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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F11E7 it is the complementary color #70EE18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F11E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F11E7 shade: #9411E2, #A523F5, #B635FF, #C747FF and #D859FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F11E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F11E7 shade: #8F11E7, #7E00D4, #6D00C1, #5C00AE and #4B009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F11E7 shade: #9011E8, #C911E8, #E811CC, #E81192 and #E81158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F11E7 shade: #9011E8, #5611E8, #1C11E8 and #1111E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F11E7 shade matches the following richer shades: #9011E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F11E7 shade: #9011E8, #8C25D4, #8839BF, #854EAB and #816297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F11E7 shade: #1C11E8, #5511E8, #8E11E8, #C811E8 and #E811CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F11E7 shade: #600B9B, #780EC2, #9011E8, #A233EF and #B359F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F11E7 shade: #8F11E7, #E81140 and #11E838

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F11E7 shade: #8F11E7, #E88E11 and #11E88E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F11E7 shade: #8F11E7, #E81140, #6BE811 and #11E8B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F11E7 shade: #8F11E7, #E82311, #6BE811 and #11D6E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 93 / 0 / 9

HEX #8F11E7

RGB 143 17 231

HSL 275.33, 0.86%, 0.49%

LAB 41.23, 77.68, -79.16

 

Complementary color

CMYK 53 / 0 / 90 / 7

HEX #70EE18

RGB 112 238 24

HSL 95.33, 0.86%, 0.51%

LAB 84.31, -65.9, 78.76

 

CMYK 35 / 92 / 0 / 11

HEX #9411E2

RGB 148 17 226

HSL 277.61, 0.86%, 0.48%

LAB 41.51, 77.26, -75.83

 

CMYK 33 / 86 / 0 / 4

HEX #A523F5

RGB 165 35 245

HSL 277.14, 0.91%, 0.55%

LAB 46.7, 79.72, -77.99

 

CMYK 29 / 79 / 0 / 0

HEX #B635FF

RGB 182 53 255

HSL 278.32, 1%, 0.6%

LAB 51.51, 79.33, -75.63

 

CMYK 22 / 72 / 0 / 0

HEX #C747FF

RGB 199 71 255

HSL 281.74, 1%, 0.64%

LAB 55.96, 76.21, -68.32

 

CMYK 15 / 65 / 0 / 0

HEX #D859FF

RGB 216 89 255

HSL 285.9, 1%, 0.67%

LAB 60.75, 72.65, -60.49

 

CMYK 38 / 93 / 0 / 9

HEX #8F11E7

RGB 143 17 231

HSL 275.33, 0.86%, 0.49%

LAB 41.23, 77.68, -79.16

 

CMYK 41 / 100 / 0 / 17

HEX #7E00D4

RGB 126 0 212

HSL 275.66, 1%, 0.42%

LAB 36.35, 74.17, -76.39

 

CMYK 44 / 100 / 0 / 24

HEX #6D00C1

RGB 109 0 193

HSL 273.89, 1%, 0.38%

LAB 32.04, 68.63, -72.48

 

CMYK 47 / 100 / 0 / 32

HEX #5C00AE

RGB 92 0 174

HSL 271.72, 1%, 0.34%

LAB 27.66, 63.02, -68.49

 

CMYK 52 / 100 / 0 / 39

HEX #4B009B

RGB 75 0 155

HSL 269.03, 1%, 0.3%

LAB 23.21, 57.34, -64.38

 

CMYK 38 / 93 / 0 / 9

HEX #9011E8

RGB 144 17 232

HSL 275.44, 0.86%, 0.49%

LAB 41.46, 78, -79.35

 

CMYK 13 / 93 / 0 / 9

HEX #C911E8

RGB 201 17 232

HSL 291.35, 0.86%, 0.49%

LAB 50.27, 85.44, -64.62

 

CMYK 0 / 93 / 12 / 9

HEX #E811CC

RGB 232 17 204

HSL 307.81, 0.86%, 0.49%

LAB 53.94, 86.44, -42.49

 

CMYK 0 / 93 / 37 / 9

HEX #E81192

RGB 232 17 146

HSL 324, 0.86%, 0.49%

LAB 51.42, 79.89, -12.36

 

CMYK 0 / 93 / 62 / 9

HEX #E81158

RGB 232 17 88

HSL 340.19, 0.86%, 0.49%

LAB 49.81, 75.53, 20.6

 

CMYK 38 / 93 / 0 / 9

HEX #9011E8

RGB 144 17 232

HSL 275.44, 0.86%, 0.49%

LAB 41.46, 78, -79.35

 

CMYK 63 / 93 / 0 / 9

HEX #5611E8

RGB 86 17 232

HSL 259.26, 0.86%, 0.49%

LAB 34.41, 73.03, -91.24

 

CMYK 88 / 93 / 0 / 9

HEX #1C11E8

RGB 28 17 232

HSL 243.07, 0.86%, 0.49%

LAB 30.58, 70.9, -97.72

 

CMYK 93 / 93 / 0 / 9

HEX #1111E8

RGB 17 17 232

HSL 240, 0.86%, 0.49%

LAB 30.27, 70.75, -98.24

 

CMYK 38 / 93 / 0 / 9

HEX #9011E8

RGB 144 17 232

HSL 275.44, 0.86%, 0.49%

LAB 41.46, 78, -79.35

 

CMYK 38 / 93 / 0 / 9

HEX #9011E8

RGB 144 17 232

HSL 275.44, 0.86%, 0.49%

LAB 41.46, 78, -79.35

 

CMYK 34 / 83 / 0 / 17

HEX #8C25D4

RGB 140 37 212

HSL 275.31, 0.7%, 0.49%

LAB 40.66, 68.98, -69.24

 

CMYK 29 / 70 / 0 / 25

HEX #8839BF

RGB 136 57 191

HSL 275.37, 0.54%, 0.49%

LAB 41.09, 56.28, -56.36

 

CMYK 22 / 54 / 0 / 33

HEX #854EAB

RGB 133 78 171

HSL 275.48, 0.37%, 0.49%

LAB 43.32, 40.43, -41.04

 

CMYK 15 / 35 / 0 / 41

HEX #816297

RGB 129 98 151

HSL 275.09, 0.21%, 0.49%

LAB 46.49, 23.02, -24.24

 

CMYK 88 / 93 / 0 / 9

HEX #1C11E8

RGB 28 17 232

HSL 243.07, 0.86%, 0.49%

LAB 30.58, 70.9, -97.72

 

CMYK 63 / 93 / 0 / 9

HEX #5511E8

RGB 85 17 232

HSL 258.98, 0.86%, 0.49%

LAB 34.31, 72.97, -91.4

 

CMYK 39 / 93 / 0 / 9

HEX #8E11E8

RGB 142 17 232

HSL 274.88, 0.86%, 0.49%

LAB 41.18, 77.78, -79.82

 

CMYK 14 / 93 / 0 / 9

HEX #C811E8

RGB 200 17 232

HSL 291.07, 0.86%, 0.49%

LAB 50.1, 85.29, -64.89

 

CMYK 0 / 93 / 11 / 9

HEX #E811CF

RGB 232 17 207

HSL 306.98, 0.86%, 0.49%

LAB 54.09, 86.83, -43.96

 

CMYK 38 / 93 / 0 / 39

HEX #600B9B

RGB 96 11 155

HSL 275.42, 0.87%, 0.33%

LAB 27, 57.29, -58.03

 

CMYK 38 / 93 / 0 / 24

HEX #780EC2

RGB 120 14 194

HSL 275.33, 0.87%, 0.41%

LAB 34.4, 67.96, -69.12

 

CMYK 38 / 93 / 0 / 9

HEX #9011E8

RGB 144 17 232

HSL 275.44, 0.86%, 0.49%

LAB 41.46, 78, -79.35

 

CMYK 32 / 79 / 0 / 6

HEX #A233EF

RGB 162 51 239

HSL 275.43, 0.85%, 0.57%

LAB 47.34, 73.59, -73.59

 

CMYK 26 / 63 / 0 / 5

HEX #B359F2

RGB 179 89 242

HSL 275.29, 0.85%, 0.65%

LAB 55.22, 61.99, -62.42

 

CMYK 38 / 93 / 0 / 9

HEX #8F11E7

RGB 143 17 231

HSL 275.33, 0.86%, 0.49%

LAB 41.23, 77.68, -79.16

 

CMYK 0 / 93 / 72 / 9

HEX #E81140

RGB 232 17 64

HSL 346.88, 0.86%, 0.49%

LAB 49.41, 74.41, 34.62

 

CMYK 93 / 0 / 76 / 9

HEX #11E838

RGB 17 232 56

HSL 130.88, 0.86%, 0.49%

LAB 80.8, -77.58, 67.45

 

CMYK 38 / 93 / 0 / 9

HEX #8F11E7

RGB 143 17 231

HSL 275.33, 0.86%, 0.49%

LAB 41.23, 77.68, -79.16

 

CMYK 0 / 39 / 93 / 9

HEX #E88E11

RGB 232 142 17

HSL 34.88, 0.86%, 0.49%

LAB 66.93, 26.53, 69.9

 

CMYK 93 / 0 / 39 / 9

HEX #11E88E

RGB 17 232 142

HSL 154.88, 0.86%, 0.49%

LAB 81.72, -66.38, 31.04

 

CMYK 38 / 93 / 0 / 9

HEX #8F11E7

RGB 143 17 231

HSL 275.33, 0.86%, 0.49%

LAB 41.23, 77.68, -79.16

 

CMYK 0 / 93 / 72 / 9

HEX #E81140

RGB 232 17 64

HSL 346.88, 0.86%, 0.49%

LAB 49.41, 74.41, 34.62

 

CMYK 54 / 0 / 93 / 9

HEX #6BE811

RGB 107 232 17

HSL 94.88, 0.86%, 0.49%

LAB 82.31, -65.31, 77.98

 

CMYK 93 / 0 / 20 / 9

HEX #11E8B9

RGB 17 232 185

HSL 166.88, 0.86%, 0.49%

LAB 82.56, -56.98, 9.93

 

CMYK 38 / 93 / 0 / 9

HEX #8F11E7

RGB 143 17 231

HSL 275.33, 0.86%, 0.49%

LAB 41.23, 77.68, -79.16

 

CMYK 0 / 85 / 93 / 9

HEX #E82311

RGB 232 35 17

HSL 5.02, 0.86%, 0.49%

LAB 49.98, 70.49, 58.54

 

CMYK 54 / 0 / 93 / 9

HEX #6BE811

RGB 107 232 17

HSL 94.88, 0.86%, 0.49%

LAB 82.31, -65.31, 77.98

 

CMYK 93 / 8 / 0 / 9

HEX #11D6E8

RGB 17 214 232

HSL 185.02, 0.86%, 0.49%

LAB 78.48, -36.21, -21.05

 

Description

Color code: HEX #8F11E7 | qconv.com Color code: HEX #8F11E7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 17 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 17 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 93 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 93% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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