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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E86F8 it is the complementary color #717907. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E86F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E86F8 shade: #9386F3, #A498FF, #B5AAFF, #C6BCFF and #D7CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E86F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E86F8 shade: #8E86F8, #7D74E5, #6C62D2, #5B50BF and #4A3EAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E86F8 shade: #8E86F7, #AD86F7, #CB86F7, #EA86F7 and #F786E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E86F8 shade: #8E86F7 and #8686F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E86F8 shade matches the following richer shades: #8E86F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E86F8 shade: #8E86F7, #9790ED, #A09BE3, #A9A5D9 and #B1AFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E86F8 shade: #86BBF7, #869DF7, #8E86F7, #AC86F7 and #CA86F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E86F8 shade: #4538F3, #6A5FF5, #8E86F7, #B2ADFA and #D7D4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E86F8 shade: #8E86F8, #F786D9 and #ACF786

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E86F8 shade: #8E86F8, #F78E86 and #86F78E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E86F8 shade: #8E86F8, #F786D9, #F0F786 and #86F7A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E86F8 shade: #8E86F8, #F786B7, #F0F786 and #86F7C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 46 / 0 / 3

HEX #8E86F8

RGB 142 134 248

HSL 244.21, 0.89%, 0.75%

LAB 61.29, 30.7, -56.22

 

Complementary color

CMYK 7 / 0 / 94 / 53

HEX #717907

RGB 113 121 7

HSL 64.21, 0.89%, 0.25%

LAB 48.51, -16, 52.2

 

CMYK 40 / 45 / 0 / 5

HEX #9386F3

RGB 147 134 243

HSL 247.16, 0.82%, 0.74%

LAB 61.42, 30.52, -53.24

 

CMYK 36 / 40 / 0 / 0

HEX #A498FF

RGB 164 152 255

HSL 246.99, 1%, 0.8%

LAB 67.7, 27.72, -49.77

 

CMYK 29 / 33 / 0 / 0

HEX #B5AAFF

RGB 181 170 255

HSL 247.76, 1%, 0.83%

LAB 73.41, 22.18, -40.72

 

CMYK 22 / 26 / 0 / 0

HEX #C6BCFF

RGB 198 188 255

HSL 248.96, 1%, 0.87%

LAB 79.15, 17.16, -31.72

 

CMYK 16 / 19 / 0 / 0

HEX #D7CEFF

RGB 215 206 255

HSL 251.02, 1%, 0.9%

LAB 84.9, 12.6, -22.82

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F8

RGB 142 134 248

HSL 244.21, 0.89%, 0.75%

LAB 61.29, 30.7, -56.22

 

CMYK 45 / 49 / 0 / 10

HEX #7D74E5

RGB 125 116 229

HSL 244.78, 0.68%, 0.68%

LAB 54.56, 31.86, -56.49

 

CMYK 49 / 53 / 0 / 18

HEX #6C62D2

RGB 108 98 210

HSL 245.36, 0.55%, 0.6%

LAB 47.72, 33.19, -56.79

 

CMYK 52 / 58 / 0 / 25

HEX #5B50BF

RGB 91 80 191

HSL 245.95, 0.46%, 0.53%

LAB 40.77, 34.7, -57.11

 

CMYK 57 / 64 / 0 / 33

HEX #4A3EAC

RGB 74 62 172

HSL 246.55, 0.47%, 0.46%

LAB 33.73, 36.43, -57.4

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F7

RGB 142 134 247

HSL 244.25, 0.88%, 0.75%

LAB 61.23, 30.42, -55.76

 

CMYK 30 / 46 / 0 / 3

HEX #AD86F7

RGB 173 134 247

HSL 260.71, 0.88%, 0.75%

LAB 63.88, 38.19, -51.4

 

CMYK 18 / 46 / 0 / 3

HEX #CB86F7

RGB 203 134 247

HSL 276.64, 0.88%, 0.75%

LAB 66.87, 46.27, -46.47

 

CMYK 5 / 46 / 0 / 3

HEX #EA86F7

RGB 234 134 247

HSL 293.1, 0.88%, 0.75%

LAB 70.36, 54.89, -40.76

 

CMYK 0 / 46 / 6 / 3

HEX #F786E7

RGB 247 134 231

HSL 308.5, 0.88%, 0.75%

LAB 71.28, 55.81, -30.43

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F7

RGB 142 134 247

HSL 244.25, 0.88%, 0.75%

LAB 61.23, 30.42, -55.76

 

CMYK 46 / 46 / 0 / 3

HEX #8686F7

RGB 134 134 247

HSL 240, 0.88%, 0.75%

LAB 60.63, 28.55, -56.75

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F7

RGB 142 134 247

HSL 244.25, 0.88%, 0.75%

LAB 61.23, 30.42, -55.76

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F7

RGB 142 134 247

HSL 244.25, 0.88%, 0.75%

LAB 61.23, 30.42, -55.76

 

CMYK 36 / 39 / 0 / 7

HEX #9790ED

RGB 151 144 237

HSL 244.52, 0.72%, 0.75%

LAB 63.87, 24.15, -46.03

 

CMYK 30 / 32 / 0 / 11

HEX #A09BE3

RGB 160 155 227

HSL 244.17, 0.56%, 0.75%

LAB 66.87, 17.75, -35.76

 

CMYK 22 / 24 / 0 / 15

HEX #A9A5D9

RGB 169 165 217

HSL 244.62, 0.41%, 0.75%

LAB 69.72, 12.38, -25.8

 

CMYK 14 / 15 / 0 / 19

HEX #B1AFCE

RGB 177 175 206

HSL 243.87, 0.24%, 0.75%

LAB 72.54, 6.92, -15.43

 

CMYK 46 / 24 / 0 / 3

HEX #86BBF7

RGB 134 187 247

HSL 211.86, 0.88%, 0.75%

LAB 74.4, -1.71, -35.11

 

CMYK 46 / 36 / 0 / 3

HEX #869DF7

RGB 134 157 247

HSL 227.79, 0.88%, 0.75%

LAB 66.44, 15.16, -47.54

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F7

RGB 142 134 247

HSL 244.25, 0.88%, 0.75%

LAB 61.23, 30.42, -55.76

 

CMYK 30 / 46 / 0 / 3

HEX #AC86F7

RGB 172 134 247

HSL 260.18, 0.88%, 0.75%

LAB 63.78, 37.93, -51.55

 

CMYK 18 / 46 / 0 / 3

HEX #CA86F7

RGB 202 134 247

HSL 276.11, 0.88%, 0.75%

LAB 66.77, 45.99, -46.64

 

CMYK 72 / 77 / 0 / 5

HEX #4538F3

RGB 69 56 243

HSL 244.17, 0.89%, 0.59%

LAB 38.84, 61.26, -90.17

 

CMYK 57 / 61 / 0 / 4

HEX #6A5FF5

RGB 106 95 245

HSL 244.4, 0.88%, 0.67%

LAB 49.3, 45.24, -74.01

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F7

RGB 142 134 247

HSL 244.25, 0.88%, 0.75%

LAB 61.23, 30.42, -55.76

 

CMYK 29 / 31 / 0 / 2

HEX #B2ADFA

RGB 178 173 250

HSL 243.9, 0.89%, 0.83%

LAB 73.71, 18.44, -37.57

 

CMYK 15 / 16 / 0 / 1

HEX #D7D4FC

RGB 215 212 252

HSL 244.5, 0.87%, 0.91%

LAB 86.29, 8.78, -19.14

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F8

RGB 142 134 248

HSL 244.21, 0.89%, 0.75%

LAB 61.29, 30.7, -56.22

 

CMYK 0 / 46 / 12 / 3

HEX #F786D9

RGB 247 134 217

HSL 315.93, 0.88%, 0.75%

LAB 70.76, 53.55, -23.52

 

CMYK 30 / 0 / 46 / 3

HEX #ACF786

RGB 172 247 134

HSL 99.82, 0.88%, 0.75%

LAB 90.33, -42.72, 46.92

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F8

RGB 142 134 248

HSL 244.21, 0.89%, 0.75%

LAB 61.29, 30.7, -56.22

 

CMYK 0 / 43 / 46 / 3

HEX #F78E86

RGB 247 142 134

HSL 4.25, 0.88%, 0.75%

LAB 70.06, 38.84, 21.69

 

CMYK 46 / 0 / 43 / 3

HEX #86F78E

RGB 134 247 142

HSL 124.25, 0.88%, 0.75%

LAB 88.71, -53.22, 40.64

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F8

RGB 142 134 248

HSL 244.21, 0.89%, 0.75%

LAB 61.29, 30.7, -56.22

 

CMYK 0 / 46 / 12 / 3

HEX #F786D9

RGB 247 134 217

HSL 315.93, 0.88%, 0.75%

LAB 70.76, 53.55, -23.52

 

CMYK 3 / 0 / 46 / 3

HEX #F0F786

RGB 240 247 134

HSL 63.72, 0.88%, 0.75%

LAB 94.64, -17.96, 53.2

 

CMYK 46 / 0 / 34 / 3

HEX #86F7A4

RGB 134 247 164

HSL 135.93, 0.88%, 0.75%

LAB 89.05, -49.73, 30.15

 

CMYK 43 / 46 / 0 / 3

HEX #8E86F8

RGB 142 134 248

HSL 244.21, 0.89%, 0.75%

LAB 61.29, 30.7, -56.22

 

CMYK 0 / 46 / 26 / 3

HEX #F786B7

RGB 247 134 183

HSL 333.98, 0.88%, 0.75%

LAB 69.64, 48.59, -6.28

 

CMYK 3 / 0 / 46 / 3

HEX #F0F786

RGB 240 247 134

HSL 63.72, 0.88%, 0.75%

LAB 94.64, -17.96, 53.2

 

CMYK 46 / 0 / 20 / 3

HEX #86F7C6

RGB 134 247 198

HSL 153.98, 0.88%, 0.75%

LAB 89.7, -43.34, 13.65

 

Description

Color code: HEX #8E86F8 | qconv.com Color code: HEX #8E86F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 134 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 134 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 46 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 46% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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