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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EA2C7 it is the complementary color #715D38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EA2C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EA2C7 shade: #93A2C2, #A4B4D5, #B5C6E8, #C6D8FB and #D7EAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EA2C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EA2C7 shade: #8EA2C7, #7D90B4, #6C7EA1, #5B6C8E and #4A5A7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EA2C7 shade: #8EA2C7, #8E92C7, #998EC7, #A88EC7 and #B78EC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EA2C7 shade: #8EA2C7, #8E92C7 and #8E8EC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EA2C7 shade matches the following richer shades: #8EA2C7, #809ED5, #739AE2, #6596F0 and #5792FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EA2C7 shade: #8EA2C7, #9BA6B9, #A9AAAC, #B7AE9E and #C4B290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EA2C7 shade: #8EC1C7, #8EB2C7, #8EA3C7, #8E93C7 and #978EC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EA2C7 shade: #5674AC, #728BB9, #8EA2C7, #A9B9D5 and #C5CFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EA2C7 shade: #8EA2C7, #BD8EC7 and #BAC78E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EA2C7 shade: #8EA2C7, #C78EA3 and #A3C78E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EA2C7 shade: #8EA2C7, #BD8EC7, #C7B28E and #97C78E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EA2C7 shade: #8EA2C7, #C78EBF, #C7B28E and #8EC795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

Complementary color

CMYK 0 / 18 / 50 / 56

HEX #715D38

RGB 113 93 56

HSL 38.95, 0.34%, 0.33%

LAB 40.61, 2.83, 24.21

 

CMYK 24 / 16 / 0 / 24

HEX #93A2C2

RGB 147 162 194

HSL 220.85, 0.28%, 0.67%

LAB 66.47, 1.84, -18.19

 

CMYK 23 / 15 / 0 / 16

HEX #A4B4D5

RGB 164 180 213

HSL 220.41, 0.37%, 0.74%

LAB 73.11, 1.62, -18.48

 

CMYK 22 / 15 / 0 / 9

HEX #B5C6E8

RGB 181 198 232

HSL 220, 0.53%, 0.81%

LAB 79.64, 1.42, -18.78

 

CMYK 21 / 14 / 0 / 2

HEX #C6D8FB

RGB 198 216 251

HSL 219.62, 0.87%, 0.88%

LAB 86.05, 1.24, -19.09

 

CMYK 16 / 8 / 0 / 0

HEX #D7EAFF

RGB 215 234 255

HSL 211.5, 1%, 0.92%

LAB 91.91, -2.09, -12.27

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 31 / 20 / 0 / 29

HEX #7D90B4

RGB 125 144 180

HSL 219.27, 0.27%, 0.6%

LAB 59.53, 1.79, -21.04

 

CMYK 33 / 22 / 0 / 37

HEX #6C7EA1

RGB 108 126 161

HSL 219.62, 0.22%, 0.53%

LAB 52.6, 2.09, -20.85

 

CMYK 36 / 24 / 0 / 44

HEX #5B6C8E

RGB 91 108 142

HSL 220, 0.22%, 0.46%

LAB 45.5, 2.44, -20.69

 

CMYK 40 / 27 / 0 / 52

HEX #4A5A7B

RGB 74 90 123

HSL 220.41, 0.25%, 0.39%

LAB 38.2, 2.87, -20.58

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 29 / 27 / 0 / 22

HEX #8E92C7

RGB 142 146 199

HSL 235.79, 0.34%, 0.67%

LAB 62.03, 10.59, -27.82

 

CMYK 23 / 29 / 0 / 22

HEX #998EC7

RGB 153 142 199

HSL 251.58, 0.34%, 0.67%

LAB 61.86, 16.23, -28

 

CMYK 16 / 29 / 0 / 22

HEX #A88EC7

RGB 168 142 199

HSL 267.37, 0.34%, 0.67%

LAB 63.17, 20.94, -25.87

 

CMYK 8 / 29 / 0 / 22

HEX #B78EC7

RGB 183 142 199

HSL 283.16, 0.34%, 0.67%

LAB 64.59, 25.77, -23.57

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 29 / 27 / 0 / 22

HEX #8E92C7

RGB 142 146 199

HSL 235.79, 0.34%, 0.67%

LAB 62.03, 10.59, -27.82

 

CMYK 29 / 29 / 0 / 22

HEX #8E8EC7

RGB 142 142 199

HSL 240, 0.34%, 0.67%

LAB 60.98, 12.89, -29.44

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 40 / 26 / 0 / 16

HEX #809ED5

RGB 128 158 213

HSL 218.82, 0.5%, 0.67%

LAB 64.84, 3.46, -31.35

 

CMYK 49 / 32 / 0 / 11

HEX #739AE2

RGB 115 154 226

HSL 218.92, 0.66%, 0.67%

LAB 63.55, 6.24, -40.63

 

CMYK 58 / 38 / 0 / 6

HEX #6596F0

RGB 101 150 240

HSL 218.85, 0.82%, 0.67%

LAB 62.4, 9.92, -50.21

 

CMYK 66 / 42 / 0 / 1

HEX #5792FD

RGB 87 146 253

HSL 218.67, 0.98%, 0.67%

LAB 61.37, 14.11, -59.02

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 16 / 10 / 0 / 27

HEX #9BA6B9

RGB 155 166 185

HSL 218, 0.18%, 0.67%

LAB 67.83, 0.12, -11.08

 

CMYK 2 / 1 / 0 / 33

HEX #A9AAAC

RGB 169 170 172

HSL 220, 0.02%, 0.67%

LAB 69.59, 0.03, -1.16

 

CMYK 0 / 5 / 14 / 28

HEX #B7AE9E

RGB 183 174 158

HSL 38.4, 0.15%, 0.67%

LAB 71.42, 0.46, 9.36

 

CMYK 0 / 9 / 27 / 23

HEX #C4B290

RGB 196 178 144

HSL 39.23, 0.31%, 0.67%

LAB 73.28, 1.14, 19.75

 

CMYK 29 / 3 / 0 / 22

HEX #8EC1C7

RGB 142 193 199

HSL 186.32, 0.34%, 0.67%

LAB 74.83, -15.17, -8.41

 

CMYK 29 / 11 / 0 / 22

HEX #8EB2C7

RGB 142 178 199

HSL 202.11, 0.34%, 0.67%

LAB 70.67, -7.25, -14.63

 

CMYK 29 / 18 / 0 / 22

HEX #8EA3C7

RGB 142 163 199

HSL 217.89, 0.34%, 0.67%

LAB 66.57, 0.96, -20.85

 

CMYK 29 / 26 / 0 / 22

HEX #8E93C7

RGB 142 147 199

HSL 234.74, 0.34%, 0.67%

LAB 62.29, 10.01, -27.41

 

CMYK 24 / 29 / 0 / 22

HEX #978EC7

RGB 151 142 199

HSL 249.47, 0.34%, 0.67%

LAB 61.7, 15.61, -28.27

 

CMYK 50 / 33 / 0 / 33

HEX #5674AC

RGB 86 116 172

HSL 219.07, 0.34%, 0.51%

LAB 48.82, 5.21, -33.22

 

CMYK 38 / 25 / 0 / 27

HEX #728BB9

RGB 114 139 185

HSL 218.87, 0.34%, 0.59%

LAB 57.6, 2.8, -26.9

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 21 / 13 / 0 / 16

HEX #A9B9D5

RGB 169 185 213

HSL 218.18, 0.34%, 0.75%

LAB 74.79, 0.45, -15.92

 

CMYK 13 / 8 / 0 / 11

HEX #C5CFE2

RGB 197 207 226

HSL 219.31, 0.33%, 0.83%

LAB 82.91, 0.36, -10.54

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 5 / 29 / 0 / 22

HEX #BD8EC7

RGB 189 142 199

HSL 289.47, 0.34%, 0.67%

LAB 65.19, 27.73, -22.6

 

CMYK 7 / 0 / 29 / 22

HEX #BAC78E

RGB 186 199 142

HSL 73.68, 0.34%, 0.67%

LAB 78.02, -13.95, 27.12

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 0 / 29 / 18 / 22

HEX #C78EA3

RGB 199 142 163

HSL 337.89, 0.34%, 0.67%

LAB 65.07, 24.76, -2.43

 

CMYK 18 / 0 / 29 / 22

HEX #A3C78E

RGB 163 199 142

HSL 97.89, 0.34%, 0.67%

LAB 76.43, -22.42, 24.71

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 5 / 29 / 0 / 22

HEX #BD8EC7

RGB 189 142 199

HSL 289.47, 0.34%, 0.67%

LAB 65.19, 27.73, -22.6

 

CMYK 0 / 11 / 29 / 22

HEX #C7B28E

RGB 199 178 142

HSL 37.89, 0.34%, 0.67%

LAB 73.5, 2.04, 21.18

 

CMYK 24 / 0 / 29 / 22

HEX #97C78E

RGB 151 199 142

HSL 110.53, 0.34%, 0.67%

LAB 75.69, -26.64, 23.58

 

CMYK 29 / 19 / 0 / 22

HEX #8EA2C7

RGB 142 162 199

HSL 218.95, 0.34%, 0.67%

LAB 66.3, 1.52, -21.26

 

CMYK 0 / 29 / 4 / 22

HEX #C78EBF

RGB 199 142 191

HSL 308.42, 0.34%, 0.67%

LAB 65.94, 29.53, -16.88

 

CMYK 0 / 11 / 29 / 22

HEX #C7B28E

RGB 199 178 142

HSL 37.89, 0.34%, 0.67%

LAB 73.5, 2.04, 21.18

 

CMYK 29 / 0 / 25 / 22

HEX #8EC795

RGB 142 199 149

HSL 127.37, 0.34%, 0.67%

LAB 75.31, -28.47, 19.26

 

Description

Color code: HEX #8EA2C7 | qconv.com Color code: HEX #8EA2C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 162 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 162 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 19 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 19% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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