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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ED223 it is the complementary color #712DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ED223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ED223 shade: #93D21E, #A4E431, #B5F644, #C6FF57 and #D7FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ED223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ED223 shade: #8ED223, #7DC010, #6CAE00, #5B9C00 and #4A8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ED223 shade: #8DD123, #BCD123, #D1B723, #D18823 and #D15923

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ED223 shade: #8DD123, #5ED123, #30D123, #23D145 and #23D174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ED223 shade matches the following richer shades: #8DD123 and #92E50F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ED223 shade: #8DD123, #89BD37, #84A94B, #80955E and #7C8272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ED223 shade: #D1B723, #BDD123, #8ED123, #60D123 and #31D123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ED223 shade: #5D8A17, #75AE1D, #8DD123, #A0DE3F and #B2E462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ED223 shade: #8ED223, #23D188 and #CE23D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ED223 shade: #8ED223, #238ED1 and #D1238E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ED223 shade: #8ED223, #23D188, #6623D1 and #D1236B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ED223 shade: #8ED223, #23D1BD, #6623D1 and #D12337

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 83 / 18

HEX #8ED223

RGB 142 210 35

HSL 83.31, 0.71%, 0.48%

LAB 77.26, -45.3, 71.16

 

Complementary color

CMYK 49 / 80 / 0 / 14

HEX #712DDC

RGB 113 45 220

HSL 263.31, 0.71%, 0.52%

LAB 38.82, 64.37, -76.99

 

CMYK 30 / 0 / 86 / 18

HEX #93D21E

RGB 147 210 30

HSL 81, 0.75%, 0.47%

LAB 77.51, -43.63, 72.59

 

CMYK 28 / 0 / 79 / 11

HEX #A4E431

RGB 164 228 49

HSL 81.45, 0.77%, 0.54%

LAB 83.76, -44.35, 73.81

 

CMYK 26 / 0 / 72 / 4

HEX #B5F644

RGB 181 246 68

HSL 81.91, 0.91%, 0.62%

LAB 89.93, -44.91, 74.17

 

CMYK 22 / 0 / 66 / 0

HEX #C6FF57

RGB 198 255 87

HSL 80.36, 1%, 0.67%

LAB 93.54, -41.43, 71.39

 

CMYK 16 / 0 / 58 / 0

HEX #D7FF6A

RGB 215 255 106

HSL 76.11, 1%, 0.71%

LAB 94.74, -33.71, 65.39

 

CMYK 32 / 0 / 83 / 18

HEX #8ED223

RGB 142 210 35

HSL 83.31, 0.71%, 0.48%

LAB 77.26, -45.3, 71.16

 

CMYK 35 / 0 / 92 / 25

HEX #7DC010

RGB 125 192 16

HSL 82.84, 0.85%, 0.41%

LAB 70.94, -44.43, 69.12

 

CMYK 38 / 0 / 100 / 32

HEX #6CAE00

RGB 108 174 0

HSL 82.76, 1%, 0.34%

LAB 64.53, -43.32, 65.66

 

CMYK 42 / 0 / 100 / 39

HEX #5B9C00

RGB 91 156 0

HSL 85, 1%, 0.31%

LAB 58.04, -41.89, 60.27

 

CMYK 46 / 0 / 100 / 46

HEX #4A8A00

RGB 74 138 0

HSL 87.83, 1%, 0.27%

LAB 51.42, -40.38, 54.77

 

CMYK 33 / 0 / 83 / 18

HEX #8DD123

RGB 141 209 35

HSL 83.45, 0.71%, 0.48%

LAB 76.91, -45.24, 70.83

 

CMYK 10 / 0 / 83 / 18

HEX #BCD123

RGB 188 209 35

HSL 67.24, 0.71%, 0.48%

LAB 79.85, -26.81, 74.52

 

CMYK 0 / 12 / 83 / 18

HEX #D1B723

RGB 209 183 35

HSL 51.03, 0.71%, 0.48%

LAB 74.54, -4.83, 70.71

 

CMYK 0 / 35 / 83 / 18

HEX #D18823

RGB 209 136 35

HSL 34.83, 0.71%, 0.48%

LAB 62.75, 20.32, 60.68

 

CMYK 0 / 57 / 83 / 18

HEX #D15923

RGB 209 89 35

HSL 18.62, 0.71%, 0.48%

LAB 52.75, 44.72, 51.95

 

CMYK 33 / 0 / 83 / 18

HEX #8DD123

RGB 141 209 35

HSL 83.45, 0.71%, 0.48%

LAB 76.91, -45.24, 70.83

 

CMYK 55 / 0 / 83 / 18

HEX #5ED123

RGB 94 209 35

HSL 99.66, 0.71%, 0.48%

LAB 74.89, -60.18, 68.27

 

CMYK 77 / 0 / 83 / 18

HEX #30D123

RGB 48 209 35

HSL 115.52, 0.71%, 0.48%

LAB 73.77, -69.51, 66.84

 

CMYK 83 / 0 / 67 / 18

HEX #23D145

RGB 35 209 69

HSL 131.72, 0.71%, 0.48%

LAB 73.8, -68.55, 55.61

 

CMYK 83 / 0 / 44 / 18

HEX #23D174

RGB 35 209 116

HSL 147.93, 0.71%, 0.48%

LAB 74.33, -62.11, 34.54

 

CMYK 33 / 0 / 83 / 18

HEX #8DD123

RGB 141 209 35

HSL 83.45, 0.71%, 0.48%

LAB 76.91, -45.24, 70.83

 

CMYK 36 / 0 / 93 / 10

HEX #92E50F

RGB 146 229 15

HSL 83.27, 0.88%, 0.48%

LAB 83.01, -52.2, 79.44

 

CMYK 33 / 0 / 83 / 18

HEX #8DD123

RGB 141 209 35

HSL 83.45, 0.71%, 0.48%

LAB 76.91, -45.24, 70.83

 

CMYK 28 / 0 / 71 / 26

HEX #89BD37

RGB 137 189 55

HSL 83.28, 0.55%, 0.48%

LAB 70.86, -37.02, 58.99

 

CMYK 22 / 0 / 56 / 34

HEX #84A94B

RGB 132 169 75

HSL 83.62, 0.39%, 0.48%

LAB 64.8, -28.01, 43.78

 

CMYK 14 / 0 / 37 / 42

HEX #80955E

RGB 128 149 94

HSL 82.91, 0.23%, 0.48%

LAB 58.87, -17.28, 26.64

 

CMYK 5 / 0 / 12 / 49

HEX #7C8272

RGB 124 130 114

HSL 82.5, 0.07%, 0.48%

LAB 53.45, -5.33, 7.9

 

CMYK 0 / 12 / 83 / 18

HEX #D1B723

RGB 209 183 35

HSL 51.03, 0.71%, 0.48%

LAB 74.54, -4.83, 70.71

 

CMYK 10 / 0 / 83 / 18

HEX #BDD123

RGB 189 209 35

HSL 66.9, 0.71%, 0.48%

LAB 79.92, -26.4, 74.61

 

CMYK 32 / 0 / 83 / 18

HEX #8ED123

RGB 142 209 35

HSL 83.1, 0.71%, 0.48%

LAB 76.96, -44.87, 70.9

 

CMYK 54 / 0 / 83 / 18

HEX #60D123

RGB 96 209 35

HSL 98.97, 0.71%, 0.48%

LAB 74.96, -59.65, 68.36

 

CMYK 77 / 0 / 83 / 18

HEX #31D123

RGB 49 209 35

HSL 115.17, 0.71%, 0.48%

LAB 73.79, -69.37, 66.86

 

CMYK 33 / 0 / 83 / 46

HEX #5D8A17

RGB 93 138 23

HSL 83.48, 0.71%, 0.32%

LAB 52.47, -32.61, 51.26

 

CMYK 33 / 0 / 83 / 32

HEX #75AE1D

RGB 117 174 29

HSL 83.59, 0.71%, 0.4%

LAB 65.08, -39.27, 61.39

 

CMYK 33 / 0 / 83 / 18

HEX #8DD123

RGB 141 209 35

HSL 83.45, 0.71%, 0.48%

LAB 76.91, -45.24, 70.83

 

CMYK 28 / 0 / 72 / 13

HEX #A0DE3F

RGB 160 222 63

HSL 83.4, 0.71%, 0.56%

LAB 81.88, -42.52, 67.55

 

CMYK 22 / 0 / 57 / 11

HEX #B2E462

RGB 178 228 98

HSL 83.08, 0.71%, 0.64%

LAB 84.91, -35.94, 57.13

 

CMYK 32 / 0 / 83 / 18

HEX #8ED223

RGB 142 210 35

HSL 83.31, 0.71%, 0.48%

LAB 77.26, -45.3, 71.16

 

CMYK 83 / 0 / 35 / 18

HEX #23D188

RGB 35 209 136

HSL 154.83, 0.71%, 0.48%

LAB 74.66, -58.32, 24.69

 

CMYK 1 / 83 / 0 / 18

HEX #CE23D1

RGB 206 35 209

HSL 298.97, 0.71%, 0.48%

LAB 50.6, 79.85, -50.93

 

CMYK 32 / 0 / 83 / 18

HEX #8ED223

RGB 142 210 35

HSL 83.31, 0.71%, 0.48%

LAB 77.26, -45.3, 71.16

 

CMYK 83 / 32 / 0 / 18

HEX #238ED1

RGB 35 142 209

HSL 203.1, 0.71%, 0.48%

LAB 56.39, -5.63, -42.6

 

CMYK 0 / 83 / 32 / 18

HEX #D1238E

RGB 209 35 142

HSL 323.1, 0.71%, 0.48%

LAB 47.89, 71.63, -15.71

 

CMYK 32 / 0 / 83 / 18

HEX #8ED223

RGB 142 210 35

HSL 83.31, 0.71%, 0.48%

LAB 77.26, -45.3, 71.16

 

CMYK 83 / 0 / 35 / 18

HEX #23D188

RGB 35 209 136

HSL 154.83, 0.71%, 0.48%

LAB 74.66, -58.32, 24.69

 

CMYK 51 / 83 / 0 / 18

HEX #6623D1

RGB 102 35 209

HSL 263.1, 0.71%, 0.48%

LAB 35.26, 63.97, -76.55

 

CMYK 0 / 83 / 49 / 18

HEX #D1236B

RGB 209 35 107

HSL 335.17, 0.71%, 0.48%

LAB 46.74, 68.31, 3.95

 

CMYK 32 / 0 / 83 / 18

HEX #8ED223

RGB 142 210 35

HSL 83.31, 0.71%, 0.48%

LAB 77.26, -45.3, 71.16

 

CMYK 83 / 0 / 10 / 18

HEX #23D1BD

RGB 35 209 189

HSL 173.1, 0.71%, 0.48%

LAB 75.84, -45.6, -1.89

 

CMYK 51 / 83 / 0 / 18

HEX #6623D1

RGB 102 35 209

HSL 263.1, 0.71%, 0.48%

LAB 35.26, 63.97, -76.55

 

CMYK 0 / 83 / 74 / 18

HEX #D12337

RGB 209 35 55

HSL 353.1, 0.71%, 0.48%

LAB 45.68, 65.18, 34.43

 

Description

Color code: HEX #8ED223 | qconv.com Color code: HEX #8ED223 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 210 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 210 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 83 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 83% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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