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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E92CE it is the complementary color #716D31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E92CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E92CE shade: #9392C9, #A4A4DC, #B5B6EF, #C6C8FF and #D7DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E92CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E92CE shade: #8E92CE, #7D80BB, #6C6EA8, #5B5C95 and #4A4A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E92CE shade: #8C90CE, #9A8CCE, #AB8CCE, #BD8CCE and #CE8CCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E92CE shade: #8C90CE and #8C8CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E92CE shade matches the following richer shades: #8C90CE, #7F85DB, #7279E8 and #656EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E92CE shade: #8C90CE, #999CC0, #A7A7B3, #B4B3A6 and #C1BF99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E92CE shade: #8CB3CE, #8CA2CE, #8C91CE, #998CCE and #AB8CCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E92CE shade: #5259B5, #6F74C1, #8C90CE, #A9ACDA and #C6C8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E92CE shade: #8E92CE, #CE8CC5 and #ABCE8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E92CE shade: #8E92CE, #CE8C91 and #91CE8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E92CE shade: #8E92CE, #CE8CC5, #CEC98C and #8CCE95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E92CE shade: #8E92CE, #CE8CB1, #CEC98C and #8CCEA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 29 / 0 / 19

HEX #8E92CE

RGB 142 146 206

HSL 236.25, 0.4%, 0.68%

LAB 62.31, 12.37, -31.3

 

Complementary color

CMYK 0 / 4 / 57 / 56

HEX #716D31

RGB 113 109 49

HSL 56.25, 0.4%, 0.32%

LAB 45.18, -7.19, 33.57

 

CMYK 27 / 27 / 0 / 21

HEX #9392C9

RGB 147 146 201

HSL 241.09, 0.34%, 0.68%

LAB 62.49, 12.59, -28.19

 

CMYK 25 / 25 / 0 / 14

HEX #A4A4DC

RGB 164 164 220

HSL 240, 0.44%, 0.75%

LAB 69.19, 12.13, -28.3

 

CMYK 24 / 24 / 0 / 6

HEX #B5B6EF

RGB 181 182 239

HSL 238.97, 0.64%, 0.82%

LAB 75.77, 11.71, -28.43

 

CMYK 22 / 22 / 0 / 0

HEX #C6C8FF

RGB 198 200 255

HSL 237.89, 1%, 0.89%

LAB 82.13, 10.65, -27.16

 

CMYK 16 / 15 / 0 / 0

HEX #D7DAFF

RGB 215 218 255

HSL 235.5, 1%, 0.92%

LAB 87.88, 6.24, -18.32

 

CMYK 31 / 29 / 0 / 19

HEX #8E92CE

RGB 142 146 206

HSL 236.25, 0.4%, 0.68%

LAB 62.31, 12.37, -31.3

 

CMYK 33 / 32 / 0 / 27

HEX #7D80BB

RGB 125 128 187

HSL 237.1, 0.31%, 0.61%

LAB 55.47, 12.93, -31.29

 

CMYK 36 / 35 / 0 / 34

HEX #6C6EA8

RGB 108 110 168

HSL 238, 0.26%, 0.54%

LAB 48.47, 13.58, -31.32

 

CMYK 39 / 38 / 0 / 42

HEX #5B5C95

RGB 91 92 149

HSL 238.97, 0.24%, 0.47%

LAB 41.29, 14.35, -31.43

 

CMYK 43 / 43 / 0 / 49

HEX #4A4A82

RGB 74 74 130

HSL 240, 0.27%, 0.4%

LAB 33.91, 15.29, -31.6

 

CMYK 32 / 30 / 0 / 19

HEX #8C90CE

RGB 140 144 206

HSL 236.36, 0.4%, 0.68%

LAB 61.64, 12.94, -32.36

 

CMYK 25 / 32 / 0 / 19

HEX #9A8CCE

RGB 154 140 206

HSL 252.73, 0.4%, 0.68%

LAB 61.73, 19.37, -32.13

 

CMYK 17 / 32 / 0 / 19

HEX #AB8CCE

RGB 171 140 206

HSL 268.18, 0.4%, 0.68%

LAB 63.24, 24.58, -29.67

 

CMYK 8 / 32 / 0 / 19

HEX #BD8CCE

RGB 189 140 206

HSL 284.55, 0.4%, 0.68%

LAB 64.99, 30.25, -26.82

 

CMYK 0 / 32 / 1 / 19

HEX #CE8CCC

RGB 206 140 204

HSL 301.82, 0.4%, 0.68%

LAB 66.7, 35.33, -22.92

 

CMYK 32 / 30 / 0 / 19

HEX #8C90CE

RGB 140 144 206

HSL 236.36, 0.4%, 0.68%

LAB 61.64, 12.94, -32.36

 

CMYK 32 / 32 / 0 / 19

HEX #8C8CCE

RGB 140 140 206

HSL 240, 0.4%, 0.68%

LAB 60.59, 15.26, -33.98

 

CMYK 32 / 30 / 0 / 19

HEX #8C90CE

RGB 140 144 206

HSL 236.36, 0.4%, 0.68%

LAB 61.64, 12.94, -32.36

 

CMYK 42 / 39 / 0 / 14

HEX #7F85DB

RGB 127 133 219

HSL 236.09, 0.56%, 0.68%

LAB 58.42, 19.39, -44.75

 

CMYK 51 / 48 / 0 / 9

HEX #7279E8

RGB 114 121 232

HSL 236.44, 0.72%, 0.68%

LAB 55.15, 27.35, -57.27

 

CMYK 59 / 55 / 0 / 4

HEX #656EF5

RGB 101 110 245

HSL 236.25, 0.88%, 0.68%

LAB 52.41, 35.52, -68.98

 

CMYK 32 / 30 / 0 / 19

HEX #8C90CE

RGB 140 144 206

HSL 236.36, 0.4%, 0.68%

LAB 61.64, 12.94, -32.36

 

CMYK 20 / 19 / 0 / 25

HEX #999CC0

RGB 153 156 192

HSL 235.38, 0.24%, 0.68%

LAB 65.24, 6.62, -18.9

 

CMYK 7 / 7 / 0 / 30

HEX #A7A7B3

RGB 167 167 179

HSL 240, 0.07%, 0.68%

LAB 68.83, 2.35, -6.17

 

CMYK 0 / 1 / 8 / 29

HEX #B4B3A6

RGB 180 179 166

HSL 55.71, 0.09%, 0.68%

LAB 72.69, -1.98, 6.75

 

CMYK 0 / 1 / 21 / 24

HEX #C1BF99

RGB 193 191 153

HSL 57, 0.24%, 0.68%

LAB 76.62, -5.59, 19.47

 

CMYK 32 / 13 / 0 / 19

HEX #8CB3CE

RGB 140 179 206

HSL 204.55, 0.4%, 0.68%

LAB 71.06, -6.66, -17.91

 

CMYK 32 / 21 / 0 / 19

HEX #8CA2CE

RGB 140 162 206

HSL 220, 0.4%, 0.68%

LAB 66.42, 2.69, -24.97

 

CMYK 32 / 30 / 0 / 19

HEX #8C91CE

RGB 140 145 206

HSL 235.45, 0.4%, 0.68%

LAB 61.9, 12.37, -31.95

 

CMYK 26 / 32 / 0 / 19

HEX #998CCE

RGB 153 140 206

HSL 251.82, 0.4%, 0.68%

LAB 61.64, 19.07, -32.27

 

CMYK 17 / 32 / 0 / 19

HEX #AB8CCE

RGB 171 140 206

HSL 268.18, 0.4%, 0.68%

LAB 63.24, 24.58, -29.67

 

CMYK 55 / 51 / 0 / 29

HEX #5259B5

RGB 82 89 181

HSL 235.76, 0.4%, 0.52%

LAB 41.65, 24.05, -49.88

 

CMYK 42 / 40 / 0 / 24

HEX #6F74C1

RGB 111 116 193

HSL 236.34, 0.4%, 0.6%

LAB 51.52, 17.93, -40.99

 

CMYK 32 / 30 / 0 / 19

HEX #8C90CE

RGB 140 144 206

HSL 236.36, 0.4%, 0.68%

LAB 61.64, 12.94, -32.36

 

CMYK 22 / 21 / 0 / 15

HEX #A9ACDA

RGB 169 172 218

HSL 236.33, 0.4%, 0.76%

LAB 71.56, 8.72, -23.54

 

CMYK 14 / 13 / 0 / 10

HEX #C6C8E6

RGB 198 200 230

HSL 236.25, 0.39%, 0.84%

LAB 81.31, 5.22, -15.07

 

CMYK 31 / 29 / 0 / 19

HEX #8E92CE

RGB 142 146 206

HSL 236.25, 0.4%, 0.68%

LAB 62.31, 12.37, -31.3

 

CMYK 0 / 32 / 4 / 19

HEX #CE8CC5

RGB 206 140 197

HSL 308.18, 0.4%, 0.68%

LAB 66.45, 34.05, -19.4

 

CMYK 17 / 0 / 32 / 19

HEX #ABCE8C

RGB 171 206 140

HSL 91.82, 0.4%, 0.68%

LAB 78.86, -23.29, 29.12

 

CMYK 31 / 29 / 0 / 19

HEX #8E92CE

RGB 142 146 206

HSL 236.25, 0.4%, 0.68%

LAB 62.31, 12.37, -31.3

 

CMYK 0 / 32 / 30 / 19

HEX #CE8C91

RGB 206 140 145

HSL 355.45, 0.4%, 0.68%

LAB 64.9, 25.8, 7.59

 

CMYK 30 / 0 / 32 / 19

HEX #91CE8C

RGB 145 206 140

HSL 115.45, 0.4%, 0.68%

LAB 77.31, -32.32, 26.77

 

CMYK 31 / 29 / 0 / 19

HEX #8E92CE

RGB 142 146 206

HSL 236.25, 0.4%, 0.68%

LAB 62.31, 12.37, -31.3

 

CMYK 0 / 32 / 4 / 19

HEX #CE8CC5

RGB 206 140 197

HSL 308.18, 0.4%, 0.68%

LAB 66.45, 34.05, -19.4

 

CMYK 0 / 2 / 32 / 19

HEX #CEC98C

RGB 206 201 140

HSL 55.45, 0.4%, 0.68%

LAB 80.06, -7.56, 31.17

 

CMYK 32 / 0 / 28 / 19

HEX #8CCE95

RGB 140 206 149

HSL 128.18, 0.4%, 0.68%

LAB 77.21, -32.44, 21.87

 

CMYK 31 / 29 / 0 / 19

HEX #8E92CE

RGB 142 146 206

HSL 236.25, 0.4%, 0.68%

LAB 62.31, 12.37, -31.3

 

CMYK 0 / 32 / 14 / 19

HEX #CE8CB1

RGB 206 140 177

HSL 326.36, 0.4%, 0.68%

LAB 65.79, 30.6, -9.17

 

CMYK 0 / 2 / 32 / 19

HEX #CEC98C

RGB 206 201 140

HSL 55.45, 0.4%, 0.68%

LAB 80.06, -7.56, 31.17

 

CMYK 32 / 0 / 18 / 19

HEX #8CCEA9

RGB 140 206 169

HSL 146.36, 0.4%, 0.68%

LAB 77.63, -28.72, 11.82

 

Description

Color code: HEX #8E92CE | qconv.com Color code: HEX #8E92CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 146 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 146 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 29 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 29% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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