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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F3D59 it is the complementary color #70C2A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F3D59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F3D59 shade: #943D54, #A54F67, #B6617A, #C7738D and #D885A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F3D59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F3D59 shade: #8F3D59, #7E2B46, #6D1933, #5C0720 and #4B000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F3D59 shade: #8E3D59, #8E3D43 and #8E3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F3D59 shade: #8E3D59, #8E3D6F, #8E3D85, #823D8E and #6C3D8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F3D59 shade matches the following richer shades: #8E3D59, #9F2C53, #AF1C4E and #C00B49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F3D59 shade: #8E3D59, #7E4D5E, #6D5E63, #5D6E68 and #4C7F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F3D59 shade: #8E3D85, #8E3D6F, #8E3D59, #8E3D43 and #8E4C3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F3D59 shade: #552435, #713047, #8E3D59, #AB496B and #BB6281

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F3D59 shade: #8F3D59, #8E823D and #3D7A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F3D59 shade: #8F3D59, #598E3D and #3D598E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F3D59 shade: #8F3D59, #8E823D, #3D8E72 and #3D498E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F3D59 shade: #8F3D59, #828E3D, #3D8E72 and #493D8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 38 / 44

HEX #8F3D59

RGB 143 61 89

HSL 339.51, 0.4%, 0.4%

LAB 37.66, 37.7, 0.56

 

Complementary color

CMYK 42 / 0 / 14 / 24

HEX #70C2A6

RGB 112 194 166

HSL 159.51, 0.4%, 0.6%

LAB 72.75, -31.62, 6.29

 

CMYK 0 / 59 / 43 / 42

HEX #943D54

RGB 148 61 84

HSL 344.14, 0.42%, 0.41%

LAB 38.33, 38.89, 4.8

 

CMYK 0 / 52 / 38 / 35

HEX #A54F67

RGB 165 79 103

HSL 343.26, 0.35%, 0.48%

LAB 45.04, 38.02, 2.99

 

CMYK 0 / 47 / 33 / 29

HEX #B6617A

RGB 182 97 122

HSL 342.35, 0.37%, 0.55%

LAB 51.72, 37.09, 1.53

 

CMYK 0 / 42 / 29 / 22

HEX #C7738D

RGB 199 115 141

HSL 341.43, 0.43%, 0.62%

LAB 58.35, 36.18, 0.3

 

CMYK 0 / 38 / 26 / 15

HEX #D885A0

RGB 216 133 160

HSL 340.48, 0.52%, 0.68%

LAB 64.89, 35.31, -0.76

 

CMYK 0 / 57 / 38 / 44

HEX #8F3D59

RGB 143 61 89

HSL 339.51, 0.4%, 0.4%

LAB 37.66, 37.7, 0.56

 

CMYK 0 / 66 / 44 / 51

HEX #7E2B46

RGB 126 43 70

HSL 340.48, 0.49%, 0.33%

LAB 30.89, 38.35, 2.63

 

CMYK 0 / 77 / 53 / 57

HEX #6D1933

RGB 109 25 51

HSL 341.43, 0.63%, 0.26%

LAB 24.28, 38.47, 5.5

 

CMYK 0 / 92 / 65 / 64

HEX #5C0720

RGB 92 7 32

HSL 342.35, 0.86%, 0.19%

LAB 18.06, 37.36, 9.69

 

CMYK 0 / 100 / 83 / 71

HEX #4B000D

RGB 75 0 13

HSL 349.6, 1%, 0.15%

LAB 12.77, 33.57, 14.6

 

CMYK 0 / 57 / 37 / 44

HEX #8E3D59

RGB 142 61 89

HSL 339.26, 0.4%, 0.4%

LAB 37.5, 37.35, 0.31

 

CMYK 0 / 57 / 53 / 44

HEX #8E3D43

RGB 142 61 67

HSL 355.56, 0.4%, 0.4%

LAB 36.92, 34.94, 13.42

 

CMYK 0 / 57 / 57 / 44

HEX #8E3D3D

RGB 142 61 61

HSL 0, 0.4%, 0.4%

LAB 36.79, 34.4, 17.02

 

CMYK 0 / 57 / 37 / 44

HEX #8E3D59

RGB 142 61 89

HSL 339.26, 0.4%, 0.4%

LAB 37.5, 37.35, 0.31

 

CMYK 0 / 57 / 22 / 44

HEX #8E3D6F

RGB 142 61 111

HSL 322.96, 0.4%, 0.4%

LAB 38.26, 40.41, -12.39

 

CMYK 0 / 57 / 6 / 44

HEX #8E3D85

RGB 142 61 133

HSL 306.67, 0.4%, 0.4%

LAB 39.21, 44.06, -24.56

 

CMYK 8 / 57 / 0 / 44

HEX #823D8E

RGB 130 61 142

HSL 291.11, 0.4%, 0.4%

LAB 37.91, 42.31, -32.24

 

CMYK 24 / 57 / 0 / 44

HEX #6C3D8E

RGB 108 61 142

HSL 274.81, 0.4%, 0.4%

LAB 34.96, 36.2, -37.1

 

CMYK 0 / 57 / 37 / 44

HEX #8E3D59

RGB 142 61 89

HSL 339.26, 0.4%, 0.4%

LAB 37.5, 37.35, 0.31

 

CMYK 0 / 72 / 48 / 38

HEX #9F2C53

RGB 159 44 83

HSL 339.65, 0.57%, 0.4%

LAB 37.48, 49.88, 4.46

 

CMYK 0 / 84 / 55 / 31

HEX #AF1C4E

RGB 175 28 78

HSL 339.59, 0.72%, 0.4%

LAB 38.72, 58.9, 9.85

 

CMYK 0 / 94 / 62 / 25

HEX #C00B49

RGB 192 11 73

HSL 339.45, 0.89%, 0.4%

LAB 41.1, 65.73, 16.87

 

CMYK 0 / 57 / 37 / 44

HEX #8E3D59

RGB 142 61 89

HSL 339.26, 0.4%, 0.4%

LAB 37.5, 37.35, 0.31

 

CMYK 0 / 39 / 25 / 51

HEX #7E4D5E

RGB 126 77 94

HSL 339.18, 0.24%, 0.4%

LAB 38.81, 23.17, -1.19

 

CMYK 0 / 14 / 9 / 57

HEX #6D5E63

RGB 109 94 99

HSL 340, 0.07%, 0.4%

LAB 41.47, 6.99, -0.62

 

CMYK 15 / 0 / 5 / 57

HEX #5D6E68

RGB 93 110 104

HSL 158.82, 0.08%, 0.4%

LAB 44.91, -7.68, 1.21

 

CMYK 40 / 0 / 14 / 50

HEX #4C7F6D

RGB 76 127 109

HSL 158.82, 0.25%, 0.4%

LAB 49.28, -21.59, 4.42

 

CMYK 0 / 57 / 6 / 44

HEX #8E3D85

RGB 142 61 133

HSL 306.67, 0.4%, 0.4%

LAB 39.21, 44.06, -24.56

 

CMYK 0 / 57 / 22 / 44

HEX #8E3D6F

RGB 142 61 111

HSL 322.96, 0.4%, 0.4%

LAB 38.26, 40.41, -12.39

 

CMYK 0 / 57 / 37 / 44

HEX #8E3D59

RGB 142 61 89

HSL 339.26, 0.4%, 0.4%

LAB 37.5, 37.35, 0.31

 

CMYK 0 / 57 / 53 / 44

HEX #8E3D43

RGB 142 61 67

HSL 355.56, 0.4%, 0.4%

LAB 36.92, 34.94, 13.42

 

CMYK 0 / 46 / 57 / 44

HEX #8E4C3D

RGB 142 76 61

HSL 11.11, 0.4%, 0.4%

LAB 40.01, 26.25, 21.23

 

CMYK 0 / 58 / 38 / 67

HEX #552435

RGB 85 36 53

HSL 339.18, 0.4%, 0.24%

LAB 21.76, 24.82, -0.07

 

CMYK 0 / 58 / 37 / 56

HEX #713047

RGB 113 48 71

HSL 338.77, 0.4%, 0.32%

LAB 29.61, 31.33, -0.16

 

CMYK 0 / 57 / 37 / 44

HEX #8E3D59

RGB 142 61 89

HSL 339.26, 0.4%, 0.4%

LAB 37.5, 37.35, 0.31

 

CMYK 0 / 57 / 37 / 33

HEX #AB496B

RGB 171 73 107

HSL 339.18, 0.4%, 0.48%

LAB 44.92, 43.62, 0.48

 

CMYK 0 / 48 / 31 / 27

HEX #BB6281

RGB 187 98 129

HSL 339.1, 0.4%, 0.56%

LAB 52.82, 39.27, -0.93

 

CMYK 0 / 57 / 38 / 44

HEX #8F3D59

RGB 143 61 89

HSL 339.51, 0.4%, 0.4%

LAB 37.66, 37.7, 0.56

 

CMYK 0 / 8 / 57 / 44

HEX #8E823D

RGB 142 130 61

HSL 51.11, 0.4%, 0.4%

LAB 54.08, -4.79, 38.42

 

CMYK 57 / 14 / 0 / 44

HEX #3D7A8E

RGB 61 122 142

HSL 194.81, 0.4%, 0.4%

LAB 48.09, -13.66, -16.87

 

CMYK 0 / 57 / 38 / 44

HEX #8F3D59

RGB 143 61 89

HSL 339.51, 0.4%, 0.4%

LAB 37.66, 37.7, 0.56

 

CMYK 37 / 0 / 57 / 44

HEX #598E3D

RGB 89 142 61

HSL 99.26, 0.4%, 0.4%

LAB 53.82, -32.96, 37.13

 

CMYK 57 / 37 / 0 / 44

HEX #3D598E

RGB 61 89 142

HSL 219.26, 0.4%, 0.4%

LAB 38, 6.22, -32.53

 

CMYK 0 / 57 / 38 / 44

HEX #8F3D59

RGB 143 61 89

HSL 339.51, 0.4%, 0.4%

LAB 37.66, 37.7, 0.56

 

CMYK 0 / 8 / 57 / 44

HEX #8E823D

RGB 142 130 61

HSL 51.11, 0.4%, 0.4%

LAB 54.08, -4.79, 38.42

 

CMYK 57 / 0 / 20 / 44

HEX #3D8E72

RGB 61 142 114

HSL 159.26, 0.4%, 0.4%

LAB 53.55, -31.79, 7.55

 

CMYK 57 / 49 / 0 / 44

HEX #3D498E

RGB 61 73 142

HSL 231.11, 0.4%, 0.4%

LAB 33.37, 16.68, -39.9

 

CMYK 0 / 57 / 38 / 44

HEX #8F3D59

RGB 143 61 89

HSL 339.51, 0.4%, 0.4%

LAB 37.66, 37.7, 0.56

 

CMYK 8 / 0 / 57 / 44

HEX #828E3D

RGB 130 142 61

HSL 68.89, 0.4%, 0.4%

LAB 56.51, -16.56, 40.94

 

CMYK 57 / 0 / 20 / 44

HEX #3D8E72

RGB 61 142 114

HSL 159.26, 0.4%, 0.4%

LAB 53.55, -31.79, 7.55

 

CMYK 49 / 57 / 0 / 44

HEX #493D8E

RGB 73 61 142

HSL 248.89, 0.4%, 0.4%

LAB 31.13, 27.24, -43.45

 

Description

Color code: HEX #8F3D59 | qconv.com Color code: HEX #8F3D59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 61 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 61 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 38 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 38% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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