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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F58C4 it is the complementary color #70A73B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F58C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F58C4 shade: #9458BF, #A56AD2, #B67CE5, #C78EF8 and #D8A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F58C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F58C4 shade: #8F58C4, #7E46B1, #6D349E, #5C228B and #4B1078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F58C4 shade: #8F58C4, #AC58C4, #C458BF, #C458A2 and #C45885

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F58C4 shade: #8F58C4, #7258C4 and #5858C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F58C4 shade matches the following richer shades: #8F58C4, #9046D6, #9034E8 and #9022FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F58C4 shade: #8F58C4, #8F6BB2, #8F7DA0, #8E8F8E and #8EA17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F58C4 shade: #585CC4, #7258C4, #8E58C4, #AB58C4 and #C458C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F58C4 shade: #663496, #7B3FB4, #8F58C4, #A477CF and #B896DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F58C4 shade: #8F58C4, #C45879 and #58C463

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F58C4 shade: #8F58C4, #C48E58 and #58C48E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F58C4 shade: #8F58C4, #C45879, #8EC458 and #58C4A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F58C4 shade: #8F58C4, #C45858, #8EC458 and #58C4C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

Complementary color

CMYK 33 / 0 / 65 / 35

HEX #70A73B

RGB 112 167 59

HSL 90.56, 0.48%, 0.44%

LAB 62.84, -36.18, 48.57

 

CMYK 23 / 54 / 0 / 25

HEX #9458BF

RGB 148 88 191

HSL 274.95, 0.45%, 0.55%

LAB 48.31, 43.63, -44.71

 

CMYK 21 / 50 / 0 / 18

HEX #A56AD2

RGB 165 106 210

HSL 274.04, 0.54%, 0.62%

LAB 55.03, 42.76, -44.81

 

CMYK 21 / 46 / 0 / 10

HEX #B67CE5

RGB 182 124 229

HSL 273.14, 0.67%, 0.69%

LAB 61.67, 41.91, -44.87

 

CMYK 20 / 43 / 0 / 3

HEX #C78EF8

RGB 199 142 248

HSL 272.26, 0.88%, 0.76%

LAB 68.22, 41.08, -44.93

 

CMYK 15 / 37 / 0 / 0

HEX #D8A0FF

RGB 216 160 255

HSL 275.37, 1%, 0.81%

LAB 74.16, 37.74, -39.32

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 29 / 60 / 0 / 31

HEX #7E46B1

RGB 126 70 177

HSL 271.4, 0.43%, 0.48%

LAB 41.2, 44.41, -48.02

 

CMYK 31 / 67 / 0 / 38

HEX #6D349E

RGB 109 52 158

HSL 272.26, 0.5%, 0.41%

LAB 34.35, 45.19, -47.81

 

CMYK 34 / 76 / 0 / 45

HEX #5C228B

RGB 92 34 139

HSL 273.14, 0.61%, 0.34%

LAB 27.53, 45.6, -47.32

 

CMYK 38 / 87 / 0 / 53

HEX #4B1078

RGB 75 16 120

HSL 274.04, 0.76%, 0.27%

LAB 20.91, 45.12, -46.22

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 12 / 55 / 0 / 23

HEX #AC58C4

RGB 172 88 196

HSL 286.67, 0.48%, 0.56%

LAB 51.54, 51.08, -42.28

 

CMYK 0 / 55 / 3 / 23

HEX #C458BF

RGB 196 88 191

HSL 302.78, 0.48%, 0.56%

LAB 54.53, 56.61, -34.48

 

CMYK 0 / 55 / 17 / 23

HEX #C458A2

RGB 196 88 162

HSL 318.89, 0.48%, 0.56%

LAB 53.3, 51.91, -19.54

 

CMYK 0 / 55 / 32 / 23

HEX #C45885

RGB 196 88 133

HSL 335, 0.48%, 0.56%

LAB 52.3, 47.89, -3.93

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 42 / 55 / 0 / 23

HEX #7258C4

RGB 114 88 196

HSL 254.44, 0.48%, 0.56%

LAB 45, 36.4, -53.09

 

CMYK 55 / 55 / 0 / 23

HEX #5858C4

RGB 88 88 196

HSL 240, 0.48%, 0.56%

LAB 42.82, 30.78, -56.72

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 33 / 67 / 0 / 16

HEX #9046D6

RGB 144 70 214

HSL 270.83, 0.64%, 0.56%

LAB 45.86, 57.23, -61.91

 

CMYK 38 / 78 / 0 / 9

HEX #9034E8

RGB 144 52 232

HSL 270.67, 0.8%, 0.56%

LAB 44.53, 68.95, -74.31

 

CMYK 43 / 86 / 0 / 2

HEX #9022FB

RGB 144 34 251

HSL 270.41, 0.96%, 0.56%

LAB 44.29, 78.62, -85.42

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 20 / 40 / 0 / 30

HEX #8F6BB2

RGB 143 107 178

HSL 270.42, 0.32%, 0.56%

LAB 51.35, 28.45, -32.42

 

CMYK 11 / 22 / 0 / 37

HEX #8F7DA0

RGB 143 125 160

HSL 270.86, 0.16%, 0.56%

LAB 55.12, 13.84, -16.17

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 12 / 0 / 23 / 37

HEX #8EA17C

RGB 142 161 124

HSL 90.81, 0.16%, 0.56%

LAB 63.91, -13.6, 17.09

 

CMYK 55 / 53 / 0 / 23

HEX #585CC4

RGB 88 92 196

HSL 237.78, 0.48%, 0.56%

LAB 43.82, 28.3, -55.1

 

CMYK 42 / 55 / 0 / 23

HEX #7258C4

RGB 114 88 196

HSL 254.44, 0.48%, 0.56%

LAB 45, 36.4, -53.09

 

CMYK 28 / 55 / 0 / 23

HEX #8E58C4

RGB 142 88 196

HSL 270, 0.48%, 0.56%

LAB 47.9, 43.25, -48.29

 

CMYK 13 / 55 / 0 / 23

HEX #AB58C4

RGB 171 88 196

HSL 286.11, 0.48%, 0.56%

LAB 51.41, 50.82, -42.5

 

CMYK 0 / 55 / 2 / 23

HEX #C458C1

RGB 196 88 193

HSL 301.67, 0.48%, 0.56%

LAB 54.62, 56.96, -35.48

 

CMYK 32 / 65 / 0 / 41

HEX #663496

RGB 102 52 150

HSL 270.61, 0.49%, 0.4%

LAB 32.88, 41.61, -45.36

 

CMYK 32 / 65 / 0 / 29

HEX #7B3FB4

RGB 123 63 180

HSL 270.77, 0.48%, 0.48%

LAB 39.68, 48.09, -52.26

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 21 / 43 / 0 / 19

HEX #A477CF

RGB 164 119 207

HSL 270.68, 0.48%, 0.64%

LAB 57.65, 34.58, -38.99

 

CMYK 16 / 31 / 0 / 15

HEX #B896DA

RGB 184 150 218

HSL 270, 0.48%, 0.72%

LAB 67.33, 25.65, -29.93

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 0 / 55 / 38 / 23

HEX #C45879

RGB 196 88 121

HSL 341.67, 0.48%, 0.56%

LAB 51.95, 46.45, 2.7

 

CMYK 55 / 0 / 49 / 23

HEX #58C463

RGB 88 196 99

HSL 126.11, 0.48%, 0.56%

LAB 71.18, -51.15, 39.29

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 0 / 28 / 55 / 23

HEX #C48E58

RGB 196 142 88

HSL 30, 0.48%, 0.56%

LAB 63.17, 14.4, 36.6

 

CMYK 55 / 0 / 28 / 23

HEX #58C48E

RGB 88 196 142

HSL 150, 0.48%, 0.56%

LAB 71.9, -43.64, 17.92

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 0 / 55 / 38 / 23

HEX #C45879

RGB 196 88 121

HSL 341.67, 0.48%, 0.56%

LAB 51.95, 46.45, 2.7

 

CMYK 28 / 0 / 55 / 23

HEX #8EC458

RGB 142 196 88

HSL 90, 0.48%, 0.56%

LAB 73.5, -35.59, 47.95

 

CMYK 55 / 0 / 16 / 23

HEX #58C4A4

RGB 88 196 164

HSL 162.22, 0.48%, 0.56%

LAB 72.39, -38.79, 6.74

 

CMYK 27 / 55 / 0 / 23

HEX #8F58C4

RGB 143 88 196

HSL 270.56, 0.48%, 0.56%

LAB 48.01, 43.5, -48.1

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 28 / 0 / 55 / 23

HEX #8EC458

RGB 142 196 88

HSL 90, 0.48%, 0.56%

LAB 73.5, -35.59, 47.95

 

CMYK 55 / 0 / 0 / 23

HEX #58C4C4

RGB 88 196 196

HSL 180, 0.48%, 0.56%

LAB 73.25, -30.69, -9.4

 

Description

Color code: HEX #8F58C4 | qconv.com Color code: HEX #8F58C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 88 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 88 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 55 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 55% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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