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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EA7EA it is the complementary color #715815. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EA7EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EA7EA shade: #93A7E5, #A4B9F8, #B5CBFF, #C6DDFF and #D7EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EA7EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EA7EA shade: #8EA7EA, #7D95D7, #6C83C4, #5B71B1 and #4A5F9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EA7EA shade: #8EA7EA, #8E8FEA, #A78EEA, #C08EEA and #D88EEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EA7EA shade: #8EA7EA, #8E8FEA and #8E8EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EA7EA shade matches the following richer shades: #8EA7EA and #84A2F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EA7EA shade: #8EA7EA, #99ACDF, #A4B1D4, #AFB6CA and #B9BBBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EA7EA shade: #8ED9EA, #8EC1EA, #8EA8EA, #8E90EA and #A58EEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EA7EA shade: #4971DD, #6C8CE4, #8EA7EA, #B1C2F0 and #D4DEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EA7EA shade: #8EA7EA, #E28EEA and #CDEA8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EA7EA shade: #8EA7EA, #EA8EA8 and #A8EA8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EA7EA shade: #8EA7EA, #E28EEA, #EAD08E and #96EA8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EA7EA shade: #8EA7EA, #EA8ED6, #EAD08E and #8EEAA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

Complementary color

CMYK 0 / 22 / 81 / 56

HEX #715815

RGB 113 88 21

HSL 43.7, 0.69%, 0.26%

LAB 38.8, 3.2, 40.06

 

CMYK 36 / 27 / 0 / 10

HEX #93A7E5

RGB 147 167 229

HSL 225.37, 0.61%, 0.74%

LAB 69.11, 7.82, -33.46

 

CMYK 34 / 25 / 0 / 3

HEX #A4B9F8

RGB 164 185 248

HSL 225, 0.86%, 0.81%

LAB 75.68, 7.38, -33.52

 

CMYK 29 / 20 / 0 / 0

HEX #B5CBFF

RGB 181 203 255

HSL 222.16, 1%, 0.85%

LAB 81.71, 4.08, -27.91

 

CMYK 22 / 13 / 0 / 0

HEX #C6DDFF

RGB 198 221 255

HSL 215.79, 1%, 0.89%

LAB 87.46, -0.51, -19.07

 

CMYK 16 / 6 / 0 / 0

HEX #D7EFFF

RGB 215 239 255

HSL 204, 1%, 0.92%

LAB 93.19, -4.65, -10.37

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 42 / 31 / 0 / 16

HEX #7D95D7

RGB 125 149 215

HSL 224, 0.53%, 0.67%

LAB 62.31, 8.38, -36.42

 

CMYK 45 / 33 / 0 / 23

HEX #6C83C4

RGB 108 131 196

HSL 224.32, 0.43%, 0.6%

LAB 55.49, 9.05, -36.47

 

CMYK 49 / 36 / 0 / 31

HEX #5B71B1

RGB 91 113 177

HSL 224.65, 0.36%, 0.53%

LAB 48.52, 9.84, -36.57

 

CMYK 53 / 40 / 0 / 38

HEX #4A5F9E

RGB 74 95 158

HSL 225, 0.36%, 0.45%

LAB 41.39, 10.83, -36.73

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 39 / 39 / 0 / 8

HEX #8E8FEA

RGB 142 143 234

HSL 239.35, 0.69%, 0.74%

LAB 62.79, 21.58, -46.12

 

CMYK 29 / 39 / 0 / 8

HEX #A78EEA

RGB 167 142 234

HSL 256.3, 0.69%, 0.74%

LAB 64.57, 28.86, -43.19

 

CMYK 18 / 39 / 0 / 8

HEX #C08EEA

RGB 192 142 234

HSL 272.61, 0.69%, 0.74%

LAB 66.89, 36, -39.37

 

CMYK 8 / 39 / 0 / 8

HEX #D88EEA

RGB 216 142 234

HSL 288.26, 0.69%, 0.74%

LAB 69.39, 43.09, -35.3

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 39 / 39 / 0 / 8

HEX #8E8FEA

RGB 142 143 234

HSL 239.35, 0.69%, 0.74%

LAB 62.79, 21.58, -46.12

 

CMYK 39 / 39 / 0 / 8

HEX #8E8EEA

RGB 142 142 234

HSL 240, 0.69%, 0.74%

LAB 62.54, 22.16, -46.51

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 46 / 34 / 0 / 4

HEX #84A2F5

RGB 132 162 245

HSL 224.07, 0.85%, 0.74%

LAB 67.53, 11.24, -44.75

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 31 / 23 / 0 / 13

HEX #99ACDF

RGB 153 172 223

HSL 223.71, 0.52%, 0.74%

LAB 70.6, 5.16, -27.85

 

CMYK 23 / 17 / 0 / 17

HEX #A4B1D4

RGB 164 177 212

HSL 223.75, 0.36%, 0.74%

LAB 72.29, 3.03, -19.18

 

CMYK 13 / 10 / 0 / 21

HEX #AFB6CA

RGB 175 182 202

HSL 224.44, 0.2%, 0.74%

LAB 74.08, 1.6, -10.94

 

CMYK 3 / 2 / 0 / 25

HEX #B9BBBF

RGB 185 187 191

HSL 220, 0.04%, 0.74%

LAB 75.83, 0.06, -2.27

 

CMYK 39 / 7 / 0 / 8

HEX #8ED9EA

RGB 142 217 234

HSL 191.09, 0.69%, 0.74%

LAB 82.55, -18.96, -15.68

 

CMYK 39 / 18 / 0 / 8

HEX #8EC1EA

RGB 142 193 234

HSL 206.74, 0.69%, 0.74%

LAB 75.97, -6.48, -25.65

 

CMYK 39 / 28 / 0 / 8

HEX #8EA8EA

RGB 142 168 234

HSL 223.04, 0.69%, 0.74%

LAB 69.25, 7.25, -36

 

CMYK 39 / 38 / 0 / 8

HEX #8E90EA

RGB 142 144 234

HSL 238.7, 0.69%, 0.74%

LAB 63.04, 21, -45.72

 

CMYK 29 / 39 / 0 / 8

HEX #A58EEA

RGB 165 142 234

HSL 255, 0.69%, 0.74%

LAB 64.39, 28.31, -43.47

 

CMYK 67 / 49 / 0 / 13

HEX #4971DD

RGB 73 113 221

HSL 223.78, 0.69%, 0.58%

LAB 50.03, 20.98, -59.44

 

CMYK 53 / 39 / 0 / 11

HEX #6C8CE4

RGB 108 140 228

HSL 224, 0.69%, 0.66%

LAB 59.48, 13.45, -48.18

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 26 / 19 / 0 / 6

HEX #B1C2F0

RGB 177 194 240

HSL 223.81, 0.68%, 0.82%

LAB 78.59, 4.22, -24.68

 

CMYK 14 / 10 / 0 / 3

HEX #D4DEF7

RGB 212 222 247

HSL 222.86, 0.69%, 0.9%

LAB 88.43, 1.55, -13.31

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 3 / 39 / 0 / 8

HEX #E28EEA

RGB 226 142 234

HSL 294.78, 0.69%, 0.74%

LAB 70.49, 46.07, -33.5

 

CMYK 12 / 0 / 39 / 8

HEX #CDEA8E

RGB 205 234 142

HSL 78.91, 0.69%, 0.74%

LAB 88.82, -24.12, 41.54

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 0 / 39 / 28 / 8

HEX #EA8EA8

RGB 234 142 168

HSL 343.04, 0.69%, 0.74%

LAB 69.23, 38.06, 1.33

 

CMYK 28 / 0 / 39 / 8

HEX #A8EA8E

RGB 168 234 142

HSL 103.04, 0.69%, 0.74%

LAB 86.57, -37.25, 38.19

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 3 / 39 / 0 / 8

HEX #E28EEA

RGB 226 142 234

HSL 294.78, 0.69%, 0.74%

LAB 70.49, 46.07, -33.5

 

CMYK 0 / 11 / 39 / 8

HEX #EAD08E

RGB 234 208 142

HSL 43.04, 0.69%, 0.74%

LAB 84.26, 0.02, 36.09

 

CMYK 36 / 0 / 39 / 8

HEX #96EA8E

RGB 150 234 142

HSL 114.78, 0.69%, 0.74%

LAB 85.65, -43.07, 36.82

 

CMYK 39 / 29 / 0 / 8

HEX #8EA7EA

RGB 142 167 234

HSL 223.7, 0.69%, 0.74%

LAB 68.99, 7.82, -36.41

 

CMYK 0 / 39 / 9 / 8

HEX #EA8ED6

RGB 234 142 214

HSL 313.04, 0.69%, 0.74%

LAB 70.66, 44.99, -22.15

 

CMYK 0 / 11 / 39 / 8

HEX #EAD08E

RGB 234 208 142

HSL 43.04, 0.69%, 0.74%

LAB 84.26, 0.02, 36.09

 

CMYK 39 / 0 / 31 / 8

HEX #8EEAA2

RGB 142 234 162

HSL 133.04, 0.69%, 0.74%

LAB 85.61, -42.3, 26.57

 

Description

Color code: HEX #8EA7EA | qconv.com Color code: HEX #8EA7EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 167 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 167 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 29 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 29% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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