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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F8FBC it is the complementary color #707043. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F8FBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F8FBC shade: #948FB7, #A5A1CA, #B6B3DD, #C7C5F0 and #D8D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F8FBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F8FBC shade: #8F8FBC, #7E7DA9, #6D6B96, #5C5983 and #4B4770

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F8FBC shade: #8F8FBC, #9B8FBC, #A78FBC, #B38FBC and #BC8FB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F8FBC shade: #8F8FBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F8FBC shade matches the following richer shades: #8F8FBC, #8080CA, #7272D8, #6464E7 and #5555F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F8FBC shade: #8F8FBC, #9D9DAD, #ACAC9F, #BABA90 and #C9C982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F8FBC shade: #8FA7BC, #8F9BBC, #8F8FBC, #9B8FBC and #A78FBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F8FBC shade: #5D5D9B, #7575AC, #8F8FBC, #A9A9CB and #C3C3DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F8FBC shade: #8F8FBC, #BC8FB3 and #A1BC8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F8FBC shade: #8F8FBC, #BC8F8F and #8FBC8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F8FBC shade: #8F8FBC, #BC8FB3, #BCBC8F and #8FBC98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F8FBC shade: #8F8FBC, #BC8FA5, #BCBC8F and #8FBCA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

Complementary color

CMYK 0 / 0 / 40 / 56

HEX #707043

RGB 112 112 67

HSL 60, 0.25%, 0.35%

LAB 46.23, -7.42, 25.02

 

CMYK 19 / 22 / 0 / 28

HEX #948FB7

RGB 148 143 183

HSL 247.5, 0.22%, 0.64%

LAB 61.1, 10.3, -20.19

 

CMYK 18 / 20 / 0 / 21

HEX #A5A1CA

RGB 165 161 202

HSL 245.85, 0.28%, 0.71%

LAB 67.84, 9.93, -20.43

 

CMYK 18 / 19 / 0 / 13

HEX #B6B3DD

RGB 182 179 221

HSL 244.29, 0.38%, 0.78%

LAB 74.45, 9.58, -20.69

 

CMYK 17 / 18 / 0 / 6

HEX #C7C5F0

RGB 199 197 240

HSL 242.79, 0.59%, 0.86%

LAB 80.94, 9.27, -20.96

 

CMYK 15 / 16 / 0 / 0

HEX #D8D7FF

RGB 216 215 255

HSL 241.5, 1%, 0.92%

LAB 87.2, 8.13, -19.33

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 25 / 26 / 0 / 34

HEX #7E7DA9

RGB 126 125 169

HSL 241.36, 0.2%, 0.58%

LAB 53.99, 10.33, -23.23

 

CMYK 27 / 29 / 0 / 41

HEX #6D6B96

RGB 109 107 150

HSL 242.79, 0.17%, 0.5%

LAB 46.93, 10.83, -23.12

 

CMYK 30 / 32 / 0 / 49

HEX #5C5983

RGB 92 89 131

HSL 244.29, 0.19%, 0.43%

LAB 39.68, 11.41, -23.06

 

CMYK 33 / 37 / 0 / 56

HEX #4B4770

RGB 75 71 112

HSL 245.85, 0.22%, 0.36%

LAB 32.2, 12.11, -23.07

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 18 / 24 / 0 / 26

HEX #9B8FBC

RGB 155 143 188

HSL 256, 0.25%, 0.65%

LAB 61.86, 13.72, -21.79

 

CMYK 11 / 24 / 0 / 26

HEX #A78FBC

RGB 167 143 188

HSL 272, 0.25%, 0.65%

LAB 62.92, 17.65, -20.08

 

CMYK 5 / 24 / 0 / 26

HEX #B38FBC

RGB 179 143 188

HSL 288, 0.25%, 0.65%

LAB 64.05, 21.66, -18.26

 

CMYK 0 / 24 / 2 / 26

HEX #BC8FB8

RGB 188 143 184

HSL 305.33, 0.25%, 0.65%

LAB 64.8, 23.94, -14.79

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 37 / 37 / 0 / 21

HEX #8080CA

RGB 128 128 202

HSL 240, 0.41%, 0.65%

LAB 56.38, 17.85, -38.38

 

CMYK 47 / 47 / 0 / 15

HEX #7272D8

RGB 114 114 216

HSL 240, 0.57%, 0.65%

LAB 52.48, 26.7, -52.56

 

CMYK 57 / 57 / 0 / 9

HEX #6464E7

RGB 100 100 231

HSL 240, 0.73%, 0.65%

LAB 49, 36.9, -66.67

 

CMYK 65 / 65 / 0 / 4

HEX #5555F5

RGB 85 85 245

HSL 240, 0.89%, 0.65%

LAB 45.66, 47.93, -80.02

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 9 / 9 / 0 / 32

HEX #9D9DAD

RGB 157 157 173

HSL 240, 0.09%, 0.65%

LAB 65.2, 3.21, -8.3

 

CMYK 0 / 0 / 8 / 33

HEX #ACAC9F

RGB 172 172 159

HSL 60, 0.07%, 0.65%

LAB 70.02, -2.36, 6.68

 

CMYK 0 / 0 / 23 / 27

HEX #BABA90

RGB 186 186 144

HSL 60, 0.23%, 0.65%

LAB 74.55, -6.95, 21.36

 

CMYK 0 / 0 / 35 / 21

HEX #C9C982

RGB 201 201 130

HSL 60, 0.4%, 0.65%

LAB 79.5, -10.72, 35.52

 

CMYK 24 / 11 / 0 / 26

HEX #8FA7BC

RGB 143 167 188

HSL 208, 0.25%, 0.65%

LAB 67.36, -3.59, -13.54

 

CMYK 24 / 18 / 0 / 26

HEX #8F9BBC

RGB 143 155 188

HSL 224, 0.25%, 0.65%

LAB 64.09, 3.07, -18.48

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 18 / 24 / 0 / 26

HEX #9B8FBC

RGB 155 143 188

HSL 256, 0.25%, 0.65%

LAB 61.86, 13.72, -21.79

 

CMYK 11 / 24 / 0 / 26

HEX #A78FBC

RGB 167 143 188

HSL 272, 0.25%, 0.65%

LAB 62.92, 17.65, -20.08

 

CMYK 40 / 40 / 0 / 39

HEX #5D5D9B

RGB 93 93 155

HSL 240, 0.25%, 0.49%

LAB 42.03, 16.06, -33.84

 

CMYK 32 / 32 / 0 / 33

HEX #7575AC

RGB 117 117 172

HSL 240, 0.25%, 0.57%

LAB 51.25, 13.1, -29.27

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 17 / 17 / 0 / 20

HEX #A9A9CB

RGB 169 169 203

HSL 240, 0.25%, 0.73%

LAB 70.26, 6.98, -17.27

 

CMYK 11 / 11 / 0 / 14

HEX #C3C3DB

RGB 195 195 219

HSL 240, 0.25%, 0.81%

LAB 79.47, 4.66, -11.94

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 0 / 24 / 5 / 26

HEX #BC8FB3

RGB 188 143 179

HSL 312, 0.25%, 0.65%

LAB 64.64, 23.01, -12.22

 

CMYK 14 / 0 / 24 / 26

HEX #A1BC8F

RGB 161 188 143

HSL 96, 0.25%, 0.65%

LAB 73.24, -17.47, 19.8

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 0 / 24 / 24 / 26

HEX #BC8F8F

RGB 188 143 143

HSL 0, 0.25%, 0.65%

LAB 63.61, 17.02, 6.6

 

CMYK 24 / 0 / 24 / 26

HEX #8FBC8F

RGB 143 188 143

HSL 120, 0.25%, 0.65%

LAB 72.09, -23.82, 18.03

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 0 / 24 / 5 / 26

HEX #BC8FB3

RGB 188 143 179

HSL 312, 0.25%, 0.65%

LAB 64.64, 23.01, -12.22

 

CMYK 0 / 0 / 24 / 26

HEX #BCBC8F

RGB 188 188 143

HSL 60, 0.25%, 0.65%

LAB 75.23, -7.37, 22.85

 

CMYK 24 / 0 / 19 / 26

HEX #8FBC98

RGB 143 188 152

HSL 132, 0.25%, 0.65%

LAB 72.28, -22.2, 13.43

 

CMYK 24 / 24 / 0 / 26

HEX #8F8FBC

RGB 143 143 188

HSL 240, 0.25%, 0.65%

LAB 60.88, 9.9, -23.38

 

CMYK 0 / 24 / 12 / 26

HEX #BC8FA5

RGB 188 143 165

HSL 330.67, 0.25%, 0.65%

LAB 64.2, 20.53, -4.97

 

CMYK 0 / 0 / 24 / 26

HEX #BCBC8F

RGB 188 188 143

HSL 60, 0.25%, 0.65%

LAB 75.23, -7.37, 22.85

 

CMYK 24 / 0 / 12 / 26

HEX #8FBCA5

RGB 143 188 165

HSL 149.33, 0.25%, 0.65%

LAB 72.58, -19.69, 6.8

 

Description

Color code: HEX #8F8FBC | qconv.com Color code: HEX #8F8FBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 143 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 143 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 24 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 24% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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