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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EEC5F it is the complementary color #7113A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EEC5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EEC5F shade: #93EC5A, #A4FE6D, #B5FF80, #C6FF93 and #D7FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EEC5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EEC5F shade: #8EEC5F, #7DDA4C, #6CC839, #5BB626 and #4AA413

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EEC5F shade: #8EEC5F, #B4EC5F, #DAEC5F, #ECD85F and #ECB25F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EEC5F shade: #8EEC5F, #68EC5F, #5FEC7C, #5FECA2 and #5FECC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EEC5F shade matches the following richer shades: #8EEC5F and #89FA50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EEC5F shade: #8EEC5F, #93DD6D, #97CF7C, #9CC08A and #A1B299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EEC5F shade: #D9EC5F, #B3EC5F, #8EEC5F, #68EC5F and #5FEC7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EEC5F shade: #5BDE1A, #74E73A, #8EEC5F, #A8F084 and #C2F4A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EEC5F shade: #8EEC5F, #5FECD9 and #EC5FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EEC5F shade: #8EEC5F, #5F8EEC and #EC5F8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EEC5F shade: #8EEC5F, #5FECD9, #BD5FEC and #EC5F72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EEC5F shade: #8EEC5F, #5FD4EC, #BD5FEC and #EC765F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

Complementary color

CMYK 29 / 88 / 0 / 37

HEX #7113A0

RGB 113 19 160

HSL 280, 0.79%, 0.35%

LAB 30.68, 58.97, -54.96

 

CMYK 38 / 0 / 62 / 7

HEX #93EC5A

RGB 147 236 90

HSL 96.58, 0.79%, 0.64%

LAB 85.47, -50.95, 60.73

 

CMYK 35 / 0 / 57 / 0

HEX #A4FE6D

RGB 164 254 109

HSL 97.24, 0.99%, 0.71%

LAB 91.63, -51.06, 59.82

 

CMYK 29 / 0 / 50 / 0

HEX #B5FF80

RGB 181 255 128

HSL 94.96, 1%, 0.75%

LAB 92.97, -43.88, 53.09

 

CMYK 22 / 0 / 42 / 0

HEX #C6FF93

RGB 198 255 147

HSL 91.67, 1%, 0.79%

LAB 94.15, -35.84, 45.8

 

CMYK 16 / 0 / 35 / 0

HEX #D7FFA6

RGB 215 255 166

HSL 86.97, 1%, 0.83%

LAB 95.46, -27.48, 38.42

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 43 / 0 / 65 / 15

HEX #7DDA4C

RGB 125 218 76

HSL 99.3, 0.66%, 0.58%

LAB 79.06, -51.91, 59.19

 

CMYK 46 / 0 / 72 / 22

HEX #6CC839

RGB 108 200 57

HSL 98.6, 0.57%, 0.5%

LAB 72.75, -51.55, 59.7

 

CMYK 50 / 0 / 79 / 29

HEX #5BB626

RGB 91 182 38

HSL 97.92, 0.65%, 0.43%

LAB 66.38, -50.95, 59.62

 

CMYK 55 / 0 / 88 / 36

HEX #4AA413

RGB 74 164 19

HSL 97.24, 0.79%, 0.36%

LAB 59.94, -50, 58.47

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 24 / 0 / 60 / 7

HEX #B4EC5F

RGB 180 236 95

HSL 83.83, 0.79%, 0.65%

LAB 87.25, -39.06, 61.1

 

CMYK 8 / 0 / 60 / 7

HEX #DAEC5F

RGB 218 236 95

HSL 67.66, 0.79%, 0.65%

LAB 89.73, -24.51, 64.53

 

CMYK 0 / 8 / 60 / 7

HEX #ECD85F

RGB 236 216 95

HSL 51.49, 0.79%, 0.65%

LAB 85.89, -7.4, 60.71

 

CMYK 0 / 25 / 60 / 7

HEX #ECB25F

RGB 236 178 95

HSL 35.32, 0.79%, 0.65%

LAB 76.38, 12.28, 49.9

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 56 / 0 / 60 / 7

HEX #68EC5F

RGB 104 236 95

HSL 116.17, 0.79%, 0.65%

LAB 83.84, -62.75, 56.32

 

CMYK 60 / 0 / 47 / 7

HEX #5FEC7C

RGB 95 236 124

HSL 132.34, 0.79%, 0.65%

LAB 83.9, -61.14, 43.01

 

CMYK 60 / 0 / 31 / 7

HEX #5FECA2

RGB 95 236 162

HSL 148.51, 0.79%, 0.65%

LAB 84.5, -54.68, 24.79

 

CMYK 60 / 0 / 15 / 7

HEX #5FECC8

RGB 95 236 200

HSL 164.68, 0.79%, 0.65%

LAB 85.3, -46.53, 6.15

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 45 / 0 / 68 / 2

HEX #89FA50

RGB 137 250 80

HSL 99.88, 0.94%, 0.65%

LAB 89.05, -60.38, 68.38

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 33 / 0 / 51 / 13

HEX #93DD6D

RGB 147 221 109

HSL 99.64, 0.62%, 0.65%

LAB 81.3, -42.7, 47.43

 

CMYK 27 / 0 / 40 / 19

HEX #97CF7C

RGB 151 207 124

HSL 100.48, 0.46%, 0.65%

LAB 77.67, -33.13, 35.56

 

CMYK 19 / 0 / 28 / 25

HEX #9CC08A

RGB 156 192 138

HSL 100, 0.3%, 0.65%

LAB 73.93, -22.08, 23.37

 

CMYK 10 / 0 / 14 / 30

HEX #A1B299

RGB 161 178 153

HSL 100.8, 0.14%, 0.65%

LAB 70.68, -10.61, 10.8

 

CMYK 8 / 0 / 60 / 7

HEX #D9EC5F

RGB 217 236 95

HSL 68.09, 0.79%, 0.65%

LAB 89.66, -24.9, 64.43

 

CMYK 24 / 0 / 60 / 7

HEX #B3EC5F

RGB 179 236 95

HSL 84.26, 0.79%, 0.65%

LAB 87.19, -39.43, 61.01

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 56 / 0 / 60 / 7

HEX #68EC5F

RGB 104 236 95

HSL 116.17, 0.79%, 0.65%

LAB 83.84, -62.75, 56.32

 

CMYK 60 / 0 / 48 / 7

HEX #5FEC7B

RGB 95 236 123

HSL 131.91, 0.79%, 0.65%

LAB 83.89, -61.28, 43.48

 

CMYK 59 / 0 / 88 / 13

HEX #5BDE1A

RGB 91 222 26

HSL 100.1, 0.79%, 0.49%

LAB 78.78, -65.75, 73.5

 

CMYK 50 / 0 / 75 / 9

HEX #74E73A

RGB 116 231 58

HSL 99.88, 0.78%, 0.57%

LAB 82.47, -60.87, 69.11

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 30 / 0 / 45 / 6

HEX #A8F084

RGB 168 240 132

HSL 100, 0.78%, 0.73%

LAB 88.12, -41.23, 45.07

 

CMYK 20 / 0 / 31 / 4

HEX #C2F4A9

RGB 194 244 169

HSL 100, 0.77%, 0.81%

LAB 91.25, -29.21, 31.09

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 60 / 0 / 8 / 7

HEX #5FECD9

RGB 95 236 217

HSL 171.91, 0.79%, 0.65%

LAB 85.72, -42.4, -2.16

 

CMYK 0 / 60 / 16 / 7

HEX #EC5FC6

RGB 236 95 198

HSL 316.17, 0.79%, 0.65%

LAB 61.74, 65.52, -26.84

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 60 / 40 / 0 / 7

HEX #5F8EEC

RGB 95 142 236

HSL 220, 0.79%, 0.65%

LAB 59.74, 12.19, -52.24

 

CMYK 0 / 60 / 40 / 7

HEX #EC5F8E

RGB 236 95 142

HSL 340, 0.79%, 0.65%

LAB 59.86, 58.53, 2.57

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 60 / 0 / 8 / 7

HEX #5FECD9

RGB 95 236 217

HSL 171.91, 0.79%, 0.65%

LAB 85.72, -42.4, -2.16

 

CMYK 20 / 60 / 0 / 7

HEX #BD5FEC

RGB 189 95 236

HSL 280, 0.79%, 0.65%

LAB 57.13, 60.15, -55.93

 

CMYK 0 / 60 / 52 / 7

HEX #EC5F72

RGB 236 95 114

HSL 351.91, 0.79%, 0.65%

LAB 59.19, 55.91, 17.92

 

CMYK 40 / 0 / 60 / 7

HEX #8EEC5F

RGB 142 236 95

HSL 100, 0.79%, 0.65%

LAB 85.29, -52.09, 58.35

 

CMYK 60 / 10 / 0 / 7

HEX #5FD4EC

RGB 95 212 236

HSL 190.21, 0.79%, 0.65%

LAB 79.37, -26.05, -21.72

 

CMYK 20 / 60 / 0 / 7

HEX #BD5FEC

RGB 189 95 236

HSL 280, 0.79%, 0.65%

LAB 57.13, 60.15, -55.93

 

CMYK 0 / 50 / 60 / 7

HEX #EC765F

RGB 236 118 95

HSL 9.79, 0.79%, 0.65%

LAB 63.02, 43.62, 33.75

 

Description

Color code: HEX #8EEC5F | qconv.com Color code: HEX #8EEC5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 236 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 236 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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