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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E83FB it is the complementary color #717C04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E83FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E83FB shade: #9383F6, #A495FF, #B5A7FF, #C6B9FF and #D7CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E83FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E83FB shade: #8E83FB, #7D71E8, #6C5FD5, #5B4DC2 and #4A3BAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E83FB shade: #8E83FB, #AE83FB, #CE83FB, #EF83FB and #FB83E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E83FB shade: #8E83FB and #8383FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E83FB shade matches the following richer shades: #8E83FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E83FB shade: #8E83FB, #968DF0, #9F97E6, #A7A2DC and #B0ACD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E83FB shade: #83B9FB, #8399FB, #8D83FB, #AD83FB and #CD83FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E83FB shade: #4533F8, #695BF9, #8E83FB, #B2ABFC and #D7D3FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E83FB shade: #8E83FB, #FB83D9 and #A9FB83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E83FB shade: #8E83FB, #FB8D83 and #83FB8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E83FB shade: #8E83FB, #FB83D9, #F1FB83 and #83FBA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E83FB shade: #8E83FB, #FB83B5, #F1FB83 and #83FBC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

Complementary color

CMYK 9 / 0 / 97 / 51

HEX #717C04

RGB 113 124 4

HSL 65.5, 0.94%, 0.25%

LAB 49.42, -17.66, 53.5

 

CMYK 40 / 47 / 0 / 4

HEX #9383F6

RGB 147 131 246

HSL 248.35, 0.86%, 0.74%

LAB 60.86, 33.07, -55.78

 

CMYK 36 / 42 / 0 / 0

HEX #A495FF

RGB 164 149 255

HSL 248.49, 1%, 0.79%

LAB 66.98, 29.43, -50.91

 

CMYK 29 / 35 / 0 / 0

HEX #B5A7FF

RGB 181 167 255

HSL 249.55, 1%, 0.83%

LAB 72.68, 23.85, -41.86

 

CMYK 22 / 27 / 0 / 0

HEX #C6B9FF

RGB 198 185 255

HSL 251.14, 1%, 0.86%

LAB 78.42, 18.8, -32.86

 

CMYK 16 / 20 / 0 / 0

HEX #D7CBFF

RGB 215 203 255

HSL 253.85, 1%, 0.9%

LAB 84.16, 14.2, -23.94

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 46 / 51 / 0 / 9

HEX #7D71E8

RGB 125 113 232

HSL 246.05, 0.72%, 0.68%

LAB 54.02, 34.5, -59.04

 

CMYK 49 / 55 / 0 / 16

HEX #6C5FD5

RGB 108 95 213

HSL 246.61, 0.58%, 0.6%

LAB 47.21, 35.89, -59.34

 

CMYK 53 / 60 / 0 / 24

HEX #5B4DC2

RGB 91 77 194

HSL 247.18, 0.49%, 0.53%

LAB 40.29, 37.45, -59.64

 

CMYK 58 / 66 / 0 / 31

HEX #4A3BAF

RGB 74 59 175

HSL 247.76, 0.5%, 0.46%

LAB 33.31, 39.18, -59.88

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 31 / 48 / 0 / 2

HEX #AE83FB

RGB 174 131 251

HSL 261.5, 0.94%, 0.75%

LAB 63.5, 41.1, -54.18

 

CMYK 18 / 48 / 0 / 2

HEX #CE83FB

RGB 206 131 251

HSL 277.5, 0.94%, 0.75%

LAB 66.76, 49.52, -48.81

 

CMYK 5 / 48 / 0 / 2

HEX #EF83FB

RGB 239 131 251

HSL 294, 0.94%, 0.75%

LAB 70.56, 58.49, -42.58

 

CMYK 0 / 48 / 8 / 2

HEX #FB83E6

RGB 251 131 230

HSL 310.5, 0.94%, 0.75%

LAB 71.18, 58.27, -29.99

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 48 / 48 / 0 / 2

HEX #8383FB

RGB 131 131 251

HSL 240, 0.94%, 0.75%

LAB 59.91, 30.81, -60.12

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 38 / 41 / 0 / 6

HEX #968DF0

RGB 150 141 240

HSL 245.45, 0.77%, 0.75%

LAB 63.2, 26.42, -48.75

 

CMYK 31 / 34 / 0 / 10

HEX #9F97E6

RGB 159 151 230

HSL 246.08, 0.61%, 0.75%

LAB 65.92, 20.5, -38.91

 

CMYK 24 / 26 / 0 / 14

HEX #A7A2DC

RGB 167 162 220

HSL 245.17, 0.45%, 0.75%

LAB 68.91, 14.15, -28.71

 

CMYK 16 / 18 / 0 / 18

HEX #B0ACD1

RGB 176 172 209

HSL 246.49, 0.29%, 0.75%

LAB 71.78, 8.89, -18.22

 

CMYK 48 / 26 / 0 / 2

HEX #83B9FB

RGB 131 185 251

HSL 213, 0.94%, 0.75%

LAB 73.86, -0.19, -38.11

 

CMYK 48 / 39 / 0 / 2

HEX #8399FB

RGB 131 153 251

HSL 229, 0.94%, 0.75%

LAB 65.41, 17.95, -51.36

 

CMYK 44 / 48 / 0 / 2

HEX #8D83FB

RGB 141 131 251

HSL 245, 0.94%, 0.75%

LAB 60.66, 33.05, -58.88

 

CMYK 31 / 48 / 0 / 2

HEX #AD83FB

RGB 173 131 251

HSL 261, 0.94%, 0.75%

LAB 63.41, 40.84, -54.33

 

CMYK 18 / 48 / 0 / 2

HEX #CD83FB

RGB 205 131 251

HSL 277, 0.94%, 0.75%

LAB 66.65, 49.25, -48.99

 

CMYK 72 / 79 / 0 / 3

HEX #4533F8

RGB 69 51 248

HSL 245.48, 0.93%, 0.59%

LAB 38.57, 65.04, -93.43

 

CMYK 58 / 63 / 0 / 2

HEX #695BF9

RGB 105 91 249

HSL 245.32, 0.93%, 0.67%

LAB 48.67, 48.58, -77.28

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 29 / 32 / 0 / 1

HEX #B2ABFC

RGB 178 171 252

HSL 245.19, 0.93%, 0.83%

LAB 73.3, 20.05, -39.3

 

CMYK 15 / 17 / 0 / 1

HEX #D7D3FD

RGB 215 211 253

HSL 245.71, 0.91%, 0.91%

LAB 86.07, 9.52, -19.99

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 0 / 48 / 14 / 2

HEX #FB83D9

RGB 251 131 217

HSL 317, 0.94%, 0.75%

LAB 70.7, 56.22, -23.56

 

CMYK 33 / 0 / 48 / 2

HEX #A9FB83

RGB 169 251 131

HSL 101, 0.94%, 0.75%

LAB 91.27, -45.8, 49.47

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 0 / 44 / 48 / 2

HEX #FB8D83

RGB 251 141 131

HSL 5, 0.94%, 0.75%

LAB 70.31, 40.55, 23.78

 

CMYK 48 / 0 / 44 / 2

HEX #83FB8D

RGB 131 251 141

HSL 125, 0.94%, 0.75%

LAB 89.74, -55.77, 42.43

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 0 / 48 / 14 / 2

HEX #FB83D9

RGB 251 131 217

HSL 317, 0.94%, 0.75%

LAB 70.7, 56.22, -23.56

 

CMYK 4 / 0 / 48 / 2

HEX #F1FB83

RGB 241 251 131

HSL 65, 0.94%, 0.75%

LAB 95.72, -19.78, 55.92

 

CMYK 48 / 0 / 34 / 2

HEX #83FBA5

RGB 131 251 165

HSL 137, 0.94%, 0.75%

LAB 90.11, -52, 31.05

 

CMYK 43 / 48 / 0 / 2

HEX #8E83FB

RGB 142 131 251

HSL 245.5, 0.94%, 0.75%

LAB 60.74, 33.28, -58.75

 

CMYK 0 / 48 / 28 / 2

HEX #FB83B5

RGB 251 131 181

HSL 335, 0.94%, 0.75%

LAB 69.53, 51.12, -5.27

 

CMYK 4 / 0 / 48 / 2

HEX #F1FB83

RGB 241 251 131

HSL 65, 0.94%, 0.75%

LAB 95.72, -19.78, 55.92

 

CMYK 48 / 0 / 20 / 2

HEX #83FBC9

RGB 131 251 201

HSL 155, 0.94%, 0.75%

LAB 90.8, -45.19, 13.64

 

Description

Color code: HEX #8E83FB | qconv.com Color code: HEX #8E83FB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 131 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 131 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 48 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 48% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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