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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F72E8 it is the complementary color #708D17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F72E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F72E8 shade: #9472E3, #A584F6, #B696FF, #C7A8FF and #D8BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F72E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F72E8 shade: #8F72E8, #7E60D5, #6D4EC2, #5C3CAF and #4B2A9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F72E8 shade: #8F72E8, #AF72E8, #CE72E8, #E872E1 and #E872C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F72E8 shade: #8F72E8 and #7272E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F72E8 shade matches the following richer shades: #8F72E8 and #8865F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F72E8 shade: #8F72E8, #967FDA, #9C8DCD, #A39AC0 and #AAA7B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F72E8 shade: #7295E8, #7276E8, #8E72E8, #AD72E8 and #CC72E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F72E8 shade: #572BDC, #734FE2, #8F72E8, #AB96ED and #C7B9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F72E8 shade: #8F72E8, #E872B5 and #86E872

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F72E8 shade: #8F72E8, #E88E72 and #72E88E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F72E8 shade: #8F72E8, #E872B5, #CCE872 and #72E8A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F72E8 shade: #8F72E8, #E87291, #CCE872 and #72E8C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

Complementary color

CMYK 21 / 0 / 84 / 45

HEX #708D17

RGB 112 141 23

HSL 74.75, 0.72%, 0.32%

LAB 54.61, -26.22, 53.63

 

CMYK 35 / 50 / 0 / 11

HEX #9472E3

RGB 148 114 227

HSL 258.05, 0.67%, 0.67%

LAB 55.96, 37.99, -53.02

 

CMYK 33 / 46 / 0 / 4

HEX #A584F6

RGB 165 132 246

HSL 257.37, 0.86%, 0.74%

LAB 62.64, 36.99, -52.86

 

CMYK 29 / 41 / 0 / 0

HEX #B696FF

RGB 182 150 255

HSL 258.29, 1%, 0.79%

LAB 68.74, 33.62, -48.04

 

CMYK 22 / 34 / 0 / 0

HEX #C7A8FF

RGB 199 168 255

HSL 261.38, 1%, 0.83%

LAB 74.42, 28.42, -39.03

 

CMYK 15 / 27 / 0 / 0

HEX #D8BAFF

RGB 216 186 255

HSL 266.09, 1%, 0.86%

LAB 80.14, 23.67, -30.07

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 41 / 55 / 0 / 16

HEX #7E60D5

RGB 126 96 213

HSL 255.38, 0.58%, 0.61%

LAB 49.01, 39.26, -56.35

 

CMYK 44 / 60 / 0 / 24

HEX #6D4EC2

RGB 109 78 194

HSL 256.03, 0.49%, 0.53%

LAB 42.15, 40.53, -56.56

 

CMYK 47 / 66 / 0 / 31

HEX #5C3CAF

RGB 92 60 175

HSL 256.7, 0.49%, 0.46%

LAB 35.21, 41.87, -56.71

 

CMYK 52 / 73 / 0 / 39

HEX #4B2A9C

RGB 75 42 156

HSL 257.37, 0.58%, 0.39%

LAB 28.25, 43.16, -56.69

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 25 / 51 / 0 / 9

HEX #AF72E8

RGB 175 114 232

HSL 271.02, 0.72%, 0.68%

LAB 58.95, 46.12, -50.89

 

CMYK 11 / 51 / 0 / 9

HEX #CE72E8

RGB 206 114 232

HSL 286.78, 0.72%, 0.68%

LAB 62.49, 54.34, -45.06

 

CMYK 0 / 51 / 3 / 9

HEX #E872E1

RGB 232 114 225

HSL 303.56, 0.72%, 0.68%

LAB 65.46, 60.14, -36.29

 

CMYK 0 / 51 / 16 / 9

HEX #E872C2

RGB 232 114 194

HSL 319.32, 0.72%, 0.68%

LAB 64.23, 55.19, -20.8

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 51 / 51 / 0 / 9

HEX #7272E8

RGB 114 114 232

HSL 240, 0.72%, 0.68%

LAB 53.43, 31.54, -60.04

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 44 / 59 / 0 / 4

HEX #8865F5

RGB 136 101 245

HSL 254.58, 0.88%, 0.68%

LAB 53.1, 47.41, -67.74

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 31 / 42 / 0 / 15

HEX #967FDA

RGB 150 127 218

HSL 255.16, 0.55%, 0.68%

LAB 58.72, 28.73, -43.59

 

CMYK 24 / 31 / 0 / 20

HEX #9C8DCD

RGB 156 141 205

HSL 254.06, 0.39%, 0.68%

LAB 62.1, 19.16, -30.97

 

CMYK 15 / 20 / 0 / 25

HEX #A39AC0

RGB 163 154 192

HSL 254.21, 0.23%, 0.68%

LAB 65.52, 10.98, -18.41

 

CMYK 5 / 7 / 0 / 30

HEX #AAA7B3

RGB 170 167 179

HSL 255, 0.07%, 0.68%

LAB 69.07, 3.39, -5.79

 

CMYK 51 / 36 / 0 / 9

HEX #7295E8

RGB 114 149 232

HSL 222.2, 0.72%, 0.68%

LAB 62.42, 10.72, -45.72

 

CMYK 51 / 49 / 0 / 9

HEX #7276E8

RGB 114 118 232

HSL 237.97, 0.72%, 0.68%

LAB 54.41, 29.15, -58.46

 

CMYK 39 / 51 / 0 / 9

HEX #8E72E8

RGB 142 114 232

HSL 254.24, 0.72%, 0.68%

LAB 55.7, 37.85, -56.27

 

CMYK 25 / 51 / 0 / 9

HEX #AD72E8

RGB 173 114 232

HSL 270, 0.72%, 0.68%

LAB 58.74, 45.6, -51.25

 

CMYK 12 / 51 / 0 / 9

HEX #CC72E8

RGB 204 114 232

HSL 285.76, 0.72%, 0.68%

LAB 62.25, 53.8, -45.46

 

CMYK 60 / 80 / 0 / 14

HEX #572BDC

RGB 87 43 220

HSL 254.92, 0.72%, 0.52%

LAB 35.83, 62.18, -82

 

CMYK 49 / 65 / 0 / 11

HEX #734FE2

RGB 115 79 226

HSL 254.69, 0.72%, 0.6%

LAB 45.26, 50.19, -69.87

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 28 / 37 / 0 / 7

HEX #AB96ED

RGB 171 150 237

HSL 254.48, 0.71%, 0.76%

LAB 66.96, 26.19, -41.05

 

CMYK 18 / 24 / 0 / 5

HEX #C7B9F3

RGB 199 185 243

HSL 254.48, 0.71%, 0.84%

LAB 78.06, 16.42, -26.96

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 0 / 51 / 22 / 9

HEX #E872B5

RGB 232 114 181

HSL 325.93, 0.72%, 0.68%

LAB 63.78, 53.3, -14.12

 

CMYK 42 / 0 / 51 / 9

HEX #86E872

RGB 134 232 114

HSL 109.83, 0.72%, 0.68%

LAB 83.96, -50.87, 48.16

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 0 / 39 / 51 / 9

HEX #E88E72

RGB 232 142 114

HSL 14.24, 0.72%, 0.68%

LAB 67.81, 31.28, 29.36

 

CMYK 51 / 0 / 39 / 9

HEX #72E88E

RGB 114 232 142

HSL 134.24, 0.72%, 0.68%

LAB 83.57, -52.38, 33.82

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 0 / 51 / 22 / 9

HEX #E872B5

RGB 232 114 181

HSL 325.93, 0.72%, 0.68%

LAB 63.78, 53.3, -14.12

 

CMYK 12 / 0 / 51 / 9

HEX #CCE872

RGB 204 232 114

HSL 74.24, 0.72%, 0.68%

LAB 87.86, -26.51, 53.76

 

CMYK 51 / 0 / 29 / 9

HEX #72E8A5

RGB 114 232 165

HSL 145.93, 0.72%, 0.68%

LAB 83.97, -48.3, 22.61

 

CMYK 38 / 51 / 0 / 9

HEX #8F72E8

RGB 143 114 232

HSL 254.75, 0.72%, 0.68%

LAB 55.79, 38.09, -56.12

 

CMYK 0 / 51 / 38 / 9

HEX #E87291

RGB 232 114 145

HSL 344.24, 0.72%, 0.68%

LAB 62.71, 48.73, 4.87

 

CMYK 12 / 0 / 51 / 9

HEX #CCE872

RGB 204 232 114

HSL 74.24, 0.72%, 0.68%

LAB 87.86, -26.51, 53.76

 

CMYK 51 / 0 / 14 / 9

HEX #72E8C8

RGB 114 232 200

HSL 163.73, 0.72%, 0.68%

LAB 84.72, -40.95, 5.39

 

Description

Color code: HEX #8F72E8 | qconv.com Color code: HEX #8F72E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 114 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 114 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 51 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 51% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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