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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E67DA it is the complementary color #719825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E67DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E67DA shade: #9367D5, #A479E8, #B58BFB, #C69DFF and #D7AFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E67DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E67DA shade: #8E67DA, #7D55C7, #6C43B4, #5B31A1 and #4A1F8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E67DA shade: #8E67DA, #AD67DA, #CC67DA, #DA67C9 and #DA67AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E67DA shade: #8E67DA, #6F67DA and #6767DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E67DA shade matches the following richer shades: #8E67DA, #8957E9 and #8448F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E67DA shade: #8E67DA, #9376CA, #9785BB, #9C94AC and #A1A49D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E67DA shade: #677EDA, #6E67DA, #8D67DA, #AC67DA and #CA67DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E67DA shade: #5F2EC0, #7545D2, #8E67DA, #A688E2 and #BFA9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E67DA shade: #8E67DA, #DA679C and #6EDA67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E67DA shade: #8E67DA, #DA8D67 and #67DA8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E67DA shade: #8E67DA, #DA679C, #B3DA67 and #67DAA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E67DA shade: #8E67DA, #DA677A, #B3DA67 and #67DAC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

Complementary color

CMYK 26 / 0 / 76 / 40

HEX #719825

RGB 113 152 37

HSL 80.35, 0.61%, 0.37%

LAB 58.13, -30.44, 52.48

 

CMYK 31 / 52 / 0 / 16

HEX #9367D5

RGB 147 103 213

HSL 264, 0.57%, 0.62%

LAB 52.63, 40.38, -50.44

 

CMYK 29 / 48 / 0 / 9

HEX #A479E8

RGB 164 121 232

HSL 263.24, 0.71%, 0.69%

LAB 59.34, 39.41, -50.35

 

CMYK 28 / 45 / 0 / 2

HEX #B58BFB

RGB 181 139 251

HSL 262.5, 0.93%, 0.76%

LAB 65.95, 38.5, -50.27

 

CMYK 22 / 38 / 0 / 0

HEX #C69DFF

RGB 198 157 255

HSL 265.1, 1%, 0.81%

LAB 71.78, 34.18, -43.16

 

CMYK 16 / 31 / 0 / 0

HEX #D7AFFF

RGB 215 175 255

HSL 270, 1%, 0.84%

LAB 77.48, 29.32, -34.19

 

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 37 / 57 / 0 / 22

HEX #7D55C7

RGB 125 85 199

HSL 261.05, 0.5%, 0.56%

LAB 45.61, 41.51, -53.8

HEX #7D55C7

CMYK 40 / 63 / 0 / 29

HEX #6C43B4

RGB 108 67 180

HSL 261.77, 0.46%, 0.48%

LAB 38.72, 42.66, -53.9

HEX #6C43B4

CMYK 43 / 70 / 0 / 37

HEX #5B31A1

RGB 91 49 161

HSL 262.5, 0.53%, 0.41%

LAB 31.79, 43.75, -53.87

HEX #5B31A1

CMYK 48 / 78 / 0 / 44

HEX #4A1F8E

RGB 74 31 142

HSL 263.24, 0.64%, 0.34%

LAB 24.92, 44.53, -53.54

HEX #4A1F8E

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 21 / 53 / 0 / 15

HEX #AD67DA

RGB 173 103 218

HSL 276.52, 0.61%, 0.63%

LAB 55.73, 48.3, -48.16

 

CMYK 6 / 53 / 0 / 15

HEX #CC67DA

RGB 204 103 218

HSL 292.7, 0.61%, 0.63%

LAB 59.53, 56.52, -41.92

 

CMYK 0 / 53 / 8 / 15

HEX #DA67C9

RGB 218 103 201

HSL 308.87, 0.61%, 0.63%

LAB 60.63, 57.4, -30.47

 

CMYK 0 / 53 / 22 / 15

HEX #DA67AA

RGB 218 103 170

HSL 325.04, 0.61%, 0.63%

LAB 59.44, 52.67, -14.56

 

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 49 / 53 / 0 / 15

HEX #6F67DA

RGB 111 103 218

HSL 244.17, 0.61%, 0.63%

LAB 49.67, 33.24, -58.2

 

CMYK 53 / 53 / 0 / 15

HEX #6767DA

RGB 103 103 218

HSL 240, 0.61%, 0.63%

LAB 49.06, 31.57, -59.21

 

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 41 / 63 / 0 / 9

HEX #8957E9

RGB 137 87 233

HSL 260.55, 0.77%, 0.63%

LAB 49.52, 51.99, -66.81

 

CMYK 47 / 71 / 0 / 3

HEX #8448F8

RGB 132 72 248

HSL 260.45, 0.93%, 0.63%

LAB 47.39, 62.51, -78.71

 

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 27 / 42 / 0 / 21

HEX #9376CA

RGB 147 118 202

HSL 260.71, 0.44%, 0.63%

LAB 55.51, 29.05, -39.64

 

CMYK 19 / 29 / 0 / 27

HEX #9785BB

RGB 151 133 187

HSL 260, 0.28%, 0.63%

LAB 58.92, 17.95, -25.77

 

CMYK 9 / 14 / 0 / 33

HEX #9C94AC

RGB 156 148 172

HSL 260, 0.13%, 0.63%

LAB 62.7, 7.7, -11.48

 

CMYK 2 / 0 / 4 / 36

HEX #A1A49D

RGB 161 164 157

HSL 85.71, 0.04%, 0.63%

LAB 66.95, -2.39, 3.25

 

CMYK 53 / 42 / 0 / 15

HEX #677EDA

RGB 103 126 218

HSL 228, 0.61%, 0.63%

LAB 54.94, 17.6, -49.81

 

CMYK 50 / 53 / 0 / 15

HEX #6E67DA

RGB 110 103 218

HSL 243.65, 0.61%, 0.63%

LAB 49.59, 33.03, -58.33

 

CMYK 35 / 53 / 0 / 15

HEX #8D67DA

RGB 141 103 218

HSL 259.83, 0.61%, 0.63%

LAB 52.31, 40.16, -53.81

 

CMYK 21 / 53 / 0 / 15

HEX #AC67DA

RGB 172 103 218

HSL 276, 0.61%, 0.63%

LAB 55.62, 48.04, -48.35

 

CMYK 7 / 53 / 0 / 15

HEX #CA67DA

RGB 202 103 218

HSL 291.65, 0.61%, 0.63%

LAB 59.27, 55.99, -42.34

 

CMYK 51 / 76 / 0 / 25

HEX #5F2EC0

RGB 95 46 192

HSL 260.14, 0.61%, 0.47%

LAB 34.38, 54.3, -68.1

 

CMYK 44 / 67 / 0 / 18

HEX #7545D2

RGB 117 69 210

HSL 260.43, 0.61%, 0.55%

LAB 42.29, 51.47, -65.54

 

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 27 / 40 / 0 / 11

HEX #A688E2

RGB 166 136 226

HSL 260, 0.61%, 0.71%

LAB 62.68, 30.03, -41.72

 

CMYK 18 / 28 / 0 / 8

HEX #BFA9EA

RGB 191 169 234

HSL 260.31, 0.61%, 0.79%

LAB 73.15, 20.77, -29.68

 

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 0 / 53 / 28 / 15

HEX #DA679C

RGB 218 103 156

HSL 332.35, 0.61%, 0.63%

LAB 58.98, 50.77, -7.16

 

CMYK 50 / 0 / 53 / 15

HEX #6EDA67

RGB 110 218 103

HSL 116.35, 0.61%, 0.63%

LAB 78.72, -53.5, 46.75

 

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 0 / 35 / 53 / 15

HEX #DA8D67

RGB 218 141 103

HSL 19.83, 0.61%, 0.63%

LAB 65.7, 25.3, 32.28

 

CMYK 53 / 0 / 35 / 15

HEX #67DA8D

RGB 103 218 141

HSL 139.83, 0.61%, 0.63%

LAB 79.01, -49.55, 28.21

 

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 0 / 53 / 28 / 15

HEX #DA679C

RGB 218 103 156

HSL 332.35, 0.61%, 0.63%

LAB 58.98, 50.77, -7.16

 

CMYK 18 / 0 / 53 / 15

HEX #B3DA67

RGB 179 218 103

HSL 80.35, 0.61%, 0.63%

LAB 82.22, -30.49, 51.77

 

CMYK 53 / 0 / 25 / 15

HEX #67DAA4

RGB 103 218 164

HSL 151.83, 0.61%, 0.63%

LAB 79.45, -45.13, 16.81

 

CMYK 35 / 53 / 0 / 15

HEX #8E67DA

RGB 142 103 218

HSL 260.35, 0.61%, 0.63%

LAB 52.41, 40.41, -53.65

 

CMYK 0 / 53 / 44 / 15

HEX #DA677A

RGB 218 103 122

HSL 350.09, 0.61%, 0.63%

LAB 58.05, 46.82, 11.26

 

CMYK 18 / 0 / 53 / 15

HEX #B3DA67

RGB 179 218 103

HSL 80.35, 0.61%, 0.63%

LAB 82.22, -30.49, 51.77

 

CMYK 53 / 0 / 9 / 15

HEX #67DAC7

RGB 103 218 199

HSL 170.09, 0.61%, 0.63%

LAB 80.26, -37.22, -0.6

 

Description

Color code: HEX #8E67DA | qconv.com Color code: HEX #8E67DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 103 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 103 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 53 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 53% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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