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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F6146 it is the complementary color #709EB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F6146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F6146 shade: #946141, #A57354, #B68567, #C7977A and #D8A98D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F6146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F6146 shade: #8F6146, #7E4F33, #6D3D20, #5C2B0D and #4B1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F6146 shade: #8F6146, #8F4D46 and #8F4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F6146 shade: #8F6146, #8F7546, #8F8846, #828F46 and #6E8F46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F6146 shade matches the following richer shades: #8F6146, #A05D35, #B25824, #C35412 and #D44F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F6146 shade: #8F6146, #7E6658, #6C6A69, #5B6F7A and #4A738C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F6146 shade: #8F4652, #8F4D46, #8F6146, #8F7446 and #8F8846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F6146 shade: #583C2B, #734E39, #8F6146, #AB7454 and #B88A70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F6146 shade: #8F6146, #668F46 and #46498F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F6146 shade: #8F6146, #468F61 and #61468F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F6146 shade: #8F6146, #668F46, #46748F and #6F468F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F6146 shade: #8F6146, #508F46, #46748F and #85468F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

Complementary color

CMYK 39 / 15 / 0 / 27

HEX #709EB9

RGB 112 158 185

HSL 202.19, 0.34%, 0.58%

LAB 62.84, -8.48, -18.88

 

CMYK 0 / 34 / 56 / 42

HEX #946141

RGB 148 97 65

HSL 23.13, 0.39%, 0.42%

LAB 45.94, 17.13, 26.6

 

CMYK 0 / 30 / 49 / 35

HEX #A57354

RGB 165 115 84

HSL 22.96, 0.33%, 0.49%

LAB 52.84, 15.97, 24.99

 

CMYK 0 / 27 / 43 / 29

HEX #B68567

RGB 182 133 103

HSL 22.78, 0.35%, 0.56%

LAB 59.62, 14.98, 23.55

 

CMYK 0 / 24 / 39 / 22

HEX #C7977A

RGB 199 151 122

HSL 22.6, 0.41%, 0.63%

LAB 66.28, 14.14, 22.24

 

CMYK 0 / 22 / 35 / 15

HEX #D8A98D

RGB 216 169 141

HSL 22.4, 0.49%, 0.7%

LAB 72.82, 13.4, 21.05

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 0 / 37 / 60 / 51

HEX #7E4F33

RGB 126 79 51

HSL 22.4, 0.42%, 0.35%

LAB 38.32, 16.69, 24.6

 

CMYK 0 / 44 / 71 / 57

HEX #6D3D20

RGB 109 61 32

HSL 22.6, 0.55%, 0.28%

LAB 31.1, 18.25, 26.53

 

CMYK 0 / 53 / 86 / 64

HEX #5C2B0D

RGB 92 43 13

HSL 22.78, 0.75%, 0.21%

LAB 23.78, 20.17, 28.45

 

CMYK 0 / 67 / 100 / 71

HEX #4B1900

RGB 75 25 0

HSL 20, 1%, 0.15%

LAB 16.46, 22.36, 24.78

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 0 / 46 / 51 / 44

HEX #8F4D46

RGB 143 77 70

HSL 5.75, 0.34%, 0.42%

LAB 40.56, 26.95, 16.5

 

CMYK 0 / 51 / 51 / 44

HEX #8F4646

RGB 143 70 70

HSL 0, 0.34%, 0.42%

LAB 39.01, 30.83, 14.41

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 0 / 18 / 51 / 44

HEX #8F7546

RGB 143 117 70

HSL 38.63, 0.34%, 0.42%

LAB 50.69, 3.83, 29.6

 

CMYK 0 / 5 / 51 / 44

HEX #8F8846

RGB 143 136 70

HSL 54.25, 0.34%, 0.42%

LAB 55.98, -6.84, 36.06

 

CMYK 9 / 0 / 51 / 44

HEX #828F46

RGB 130 143 70

HSL 70.68, 0.34%, 0.42%

LAB 56.91, -16.22, 36.92

 

CMYK 23 / 0 / 51 / 44

HEX #6E8F46

RGB 110 143 70

HSL 87.12, 0.34%, 0.42%

LAB 55.48, -24.44, 34.87

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 0 / 42 / 67 / 37

HEX #A05D35

RGB 160 93 53

HSL 22.43, 0.5%, 0.42%

LAB 46.39, 23.7, 34.24

 

CMYK 0 / 51 / 80 / 30

HEX #B25824

RGB 178 88 36

HSL 21.97, 0.66%, 0.42%

LAB 47.72, 33.14, 45.08

 

CMYK 0 / 57 / 91 / 24

HEX #C35412

RGB 195 84 18

HSL 22.37, 0.83%, 0.42%

LAB 49.48, 41.44, 54.68

 

CMYK 0 / 63 / 100 / 17

HEX #D44F01

RGB 212 79 1

HSL 22.18, 0.99%, 0.42%

LAB 51.37, 49.86, 61.43

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 0 / 19 / 30 / 51

HEX #7E6658

RGB 126 102 88

HSL 22.11, 0.18%, 0.42%

LAB 45.14, 7.36, 11.53

 

CMYK 0 / 2 / 3 / 58

HEX #6C6A69

RGB 108 106 105

HSL 20, 0.01%, 0.42%

LAB 44.96, 0.58, 0.83

 

CMYK 25 / 9 / 0 / 52

HEX #5B6F7A

RGB 91 111 122

HSL 201.29, 0.15%, 0.42%

LAB 45.63, -4.7, -8.54

 

CMYK 47 / 18 / 0 / 45

HEX #4A738C

RGB 74 115 140

HSL 202.73, 0.31%, 0.42%

LAB 46.46, -7.14, -18.12

 

CMYK 0 / 51 / 43 / 44

HEX #8F4652

RGB 143 70 82

HSL 350.14, 0.34%, 0.42%

LAB 39.29, 32.12, 7.31

 

CMYK 0 / 46 / 51 / 44

HEX #8F4D46

RGB 143 77 70

HSL 5.75, 0.34%, 0.42%

LAB 40.56, 26.95, 16.5

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 0 / 19 / 51 / 44

HEX #8F7446

RGB 143 116 70

HSL 37.81, 0.34%, 0.42%

LAB 50.42, 4.4, 29.26

 

CMYK 0 / 5 / 51 / 44

HEX #8F8846

RGB 143 136 70

HSL 54.25, 0.34%, 0.42%

LAB 55.98, -6.84, 36.06

 

CMYK 0 / 32 / 51 / 65

HEX #583C2B

RGB 88 60 43

HSL 22.67, 0.34%, 0.26%

LAB 28.06, 10, 15.41

 

CMYK 0 / 32 / 50 / 55

HEX #734E39

RGB 115 78 57

HSL 21.72, 0.34%, 0.34%

LAB 36.72, 12.91, 18.68

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 0 / 32 / 51 / 33

HEX #AB7454

RGB 171 116 84

HSL 22.07, 0.34%, 0.5%

LAB 53.8, 17.94, 26.38

 

CMYK 0 / 25 / 39 / 28

HEX #B88A70

RGB 184 138 112

HSL 21.67, 0.34%, 0.58%

LAB 61.25, 14.05, 20.74

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 29 / 0 / 51 / 44

HEX #668F46

RGB 102 143 70

HSL 93.7, 0.34%, 0.42%

LAB 54.98, -27.55, 34.14

 

CMYK 51 / 49 / 0 / 44

HEX #46498F

RGB 70 73 143

HSL 237.53, 0.34%, 0.42%

LAB 34.09, 19.09, -39.32

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 51 / 0 / 32 / 44

HEX #468F61

RGB 70 143 97

HSL 142.19, 0.34%, 0.42%

LAB 53.82, -33.77, 17.66

 

CMYK 32 / 51 / 0 / 44

HEX #61468F

RGB 97 70 143

HSL 262.19, 0.34%, 0.42%

LAB 35.8, 28.1, -36.45

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 29 / 0 / 51 / 44

HEX #668F46

RGB 102 143 70

HSL 93.7, 0.34%, 0.42%

LAB 54.98, -27.55, 34.14

 

CMYK 51 / 19 / 0 / 44

HEX #46748F

RGB 70 116 143

HSL 202.19, 0.34%, 0.42%

LAB 46.68, -7.83, -19.58

 

CMYK 22 / 51 / 0 / 44

HEX #6F468F

RGB 111 70 143

HSL 273.7, 0.34%, 0.42%

LAB 37.38, 32.11, -33.85

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 44 / 0 / 51 / 44

HEX #508F46

RGB 80 143 70

HSL 111.78, 0.34%, 0.42%

LAB 53.81, -35.35, 32.43

 

CMYK 51 / 19 / 0 / 44

HEX #46748F

RGB 70 116 143

HSL 202.19, 0.34%, 0.42%

LAB 46.68, -7.83, -19.58

 

CMYK 7 / 51 / 0 / 44

HEX #85468F

RGB 133 70 143

HSL 291.78, 0.34%, 0.42%

LAB 40.16, 38.63, -29.27

 

Description

Color code: HEX #8F6146 | qconv.com Color code: HEX #8F6146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 97 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 97 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 51 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 51% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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