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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EA630 it is the complementary color #7159CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EA630. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EA630 shade: #93A62B, #A4B83E, #B5CA51, #C6DC64 and #D7EE77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EA630. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EA630 shade: #8EA630, #7D941D, #6C820A, #5B7000 and #4A5E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EA630 shade: #8EA630, #A69E30, #A67E30, #A65E30 and #A63E30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EA630 shade: #8EA630, #6EA630, #4EA630, #30A631 and #30A651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EA630 shade matches the following richer shades: #8EA630, #98B71E and #A2C80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EA630 shade: #8EA630, #839441, #798352, #6F7264 and #646075

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EA630 shade: #A67E30, #A69E30, #8EA630, #6FA630 and #4FA630

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EA630 shade: #57661D, #728626, #8EA630, #A9C539 and #B7CF59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EA630 shade: #8EA630, #30A65F and #8E30A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EA630 shade: #8EA630, #308EA6 and #A6308E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EA630 shade: #8EA630, #30A65F, #4730A6 and #A63076

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EA630 shade: #8EA630, #30A682, #4730A6 and #A63053

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

Complementary color

CMYK 45 / 57 / 0 / 19

HEX #7159CF

RGB 113 89 207

HSL 252.2, 0.55%, 0.58%

LAB 45.85, 38.73, -58.07

 

CMYK 11 / 0 / 74 / 35

HEX #93A62B

RGB 147 166 43

HSL 69.27, 0.59%, 0.41%

LAB 64.68, -22.76, 57.47

 

CMYK 11 / 0 / 66 / 28

HEX #A4B83E

RGB 164 184 62

HSL 69.84, 0.5%, 0.48%

LAB 71.23, -23.43, 57.22

 

CMYK 10 / 0 / 60 / 21

HEX #B5CA51

RGB 181 202 81

HSL 70.41, 0.53%, 0.55%

LAB 77.67, -23.95, 56.51

 

CMYK 10 / 0 / 55 / 14

HEX #C6DC64

RGB 198 220 100

HSL 71, 0.63%, 0.63%

LAB 84.02, -24.36, 55.57

 

CMYK 10 / 0 / 50 / 7

HEX #D7EE77

RGB 215 238 119

HSL 71.6, 0.78%, 0.7%

LAB 90.29, -24.67, 54.52

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 16 / 0 / 80 / 42

HEX #7D941D

RGB 125 148 29

HSL 71.6, 0.67%, 0.35%

LAB 57.68, -23.87, 54.98

 

CMYK 17 / 0 / 92 / 49

HEX #6C820A

RGB 108 130 10

HSL 71, 0.86%, 0.27%

LAB 50.89, -22.88, 53.36

 

CMYK 19 / 0 / 100 / 56

HEX #5B7000

RGB 91 112 0

HSL 71.25, 1%, 0.22%

LAB 43.96, -21.57, 49.47

 

CMYK 21 / 0 / 100 / 63

HEX #4A5E00

RGB 74 94 0

HSL 72.77, 1%, 0.18%

LAB 36.86, -19.99, 43.55

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 0 / 5 / 71 / 35

HEX #A69E30

RGB 166 158 48

HSL 55.93, 0.55%, 0.42%

LAB 63.98, -10.12, 55.47

 

CMYK 0 / 24 / 71 / 35

HEX #A67E30

RGB 166 126 48

HSL 39.66, 0.55%, 0.42%

LAB 55.32, 7.38, 46.72

 

CMYK 0 / 43 / 71 / 35

HEX #A65E30

RGB 166 94 48

HSL 23.39, 0.55%, 0.42%

LAB 47.4, 25.42, 38.27

 

CMYK 0 / 63 / 71 / 35

HEX #A63E30

RGB 166 62 48

HSL 7.12, 0.55%, 0.42%

LAB 40.84, 42.03, 30.86

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 34 / 0 / 71 / 35

HEX #6EA630

RGB 110 166 48

HSL 88.47, 0.55%, 0.42%

LAB 62.34, -37.33, 52.52

 

CMYK 53 / 0 / 71 / 35

HEX #4EA630

RGB 78 166 48

HSL 104.75, 0.55%, 0.42%

LAB 60.87, -47.93, 50.55

 

CMYK 71 / 0 / 70 / 35

HEX #30A631

RGB 48 166 49

HSL 120.51, 0.55%, 0.42%

LAB 60, -54.94, 48.97

 

CMYK 71 / 0 / 51 / 35

HEX #30A651

RGB 48 166 81

HSL 136.78, 0.55%, 0.42%

LAB 60.33, -51, 34.6

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 17 / 0 / 84 / 28

HEX #98B71E

RGB 152 183 30

HSL 72.16, 0.72%, 0.42%

LAB 69.92, -29.47, 66.21

 

CMYK 19 / 0 / 94 / 22

HEX #A2C80D

RGB 162 200 13

HSL 72.19, 0.88%, 0.42%

LAB 75.46, -33.73, 74.05

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 11 / 0 / 56 / 42

HEX #839441

RGB 131 148 65

HSL 72.29, 0.39%, 0.42%

LAB 58.4, -18.89, 41.18

 

CMYK 8 / 0 / 37 / 49

HEX #798352

RGB 121 131 82

HSL 72.24, 0.23%, 0.42%

LAB 52.85, -12.17, 25.29

 

CMYK 3 / 0 / 12 / 55

HEX #6F7264

RGB 111 114 100

HSL 72.86, 0.07%, 0.42%

LAB 47.41, -3.88, 7.37

 

CMYK 15 / 18 / 0 / 54

HEX #646075

RGB 100 96 117

HSL 251.43, 0.1%, 0.42%

LAB 41.78, 6.22, -11.25

 

CMYK 0 / 24 / 71 / 35

HEX #A67E30

RGB 166 126 48

HSL 39.66, 0.55%, 0.42%

LAB 55.32, 7.38, 46.72

 

CMYK 0 / 5 / 71 / 35

HEX #A69E30

RGB 166 158 48

HSL 55.93, 0.55%, 0.42%

LAB 63.98, -10.12, 55.47

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 33 / 0 / 71 / 35

HEX #6FA630

RGB 111 166 48

HSL 87.97, 0.55%, 0.42%

LAB 62.39, -36.96, 52.59

 

CMYK 52 / 0 / 71 / 35

HEX #4FA630

RGB 79 166 48

HSL 104.24, 0.55%, 0.42%

LAB 60.91, -47.64, 50.6

 

CMYK 15 / 0 / 72 / 60

HEX #57661D

RGB 87 102 29

HSL 72.33, 0.56%, 0.26%

LAB 40.6, -16.89, 37.62

 

CMYK 15 / 0 / 72 / 47

HEX #728626

RGB 114 134 38

HSL 72.5, 0.56%, 0.34%

LAB 52.69, -21.09, 46.78

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 14 / 0 / 71 / 23

HEX #A9C539

RGB 169 197 57

HSL 72, 0.55%, 0.5%

LAB 75.24, -27.98, 63.3

 

CMYK 12 / 0 / 57 / 19

HEX #B7CF59

RGB 183 207 89

HSL 72.2, 0.55%, 0.58%

LAB 79.28, -24.94, 54.82

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 71 / 0 / 43 / 35

HEX #30A65F

RGB 48 166 95

HSL 143.9, 0.55%, 0.42%

LAB 60.54, -48.64, 27.58

 

CMYK 14 / 71 / 0 / 35

HEX #8E30A6

RGB 142 48 166

HSL 287.8, 0.55%, 0.42%

LAB 38.93, 56.08, -45.01

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 71 / 14 / 0 / 35

HEX #308EA6

RGB 48 142 166

HSL 192.2, 0.55%, 0.42%

LAB 54.79, -19.2, -20.62

 

CMYK 0 / 71 / 14 / 35

HEX #A6308E

RGB 166 48 142

HSL 312.2, 0.55%, 0.42%

LAB 41.49, 57.62, -26.22

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 71 / 0 / 43 / 35

HEX #30A65F

RGB 48 166 95

HSL 143.9, 0.55%, 0.42%

LAB 60.54, -48.64, 27.58

 

CMYK 57 / 71 / 0 / 35

HEX #4730A6

RGB 71 48 166

HSL 251.69, 0.55%, 0.42%

LAB 29.93, 42.24, -60.02

 

CMYK 0 / 71 / 29 / 35

HEX #A63076

RGB 166 48 118

HSL 324.41, 0.55%, 0.42%

LAB 40.46, 54.31, -13.05

 

CMYK 14 / 0 / 71 / 35

HEX #8EA630

RGB 142 166 48

HSL 72.2, 0.55%, 0.42%

LAB 64.35, -24.6, 55.2

 

CMYK 71 / 0 / 22 / 35

HEX #30A682

RGB 48 166 130

HSL 161.69, 0.55%, 0.42%

LAB 61.23, -41.13, 9.36

 

CMYK 57 / 71 / 0 / 35

HEX #4730A6

RGB 71 48 166

HSL 251.69, 0.55%, 0.42%

LAB 29.93, 42.24, -60.02

 

CMYK 0 / 71 / 50 / 35

HEX #A63053

RGB 166 48 83

HSL 342.2, 0.55%, 0.42%

LAB 39.32, 50.51, 7.27

 

Description

Color code: HEX #8EA630 | qconv.com Color code: HEX #8EA630 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 166 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 166 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 71 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 71% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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