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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F5445 it is the complementary color #70ABBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F5445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F5445 shade: #945440, #A56653, #B67866, #C78A79 and #D89C8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F5445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F5445 shade: #8F5445, #7E4232, #6D301F, #5C1E0C and #4B0C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F5445 shade: #905445 and #904545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F5445 shade: #905445, #906945, #907D45, #8F9045 and #7B9045

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F5445 shade matches the following richer shades: #905445, #A14A34, #B34022, #C43511 and #D52B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F5445 shade: #905445, #7F5F56, #6D6968, #5C7379 and #4B7E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F5445 shade: #90455E, #90454A, #905445, #906845 and #907C45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F5445 shade: #58342A, #744438, #905445, #AC6553 and #B97E6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F5445 shade: #8F5445, #729045 and #455490

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F5445 shade: #8F5445, #459054 and #544590

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F5445 shade: #8F5445, #729045, #458190 and #634590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F5445 shade: #8F5445, #5C9045, #458190 and #7A4590

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 52 / 44

HEX #8F5445

RGB 143 84 69

HSL 12.16, 0.35%, 0.42%

LAB 42.17, 22.86, 19.25

 

Complementary color

CMYK 40 / 8 / 0 / 27

HEX #70ABBA

RGB 112 171 186

HSL 192.16, 0.35%, 0.58%

LAB 66.61, -15.23, -13.74

 

CMYK 0 / 43 / 57 / 42

HEX #945440

RGB 148 84 64

HSL 14.29, 0.4%, 0.42%

LAB 42.77, 24.51, 23.16

 

CMYK 0 / 38 / 50 / 35

HEX #A56653

RGB 165 102 83

HSL 13.9, 0.33%, 0.49%

LAB 49.65, 23.23, 21.38

 

CMYK 0 / 34 / 44 / 29

HEX #B67866

RGB 182 120 102

HSL 13.5, 0.35%, 0.56%

LAB 56.42, 22.12, 19.84

 

CMYK 0 / 31 / 39 / 22

HEX #C78A79

RGB 199 138 121

HSL 13.08, 0.41%, 0.63%

LAB 63.09, 21.15, 18.47

 

CMYK 0 / 28 / 35 / 15

HEX #D89C8C

RGB 216 156 140

HSL 12.63, 0.49%, 0.7%

LAB 69.66, 20.3, 17.24

 

CMYK 0 / 41 / 52 / 44

HEX #8F5445

RGB 143 84 69

HSL 12.16, 0.35%, 0.42%

LAB 42.17, 22.86, 19.25

 

CMYK 0 / 48 / 60 / 51

HEX #7E4232

RGB 126 66 50

HSL 12.63, 0.43%, 0.35%

LAB 35.13, 24.23, 21.2

 

CMYK 0 / 56 / 72 / 57

HEX #6D301F

RGB 109 48 31

HSL 13.08, 0.56%, 0.27%

LAB 28.02, 25.78, 23.57

 

CMYK 0 / 67 / 87 / 64

HEX #5C1E0C

RGB 92 30 12

HSL 13.5, 0.77%, 0.2%

LAB 20.94, 27.41, 25.94

 

CMYK 0 / 84 / 100 / 71

HEX #4B0C00

RGB 75 12 0

HSL 9.6, 1%, 0.15%

LAB 14.17, 28.56, 21.86

 

CMYK 0 / 42 / 52 / 44

HEX #905445

RGB 144 84 69

HSL 12, 0.35%, 0.42%

LAB 42.31, 23.29, 19.46

 

CMYK 0 / 52 / 52 / 44

HEX #904545

RGB 144 69 69

HSL 0, 0.35%, 0.42%

LAB 38.92, 31.67, 14.94

 

CMYK 0 / 42 / 52 / 44

HEX #905445

RGB 144 84 69

HSL 12, 0.35%, 0.42%

LAB 42.31, 23.29, 19.46

 

CMYK 0 / 27 / 52 / 44

HEX #906945

RGB 144 105 69

HSL 28.8, 0.35%, 0.42%

LAB 47.58, 11.11, 26.27

 

CMYK 0 / 13 / 52 / 44

HEX #907D45

RGB 144 125 69

HSL 44.8, 0.35%, 0.42%

LAB 52.98, -0.37, 32.99

 

CMYK 1 / 0 / 52 / 44

HEX #8F9045

RGB 143 144 69

HSL 60.8, 0.35%, 0.42%

LAB 58.24, -11.28, 39.26

 

CMYK 15 / 0 / 52 / 44

HEX #7B9045

RGB 123 144 69

HSL 76.8, 0.35%, 0.42%

LAB 56.67, -19.78, 37.02

 

CMYK 0 / 42 / 52 / 44

HEX #905445

RGB 144 84 69

HSL 12, 0.35%, 0.42%

LAB 42.31, 23.29, 19.46

 

CMYK 0 / 54 / 68 / 37

HEX #A14A34

RGB 161 74 52

HSL 12.11, 0.51%, 0.42%

LAB 42.34, 34.41, 30.09

 

CMYK 0 / 64 / 81 / 30

HEX #B34022

RGB 179 64 34

HSL 12.41, 0.68%, 0.42%

LAB 43.31, 45.24, 41.84

 

CMYK 0 / 73 / 91 / 23

HEX #C43511

RGB 196 53 17

HSL 12.07, 0.84%, 0.42%

LAB 44.69, 55.04, 51.67

 

CMYK 0 / 80 / 100 / 16

HEX #D52B00

RGB 213 43 0

HSL 12.11, 1%, 0.42%

LAB 46.81, 63.17, 59.59

 

CMYK 0 / 42 / 52 / 44

HEX #905445

RGB 144 84 69

HSL 12, 0.35%, 0.42%

LAB 42.31, 23.29, 19.46

 

CMYK 0 / 25 / 32 / 50

HEX #7F5F56

RGB 127 95 86

HSL 13.17, 0.19%, 0.42%

LAB 43.31, 11.65, 10.2

 

CMYK 0 / 4 / 5 / 57

HEX #6D6968

RGB 109 105 104

HSL 12, 0.02%, 0.42%

LAB 44.74, 1.36, 1.11

 

CMYK 24 / 5 / 0 / 53

HEX #5C7379

RGB 92 115 121

HSL 192.41, 0.14%, 0.42%

LAB 46.87, -6.94, -6.1

 

CMYK 46 / 9 / 0 / 46

HEX #4B7E8A

RGB 75 126 138

HSL 191.43, 0.3%, 0.42%

LAB 49.8, -13.72, -11.86

 

CMYK 0 / 52 / 35 / 44

HEX #90455E

RGB 144 69 94

HSL 340, 0.35%, 0.42%

LAB 39.57, 34.52, 0.22

 

CMYK 0 / 52 / 49 / 44

HEX #90454A

RGB 144 69 74

HSL 356, 0.35%, 0.42%

LAB 39.04, 32.17, 11.98

 

CMYK 0 / 42 / 52 / 44

HEX #905445

RGB 144 84 69

HSL 12, 0.35%, 0.42%

LAB 42.31, 23.29, 19.46

 

CMYK 0 / 28 / 52 / 44

HEX #906845

RGB 144 104 69

HSL 28, 0.35%, 0.42%

LAB 47.31, 11.69, 25.94

 

CMYK 0 / 14 / 52 / 44

HEX #907C45

RGB 144 124 69

HSL 44, 0.35%, 0.42%

LAB 52.7, 0.19, 32.65

 

CMYK 0 / 41 / 52 / 65

HEX #58342A

RGB 88 52 42

HSL 13.04, 0.35%, 0.25%

LAB 25.86, 14.96, 13.14

 

CMYK 0 / 41 / 52 / 55

HEX #744438

RGB 116 68 56

HSL 12, 0.35%, 0.34%

LAB 34.26, 19.28, 16.07

 

CMYK 0 / 42 / 52 / 44

HEX #905445

RGB 144 84 69

HSL 12, 0.35%, 0.42%

LAB 42.31, 23.29, 19.46

 

CMYK 0 / 41 / 52 / 33

HEX #AC6553

RGB 172 101 83

HSL 12.13, 0.35%, 0.5%

LAB 50.34, 26.67, 22.46

 

CMYK 0 / 32 / 40 / 27

HEX #B97E6F

RGB 185 126 111

HSL 12.16, 0.35%, 0.58%

LAB 58.4, 21.02, 17.44

 

CMYK 0 / 41 / 52 / 44

HEX #8F5445

RGB 143 84 69

HSL 12.16, 0.35%, 0.42%

LAB 42.17, 22.86, 19.25

 

CMYK 21 / 0 / 52 / 44

HEX #729045

RGB 114 144 69

HSL 84, 0.35%, 0.42%

LAB 56.04, -23.46, 36.11

 

CMYK 52 / 42 / 0 / 44

HEX #455490

RGB 69 84 144

HSL 228, 0.35%, 0.42%

LAB 37.15, 12.02, -35.06

 

CMYK 0 / 41 / 52 / 44

HEX #8F5445

RGB 143 84 69

HSL 12.16, 0.35%, 0.42%

LAB 42.17, 22.86, 19.25

 

CMYK 52 / 0 / 42 / 44

HEX #459054

RGB 69 144 84

HSL 132, 0.35%, 0.42%

LAB 53.87, -36.93, 24.93

 

CMYK 42 / 52 / 0 / 44

HEX #544590

RGB 84 69 144

HSL 252, 0.35%, 0.42%

LAB 34.3, 25.49, -39.52

 

CMYK 0 / 41 / 52 / 44

HEX #8F5445

RGB 143 84 69

HSL 12.16, 0.35%, 0.42%

LAB 42.17, 22.86, 19.25

 

CMYK 21 / 0 / 52 / 44

HEX #729045

RGB 114 144 69

HSL 84, 0.35%, 0.42%

LAB 56.04, -23.46, 36.11

 

CMYK 52 / 10 / 0 / 44

HEX #458190

RGB 69 129 144

HSL 192, 0.35%, 0.42%

LAB 50.66, -15.12, -14.1

 

CMYK 31 / 52 / 0 / 44

HEX #634590

RGB 99 69 144

HSL 264, 0.35%, 0.42%

LAB 35.83, 29.53, -36.99

 

CMYK 0 / 41 / 52 / 44

HEX #8F5445

RGB 143 84 69

HSL 12.16, 0.35%, 0.42%

LAB 42.17, 22.86, 19.25

 

CMYK 36 / 0 / 52 / 44

HEX #5C9045

RGB 92 144 69

HSL 101.6, 0.35%, 0.42%

LAB 54.71, -31.85, 34.19

 

CMYK 52 / 10 / 0 / 44

HEX #458190

RGB 69 129 144

HSL 192, 0.35%, 0.42%

LAB 50.66, -15.12, -14.1

 

CMYK 15 / 52 / 0 / 44

HEX #7A4590

RGB 122 69 144

HSL 282.4, 0.35%, 0.42%

LAB 38.56, 36.14, -32.49

 

Description

Color code: HEX #8F5445 | qconv.com Color code: HEX #8F5445 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 84 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 84 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 52 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 52% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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