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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EDA57 it is the complementary color #7125A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EDA57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EDA57 shade: #93DA52, #A4EC65, #B5FE78, #C6FF8B and #D7FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EDA57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EDA57 shade: #8EDA57, #7DC844, #6CB631, #5BA41E and #4A920B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EDA57 shade: #8EDA57, #B1DA57, #D4DA57, #DABC57 and #DA9957

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EDA57 shade: #8EDA57, #6BDA57, #57DA67, #57DA8A and #57DAAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EDA57 shade matches the following richer shades: #8EDA57, #8BEA47 and #89FB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EDA57 shade: #8EDA57, #91C968, #93B978, #96A889 and #999899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EDA57 shade: #D5DA57, #B3DA57, #90DA57, #6DDA57 and #57DA64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EDA57 shade: #64B728, #77D235, #8EDA57, #A5E179 and #BCE99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EDA57 shade: #8EDA57, #57DABB and #DA57C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EDA57 shade: #8EDA57, #5790DA and #DA5790

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EDA57 shade: #8EDA57, #57DABB, #A157DA and #DA5776

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EDA57 shade: #8EDA57, #57D1DA, #A157DA and #DA6057

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

Complementary color

CMYK 33 / 78 / 0 / 34

HEX #7125A8

RGB 113 37 168

HSL 274.81, 0.64%, 0.4%

LAB 33.27, 55.05, -55.57

 

CMYK 33 / 0 / 62 / 15

HEX #93DA52

RGB 147 218 82

HSL 91.32, 0.65%, 0.59%

LAB 80.15, -44.1, 58.22

 

CMYK 31 / 0 / 57 / 7

HEX #A4EC65

RGB 164 236 101

HSL 92, 0.78%, 0.66%

LAB 86.42, -44.24, 57.32

 

CMYK 29 / 0 / 53 / 0

HEX #B5FE78

RGB 181 254 120

HSL 92.69, 0.99%, 0.73%

LAB 92.6, -44.29, 56.3

 

CMYK 22 / 0 / 45 / 0

HEX #C6FF8B

RGB 198 255 139

HSL 89.48, 1%, 0.77%

LAB 94.05, -36.78, 49.49

 

CMYK 16 / 0 / 38 / 0

HEX #D7FF9E

RGB 215 255 158

HSL 84.74, 1%, 0.81%

LAB 95.34, -28.49, 42.2

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 38 / 0 / 66 / 22

HEX #7DC844

RGB 125 200 68

HSL 94.09, 0.55%, 0.53%

LAB 73.6, -45.19, 56.57

 

CMYK 41 / 0 / 73 / 29

HEX #6CB631

RGB 108 182 49

HSL 93.38, 0.58%, 0.45%

LAB 67.18, -44.85, 56.99

 

CMYK 45 / 0 / 82 / 36

HEX #5BA41E

RGB 91 164 30

HSL 92.69, 0.69%, 0.38%

LAB 60.67, -44.26, 56.67

 

CMYK 49 / 0 / 92 / 43

HEX #4A920B

RGB 74 146 11

HSL 92, 0.86%, 0.31%

LAB 54.07, -43.32, 55.01

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 19 / 0 / 60 / 15

HEX #B1DA57

RGB 177 218 87

HSL 78.78, 0.64%, 0.6%

LAB 81.93, -32.66, 58.55

 

CMYK 3 / 0 / 60 / 15

HEX #D4DA57

RGB 212 218 87

HSL 62.75, 0.64%, 0.6%

LAB 84.4, -18.77, 61.95

 

CMYK 0 / 14 / 60 / 15

HEX #DABC57

RGB 218 188 87

HSL 46.26, 0.64%, 0.6%

LAB 77.02, -1.06, 53.95

 

CMYK 0 / 30 / 60 / 15

HEX #DA9957

RGB 218 153 87

HSL 30.23, 0.64%, 0.6%

LAB 68.3, 17.57, 43.89

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 51 / 0 / 60 / 15

HEX #6BDA57

RGB 107 218 87

HSL 110.84, 0.64%, 0.6%

LAB 78.44, -56.15, 53.67

 

CMYK 60 / 0 / 53 / 15

HEX #57DA67

RGB 87 218 103

HSL 127.33, 0.64%, 0.6%

LAB 77.96, -59.18, 45.66

 

CMYK 60 / 0 / 37 / 15

HEX #57DA8A

RGB 87 218 138

HSL 143.36, 0.64%, 0.6%

LAB 78.46, -53.67, 28.94

 

CMYK 60 / 0 / 21 / 15

HEX #57DAAD

RGB 87 218 173

HSL 159.39, 0.64%, 0.6%

LAB 79.15, -46.54, 11.56

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 41 / 0 / 70 / 8

HEX #8BEA47

RGB 139 234 71

HSL 94.97, 0.8%, 0.6%

LAB 84.38, -54.22, 66.88

 

CMYK 45 / 0 / 78 / 2

HEX #89FB36

RGB 137 251 54

HSL 94.72, 0.96%, 0.6%

LAB 89.2, -62.35, 76.97

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 28 / 0 / 48 / 21

HEX #91C968

RGB 145 201 104

HSL 94.64, 0.47%, 0.6%

LAB 75.32, -35.03, 42.51

 

CMYK 21 / 0 / 35 / 27

HEX #93B978

RGB 147 185 120

HSL 95.08, 0.32%, 0.6%

LAB 71.05, -24.6, 28.94

 

CMYK 11 / 0 / 18 / 34

HEX #96A889

RGB 150 168 137

HSL 94.84, 0.15%, 0.6%

LAB 66.75, -12.13, 13.93

 

CMYK 0 / 1 / 0 / 40

HEX #999899

RGB 153 152 153

HSL 300, 0%, 0.6%

LAB 62.95, 0.56, -0.4

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 18 / 0 / 60 / 15

HEX #B3DA57

RGB 179 218 87

HSL 77.86, 0.64%, 0.6%

LAB 82.06, -31.89, 58.73

 

CMYK 34 / 0 / 60 / 15

HEX #90DA57

RGB 144 218 87

HSL 93.89, 0.64%, 0.6%

LAB 80.04, -44.7, 55.92

 

CMYK 50 / 0 / 60 / 15

HEX #6DDA57

RGB 109 218 87

HSL 109.92, 0.64%, 0.6%

LAB 78.51, -55.6, 53.77

 

CMYK 60 / 0 / 54 / 15

HEX #57DA64

RGB 87 218 100

HSL 125.95, 0.64%, 0.6%

LAB 77.93, -59.57, 47.03

 

CMYK 45 / 0 / 78 / 28

HEX #64B728

RGB 100 183 40

HSL 94.83, 0.64%, 0.44%

LAB 67.07, -48.44, 59.79

 

CMYK 43 / 0 / 75 / 18

HEX #77D235

RGB 119 210 53

HSL 94.78, 0.64%, 0.52%

LAB 76.24, -52.3, 64.7

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 27 / 0 / 46 / 12

HEX #A5E179

RGB 165 225 121

HSL 94.62, 0.63%, 0.68%

LAB 83.56, -36.89, 44.67

 

CMYK 19 / 0 / 33 / 9

HEX #BCE99B

RGB 188 233 155

HSL 94.62, 0.64%, 0.76%

LAB 87.65, -28.11, 33.3

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 60 / 0 / 14 / 15

HEX #57DABB

RGB 87 218 187

HSL 165.8, 0.64%, 0.6%

LAB 79.48, -43.28, 4.59

 

CMYK 0 / 60 / 10 / 15

HEX #DA57C4

RGB 218 87 196

HSL 310.08, 0.64%, 0.6%

LAB 57.76, 63.78, -32.07

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 60 / 34 / 0 / 15

HEX #5790DA

RGB 87 144 218

HSL 213.89, 0.64%, 0.6%

LAB 59.01, 3.58, -43.41

 

CMYK 0 / 60 / 34 / 15

HEX #DA5790

RGB 218 87 144

HSL 333.89, 0.64%, 0.6%

LAB 55.82, 56.67, -4.85

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 60 / 0 / 14 / 15

HEX #57DABB

RGB 87 218 187

HSL 165.8, 0.64%, 0.6%

LAB 79.48, -43.28, 4.59

 

CMYK 26 / 60 / 0 / 15

HEX #A157DA

RGB 161 87 218

HSL 273.89, 0.64%, 0.6%

LAB 51.22, 53.56, -55.45

 

CMYK 0 / 60 / 46 / 15

HEX #DA5776

RGB 218 87 118

HSL 345.8, 0.64%, 0.6%

LAB 55.1, 53.91, 9.46

 

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 60 / 4 / 0 / 15

HEX #57D1DA

RGB 87 209 218

HSL 184.12, 0.64%, 0.6%

LAB 77.69, -31.07, -14.64

 

CMYK 26 / 60 / 0 / 15

HEX #A157DA

RGB 161 87 218

HSL 273.89, 0.64%, 0.6%

LAB 51.22, 53.56, -55.45

 

CMYK 0 / 56 / 60 / 15

HEX #DA6057

RGB 218 96 87

HSL 4.12, 0.64%, 0.6%

LAB 56.05, 47.21, 28.85

 

Description

Color code: HEX #8EDA57 | qconv.com Color code: HEX #8EDA57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 218 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 218 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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