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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E6B3B it is the complementary color #7194C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E6B3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E6B3B shade: #936B36, #A47D49, #B58F5C, #C6A16F and #D7B382

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E6B3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E6B3B shade: #8E6B3B, #7D5928, #6C4715, #5B3502 and #4A2300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E6B3B shade: #8C693A, #8C533A, #8C3D3A and #8C3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E6B3B shade: #8C693A, #8C7F3A, #828C3A, #6C8C3A and #568C3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E6B3B shade matches the following richer shades: #8C693A, #9C6C2A, #AC6E1A and #BC710A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E6B3B shade: #8C693A, #7C674A, #6C645A, #5B626A and #4B5F7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E6B3B shade: #8C3D3A, #8C533A, #8C683A, #8C7E3A and #848C3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E6B3B shade: #523D22, #6F532E, #8C693A, #A97F46 and #BB945D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E6B3B shade: #8E6B3B, #4D8C3A and #483A8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E6B3B shade: #8E6B3B, #3A8C68 and #683A8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E6B3B shade: #8E6B3B, #4D8C3A, #3A5E8C and #793A8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E6B3B shade: #8E6B3B, #3A8C40, #3A5E8C and #8C3A86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 58 / 44

HEX #8E6B3B

RGB 142 107 59

HSL 34.7, 0.41%, 0.39%

LAB 47.73, 8.13, 31.99

 

Complementary color

CMYK 42 / 24 / 0 / 23

HEX #7194C4

RGB 113 148 196

HSL 214.7, 0.41%, 0.61%

LAB 60.49, 0.44, -28.66

 

CMYK 0 / 27 / 63 / 42

HEX #936B36

RGB 147 107 54

HSL 34.19, 0.46%, 0.39%

LAB 48.24, 10, 35.41

 

CMYK 0 / 24 / 55 / 36

HEX #A47D49

RGB 164 125 73

HSL 34.29, 0.38%, 0.46%

LAB 55.11, 8.83, 33.92

 

CMYK 0 / 21 / 49 / 29

HEX #B58F5C

RGB 181 143 92

HSL 34.38, 0.38%, 0.54%

LAB 61.86, 7.86, 32.49

 

CMYK 0 / 19 / 44 / 22

HEX #C6A16F

RGB 198 161 111

HSL 34.48, 0.43%, 0.61%

LAB 68.49, 7.05, 31.14

 

CMYK 0 / 17 / 40 / 16

HEX #D7B382

RGB 215 179 130

HSL 34.59, 0.52%, 0.68%

LAB 75.01, 6.35, 29.88

 

CMYK 0 / 25 / 58 / 44

HEX #8E6B3B

RGB 142 107 59

HSL 34.7, 0.41%, 0.39%

LAB 47.73, 8.13, 31.99

 

CMYK 0 / 29 / 68 / 51

HEX #7D5928

RGB 125 89 40

HSL 34.59, 0.52%, 0.32%

LAB 40.67, 9.42, 33.49

 

CMYK 0 / 34 / 81 / 58

HEX #6C4715

RGB 108 71 21

HSL 34.48, 0.67%, 0.25%

LAB 33.45, 11.07, 34.76

 

CMYK 0 / 42 / 98 / 64

HEX #5B3502

RGB 91 53 2

HSL 34.38, 0.96%, 0.18%

LAB 26.08, 13.15, 35.19

 

CMYK 0 / 53 / 100 / 71

HEX #4A2300

RGB 74 35 0

HSL 28.38, 1%, 0.15%

LAB 18.62, 15.93, 27.34

 

CMYK 0 / 25 / 59 / 45

HEX #8C693A

RGB 140 105 58

HSL 34.39, 0.41%, 0.39%

LAB 46.95, 8.31, 31.55

 

CMYK 0 / 41 / 59 / 45

HEX #8C533A

RGB 140 83 58

HSL 18.29, 0.41%, 0.39%

LAB 41.32, 21.14, 24.64

 

CMYK 0 / 56 / 59 / 45

HEX #8C3D3A

RGB 140 61 58

HSL 2.2, 0.41%, 0.39%

LAB 36.4, 33.37, 18.33

 

CMYK 0 / 59 / 59 / 45

HEX #8C3A3A

RGB 140 58 58

HSL 0, 0.41%, 0.39%

LAB 35.8, 34.93, 17.55

 

CMYK 0 / 25 / 59 / 45

HEX #8C693A

RGB 140 105 58

HSL 34.39, 0.41%, 0.39%

LAB 46.95, 8.31, 31.55

 

CMYK 0 / 9 / 59 / 45

HEX #8C7F3A

RGB 140 127 58

HSL 50.49, 0.41%, 0.39%

LAB 53.01, -4.26, 38.65

 

CMYK 7 / 0 / 59 / 45

HEX #828C3A

RGB 130 140 58

HSL 67.32, 0.41%, 0.39%

LAB 55.89, -15.76, 41.69

 

CMYK 23 / 0 / 59 / 45

HEX #6C8C3A

RGB 108 140 58

HSL 83.41, 0.41%, 0.39%

LAB 54.29, -25.04, 39.44

 

CMYK 39 / 0 / 59 / 45

HEX #568C3A

RGB 86 140 58

HSL 99.51, 0.41%, 0.39%

LAB 52.99, -33.46, 37.6

 

CMYK 0 / 25 / 59 / 45

HEX #8C693A

RGB 140 105 58

HSL 34.39, 0.41%, 0.39%

LAB 46.95, 8.31, 31.55

 

CMYK 0 / 31 / 73 / 39

HEX #9C6C2A

RGB 156 108 42

HSL 34.74, 0.58%, 0.39%

LAB 49.45, 12.75, 43.03

 

CMYK 0 / 36 / 85 / 33

HEX #AC6E1A

RGB 172 110 26

HSL 34.52, 0.74%, 0.39%

LAB 51.83, 18.17, 52.55

 

CMYK 0 / 40 / 95 / 26

HEX #BC710A

RGB 188 113 10

HSL 34.72, 0.9%, 0.39%

LAB 54.58, 23.24, 59.79

 

CMYK 0 / 25 / 59 / 45

HEX #8C693A

RGB 140 105 58

HSL 34.39, 0.41%, 0.39%

LAB 46.95, 8.31, 31.55

 

CMYK 0 / 17 / 40 / 51

HEX #7C674A

RGB 124 103 74

HSL 34.8, 0.25%, 0.39%

LAB 44.91, 3.98, 19.5

 

CMYK 0 / 7 / 17 / 58

HEX #6C645A

RGB 108 100 90

HSL 33.33, 0.09%, 0.39%

LAB 42.82, 1.3, 6.81

 

CMYK 14 / 8 / 0 / 58

HEX #5B626A

RGB 91 98 106

HSL 212, 0.08%, 0.39%

LAB 41.22, -0.88, -5.46

 

CMYK 39 / 23 / 0 / 52

HEX #4B5F7B

RGB 75 95 123

HSL 215, 0.24%, 0.39%

LAB 39.77, 0.07, -18.16

 

CMYK 0 / 56 / 59 / 45

HEX #8C3D3A

RGB 140 61 58

HSL 2.2, 0.41%, 0.39%

LAB 36.4, 33.37, 18.33

 

CMYK 0 / 41 / 59 / 45

HEX #8C533A

RGB 140 83 58

HSL 18.29, 0.41%, 0.39%

LAB 41.32, 21.14, 24.64

 

CMYK 0 / 26 / 59 / 45

HEX #8C683A

RGB 140 104 58

HSL 33.66, 0.41%, 0.39%

LAB 46.69, 8.89, 31.23

 

CMYK 0 / 10 / 59 / 45

HEX #8C7E3A

RGB 140 126 58

HSL 49.76, 0.41%, 0.39%

LAB 52.73, -3.7, 38.33

 

CMYK 6 / 0 / 59 / 45

HEX #848C3A

RGB 132 140 58

HSL 65.85, 0.41%, 0.39%

LAB 56.05, -14.89, 41.91

 

CMYK 0 / 26 / 59 / 68

HEX #523D22

RGB 82 61 34

HSL 33.75, 0.41%, 0.23%

LAB 27.43, 5.47, 20.08

 

CMYK 0 / 25 / 59 / 56

HEX #6F532E

RGB 111 83 46

HSL 34.15, 0.41%, 0.31%

LAB 37.41, 6.92, 25.97

 

CMYK 0 / 25 / 59 / 45

HEX #8C693A

RGB 140 105 58

HSL 34.39, 0.41%, 0.39%

LAB 46.95, 8.31, 31.55

 

CMYK 0 / 25 / 59 / 34

HEX #A97F46

RGB 169 127 70

HSL 34.55, 0.41%, 0.47%

LAB 56.14, 9.64, 36.89

 

CMYK 0 / 21 / 50 / 27

HEX #BB945D

RGB 187 148 93

HSL 35.11, 0.41%, 0.55%

LAB 63.78, 7.74, 34.51

 

CMYK 0 / 25 / 58 / 44

HEX #8E6B3B

RGB 142 107 59

HSL 34.7, 0.41%, 0.39%

LAB 47.73, 8.13, 31.99

 

CMYK 45 / 0 / 59 / 45

HEX #4D8C3A

RGB 77 140 58

HSL 106.1, 0.41%, 0.39%

LAB 52.55, -36.54, 36.98

 

CMYK 49 / 59 / 0 / 45

HEX #483A8C

RGB 72 58 140

HSL 250.24, 0.41%, 0.39%

LAB 30.15, 28.29, -43.8

 

CMYK 0 / 25 / 58 / 44

HEX #8E6B3B

RGB 142 107 59

HSL 34.7, 0.41%, 0.39%

LAB 47.73, 8.13, 31.99

 

CMYK 59 / 0 / 26 / 45

HEX #3A8C68

RGB 58 140 104

HSL 153.66, 0.41%, 0.39%

LAB 52.57, -33.9, 11.89

 

CMYK 26 / 59 / 0 / 45

HEX #683A8C

RGB 104 58 140

HSL 273.66, 0.41%, 0.39%

LAB 33.7, 36.32, -37.92

 

CMYK 0 / 25 / 58 / 44

HEX #8E6B3B

RGB 142 107 59

HSL 34.7, 0.41%, 0.39%

LAB 47.73, 8.13, 31.99

 

CMYK 45 / 0 / 59 / 45

HEX #4D8C3A

RGB 77 140 58

HSL 106.1, 0.41%, 0.39%

LAB 52.55, -36.54, 36.98

 

CMYK 59 / 33 / 0 / 45

HEX #3A5E8C

RGB 58 94 140

HSL 213.66, 0.41%, 0.39%

LAB 39.24, 1.67, -29.38

 

CMYK 14 / 59 / 0 / 45

HEX #793A8C

RGB 121 58 140

HSL 286.1, 0.41%, 0.39%

LAB 35.95, 40.94, -34.18

 

CMYK 0 / 25 / 58 / 44

HEX #8E6B3B

RGB 142 107 59

HSL 34.7, 0.41%, 0.39%

LAB 47.73, 8.13, 31.99

 

CMYK 59 / 0 / 54 / 45

HEX #3A8C40

RGB 58 140 64

HSL 124.39, 0.41%, 0.39%

LAB 51.87, -41.36, 32.96

 

CMYK 59 / 33 / 0 / 45

HEX #3A5E8C

RGB 58 94 140

HSL 213.66, 0.41%, 0.39%

LAB 39.24, 1.67, -29.38

 

CMYK 0 / 59 / 4 / 45

HEX #8C3A86

RGB 140 58 134

HSL 304.39, 0.41%, 0.39%

LAB 38.42, 45.11, -26.44

 

Description

Color code: HEX #8E6B3B | qconv.com Color code: HEX #8E6B3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 107 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 107 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 58 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 58% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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