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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EB4DE it is the complementary color #714B21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EB4DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EB4DE shade: #93B4D9, #A4C6EC, #B5D8FF, #C6EAFF and #D7FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EB4DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EB4DE shade: #8EB4DE, #7DA2CB, #6C90B8, #5B7EA5 and #4A6C92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EB4DE shade: #8CB3DD, #8C9DDD, #918CDD, #A78CDD and #BD8CDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EB4DE shade: #8CB3DD, #8C9DDD and #8C8CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EB4DE shade matches the following richer shades: #8CB3DD, #80B2E9 and #74B1F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EB4DE shade: #8CB3DD, #98B3D1, #A4B4C5, #B0B4B9 and #BCB5AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EB4DE shade: #8CDDDC, #8CC9DD, #8CB3DD, #8C9EDD and #908CDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EB4DE shade: #4C88CB, #6C9DD4, #8CB3DD, #ACC8E7 and #CCDDF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EB4DE shade: #8EB4DE, #C68CDD and #D4DD8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EB4DE shade: #8EB4DE, #DD8CB3 and #B3DD8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EB4DE shade: #8EB4DE, #C68CDD, #DDB68C and #A3DD8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EB4DE shade: #8EB4DE, #DD8CDC, #DDB68C and #8CDD8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 19 / 0 / 13

HEX #8EB4DE

RGB 142 180 222

HSL 211.5, 0.55%, 0.71%

LAB 72.01, -2.59, -25.2

 

Complementary color

CMYK 0 / 34 / 71 / 56

HEX #714B21

RGB 113 75 33

HSL 31.5, 0.55%, 0.29%

LAB 35.31, 11.71, 30.85

 

CMYK 32 / 17 / 0 / 15

HEX #93B4D9

RGB 147 180 217

HSL 211.71, 0.48%, 0.71%

LAB 72.13, -2.46, -22.26

 

CMYK 31 / 16 / 0 / 7

HEX #A4C6EC

RGB 164 198 236

HSL 211.67, 0.65%, 0.78%

LAB 78.66, -2.65, -22.51

 

CMYK 29 / 15 / 0 / 0

HEX #B5D8FF

RGB 181 216 255

HSL 211.62, 1%, 0.85%

LAB 85.08, -2.83, -22.78

 

CMYK 22 / 8 / 0 / 0

HEX #C6EAFF

RGB 198 234 255

HSL 202.11, 1%, 0.89%

LAB 90.81, -7.23, -14.03

 

CMYK 16 / 1 / 0 / 0

HEX #D7FCFF

RGB 215 252 255

HSL 184.5, 1%, 0.92%

LAB 96.53, -11.22, -5.42

 

CMYK 36 / 19 / 0 / 13

HEX #8EB4DE

RGB 142 180 222

HSL 211.5, 0.55%, 0.71%

LAB 72.01, -2.59, -25.2

 

CMYK 38 / 20 / 0 / 20

HEX #7DA2CB

RGB 125 162 203

HSL 211.54, 0.43%, 0.64%

LAB 65.37, -2.32, -25.01

 

CMYK 41 / 22 / 0 / 28

HEX #6C90B8

RGB 108 144 184

HSL 211.58, 0.35%, 0.57%

LAB 58.6, -2, -24.83

 

CMYK 45 / 24 / 0 / 35

HEX #5B7EA5

RGB 91 126 165

HSL 211.62, 0.29%, 0.5%

LAB 51.68, -1.62, -24.68

 

CMYK 49 / 26 / 0 / 43

HEX #4A6C92

RGB 74 108 146

HSL 211.67, 0.33%, 0.43%

LAB 44.6, -1.13, -24.56

 

CMYK 37 / 19 / 0 / 13

HEX #8CB3DD

RGB 140 179 221

HSL 211.11, 0.54%, 0.71%

LAB 71.58, -2.85, -25.32

 

CMYK 37 / 29 / 0 / 13

HEX #8C9DDD

RGB 140 157 221

HSL 227.41, 0.54%, 0.71%

LAB 65.68, 9.44, -34.42

 

CMYK 34 / 37 / 0 / 13

HEX #918CDD

RGB 145 140 221

HSL 243.7, 0.54%, 0.71%

LAB 61.65, 20.6, -40.68

 

CMYK 24 / 37 / 0 / 13

HEX #A78CDD

RGB 167 140 221

HSL 260, 0.54%, 0.71%

LAB 63.5, 26.84, -37.65

 

CMYK 14 / 37 / 0 / 13

HEX #BD8CDD

RGB 189 140 221

HSL 276.3, 0.54%, 0.71%

LAB 65.59, 33.39, -34.24

 

CMYK 37 / 19 / 0 / 13

HEX #8CB3DD

RGB 140 179 221

HSL 211.11, 0.54%, 0.71%

LAB 71.58, -2.85, -25.32

 

CMYK 37 / 29 / 0 / 13

HEX #8C9DDD

RGB 140 157 221

HSL 227.41, 0.54%, 0.71%

LAB 65.68, 9.44, -34.42

 

CMYK 37 / 37 / 0 / 13

HEX #8C8CDD

RGB 140 140 221

HSL 240, 0.54%, 0.71%

LAB 61.27, 19.24, -41.31

 

CMYK 37 / 19 / 0 / 13

HEX #8CB3DD

RGB 140 179 221

HSL 211.11, 0.54%, 0.71%

LAB 71.58, -2.85, -25.32

 

CMYK 45 / 24 / 0 / 9

HEX #80B2E9

RGB 128 178 233

HSL 211.43, 0.7%, 0.71%

LAB 71.09, -2.15, -32.68

 

CMYK 53 / 28 / 0 / 4

HEX #74B1F5

RGB 116 177 245

HSL 211.63, 0.87%, 0.71%

LAB 70.7, -0.87, -39.85

 

CMYK 37 / 19 / 0 / 13

HEX #8CB3DD

RGB 140 179 221

HSL 211.11, 0.54%, 0.71%

LAB 71.58, -2.85, -25.32

 

CMYK 27 / 14 / 0 / 18

HEX #98B3D1

RGB 152 179 209

HSL 211.58, 0.38%, 0.71%

LAB 71.91, -2.42, -18.2

 

CMYK 17 / 9 / 0 / 23

HEX #A4B4C5

RGB 164 180 197

HSL 210.91, 0.22%, 0.71%

LAB 72.61, -1.96, -10.49

 

CMYK 5 / 3 / 0 / 27

HEX #B0B4B9

RGB 176 180 185

HSL 213.33, 0.06%, 0.71%

LAB 73.14, -0.43, -3.04

 

CMYK 0 / 4 / 8 / 26

HEX #BCB5AD

RGB 188 181 173

HSL 32, 0.1%, 0.71%

LAB 74.03, 1.06, 4.94

 

CMYK 37 / 0 / 0 / 13

HEX #8CDDDC

RGB 140 221 220

HSL 179.26, 0.54%, 0.71%

LAB 83.16, -24.87, -7.35

 

CMYK 37 / 9 / 0 / 13

HEX #8CC9DD

RGB 140 201 221

HSL 194.81, 0.54%, 0.71%

LAB 77.62, -14.55, -16.15

 

CMYK 37 / 19 / 0 / 13

HEX #8CB3DD

RGB 140 179 221

HSL 211.11, 0.54%, 0.71%

LAB 71.58, -2.85, -25.32

 

CMYK 37 / 29 / 0 / 13

HEX #8C9EDD

RGB 140 158 221

HSL 226.67, 0.54%, 0.71%

LAB 65.94, 8.87, -34.01

 

CMYK 35 / 37 / 0 / 13

HEX #908CDD

RGB 144 140 221

HSL 242.96, 0.54%, 0.71%

LAB 61.57, 20.33, -40.81

 

CMYK 63 / 33 / 0 / 20

HEX #4C88CB

RGB 76 136 203

HSL 211.65, 0.55%, 0.55%

LAB 55.54, 1.24, -40.48

 

CMYK 49 / 26 / 0 / 17

HEX #6C9DD4

RGB 108 157 212

HSL 211.73, 0.55%, 0.63%

LAB 63.39, -1.29, -33.14

 

CMYK 37 / 19 / 0 / 13

HEX #8CB3DD

RGB 140 179 221

HSL 211.11, 0.54%, 0.71%

LAB 71.58, -2.85, -25.32

 

CMYK 26 / 13 / 0 / 9

HEX #ACC8E7

RGB 172 200 231

HSL 211.53, 0.55%, 0.79%

LAB 79.53, -2.58, -18.46

 

CMYK 15 / 8 / 0 / 6

HEX #CCDDF0

RGB 204 221 240

HSL 211.67, 0.55%, 0.87%

LAB 87.41, -1.88, -11.2

 

CMYK 36 / 19 / 0 / 13

HEX #8EB4DE

RGB 142 180 222

HSL 211.5, 0.55%, 0.71%

LAB 72.01, -2.59, -25.2

 

CMYK 10 / 37 / 0 / 13

HEX #C68CDD

RGB 198 140 221

HSL 282.96, 0.54%, 0.71%

LAB 66.51, 36.13, -32.75

 

CMYK 4 / 0 / 37 / 13

HEX #D4DD8C

RGB 212 221 140

HSL 66.67, 0.54%, 0.71%

LAB 85.81, -15.36, 38.77

 

CMYK 36 / 19 / 0 / 13

HEX #8EB4DE

RGB 142 180 222

HSL 211.5, 0.55%, 0.71%

LAB 72.01, -2.59, -25.2

 

CMYK 0 / 37 / 19 / 13

HEX #DD8CB3

RGB 221 140 179

HSL 331.11, 0.54%, 0.71%

LAB 67.56, 36.13, -7.47

 

CMYK 19 / 0 / 37 / 13

HEX #B3DD8C

RGB 179 221 140

HSL 91.11, 0.54%, 0.71%

LAB 83.54, -27.65, 35.39

 

CMYK 36 / 19 / 0 / 13

HEX #8EB4DE

RGB 142 180 222

HSL 211.5, 0.55%, 0.71%

LAB 72.01, -2.59, -25.2

 

CMYK 10 / 37 / 0 / 13

HEX #C68CDD

RGB 198 140 221

HSL 282.96, 0.54%, 0.71%

LAB 66.51, 36.13, -32.75

 

CMYK 0 / 18 / 37 / 13

HEX #DDB68C

RGB 221 182 140

HSL 31.11, 0.54%, 0.71%

LAB 76.51, 8.29, 26.67

 

CMYK 26 / 0 / 37 / 13

HEX #A3DD8C

RGB 163 221 140

HSL 102.96, 0.54%, 0.71%

LAB 82.59, -33.26, 33.96

 

CMYK 36 / 19 / 0 / 13

HEX #8EB4DE

RGB 142 180 222

HSL 211.5, 0.55%, 0.71%

LAB 72.01, -2.59, -25.2

 

CMYK 0 / 37 / 0 / 13

HEX #DD8CDC

RGB 221 140 220

HSL 300.74, 0.54%, 0.71%

LAB 68.96, 43.01, -28.19

 

CMYK 0 / 18 / 37 / 13

HEX #DDB68C

RGB 221 182 140

HSL 31.11, 0.54%, 0.71%

LAB 76.51, 8.29, 26.67

 

CMYK 37 / 0 / 36 / 13

HEX #8CDD8D

RGB 140 221 141

HSL 120.74, 0.54%, 0.71%

LAB 81.41, -40.6, 31.67

 

Description

Color code: HEX #8EB4DE | qconv.com Color code: HEX #8EB4DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 180 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 180 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 19 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 19% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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