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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F485D it is the complementary color #70B7A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F485D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F485D shade: #944858, #A55A6B, #B66C7E, #C77E91 and #D890A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F485D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F485D shade: #8F485D, #7E364A, #6D2437, #5C1224 and #4B0011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F485D shade: #8E475C, #8E4749 and #8E4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F485D shade: #8E475C, #8E476F, #8E4782, #87478E and #73478E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F485D shade matches the following richer shades: #8E475C, #9F3655, #B1254E, #C21347 and #D30240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F485D shade: #8E475C, #7D5963, #6B6A6A, #5A7B71 and #498D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F485D shade: #8E4782, #8E476F, #8E475C, #8E474A and #8E5847

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F485D shade: #572C38, #73394A, #8E475C, #A9556E and #B77185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F485D shade: #8F485D, #8E8747 and #47798E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F485D shade: #8F485D, #5C8E47 and #475C8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F485D shade: #8F485D, #8E8747, #478E79 and #474E8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F485D shade: #8F485D, #808E47, #478E79 and #55478E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 35 / 44

HEX #8F485D

RGB 143 72 93

HSL 342.25, 0.33%, 0.42%

LAB 40.02, 32.4, 1.49

 

Complementary color

CMYK 39 / 0 / 11 / 28

HEX #70B7A2

RGB 112 183 162

HSL 162.25, 0.33%, 0.58%

LAB 69.41, -27.21, 3.67

 

CMYK 0 / 51 / 41 / 42

HEX #944858

RGB 148 72 88

HSL 347.37, 0.35%, 0.43%

LAB 40.63, 33.65, 5.58

 

CMYK 0 / 45 / 35 / 35

HEX #A55A6B

RGB 165 90 107

HSL 346.4, 0.29%, 0.5%

LAB 47.46, 32.65, 4.05

 

CMYK 0 / 41 / 31 / 29

HEX #B66C7E

RGB 182 108 126

HSL 345.41, 0.34%, 0.57%

LAB 54.21, 31.7, 2.78

 

CMYK 0 / 37 / 27 / 22

HEX #C77E91

RGB 199 126 145

HSL 344.38, 0.39%, 0.64%

LAB 60.88, 30.82, 1.68

 

CMYK 0 / 33 / 24 / 15

HEX #D890A4

RGB 216 144 164

HSL 343.33, 0.48%, 0.71%

LAB 67.45, 30, 0.71

 

CMYK 0 / 50 / 35 / 44

HEX #8F485D

RGB 143 72 93

HSL 342.25, 0.33%, 0.42%

LAB 40.02, 32.4, 1.49

 

CMYK 0 / 57 / 41 / 51

HEX #7E364A

RGB 126 54 74

HSL 343.33, 0.4%, 0.35%

LAB 33.07, 33.34, 3.16

 

CMYK 0 / 67 / 50 / 57

HEX #6D2437

RGB 109 36 55

HSL 344.38, 0.5%, 0.28%

LAB 26.12, 34.09, 5.39

 

CMYK 0 / 80 / 61 / 64

HEX #5C1224

RGB 92 18 36

HSL 345.41, 0.67%, 0.22%

LAB 19.37, 34.24, 8.61

 

CMYK 0 / 100 / 77 / 71

HEX #4B0011

RGB 75 0 17

HSL 346.4, 1%, 0.15%

LAB 12.84, 33.77, 12.57

 

CMYK 0 / 50 / 35 / 44

HEX #8E475C

RGB 142 71 92

HSL 342.25, 0.33%, 0.42%

LAB 39.63, 32.44, 1.53

 

CMYK 0 / 50 / 49 / 44

HEX #8E4749

RGB 142 71 73

HSL 358.31, 0.33%, 0.42%

LAB 39.14, 30.19, 12.69

 

CMYK 0 / 50 / 50 / 44

HEX #8E4747

RGB 142 71 71

HSL 0, 0.33%, 0.42%

LAB 39.09, 29.98, 13.88

 

CMYK 0 / 50 / 35 / 44

HEX #8E475C

RGB 142 71 92

HSL 342.25, 0.33%, 0.42%

LAB 39.63, 32.44, 1.53

 

CMYK 0 / 50 / 22 / 44

HEX #8E476F

RGB 142 71 111

HSL 326.2, 0.33%, 0.42%

LAB 40.25, 35.19, -9.38

 

CMYK 0 / 50 / 8 / 44

HEX #8E4782

RGB 142 71 130

HSL 310.14, 0.33%, 0.42%

LAB 41.01, 38.39, -19.94

 

CMYK 5 / 50 / 0 / 44

HEX #87478E

RGB 135 71 142

HSL 294.08, 0.33%, 0.42%

LAB 40.59, 38.49, -27.97

 

CMYK 19 / 50 / 0 / 44

HEX #73478E

RGB 115 71 142

HSL 277.18, 0.33%, 0.42%

LAB 38.03, 32.46, -32.17

 

CMYK 0 / 50 / 35 / 44

HEX #8E475C

RGB 142 71 92

HSL 342.25, 0.33%, 0.42%

LAB 39.63, 32.44, 1.53

 

CMYK 0 / 66 / 47 / 38

HEX #9F3655

RGB 159 54 85

HSL 342.29, 0.49%, 0.42%

LAB 39.01, 46.01, 5.39

 

CMYK 0 / 79 / 56 / 31

HEX #B1254E

RGB 177 37 78

HSL 342.43, 0.65%, 0.42%

LAB 39.95, 57.07, 11.63

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 99 / 70 / 17

HEX #D30240

RGB 211 2 64

HSL 342.2, 0.98%, 0.42%

LAB 44.61, 70.71, 27.81

 

CMYK 0 / 50 / 35 / 44

HEX #8E475C

RGB 142 71 92

HSL 342.25, 0.33%, 0.42%

LAB 39.63, 32.44, 1.53

 

CMYK 0 / 29 / 21 / 51

HEX #7D5963

RGB 125 89 99

HSL 343.33, 0.17%, 0.42%

LAB 41.85, 16.45, 0.15

 

CMYK 0 / 1 / 1 / 58

HEX #6B6A6A

RGB 107 106 106

HSL 0, 0%, 0.42%

LAB 44.91, 0.39, 0.13

 

CMYK 27 / 0 / 8 / 52

HEX #5A7B71

RGB 90 123 113

HSL 161.82, 0.15%, 0.42%

LAB 48.92, -14.03, 1.66

 

CMYK 48 / 0 / 15 / 45

HEX #498D78

RGB 73 141 120

HSL 161.47, 0.32%, 0.42%

LAB 53.84, -26.9, 4.57

 

CMYK 0 / 50 / 8 / 44

HEX #8E4782

RGB 142 71 130

HSL 310.14, 0.33%, 0.42%

LAB 41.01, 38.39, -19.94

 

CMYK 0 / 50 / 22 / 44

HEX #8E476F

RGB 142 71 111

HSL 326.2, 0.33%, 0.42%

LAB 40.25, 35.19, -9.38

 

CMYK 0 / 50 / 35 / 44

HEX #8E475C

RGB 142 71 92

HSL 342.25, 0.33%, 0.42%

LAB 39.63, 32.44, 1.53

 

CMYK 0 / 50 / 48 / 44

HEX #8E474A

RGB 142 71 74

HSL 357.46, 0.33%, 0.42%

LAB 39.16, 30.3, 12.1

 

CMYK 0 / 38 / 50 / 44

HEX #8E5847

RGB 142 88 71

HSL 14.37, 0.33%, 0.42%

LAB 43.04, 20.33, 19.18

 

CMYK 0 / 49 / 36 / 66

HEX #572C38

RGB 87 44 56

HSL 343.26, 0.33%, 0.26%

LAB 24.04, 21.33, 1.23

 

CMYK 0 / 50 / 36 / 55

HEX #73394A

RGB 115 57 74

HSL 342.41, 0.34%, 0.34%

LAB 31.96, 27.51, 1.33

 

CMYK 0 / 50 / 35 / 44

HEX #8E475C

RGB 142 71 92

HSL 342.25, 0.33%, 0.42%

LAB 39.63, 32.44, 1.53

 

CMYK 0 / 50 / 35 / 34

HEX #A9556E

RGB 169 85 110

HSL 342.14, 0.33%, 0.5%

LAB 47.05, 37.19, 1.72

 

CMYK 0 / 38 / 27 / 28

HEX #B77185

RGB 183 113 133

HSL 342.86, 0.33%, 0.58%

LAB 55.66, 30.31, 0.79

 

CMYK 0 / 50 / 35 / 44

HEX #8F485D

RGB 143 72 93

HSL 342.25, 0.33%, 0.42%

LAB 40.02, 32.4, 1.49

 

CMYK 0 / 5 / 50 / 44

HEX #8E8747

RGB 142 135 71

HSL 54.08, 0.33%, 0.42%

LAB 55.62, -6.63, 35.09

 

CMYK 50 / 15 / 0 / 44

HEX #47798E

RGB 71 121 142

HSL 197.75, 0.33%, 0.42%

LAB 48.22, -10.76, -16.63

 

CMYK 0 / 50 / 35 / 44

HEX #8F485D

RGB 143 72 93

HSL 342.25, 0.33%, 0.42%

LAB 40.02, 32.4, 1.49

 

CMYK 35 / 0 / 50 / 44

HEX #5C8E47

RGB 92 142 71

HSL 102.25, 0.33%, 0.42%

LAB 54.11, -30.65, 32.42

 

CMYK 50 / 35 / 0 / 44

HEX #475C8E

RGB 71 92 142

HSL 222.25, 0.33%, 0.42%

LAB 39.49, 6.73, -30.14

 

CMYK 0 / 50 / 35 / 44

HEX #8F485D

RGB 143 72 93

HSL 342.25, 0.33%, 0.42%

LAB 40.02, 32.4, 1.49

 

CMYK 0 / 5 / 50 / 44

HEX #8E8747

RGB 142 135 71

HSL 54.08, 0.33%, 0.42%

LAB 55.62, -6.63, 35.09

 

CMYK 50 / 0 / 15 / 44

HEX #478E79

RGB 71 142 121

HSL 162.25, 0.33%, 0.42%

LAB 54.1, -27.67, 4.36

 

CMYK 50 / 45 / 0 / 44

HEX #474E8E

RGB 71 78 142

HSL 234.08, 0.33%, 0.42%

LAB 35.48, 15.74, -36.49

 

CMYK 0 / 50 / 35 / 44

HEX #8F485D

RGB 143 72 93

HSL 342.25, 0.33%, 0.42%

LAB 40.02, 32.4, 1.49

 

CMYK 10 / 0 / 50 / 44

HEX #808E47

RGB 128 142 71

HSL 71.83, 0.33%, 0.42%

LAB 56.48, -16.44, 35.85

 

CMYK 50 / 0 / 15 / 44

HEX #478E79

RGB 71 142 121

HSL 162.25, 0.33%, 0.42%

LAB 54.1, -27.67, 4.36

 

CMYK 40 / 50 / 0 / 44

HEX #55478E

RGB 85 71 142

HSL 251.83, 0.33%, 0.42%

LAB 34.78, 23.89, -37.53

 

Description

Color code: HEX #8F485D | qconv.com Color code: HEX #8F485D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 72 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 72 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 35 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 35% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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