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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ED326 it is the complementary color #712CD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ED326. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ED326 shade: #93D321, #A4E534, #B5F747, #C6FF5A and #D7FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ED326. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ED326 shade: #8ED326, #7DC113, #6CAF00, #5B9D00 and #4A8B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ED326 shade: #8ED326, #BCD326, #D3BA26, #D38C26 and #D35D26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ED326 shade: #8ED326, #5FD326, #31D326, #26D34A and #26D379

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ED326 shade matches the following richer shades: #8ED326 and #92E712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ED326 shade: #8ED326, #8ABE3A, #86AA4F, #829663 and #7E8277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ED326 shade: #D3B926, #BFD326, #91D326, #63D326 and #35D326

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ED326 shade: #5F8D19, #76B020, #8ED326, #A0DD46 and #B2E368

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ED326 shade: #8ED326, #26D38B and #D026D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ED326 shade: #8ED326, #2691D3 and #D32691

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ED326 shade: #8ED326, #26D38B, #6826D3 and #D3266E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ED326 shade: #8ED326, #26D3BF, #6826D3 and #D3263A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

Complementary color

CMYK 48 / 80 / 0 / 15

HEX #712CD9

RGB 113 44 217

HSL 263.93, 0.69%, 0.51%

LAB 38.41, 64.01, -75.93

 

CMYK 30 / 0 / 84 / 17

HEX #93D321

RGB 147 211 33

HSL 81.57, 0.73%, 0.48%

LAB 77.82, -43.96, 72.2

 

CMYK 28 / 0 / 77 / 10

HEX #A4E534

RGB 164 229 52

HSL 82.03, 0.77%, 0.55%

LAB 84.06, -44.65, 73.23

 

CMYK 27 / 0 / 71 / 3

HEX #B5F747

RGB 181 247 71

HSL 82.5, 0.92%, 0.62%

LAB 90.23, -45.17, 73.45

 

CMYK 22 / 0 / 65 / 0

HEX #C6FF5A

RGB 198 255 90

HSL 80.73, 1%, 0.68%

LAB 93.57, -41.22, 70.27

 

CMYK 16 / 0 / 57 / 0

HEX #D7FF6D

RGB 215 255 109

HSL 76.44, 1%, 0.71%

LAB 94.77, -33.47, 64.15

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 35 / 0 / 90 / 24

HEX #7DC113

RGB 125 193 19

HSL 83.45, 0.82%, 0.42%

LAB 71.25, -44.78, 68.91

 

CMYK 38 / 0 / 100 / 31

HEX #6CAF00

RGB 108 175 0

HSL 82.97, 1%, 0.34%

LAB 64.84, -43.74, 65.9

 

CMYK 42 / 0 / 100 / 38

HEX #5B9D00

RGB 91 157 0

HSL 85.22, 1%, 0.31%

LAB 58.36, -42.31, 60.51

 

CMYK 47 / 0 / 100 / 45

HEX #4A8B00

RGB 74 139 0

HSL 88.06, 1%, 0.27%

LAB 51.75, -40.79, 55.02

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 11 / 0 / 82 / 17

HEX #BCD326

RGB 188 211 38

HSL 67.98, 0.69%, 0.49%

LAB 80.42, -27.67, 74.29

 

CMYK 0 / 12 / 82 / 17

HEX #D3BA26

RGB 211 186 38

HSL 51.33, 0.69%, 0.49%

LAB 75.52, -5.43, 70.82

 

CMYK 0 / 34 / 82 / 17

HEX #D38C26

RGB 211 140 38

HSL 35.38, 0.69%, 0.49%

LAB 63.95, 19.11, 60.8

 

CMYK 0 / 56 / 82 / 17

HEX #D35D26

RGB 211 93 38

HSL 19.08, 0.69%, 0.49%

LAB 53.83, 43.64, 51.75

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 55 / 0 / 82 / 17

HEX #5FD326

RGB 95 211 38

HSL 100.23, 0.69%, 0.49%

LAB 75.55, -60.49, 68.13

 

CMYK 77 / 0 / 82 / 17

HEX #31D326

RGB 49 211 38

HSL 116.18, 0.69%, 0.49%

LAB 74.43, -69.82, 66.7

 

CMYK 82 / 0 / 65 / 17

HEX #26D34A

RGB 38 211 74

HSL 132.49, 0.69%, 0.49%

LAB 74.51, -68.35, 54.36

 

CMYK 82 / 0 / 43 / 17

HEX #26D379

RGB 38 211 121

HSL 148.79, 0.69%, 0.49%

LAB 75.06, -61.64, 32.97

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 37 / 0 / 92 / 9

HEX #92E712

RGB 146 231 18

HSL 83.94, 0.86%, 0.49%

LAB 83.6, -52.95, 79.57

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 27 / 0 / 69 / 25

HEX #8ABE3A

RGB 138 190 58

HSL 83.64, 0.53%, 0.49%

LAB 71.24, -36.89, 58.26

 

CMYK 21 / 0 / 54 / 33

HEX #86AA4F

RGB 134 170 79

HSL 83.74, 0.37%, 0.49%

LAB 65.26, -27.3, 42.44

 

CMYK 13 / 0 / 34 / 41

HEX #829663

RGB 130 150 99

HSL 83.53, 0.2%, 0.49%

LAB 59.4, -16.31, 24.62

 

CMYK 3 / 0 / 8 / 49

HEX #7E8277

RGB 126 130 119

HSL 81.82, 0.04%, 0.49%

LAB 53.74, -3.63, 5.43

 

CMYK 0 / 12 / 82 / 17

HEX #D3B926

RGB 211 185 38

HSL 50.98, 0.69%, 0.49%

LAB 75.26, -4.91, 70.6

 

CMYK 9 / 0 / 82 / 17

HEX #BFD326

RGB 191 211 38

HSL 66.94, 0.69%, 0.49%

LAB 80.63, -26.44, 74.56

 

CMYK 31 / 0 / 82 / 17

HEX #91D326

RGB 145 211 38

HSL 82.89, 0.69%, 0.49%

LAB 77.73, -44.52, 70.9

 

CMYK 53 / 0 / 82 / 17

HEX #63D326

RGB 99 211 38

HSL 98.84, 0.69%, 0.49%

LAB 75.69, -59.41, 68.31

 

CMYK 75 / 0 / 82 / 17

HEX #35D326

RGB 53 211 38

HSL 114.8, 0.69%, 0.49%

LAB 74.5, -69.24, 66.78

 

CMYK 33 / 0 / 82 / 45

HEX #5F8D19

RGB 95 141 25

HSL 83.79, 0.7%, 0.33%

LAB 53.55, -33.11, 51.7

 

CMYK 33 / 0 / 82 / 31

HEX #76B020

RGB 118 176 32

HSL 84.17, 0.69%, 0.41%

LAB 65.75, -39.65, 61.23

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 28 / 0 / 68 / 13

HEX #A0DD46

RGB 160 221 70

HSL 84.24, 0.69%, 0.57%

LAB 81.64, -41.65, 64.77

 

CMYK 22 / 0 / 54 / 11

HEX #B2E368

RGB 178 227 104

HSL 83.9, 0.69%, 0.65%

LAB 84.69, -34.94, 54.19

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 82 / 0 / 34 / 17

HEX #26D38B

RGB 38 211 139

HSL 155.03, 0.69%, 0.49%

LAB 75.37, -58.17, 24.08

 

CMYK 1 / 82 / 0 / 17

HEX #D026D3

RGB 208 38 211

HSL 298.96, 0.69%, 0.49%

LAB 51.27, 79.89, -51

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 82 / 31 / 0 / 17

HEX #2691D3

RGB 38 145 211

HSL 202.89, 0.69%, 0.49%

LAB 57.43, -6.37, -42.08

 

CMYK 0 / 82 / 31 / 17

HEX #D32691

RGB 211 38 145

HSL 322.89, 0.69%, 0.49%

LAB 48.61, 71.75, -16.39

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 82 / 0 / 34 / 17

HEX #26D38B

RGB 38 211 139

HSL 155.03, 0.69%, 0.49%

LAB 75.37, -58.17, 24.08

 

CMYK 51 / 82 / 0 / 17

HEX #6826D3

RGB 104 38 211

HSL 262.89, 0.69%, 0.49%

LAB 36.05, 63.64, -76.4

 

CMYK 0 / 82 / 48 / 17

HEX #D3266E

RGB 211 38 110

HSL 335.03, 0.69%, 0.49%

LAB 47.44, 68.36, 3.17

 

CMYK 33 / 0 / 82 / 17

HEX #8ED326

RGB 142 211 38

HSL 83.93, 0.69%, 0.49%

LAB 77.57, -45.61, 70.7

 

CMYK 82 / 0 / 9 / 17

HEX #26D3BF

RGB 38 211 191

HSL 173.06, 0.69%, 0.49%

LAB 76.53, -45.68, -1.95

 

CMYK 51 / 82 / 0 / 17

HEX #6826D3

RGB 104 38 211

HSL 262.89, 0.69%, 0.49%

LAB 36.05, 63.64, -76.4

 

CMYK 0 / 82 / 73 / 17

HEX #D3263A

RGB 211 38 58

HSL 353.06, 0.69%, 0.49%

LAB 46.37, 65.14, 33.55

 

Description

Color code: HEX #8ED326 | qconv.com Color code: HEX #8ED326 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 211 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 211 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 82 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 82% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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