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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E5DD5 it is the complementary color #71A22A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E5DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E5DD5 shade: #935DD0, #A46FE3, #B581F6, #C693FF and #D7A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E5DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E5DD5 shade: #8E5DD5, #7D4BC2, #6C39AF, #5B279C and #4A1589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E5DD5 shade: #8D5CD5, #AE5CD5, #CE5CD5, #D55CBB and #D55C9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E5DD5 shade: #8D5CD5, #6D5CD5 and #5C5CD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E5DD5 shade matches the following richer shades: #8D5CD5, #8A4CE5 and #873BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E5DD5 shade: #8D5CD5, #906DC4, #947DB4, #978EA3 and #9A9E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E5DD5 shade: #5C6CD5, #6C5CD5, #8C5CD5, #AD5CD5 and #CD5CD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E5DD5 shade: #632DB1, #773CCC, #8D5CD5, #A47DDD and #BB9EE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E5DD5 shade: #8E5DD5, #D55C8C and #5CD55C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E5DD5 shade: #8E5DD5, #D58C5C and #5CD58C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E5DD5 shade: #8E5DD5, #D55C8C, #A5D55C and #5CD5A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E5DD5 shade: #8E5DD5, #D55C68, #A5D55C and #5CD5C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 56 / 0 / 16

HEX #8E5DD5

RGB 142 93 213

HSL 264.5, 0.59%, 0.6%

LAB 49.96, 44.71, -54.74

 

Complementary color

CMYK 30 / 0 / 74 / 36

HEX #71A22A

RGB 113 162 42

HSL 84.5, 0.59%, 0.4%

LAB 61.24, -34.79, 53.71

 

CMYK 29 / 55 / 0 / 18

HEX #935DD0

RGB 147 93 208

HSL 268.17, 0.55%, 0.59%

LAB 50.2, 44.69, -51.47

 

CMYK 28 / 51 / 0 / 11

HEX #A46FE3

RGB 164 111 227

HSL 267.41, 0.67%, 0.66%

LAB 56.89, 43.73, -51.45

 

CMYK 26 / 48 / 0 / 4

HEX #B581F6

RGB 181 129 246

HSL 266.67, 0.87%, 0.74%

LAB 63.49, 42.81, -51.41

 

CMYK 22 / 42 / 0 / 0

HEX #C693FF

RGB 198 147 255

HSL 268.33, 1%, 0.79%

LAB 69.54, 39.65, -46.68

 

CMYK 16 / 35 / 0 / 0

HEX #D7A5FF

RGB 215 165 255

HSL 273.33, 1%, 0.82%

LAB 75.19, 34.74, -37.73

 

CMYK 33 / 56 / 0 / 16

HEX #8E5DD5

RGB 142 93 213

HSL 264.5, 0.59%, 0.6%

LAB 49.96, 44.71, -54.74

 

CMYK 36 / 61 / 0 / 24

HEX #7D4BC2

RGB 125 75 194

HSL 265.21, 0.49%, 0.53%

LAB 43.19, 45.74, -54.79

 

CMYK 38 / 67 / 0 / 31

HEX #6C39AF

RGB 108 57 175

HSL 265.93, 0.51%, 0.45%

LAB 36.38, 46.7, -54.72

 

CMYK 42 / 75 / 0 / 39

HEX #5B279C

RGB 91 39 156

HSL 266.67, 0.6%, 0.38%

LAB 29.6, 47.4, -54.41

 

CMYK 46 / 85 / 0 / 46

HEX #4A1589

RGB 74 21 137

HSL 267.41, 0.73%, 0.31%

LAB 22.99, 47.41, -53.58

 

CMYK 34 / 57 / 0 / 16

HEX #8D5CD5

RGB 141 92 213

HSL 264.3, 0.59%, 0.6%

LAB 49.64, 45.02, -55.26

 

CMYK 18 / 57 / 0 / 16

HEX #AE5CD5

RGB 174 92 213

HSL 280.66, 0.59%, 0.6%

LAB 53.45, 53.12, -48.96

 

CMYK 3 / 57 / 0 / 16

HEX #CE5CD5

RGB 206 92 213

HSL 296.53, 0.59%, 0.6%

LAB 57.64, 61.28, -42.06

 

CMYK 0 / 57 / 12 / 16

HEX #D55CBB

RGB 213 92 187

HSL 312.89, 0.59%, 0.6%

LAB 57.45, 58.83, -27.45

 

CMYK 0 / 57 / 28 / 16

HEX #D55C9A

RGB 213 92 154

HSL 329.26, 0.59%, 0.6%

LAB 56.22, 54.11, -10.2

 

CMYK 34 / 57 / 0 / 16

HEX #8D5CD5

RGB 141 92 213

HSL 264.3, 0.59%, 0.6%

LAB 49.64, 45.02, -55.26

 

CMYK 49 / 57 / 0 / 16

HEX #6D5CD5

RGB 109 92 213

HSL 248.43, 0.59%, 0.6%

LAB 46.59, 37.87, -60.33

 

CMYK 57 / 57 / 0 / 16

HEX #5C5CD5

RGB 92 92 213

HSL 240, 0.59%, 0.6%

LAB 45.27, 34.55, -62.53

 

CMYK 34 / 57 / 0 / 16

HEX #8D5CD5

RGB 141 92 213

HSL 264.3, 0.59%, 0.6%

LAB 49.64, 45.02, -55.26

 

CMYK 40 / 67 / 0 / 10

HEX #8A4CE5

RGB 138 76 229

HSL 264.31, 0.75%, 0.6%

LAB 47.27, 56.8, -68.18

 

CMYK 45 / 76 / 0 / 4

HEX #873BF6

RGB 135 59 246

HSL 264.39, 0.91%, 0.6%

LAB 45.54, 68.18, -80.6

 

CMYK 34 / 57 / 0 / 16

HEX #8D5CD5

RGB 141 92 213

HSL 264.3, 0.59%, 0.6%

LAB 49.64, 45.02, -55.26

 

CMYK 27 / 44 / 0 / 23

HEX #906DC4

RGB 144 109 196

HSL 264.14, 0.42%, 0.6%

LAB 52.79, 31.92, -40.52

 

CMYK 18 / 31 / 0 / 29

HEX #947DB4

RGB 148 125 180

HSL 265.09, 0.27%, 0.6%

LAB 56.35, 20, -25.77

 

CMYK 7 / 13 / 0 / 36

HEX #978EA3

RGB 151 142 163

HSL 265.71, 0.1%, 0.6%

LAB 60.4, 7.48, -9.87

 

CMYK 3 / 0 / 7 / 38

HEX #9A9E93

RGB 154 158 147

HSL 81.82, 0.05%, 0.6%

LAB 64.51, -3.51, 5.24

 

CMYK 57 / 49 / 0 / 16

HEX #5C6CD5

RGB 92 108 213

HSL 232.07, 0.59%, 0.6%

LAB 49.26, 24.71, -56.09

 

CMYK 49 / 57 / 0 / 16

HEX #6C5CD5

RGB 108 92 213

HSL 247.93, 0.59%, 0.6%

LAB 46.51, 37.67, -60.47

 

CMYK 34 / 57 / 0 / 16

HEX #8C5CD5

RGB 140 92 213

HSL 263.8, 0.59%, 0.6%

LAB 49.54, 44.78, -55.43

 

CMYK 19 / 57 / 0 / 16

HEX #AD5CD5

RGB 173 92 213

HSL 280.17, 0.59%, 0.6%

LAB 53.32, 52.87, -49.16

 

CMYK 4 / 57 / 0 / 16

HEX #CD5CD5

RGB 205 92 213

HSL 296.03, 0.59%, 0.6%

LAB 57.5, 61.03, -42.28

 

CMYK 44 / 75 / 0 / 31

HEX #632DB1

RGB 99 45 177

HSL 264.55, 0.59%, 0.44%

LAB 33.36, 51.43, -60.88

 

CMYK 42 / 71 / 0 / 20

HEX #773CCC

RGB 119 60 204

HSL 264.58, 0.59%, 0.52%

LAB 40.43, 54.76, -65.1

 

CMYK 34 / 57 / 0 / 16

HEX #8D5CD5

RGB 141 92 213

HSL 264.3, 0.59%, 0.6%

LAB 49.64, 45.02, -55.26

 

CMYK 26 / 43 / 0 / 13

HEX #A47DDD

RGB 164 125 221

HSL 264.38, 0.59%, 0.68%

LAB 59.69, 34.49, -43.65

 

CMYK 19 / 31 / 0 / 10

HEX #BB9EE6

RGB 187 158 230

HSL 264.17, 0.59%, 0.76%

LAB 69.99, 24.76, -32.4

 

CMYK 33 / 56 / 0 / 16

HEX #8E5DD5

RGB 142 93 213

HSL 264.5, 0.59%, 0.6%

LAB 49.96, 44.71, -54.74

 

CMYK 0 / 57 / 34 / 16

HEX #D55C8C

RGB 213 92 140

HSL 336.2, 0.59%, 0.6%

LAB 55.78, 52.37, -2.64

 

CMYK 57 / 0 / 57 / 16

HEX #5CD55C

RGB 92 213 92

HSL 120, 0.59%, 0.6%

LAB 76.46, -57.57, 49.02

 

CMYK 33 / 56 / 0 / 16

HEX #8E5DD5

RGB 142 93 213

HSL 264.5, 0.59%, 0.6%

LAB 49.96, 44.71, -54.74

 

CMYK 0 / 34 / 57 / 16

HEX #D58C5C

RGB 213 140 92

HSL 23.8, 0.59%, 0.6%

LAB 64.7, 22.89, 36.82

 

CMYK 57 / 0 / 34 / 16

HEX #5CD58C

RGB 92 213 140

HSL 143.8, 0.59%, 0.6%

LAB 77.14, -50.23, 26.15

 

CMYK 33 / 56 / 0 / 16

HEX #8E5DD5

RGB 142 93 213

HSL 264.5, 0.59%, 0.6%

LAB 49.96, 44.71, -54.74

 

CMYK 0 / 57 / 34 / 16

HEX #D55C8C

RGB 213 92 140

HSL 336.2, 0.59%, 0.6%

LAB 55.78, 52.37, -2.64

 

CMYK 23 / 0 / 57 / 16

HEX #A5D55C

RGB 165 213 92

HSL 83.8, 0.59%, 0.6%

LAB 79.82, -34.47, 53.78

 

CMYK 57 / 0 / 23 / 16

HEX #5CD5A5

RGB 92 213 165

HSL 156.2, 0.59%, 0.6%

LAB 77.63, -45.18, 13.67

 

CMYK 33 / 56 / 0 / 16

HEX #8E5DD5

RGB 142 93 213

HSL 264.5, 0.59%, 0.6%

LAB 49.96, 44.71, -54.74

 

CMYK 0 / 57 / 51 / 16

HEX #D55C68

RGB 213 92 104

HSL 354.05, 0.59%, 0.6%

LAB 54.87, 48.67, 17.27

 

CMYK 23 / 0 / 57 / 16

HEX #A5D55C

RGB 165 213 92

HSL 83.8, 0.59%, 0.6%

LAB 79.82, -34.47, 53.78

 

CMYK 57 / 0 / 6 / 16

HEX #5CD5C9

RGB 92 213 201

HSL 174.05, 0.59%, 0.6%

LAB 78.51, -36.61, -4.29

 

Description

Color code: HEX #8E5DD5 | qconv.com Color code: HEX #8E5DD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 93 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 93 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 56 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 56% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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