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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F6EED it is the complementary color #709112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F6EED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F6EED shade: #946EE8, #A580FB, #B692FF, #C7A4FF and #D8B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F6EED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F6EED shade: #8F6EED, #7E5CDA, #6D4AC7, #5C38B4 and #4B26A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F6EED shade: #8E6DED, #B16DED, #D36DED, #ED6DE4 and #ED6DC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F6EED shade: #8E6DED and #6D6DED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F6EED shade matches the following richer shades: #8E6DED and #8860FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F6EED shade: #8E6DED, #957ADF, #9B88D2, #A195C5 and #A8A2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F6EED shade: #6D91ED, #6D6FED, #8D6DED, #AF6DED and #D16DED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F6EED shade: #5624E3, #7249E8, #8E6DED, #AB92F1 and #C7B7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F6EED shade: #8F6EED, #ED6DB3 and #80ED6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F6EED shade: #8F6EED, #ED8D6D and #6DED8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F6EED shade: #8F6EED, #ED6DB3, #CDED6D and #6DEDA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F6EED shade: #8F6EED, #ED6D8D, #CDED6D and #6DEDCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 54 / 0 / 7

HEX #8F6EED

RGB 143 110 237

HSL 255.59, 0.78%, 0.68%

LAB 55.18, 41.71, -59.89

 

Complementary color

CMYK 23 / 0 / 88 / 43

HEX #709112

RGB 112 145 18

HSL 75.59, 0.78%, 0.32%

LAB 55.83, -28.34, 55.93

 

CMYK 36 / 53 / 0 / 9

HEX #946EE8

RGB 148 110 232

HSL 258.69, 0.73%, 0.67%

LAB 55.35, 41.56, -56.79

 

CMYK 34 / 49 / 0 / 2

HEX #A580FB

RGB 165 128 251

HSL 258.05, 0.94%, 0.74%

LAB 62, 40.5, -56.62

 

CMYK 29 / 43 / 0 / 0

HEX #B692FF

RGB 182 146 255

HSL 259.82, 1%, 0.79%

LAB 67.82, 35.84, -49.49

 

CMYK 22 / 36 / 0 / 0

HEX #C7A4FF

RGB 199 164 255

HSL 263.08, 1%, 0.82%

LAB 73.49, 30.62, -40.49

 

CMYK 15 / 29 / 0 / 0

HEX #D8B6FF

RGB 216 182 255

HSL 267.95, 1%, 0.86%

LAB 79.2, 25.83, -31.53

 

CMYK 40 / 54 / 0 / 7

HEX #8F6EED

RGB 143 110 237

HSL 255.59, 0.78%, 0.68%

LAB 55.18, 41.71, -59.89

 

CMYK 42 / 58 / 0 / 15

HEX #7E5CDA

RGB 126 92 218

HSL 256.19, 0.63%, 0.61%

LAB 48.45, 42.92, -60.1

 

CMYK 45 / 63 / 0 / 22

HEX #6D4AC7

RGB 109 74 199

HSL 256.8, 0.53%, 0.54%

LAB 41.65, 44.21, -60.27

 

CMYK 49 / 69 / 0 / 29

HEX #5C38B4

RGB 92 56 180

HSL 257.42, 0.53%, 0.46%

LAB 34.8, 45.51, -60.34

 

CMYK 53 / 76 / 0 / 37

HEX #4B26A1

RGB 75 38 161

HSL 258.05, 0.62%, 0.39%

LAB 27.99, 46.63, -60.16

 

CMYK 40 / 54 / 0 / 7

HEX #8E6DED

RGB 142 109 237

HSL 255.47, 0.78%, 0.68%

LAB 54.87, 42.04, -60.39

 

CMYK 25 / 54 / 0 / 7

HEX #B16DED

RGB 177 109 237

HSL 271.88, 0.78%, 0.68%

LAB 58.41, 50.44, -54.52

 

CMYK 11 / 54 / 0 / 7

HEX #D36DED

RGB 211 109 237

HSL 287.81, 0.78%, 0.68%

LAB 62.42, 59.08, -47.91

 

CMYK 0 / 54 / 4 / 7

HEX #ED6DE4

RGB 237 109 228

HSL 304.22, 0.78%, 0.68%

LAB 65.39, 64.3, -38.01

 

CMYK 0 / 54 / 19 / 7

HEX #ED6DC1

RGB 237 109 193

HSL 320.63, 0.78%, 0.68%

LAB 63.99, 58.89, -20.53

 

CMYK 40 / 54 / 0 / 7

HEX #8E6DED

RGB 142 109 237

HSL 255.47, 0.78%, 0.68%

LAB 54.87, 42.04, -60.39

 

CMYK 54 / 54 / 0 / 7

HEX #6D6DED

RGB 109 109 237

HSL 240, 0.78%, 0.68%

LAB 52.18, 35.06, -64.87

 

CMYK 40 / 54 / 0 / 7

HEX #8E6DED

RGB 142 109 237

HSL 255.47, 0.78%, 0.68%

LAB 54.87, 42.04, -60.39

 

CMYK 46 / 62 / 0 / 2

HEX #8860FA

RGB 136 96 250

HSL 255.58, 0.94%, 0.68%

LAB 52.4, 51.52, -71.65

 

CMYK 40 / 54 / 0 / 7

HEX #8E6DED

RGB 142 109 237

HSL 255.47, 0.78%, 0.68%

LAB 54.87, 42.04, -60.39

 

CMYK 33 / 45 / 0 / 13

HEX #957ADF

RGB 149 122 223

HSL 256.04, 0.61%, 0.68%

LAB 57.69, 32.63, -48.02

 

CMYK 26 / 35 / 0 / 18

HEX #9B88D2

RGB 155 136 210

HSL 255.41, 0.45%, 0.68%

LAB 60.98, 22.95, -35.52

 

CMYK 18 / 24 / 0 / 23

HEX #A195C5

RGB 161 149 197

HSL 255, 0.29%, 0.68%

LAB 64.24, 14.28, -23.16

 

CMYK 9 / 12 / 0 / 28

HEX #A8A2B8

RGB 168 162 184

HSL 256.36, 0.13%, 0.68%

LAB 67.74, 6.47, -10.55

 

CMYK 54 / 39 / 0 / 7

HEX #6D91ED

RGB 109 145 237

HSL 223.13, 0.78%, 0.68%

LAB 61.32, 13.53, -50.24

 

CMYK 54 / 53 / 0 / 7

HEX #6D6FED

RGB 109 111 237

HSL 239.06, 0.78%, 0.68%

LAB 52.66, 33.87, -64.09

 

CMYK 41 / 54 / 0 / 7

HEX #8D6DED

RGB 141 109 237

HSL 255, 0.78%, 0.68%

LAB 54.78, 41.81, -60.55

 

CMYK 26 / 54 / 0 / 7

HEX #AF6DED

RGB 175 109 237

HSL 270.94, 0.78%, 0.68%

LAB 58.19, 49.94, -54.89

 

CMYK 12 / 54 / 0 / 7

HEX #D16DED

RGB 209 109 237

HSL 286.88, 0.78%, 0.68%

LAB 62.17, 58.57, -48.32

 

CMYK 62 / 84 / 0 / 11

HEX #5624E3

RGB 86 36 227

HSL 255.71, 0.77%, 0.52%

LAB 35.57, 66.61, -86.45

 

CMYK 51 / 69 / 0 / 9

HEX #7249E8

RGB 114 73 232

HSL 255.47, 0.78%, 0.6%

LAB 44.47, 54.87, -74.55

 

CMYK 40 / 54 / 0 / 7

HEX #8E6DED

RGB 142 109 237

HSL 255.47, 0.78%, 0.68%

LAB 54.87, 42.04, -60.39

 

CMYK 29 / 39 / 0 / 5

HEX #AB92F1

RGB 171 146 241

HSL 255.79, 0.77%, 0.76%

LAB 66.19, 29.43, -44.47

 

CMYK 19 / 26 / 0 / 4

HEX #C7B7F6

RGB 199 183 246

HSL 255.24, 0.78%, 0.84%

LAB 77.68, 18.17, -29.16

 

CMYK 40 / 54 / 0 / 7

HEX #8F6EED

RGB 143 110 237

HSL 255.59, 0.78%, 0.68%

LAB 55.18, 41.71, -59.89

 

CMYK 0 / 54 / 24 / 7

HEX #ED6DB3

RGB 237 109 179

HSL 327.19, 0.78%, 0.68%

LAB 63.5, 56.94, -13.32

 

CMYK 46 / 0 / 54 / 7

HEX #80ED6D

RGB 128 237 109

HSL 111.09, 0.78%, 0.68%

LAB 85.13, -55.23, 51.82

 

CMYK 40 / 54 / 0 / 7

HEX #8F6EED

RGB 143 110 237

HSL 255.59, 0.78%, 0.68%

LAB 55.18, 41.71, -59.89

 

CMYK 0 / 41 / 54 / 7

HEX #ED8D6D

RGB 237 141 109

HSL 15, 0.78%, 0.68%

LAB 68.14, 33.32, 32.63

 

CMYK 54 / 0 / 41 / 7

HEX #6DED8D

RGB 109 237 141

HSL 135, 0.78%, 0.68%

LAB 84.86, -55.75, 35.99

 

CMYK 40 / 54 / 0 / 7

HEX #8F6EED

RGB 143 110 237

HSL 255.59, 0.78%, 0.68%

LAB 55.18, 41.71, -59.89

 

CMYK 0 / 54 / 24 / 7

HEX #ED6DB3

RGB 237 109 179

HSL 327.19, 0.78%, 0.68%

LAB 63.5, 56.94, -13.32

 

CMYK 14 / 0 / 54 / 7

HEX #CDED6D

RGB 205 237 109

HSL 75, 0.78%, 0.68%

LAB 89.23, -28.94, 57.66

 

CMYK 54 / 0 / 30 / 7

HEX #6DEDA7

RGB 109 237 167

HSL 147.19, 0.78%, 0.68%

LAB 85.31, -51.15, 23.39

 

CMYK 40 / 54 / 0 / 7

HEX #8F6EED

RGB 143 110 237

HSL 255.59, 0.78%, 0.68%

LAB 55.18, 41.71, -59.89

 

CMYK 0 / 54 / 41 / 7

HEX #ED6D8D

RGB 237 109 141

HSL 345, 0.78%, 0.68%

LAB 62.39, 52.38, 6.82

 

CMYK 14 / 0 / 54 / 7

HEX #CDED6D

RGB 205 237 109

HSL 75, 0.78%, 0.68%

LAB 89.23, -28.94, 57.66

 

CMYK 54 / 0 / 14 / 7

HEX #6DEDCD

RGB 109 237 205

HSL 165, 0.78%, 0.68%

LAB 86.12, -43.08, 4.77

 

Description

Color code: HEX #8F6EED | qconv.com Color code: HEX #8F6EED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 110 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 110 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 54 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 54% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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