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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EDA61 it is the complementary color #71259E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EDA61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EDA61 shade: #93DA5C, #A4EC6F, #B5FE82, #C6FF95 and #D7FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EDA61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EDA61 shade: #8EDA61, #7DC84E, #6CB63B, #5BA428 and #4A9215

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EDA61 shade: #8EDA62, #AFDA62, #CFDA62, #DAC462 and #DAA462

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EDA61 shade: #8EDA62, #6EDA62, #62DA76, #62DA96 and #62DAB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EDA61 shade matches the following richer shades: #8EDA62, #8AE952 and #86F942

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EDA61 shade: #8EDA62, #92CA71, #96BA81, #9AAB91 and #9E9BA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EDA61 shade: #D0DA62, #B0DA62, #90DA62, #70DA62 and #62DA74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EDA61 shade: #62BD2C, #76D240, #8EDA62, #A6E283 and #BEE9A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EDA61 shade: #8EDA61, #62DAC4 and #DA62C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EDA61 shade: #8EDA61, #6290DA and #DA6290

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EDA61 shade: #8EDA61, #62DAC4, #AC62DA and #DA6278

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EDA61 shade: #8EDA61, #62CCDA, #AC62DA and #DA7062

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 56 / 15

HEX #8EDA61

RGB 142 218 97

HSL 97.69, 0.62%, 0.62%

LAB 80.04, -44.4, 51.45

 

Complementary color

CMYK 28 / 77 / 0 / 38

HEX #71259E

RGB 113 37 158

HSL 277.69, 0.62%, 0.38%

LAB 32.49, 52.81, -50.8

 

CMYK 33 / 0 / 58 / 15

HEX #93DA5C

RGB 147 218 92

HSL 93.81, 0.63%, 0.61%

LAB 80.25, -43.2, 54

 

CMYK 31 / 0 / 53 / 7

HEX #A4EC6F

RGB 164 236 111

HSL 94.56, 0.77%, 0.68%

LAB 86.52, -43.24, 52.96

 

CMYK 29 / 0 / 49 / 0

HEX #B5FE82

RGB 181 254 130

HSL 95.32, 0.98%, 0.75%

LAB 92.72, -43.22, 51.86

 

CMYK 22 / 0 / 42 / 0

HEX #C6FF95

RGB 198 255 149

HSL 92.26, 1%, 0.79%

LAB 94.18, -35.6, 44.87

 

CMYK 16 / 0 / 34 / 0

HEX #D7FFA8

RGB 215 255 168

HSL 87.59, 1%, 0.83%

LAB 95.49, -27.22, 37.47

 

CMYK 35 / 0 / 56 / 15

HEX #8EDA61

RGB 142 218 97

HSL 97.69, 0.62%, 0.62%

LAB 80.04, -44.4, 51.45

 

CMYK 38 / 0 / 61 / 22

HEX #7DC84E

RGB 125 200 78

HSL 96.89, 0.53%, 0.55%

LAB 73.69, -44.32, 52.45

 

CMYK 41 / 0 / 68 / 29

HEX #6CB63B

RGB 108 182 59

HSL 96.1, 0.51%, 0.47%

LAB 67.25, -44.11, 53.23

 

CMYK 45 / 0 / 76 / 36

HEX #5BA428

RGB 91 164 40

HSL 95.32, 0.61%, 0.4%

LAB 60.72, -43.69, 53.53

 

CMYK 49 / 0 / 86 / 43

HEX #4A9215

RGB 74 146 21

HSL 94.56, 0.75%, 0.33%

LAB 54.1, -42.97, 52.9

 

CMYK 35 / 0 / 55 / 15

HEX #8EDA62

RGB 142 218 98

HSL 98, 0.62%, 0.62%

LAB 80.05, -44.29, 51

 

CMYK 20 / 0 / 55 / 15

HEX #AFDA62

RGB 175 218 98

HSL 81.5, 0.62%, 0.62%

LAB 81.91, -32.47, 53.64

 

CMYK 5 / 0 / 55 / 15

HEX #CFDA62

RGB 207 218 98

HSL 65.5, 0.62%, 0.62%

LAB 84.12, -19.97, 56.75

 

CMYK 0 / 10 / 55 / 15

HEX #DAC462

RGB 218 196 98

HSL 49, 0.62%, 0.62%

LAB 79.19, -4.4, 51.31

 

CMYK 0 / 25 / 55 / 15

HEX #DAA462

RGB 218 164 98

HSL 33, 0.62%, 0.62%

LAB 71.1, 12.49, 41.67

 

CMYK 35 / 0 / 55 / 15

HEX #8EDA62

RGB 142 218 98

HSL 98, 0.62%, 0.62%

LAB 80.05, -44.29, 51

 

CMYK 50 / 0 / 55 / 15

HEX #6EDA62

RGB 110 218 98

HSL 114, 0.62%, 0.62%

LAB 78.66, -54.1, 49.01

 

CMYK 55 / 0 / 46 / 15

HEX #62DA76

RGB 98 218 118

HSL 130, 0.62%, 0.62%

LAB 78.49, -54.52, 39.13

 

CMYK 55 / 0 / 31 / 15

HEX #62DA96

RGB 98 218 150

HSL 146, 0.62%, 0.62%

LAB 79.01, -49.05, 23.51

 

CMYK 55 / 0 / 17 / 15

HEX #62DAB6

RGB 98 218 182

HSL 162, 0.62%, 0.62%

LAB 79.68, -42.3, 7.58

 

CMYK 35 / 0 / 55 / 15

HEX #8EDA62

RGB 142 218 98

HSL 98, 0.62%, 0.62%

LAB 80.05, -44.29, 51

 

CMYK 41 / 0 / 65 / 9

HEX #8AE952

RGB 138 233 82

HSL 97.75, 0.77%, 0.62%

LAB 84.12, -53.31, 62.4

 

CMYK 46 / 0 / 73 / 2

HEX #86F942

RGB 134 249 66

HSL 97.7, 0.94%, 0.62%

LAB 88.55, -61.84, 72.71

 

CMYK 35 / 0 / 55 / 15

HEX #8EDA62

RGB 142 218 98

HSL 98, 0.62%, 0.62%

LAB 80.05, -44.29, 51

 

CMYK 28 / 0 / 44 / 21

HEX #92CA71

RGB 146 202 113

HSL 97.75, 0.46%, 0.62%

LAB 75.79, -34.03, 38.65

 

CMYK 19 / 0 / 31 / 27

HEX #96BA81

RGB 150 186 129

HSL 97.89, 0.29%, 0.62%

LAB 71.68, -22.66, 25.05

 

CMYK 10 / 0 / 15 / 33

HEX #9AAB91

RGB 154 171 145

HSL 99.23, 0.13%, 0.62%

LAB 68.05, -10.86, 11.4

 

CMYK 1 / 3 / 0 / 37

HEX #9E9BA0

RGB 158 155 160

HSL 276, 0.03%, 0.62%

LAB 64.36, 2.05, -2.23

 

CMYK 5 / 0 / 55 / 15

HEX #D0DA62

RGB 208 218 98

HSL 65, 0.62%, 0.62%

LAB 84.19, -19.57, 56.85

 

CMYK 19 / 0 / 55 / 15

HEX #B0DA62

RGB 176 218 98

HSL 81, 0.62%, 0.62%

LAB 81.98, -32.09, 53.73

 

CMYK 34 / 0 / 55 / 15

HEX #90DA62

RGB 144 218 98

HSL 97, 0.62%, 0.62%

LAB 80.15, -43.62, 51.14

 

CMYK 49 / 0 / 55 / 15

HEX #70DA62

RGB 112 218 98

HSL 113, 0.62%, 0.62%

LAB 78.73, -53.55, 49.12

 

CMYK 55 / 0 / 47 / 15

HEX #62DA74

RGB 98 218 116

HSL 129, 0.62%, 0.62%

LAB 78.46, -54.82, 40.08

 

CMYK 48 / 0 / 77 / 26

HEX #62BD2C

RGB 98 189 44

HSL 97.66, 0.62%, 0.46%

LAB 68.88, -51.19, 60.21

 

CMYK 44 / 0 / 70 / 18

HEX #76D240

RGB 118 210 64

HSL 97.81, 0.62%, 0.54%

LAB 76.26, -51.88, 60.83

 

CMYK 35 / 0 / 55 / 15

HEX #8EDA62

RGB 142 218 98

HSL 98, 0.62%, 0.62%

LAB 80.05, -44.29, 51

 

CMYK 27 / 0 / 42 / 11

HEX #A6E283

RGB 166 226 131

HSL 97.89, 0.62%, 0.7%

LAB 84.04, -35.76, 40.38

 

CMYK 18 / 0 / 30 / 9

HEX #BEE9A4

RGB 190 233 164

HSL 97.39, 0.61%, 0.78%

LAB 87.92, -26.11, 29.11

 

CMYK 35 / 0 / 56 / 15

HEX #8EDA61

RGB 142 218 97

HSL 97.69, 0.62%, 0.62%

LAB 80.04, -44.4, 51.45

 

CMYK 55 / 0 / 10 / 15

HEX #62DAC4

RGB 98 218 196

HSL 169, 0.62%, 0.62%

LAB 80.02, -38.98, 0.63

 

CMYK 0 / 55 / 12 / 15

HEX #DA62C0

RGB 218 98 192

HSL 313, 0.62%, 0.62%

LAB 59.39, 58.29, -27.26

 

CMYK 35 / 0 / 56 / 15

HEX #8EDA61

RGB 142 218 97

HSL 97.69, 0.62%, 0.62%

LAB 80.04, -44.4, 51.45

 

CMYK 55 / 34 / 0 / 15

HEX #6290DA

RGB 98 144 218

HSL 217, 0.62%, 0.62%

LAB 59.53, 5.8, -42.55

 

CMYK 0 / 55 / 34 / 15

HEX #DA6290

RGB 218 98 144

HSL 337, 0.62%, 0.62%

LAB 57.71, 51.65, -2.07

 

CMYK 35 / 0 / 56 / 15

HEX #8EDA61

RGB 142 218 97

HSL 97.69, 0.62%, 0.62%

LAB 80.04, -44.4, 51.45

 

CMYK 55 / 0 / 10 / 15

HEX #62DAC4

RGB 98 218 196

HSL 169, 0.62%, 0.62%

LAB 80.02, -38.98, 0.63

 

CMYK 21 / 55 / 0 / 15

HEX #AC62DA

RGB 172 98 218

HSL 277, 0.62%, 0.62%

LAB 54.62, 50.64, -49.93

 

CMYK 0 / 55 / 45 / 15

HEX #DA6278

RGB 218 98 120

HSL 349, 0.62%, 0.62%

LAB 57.07, 49.03, 11.06

 

CMYK 35 / 0 / 56 / 15

HEX #8EDA61

RGB 142 218 97

HSL 97.69, 0.62%, 0.62%

LAB 80.04, -44.4, 51.45

 

CMYK 55 / 6 / 0 / 15

HEX #62CCDA

RGB 98 204 218

HSL 187, 0.62%, 0.62%

LAB 76.58, -26.62, -16.27

 

CMYK 21 / 55 / 0 / 15

HEX #AC62DA

RGB 172 98 218

HSL 277, 0.62%, 0.62%

LAB 54.62, 50.64, -49.93

 

CMYK 0 / 49 / 55 / 15

HEX #DA7062

RGB 218 112 98

HSL 7, 0.62%, 0.62%

LAB 59.32, 40.14, 26.81

 

Description

Color code: HEX #8EDA61 | qconv.com Color code: HEX #8EDA61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 218 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 218 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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