53.23, -56.42, 51.55

 

CMYK 4 / 0 / 97 / 42

HEX #8E9404

RGB 142 148 4

HSL 62.5, 0.95%, 0.3%

LAB 58.92, -17.01, 61.77

 

CMYK 4 / 0 / 97 / 42

HEX #8E9404

RGB 142 148 4

HSL 62.5, 0.95%, 0.3%

LAB 58.92, -17.01, 61.77

 

CMYK 4 / 0 / 88 / 47

HEX #838810

RGB 131 136 16

HSL 62.5, 0.79%, 0.3%

LAB 54.52, -15.48, 55.86

 

CMYK 3 / 0 / 76 / 52

HEX #777B1D

RGB 119 123 29

HSL 62.55, 0.62%, 0.3%

LAB 49.71, -13.56, 47.45

 

CMYK 3 / 0 / 63 / 56

HEX #6C6F29

RGB 108 111 41

HSL 62.57, 0.46%, 0.3%

LAB 45.24, -11.29, 37.53

 

CMYK 1 / 0 / 45 / 62

HEX #616236

RGB 97 98 54

HSL 61.36, 0.29%, 0.3%

LAB 40.48, -7.7, 24.85

 

CMYK 0 / 49 / 97 / 42

HEX #944C04

RGB 148 76 4

HSL 30, 0.95%, 0.3%

LAB 40.37, 26.15, 48.73

 

CMYK 0 / 23 / 97 / 42

HEX #947204

RGB 148 114 4

HSL 45.83, 0.95%, 0.3%

LAB 49.91, 4.39, 55.36

 

CMYK 3 / 0 / 97 / 42

HEX #8F9404

RGB 143 148 4

HSL 62.08, 0.95%, 0.3%

LAB 59, -16.56, 61.87

 

CMYK 29 / 0 / 97 / 42

HEX #699404

RGB 105 148 4

HSL 77.92, 0.95%, 0.3%

LAB 56.28, -32.98, 58.59

 

CMYK 55 / 0 / 97 / 42

HEX #429404

RGB 66 148 4

HSL 94.17, 0.95%, 0.3%

LAB 54.39, -46.74, 56.29

 

CMYK 4 / 0 / 97 / 73

HEX #414402

RGB 65 68 2

HSL 62.73, 0.94%, 0.14%

LAB 27.47, -9.79, 35.22

 

CMYK 4 / 0 / 97 / 58

HEX #686C03

RGB 104 108 3

HSL 62.29, 0.95%, 0.22%

LAB 43.76, -13.29, 49.06

 

CMYK 4 / 0 / 97 / 42

HEX #8E9404

RGB 142 148 4

HSL 62.5, 0.95%, 0.3%

LAB 58.92, -17.01, 61.77

 

CMYK 4 / 0 / 97 / 26

HEX #B4BC05

RGB 180 188 5

HSL 62.62, 0.95%, 0.38%

LAB 73.34, -20.54, 73.84

 

CMYK 4 / 0 / 97 / 11

HEX #DBE407

RGB 219 228 7

HSL 62.44, 0.94%, 0.46%

LAB 87.27, -23.5, 85.43

 

CMYK 4 / 0 / 97 / 42

HEX #8F9505

RGB 143 149 5

HSL 62.5, 0.94%, 0.3%

LAB 59.29, -17.07, 61.94

 

CMYK 97 / 0 / 74 / 42

HEX #049426

RGB 4 148 38

HSL 134.17, 0.95%, 0.3%

LAB 53.33, -55.23, 46.16

 

CMYK 36 / 97 / 0 / 42

HEX #5F0494

RGB 95 4 148

HSL 277.92, 0.95%, 0.3%

LAB 25.74, 56.99, -55.8

 

CMYK 4 / 0 / 97 / 42

HEX #8F9505

RGB 143 149 5

HSL 62.5, 0.94%, 0.3%

LAB 59.29, -17.07, 61.94

 

CMYK 97 / 3 / 0 / 42

HEX #048F94

RGB 4 143 148

HSL 182.08, 0.95%, 0.3%

LAB 53.82, -29.46, -11.78

 

CMYK 0 / 97 / 3 / 42

HEX #94048F

RGB 148 4 143

HSL 302.08, 0.95%, 0.3%

LAB 34.73, 64.21, -37.7

 

CMYK 4 / 0 / 97 / 42

HEX #8F9505

RGB 143 149 5

HSL 62.5, 0.94%, 0.3%

LAB 59.29, -17.07, 61.94

 

CMYK 97 / 0 / 74 / 42

HEX #049426

RGB 4 148 38

HSL 134.17, 0.95%, 0.3%

LAB 53.33, -55.23, 46.16

 

CMYK 94 / 97 / 0 / 42

HEX #090494

RGB 9 4 148

HSL 242.08, 0.95%, 0.3%

LAB 16.91, 51.57, -70.7

 

CMYK 0 / 97 / 23 / 42

HEX #940472

RGB 148 4 114

HSL 314.17, 0.95%, 0.3%

LAB 33.13, 60.18, -22.09

 

CMYK 4 / 0 / 97 / 42

HEX #8F9505

RGB 143 149 5

HSL 62.5, 0.94%, 0.3%

LAB 59.29, -17.07, 61.94

 

CMYK 97 / 0 / 45 / 42

HEX #049451

RGB 4 148 81

HSL 152.08, 0.95%, 0.3%

LAB 53.81, -49.22, 26.23

 

CMYK 94 / 97 / 0 / 42

HEX #090494

RGB 9 4 148

HSL 242.08, 0.95%, 0.3%

LAB 16.91, 51.57, -70.7

 

CMYK 0 / 97 / 52 / 42

HEX #940447

RGB 148 4 71

HSL 332.08, 0.95%, 0.3%

LAB 31.43, 55.73, 3.32

 

Description

Color code: HEX #8F9505 | qconv.com Color code: HEX #8F9505 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 149 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 149 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 97 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 97% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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