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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EB008 it is the complementary color #714FF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EB008. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EB008 shade: #93B003, #A4C216, #B5D429, #C6E63C and #D7F84F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EB008. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EB008 shade: #8EB008, #7D9E00, #6C8C00, #5B7A00 and #4A6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EB008 shade: #8DAF08, #AFA408, #AF7708, #AF4908 and #AF1C08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EB008 shade: #8DAF08, #60AF08, #33AF08, #08AF0A and #08AF37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EB008 shade matches the following richer shades: #8DAF08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EB008 shade: #8DAF08, #84A017, #7B9125, #738234 and #6A7343

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EB008 shade: #AF7708, #AFA408, #8DAF08, #61AF08 and #34AF08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EB008 shade: #4D6004, #6D8706, #8DAF08, #ADD60A and #C7F416

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EB008 shade: #8EB008, #08AF4B and #8D08AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EB008 shade: #8EB008, #088DAF and #AF088D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EB008 shade: #8EB008, #08AF4B, #2908AF and #AF086C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EB008 shade: #8EB008, #08AF7D, #2908AF and #AF083A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 95 / 31

HEX #8EB008

RGB 142 176 8

HSL 72.14, 0.91%, 0.36%

LAB 67.14, -30.8, 67.54

 

Complementary color

CMYK 54 / 68 / 0 / 3

HEX #714FF7

RGB 113 79 247

HSL 252.14, 0.91%, 0.64%

LAB 46.73, 55.8, -79.3

 

CMYK 16 / 0 / 98 / 31

HEX #93B003

RGB 147 176 3

HSL 70.06, 0.97%, 0.35%

LAB 67.47, -28.79, 68.56

 

CMYK 15 / 0 / 89 / 24

HEX #A4C216

RGB 164 194 22

HSL 70.47, 0.8%, 0.42%

LAB 73.89, -29.95, 71.53

 

CMYK 15 / 0 / 81 / 17

HEX #B5D429

RGB 181 212 41

HSL 70.88, 0.68%, 0.5%

LAB 80.22, -30.9, 73.18

 

CMYK 14 / 0 / 74 / 10

HEX #C6E63C

RGB 198 230 60

HSL 71.29, 0.77%, 0.57%

LAB 86.47, -31.68, 73.8

 

CMYK 13 / 0 / 68 / 3

HEX #D7F84F

RGB 215 248 79

HSL 71.72, 0.92%, 0.64%

LAB 92.64, -32.32, 73.75

 

CMYK 19 / 0 / 95 / 31

HEX #8EB008

RGB 142 176 8

HSL 72.14, 0.91%, 0.36%

LAB 67.14, -30.8, 67.54

 

CMYK 21 / 0 / 100 / 38

HEX #7D9E00

RGB 125 158 0

HSL 72.53, 1%, 0.31%

LAB 60.62, -29.5, 63.1

 

CMYK 23 / 0 / 100 / 45

HEX #6C8C00

RGB 108 140 0

HSL 73.71, 1%, 0.27%

LAB 53.97, -28.05, 57.56

 

CMYK 25 / 0 / 100 / 52

HEX #5B7A00

RGB 91 122 0

HSL 75.25, 1%, 0.24%

LAB 47.16, -26.58, 51.89

 

CMYK 29 / 0 / 100 / 59

HEX #4A6800

RGB 74 104 0

HSL 77.31, 1%, 0.2%

LAB 40.17, -25.09, 46.07

 

CMYK 19 / 0 / 95 / 31

HEX #8DAF08

RGB 141 175 8

HSL 72.22, 0.91%, 0.36%

LAB 66.78, -30.75, 67.23

 

CMYK 0 / 6 / 95 / 31

HEX #AFA408

RGB 175 164 8

HSL 56.05, 0.91%, 0.36%

LAB 66.28, -10.47, 68

 

CMYK 0 / 32 / 95 / 31

HEX #AF7708

RGB 175 119 8

HSL 39.88, 0.91%, 0.36%

LAB 54.37, 14.11, 59.24

 

CMYK 0 / 58 / 95 / 31

HEX #AF4908

RGB 175 73 8

HSL 23.35, 0.91%, 0.36%

LAB 44.08, 38.93, 52.16

 

CMYK 0 / 84 / 95 / 31

HEX #AF1C08

RGB 175 28 8

HSL 7.19, 0.91%, 0.36%

LAB 37.77, 56.08, 48.25

 

CMYK 19 / 0 / 95 / 31

HEX #8DAF08

RGB 141 175 8

HSL 72.22, 0.91%, 0.36%

LAB 66.78, -30.75, 67.23

 

CMYK 45 / 0 / 95 / 31

HEX #60AF08

RGB 96 175 8

HSL 88.38, 0.91%, 0.36%

LAB 64.29, -47.72, 64.21

 

CMYK 71 / 0 / 95 / 31

HEX #33AF08

RGB 51 175 8

HSL 104.55, 0.91%, 0.36%

LAB 62.83, -59.51, 62.41

 

CMYK 95 / 0 / 94 / 31

HEX #08AF0A

RGB 8 175 10

HSL 120.72, 0.91%, 0.36%

LAB 62.28, -64.34, 61.47

 

CMYK 95 / 0 / 69 / 31

HEX #08AF37

RGB 8 175 55

HSL 136.89, 0.91%, 0.36%

LAB 62.5, -61.59, 49.05

 

CMYK 19 / 0 / 95 / 31

HEX #8DAF08

RGB 141 175 8

HSL 72.22, 0.91%, 0.36%

LAB 66.78, -30.75, 67.23

 

CMYK 19 / 0 / 95 / 31

HEX #8DAF08

RGB 141 175 8

HSL 72.22, 0.91%, 0.36%

LAB 66.78, -30.75, 67.23

 

CMYK 18 / 0 / 86 / 37

HEX #84A017

RGB 132 160 23

HSL 72.26, 0.75%, 0.36%

LAB 61.75, -27.01, 60.34

 

CMYK 15 / 0 / 74 / 43

HEX #7B9125

RGB 123 145 37

HSL 72.22, 0.59%, 0.36%

LAB 56.68, -22.84, 51.31

 

CMYK 12 / 0 / 60 / 49

HEX #738234

RGB 115 130 52

HSL 71.54, 0.43%, 0.36%

LAB 51.68, -17.53, 39.51

 

CMYK 8 / 0 / 42 / 55

HEX #6A7343

RGB 106 115 67

HSL 71.25, 0.26%, 0.36%

LAB 46.62, -11.72, 25.41

 

CMYK 0 / 32 / 95 / 31

HEX #AF7708

RGB 175 119 8

HSL 39.88, 0.91%, 0.36%

LAB 54.37, 14.11, 59.24

 

CMYK 0 / 6 / 95 / 31

HEX #AFA408

RGB 175 164 8

HSL 56.05, 0.91%, 0.36%

LAB 66.28, -10.47, 68

 

CMYK 19 / 0 / 95 / 31

HEX #8DAF08

RGB 141 175 8

HSL 72.22, 0.91%, 0.36%

LAB 66.78, -30.75, 67.23

 

CMYK 45 / 0 / 95 / 31

HEX #61AF08

RGB 97 175 8

HSL 88.02, 0.91%, 0.36%

LAB 64.34, -47.39, 64.26

 

CMYK 70 / 0 / 95 / 31

HEX #34AF08

RGB 52 175 8

HSL 104.19, 0.91%, 0.36%

LAB 62.85, -59.32, 62.44

 

CMYK 20 / 0 / 96 / 62

HEX #4D6004

RGB 77 96 4

HSL 72.39, 0.92%, 0.2%

LAB 37.76, -19.51, 43.16

 

CMYK 19 / 0 / 96 / 47

HEX #6D8706

RGB 109 135 6

HSL 72.09, 0.91%, 0.28%

LAB 52.5, -25.04, 55.4

 

CMYK 19 / 0 / 95 / 31

HEX #8DAF08

RGB 141 175 8

HSL 72.22, 0.91%, 0.36%

LAB 66.78, -30.75, 67.23

 

CMYK 19 / 0 / 95 / 16

HEX #ADD60A

RGB 173 214 10

HSL 72.06, 0.91%, 0.44%

LAB 80.18, -35.75, 78.35

 

CMYK 18 / 0 / 91 / 4

HEX #C7F416

RGB 199 244 22

HSL 72.16, 0.91%, 0.52%

LAB 90.28, -38.8, 85.65

 

CMYK 19 / 0 / 95 / 31

HEX #8EB008

RGB 142 176 8

HSL 72.14, 0.91%, 0.36%

LAB 67.14, -30.8, 67.54

 

CMYK 95 / 0 / 57 / 31

HEX #08AF4B

RGB 8 175 75

HSL 144.07, 0.91%, 0.36%

LAB 62.69, -59.15, 40.32

 

CMYK 19 / 95 / 0 / 31

HEX #8D08AF

RGB 141 8 175

HSL 287.78, 0.91%, 0.36%

LAB 35.85, 67.87, -55.36

 

CMYK 19 / 0 / 95 / 31

HEX #8EB008

RGB 142 176 8

HSL 72.14, 0.91%, 0.36%

LAB 67.14, -30.8, 67.54

 

CMYK 95 / 19 / 0 / 31

HEX #088DAF

RGB 8 141 175

HSL 192.22, 0.91%, 0.36%

LAB 54.23, -19.03, -26.69

 

CMYK 0 / 95 / 19 / 31

HEX #AF088D

RGB 175 8 141

HSL 312.22, 0.91%, 0.36%

LAB 39.93, 68.55, -27.92

 

CMYK 19 / 0 / 95 / 31

HEX #8EB008

RGB 142 176 8

HSL 72.14, 0.91%, 0.36%

LAB 67.14, -30.8, 67.54

 

CMYK 95 / 0 / 57 / 31

HEX #08AF4B

RGB 8 175 75

HSL 144.07, 0.91%, 0.36%

LAB 62.69, -59.15, 40.32

 

CMYK 77 / 95 / 0 / 31

HEX #2908AF

RGB 41 8 175

HSL 251.86, 0.91%, 0.36%

LAB 22.79, 58.46, -77.33

 

CMYK 0 / 95 / 38 / 31

HEX #AF086C

RGB 175 8 108

HSL 324.07, 0.91%, 0.36%

LAB 38.5, 64.81, -9.58

 

CMYK 19 / 0 / 95 / 31

HEX #8EB008

RGB 142 176 8

HSL 72.14, 0.91%, 0.36%

LAB 67.14, -30.8, 67.54

 

CMYK 95 / 0 / 29 / 31

HEX #08AF7D

RGB 8 175 125

HSL 162.04, 0.91%, 0.36%

LAB 63.5, -49.65, 15.25

 

CMYK 77 / 95 / 0 / 31

HEX #2908AF

RGB 41 8 175

HSL 251.86, 0.91%, 0.36%

LAB 22.79, 58.46, -77.33

 

CMYK 0 / 95 / 67 / 31

HEX #AF083A

RGB 175 8 58

HSL 342.04, 0.91%, 0.36%

LAB 37.1, 61.03, 20.52

 

Description

Color code: HEX #8EB008 | qconv.com Color code: HEX #8EB008 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 176 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 176 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 95 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 95% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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