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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E7DA9 it is the complementary color #718256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E7DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E7DA9 shade: #937DA4, #A48FB7, #B5A1CA, #C6B3DD and #D7C5F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E7DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E7DA9 shade: #8E7DA9, #7D6B96, #6C5983, #5B4770 and #4A355D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E7DA9 shade: #8F7EA9, #9A7EA9, #A67EA9, #A97EA0 and #A97E95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E7DA9 shade: #8F7EA9, #837EA9 and #7E7EA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E7DA9 shade matches the following richer shades: #8F7EA9, #8B6DBA, #875BCB, #834ADD and #7F39EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E7DA9 shade: #8F7EA9, #928F97, #96A186, #9AB275 and #9EC364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E7DA9 shade: #7E84A9, #837EA9, #8E7EA9, #9A7EA9 and #A57EA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E7DA9 shade: #65557F, #796598, #8F7EA9, #A497B9 and #BAAFCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E7DA9 shade: #8E7DA9, #A97E90 and #7FA97E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E7DA9 shade: #8E7DA9, #A98E7E and #7EA98E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E7DA9 shade: #8E7DA9, #A97E90, #98A97E and #7EA997

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E7DA9 shade: #8E7DA9, #A97E83, #98A97E and #7EA9A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 26 / 0 / 34

HEX #8E7DA9

RGB 142 125 169

HSL 263.18, 0.2%, 0.58%

LAB 55.36, 15.52, -21.01

 

Complementary color

CMYK 13 / 0 / 34 / 49

HEX #718256

RGB 113 130 86

HSL 83.18, 0.2%, 0.42%

LAB 52, -14.35, 21.83

 

CMYK 10 / 24 / 0 / 36

HEX #937DA4

RGB 147 125 164

HSL 273.85, 0.18%, 0.57%

LAB 55.64, 16.08, -17.66

 

CMYK 10 / 22 / 0 / 28

HEX #A48FB7

RGB 164 143 183

HSL 271.5, 0.22%, 0.64%

LAB 62.47, 15.58, -17.97

 

CMYK 10 / 20 / 0 / 21

HEX #B5A1CA

RGB 181 161 202

HSL 269.27, 0.28%, 0.71%

LAB 69.17, 15.13, -18.28

 

CMYK 10 / 19 / 0 / 13

HEX #C6B3DD

RGB 198 179 221

HSL 267.14, 0.38%, 0.78%

LAB 75.74, 14.71, -18.61

 

CMYK 10 / 18 / 0 / 6

HEX #D7C5F0

RGB 215 197 240

HSL 265.12, 0.59%, 0.86%

LAB 82.2, 14.32, -18.93

 

CMYK 16 / 26 / 0 / 34

HEX #8E7DA9

RGB 142 125 169

HSL 263.18, 0.2%, 0.58%

LAB 55.36, 15.52, -21.01

 

CMYK 17 / 29 / 0 / 41

HEX #7D6B96

RGB 125 107 150

HSL 265.12, 0.17%, 0.5%

LAB 48.36, 16.08, -20.81

 

CMYK 18 / 32 / 0 / 49

HEX #6C5983

RGB 108 89 131

HSL 267.14, 0.19%, 0.43%

LAB 41.17, 16.71, -20.63

 

CMYK 19 / 37 / 0 / 56

HEX #5B4770

RGB 91 71 112

HSL 269.27, 0.22%, 0.36%

LAB 33.77, 17.43, -20.49

 

CMYK 20 / 43 / 0 / 64

HEX #4A355D

RGB 74 53 93

HSL 271.5, 0.27%, 0.29%

LAB 26.13, 18.27, -20.39

 

CMYK 15 / 25 / 0 / 34

HEX #8F7EA9

RGB 143 126 169

HSL 263.72, 0.2%, 0.58%

LAB 55.71, 15.27, -20.46

 

CMYK 9 / 25 / 0 / 34

HEX #9A7EA9

RGB 154 126 169

HSL 279.07, 0.2%, 0.58%

LAB 56.74, 18.96, -18.8

 

CMYK 2 / 25 / 0 / 34

HEX #A67EA9

RGB 166 126 169

HSL 295.81, 0.2%, 0.58%

LAB 57.94, 23.06, -16.87

 

CMYK 0 / 25 / 5 / 34

HEX #A97EA0

RGB 169 126 160

HSL 312.56, 0.2%, 0.58%

LAB 57.94, 22.37, -11.67

 

CMYK 0 / 25 / 12 / 34

HEX #A97E95

RGB 169 126 149

HSL 327.91, 0.2%, 0.58%

LAB 57.58, 20.39, -5.85

 

CMYK 15 / 25 / 0 / 34

HEX #8F7EA9

RGB 143 126 169

HSL 263.72, 0.2%, 0.58%

LAB 55.71, 15.27, -20.46

 

CMYK 22 / 25 / 0 / 34

HEX #837EA9

RGB 131 126 169

HSL 246.98, 0.2%, 0.58%

LAB 54.67, 11.34, -22.15

 

CMYK 25 / 25 / 0 / 34

HEX #7E7EA9

RGB 126 126 169

HSL 240, 0.2%, 0.58%

LAB 54.26, 9.75, -22.81

 

CMYK 15 / 25 / 0 / 34

HEX #8F7EA9

RGB 143 126 169

HSL 263.72, 0.2%, 0.58%

LAB 55.71, 15.27, -20.46

 

CMYK 25 / 41 / 0 / 27

HEX #8B6DBA

RGB 139 109 186

HSL 263.38, 0.36%, 0.58%

LAB 51.8, 28.01, -36.35

 

CMYK 33 / 55 / 0 / 20

HEX #875BCB

RGB 135 91 203

HSL 263.57, 0.52%, 0.58%

LAB 48.19, 41.58, -51.9

 

CMYK 41 / 67 / 0 / 13

HEX #834ADD

RGB 131 74 221

HSL 263.27, 0.68%, 0.58%

LAB 45.56, 54.43, -66.47

 

CMYK 47 / 76 / 0 / 7

HEX #7F39EE

RGB 127 57 238

HSL 263.2, 0.84%, 0.58%

LAB 43.67, 65.9, -79.2

 

CMYK 15 / 25 / 0 / 34

HEX #8F7EA9

RGB 143 126 169

HSL 263.72, 0.2%, 0.58%

LAB 55.71, 15.27, -20.46

 

CMYK 3 / 5 / 0 / 41

HEX #928F97

RGB 146 143 151

HSL 262.5, 0.04%, 0.58%

LAB 59.88, 2.68, -3.85

 

CMYK 7 / 0 / 17 / 37

HEX #96A186

RGB 150 161 134

HSL 84.44, 0.13%, 0.58%

LAB 64.72, -8.92, 12.76

 

CMYK 13 / 0 / 34 / 30

HEX #9AB275

RGB 154 178 117

HSL 83.61, 0.28%, 0.58%

LAB 69.47, -18.9, 28.52

 

CMYK 19 / 0 / 49 / 24

HEX #9EC364

RGB 158 195 100

HSL 83.37, 0.44%, 0.58%

LAB 74.33, -27.87, 43.44

 

CMYK 25 / 22 / 0 / 34

HEX #7E84A9

RGB 126 132 169

HSL 231.63, 0.2%, 0.58%

LAB 55.89, 6.23, -20.32

 

CMYK 22 / 25 / 0 / 34

HEX #837EA9

RGB 131 126 169

HSL 246.98, 0.2%, 0.58%

LAB 54.67, 11.34, -22.15

 

CMYK 16 / 25 / 0 / 34

HEX #8E7EA9

RGB 142 126 169

HSL 262.33, 0.2%, 0.58%

LAB 55.62, 14.93, -20.61

 

CMYK 9 / 25 / 0 / 34

HEX #9A7EA9

RGB 154 126 169

HSL 279.07, 0.2%, 0.58%

LAB 56.74, 18.96, -18.8

 

CMYK 2 / 25 / 0 / 34

HEX #A57EA9

RGB 165 126 169

HSL 294.42, 0.2%, 0.58%

LAB 57.83, 22.71, -17.04

 

CMYK 20 / 33 / 0 / 50

HEX #65557F

RGB 101 85 127

HSL 262.86, 0.2%, 0.42%

LAB 39.23, 15.82, -21.24

 

CMYK 20 / 34 / 0 / 40

HEX #796598

RGB 121 101 152

HSL 263.53, 0.2%, 0.5%

LAB 46.5, 18.84, -24.89

 

CMYK 15 / 25 / 0 / 34

HEX #8F7EA9

RGB 143 126 169

HSL 263.72, 0.2%, 0.58%

LAB 55.71, 15.27, -20.46

 

CMYK 11 / 18 / 0 / 27

HEX #A497B9

RGB 164 151 185

HSL 262.94, 0.2%, 0.66%

LAB 64.59, 11.48, -15.89

 

CMYK 8 / 13 / 0 / 21

HEX #BAAFCA

RGB 186 175 202

HSL 264.44, 0.2%, 0.74%

LAB 73.13, 9.06, -12.27

 

CMYK 16 / 26 / 0 / 34

HEX #8E7DA9

RGB 142 125 169

HSL 263.18, 0.2%, 0.58%

LAB 55.36, 15.52, -21.01

 

CMYK 0 / 25 / 15 / 34

HEX #A97E90

RGB 169 126 144

HSL 334.88, 0.2%, 0.58%

LAB 57.43, 19.53, -3.19

 

CMYK 25 / 0 / 25 / 34

HEX #7FA97E

RGB 127 169 126

HSL 118.6, 0.2%, 0.58%

LAB 65.27, -22.83, 17.71

 

CMYK 16 / 26 / 0 / 34

HEX #8E7DA9

RGB 142 125 169

HSL 263.18, 0.2%, 0.58%

LAB 55.36, 15.52, -21.01

 

CMYK 0 / 16 / 25 / 34

HEX #A98E7E

RGB 169 142 126

HSL 22.33, 0.2%, 0.58%

LAB 61.03, 7.63, 12.31

 

CMYK 25 / 0 / 16 / 34

HEX #7EA98E

RGB 126 169 142

HSL 142.33, 0.2%, 0.58%

LAB 65.56, -20.17, 9.28

 

CMYK 16 / 26 / 0 / 34

HEX #8E7DA9

RGB 142 125 169

HSL 263.18, 0.2%, 0.58%

LAB 55.36, 15.52, -21.01

 

CMYK 0 / 25 / 15 / 34

HEX #A97E90

RGB 169 126 144

HSL 334.88, 0.2%, 0.58%

LAB 57.43, 19.53, -3.19

 

CMYK 10 / 0 / 25 / 34

HEX #98A97E

RGB 152 169 126

HSL 83.72, 0.2%, 0.58%

LAB 66.94, -13.7, 20.27

 

CMYK 25 / 0 / 11 / 34

HEX #7EA997

RGB 126 169 151

HSL 154.88, 0.2%, 0.58%

LAB 65.78, -18.34, 4.6

 

CMYK 16 / 26 / 0 / 34

HEX #8E7DA9

RGB 142 125 169

HSL 263.18, 0.2%, 0.58%

LAB 55.36, 15.52, -21.01

 

CMYK 0 / 25 / 22 / 34

HEX #A97E83

RGB 169 126 131

HSL 353.02, 0.2%, 0.58%

LAB 57.07, 17.41, 3.8

 

CMYK 10 / 0 / 25 / 34

HEX #98A97E

RGB 152 169 126

HSL 83.72, 0.2%, 0.58%

LAB 66.94, -13.7, 20.27

 

CMYK 25 / 0 / 3 / 34

HEX #7EA9A4

RGB 126 169 164

HSL 173.02, 0.2%, 0.58%

LAB 66.13, -15.5, -2.13

 

Description

Color code: HEX #8E7DA9 | qconv.com Color code: HEX #8E7DA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 125 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 125 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 26 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 26% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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