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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E5A23 it is the complementary color #71A5DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E5A23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E5A23 shade: #935A1E, #A46C31, #B57E44, #C69057 and #D7A26A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E5A23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E5A23 shade: #8E5A23, #7D4810, #6C3600, #5B2400 and #4A1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E5A23 shade: #8E5A23, #8E3D23 and #8E2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E5A23 shade: #8E5A23, #8E7723, #898E23, #6C8E23 and #4F8E23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E5A23 shade matches the following richer shades: #8E5A23, #9D5B15 and #AB5B06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E5A23 shade: #8E5A23, #805A32, #715940, #63594F and #55595D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E5A23 shade: #8E2327, #8E3C23, #8E5923, #8E7523 and #8B8E23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E5A23 shade: #4C3013, #6D451B, #8E5A23, #AF6F2B and #CD8437

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E5A23 shade: #8E5A23, #438E23 and #2E238E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E5A23 shade: #8E5A23, #238E59 and #59238E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E5A23 shade: #8E5A23, #438E23, #23598E and #6E238E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E5A23 shade: #8E5A23, #238E23, #23598E and #8E238E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

Complementary color

CMYK 49 / 25 / 0 / 14

HEX #71A5DC

RGB 113 165 220

HSL 210.84, 0.6%, 0.65%

LAB 66.2, -2.26, -33.18

 

CMYK 0 / 39 / 80 / 42

HEX #935A1E

RGB 147 90 30

HSL 30.77, 0.66%, 0.35%

LAB 43.67, 18.45, 42.36

 

CMYK 0 / 34 / 70 / 36

HEX #A46C31

RGB 164 108 49

HSL 30.78, 0.54%, 0.42%

LAB 50.5, 16.72, 41.07

 

CMYK 0 / 30 / 62 / 29

HEX #B57E44

RGB 181 126 68

HSL 30.8, 0.45%, 0.49%

LAB 57.23, 15.28, 39.55

 

CMYK 0 / 27 / 56 / 22

HEX #C69057

RGB 198 144 87

HSL 30.81, 0.49%, 0.56%

LAB 63.87, 14.06, 38.04

 

CMYK 0 / 25 / 51 / 16

HEX #D7A26A

RGB 215 162 106

HSL 30.83, 0.58%, 0.63%

LAB 70.41, 13.02, 36.59

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 0 / 42 / 87 / 51

HEX #7D4810

RGB 125 72 16

HSL 30.83, 0.77%, 0.28%

LAB 36.05, 18.35, 40.13

 

CMYK 0 / 50 / 100 / 58

HEX #6C3600

RGB 108 54 0

HSL 30, 1%, 0.21%

LAB 28.97, 20.65, 39.52

 

CMYK 0 / 60 / 100 / 64

HEX #5B2400

RGB 91 36 0

HSL 23.74, 1%, 0.18%

LAB 21.89, 23.33, 31.85

 

CMYK 0 / 76 / 100 / 71

HEX #4A1200

RGB 74 18 0

HSL 14.59, 1%, 0.15%

LAB 14.89, 25.57, 22.75

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 0 / 57 / 75 / 44

HEX #8E3D23

RGB 142 61 35

HSL 14.58, 0.6%, 0.35%

LAB 36.38, 32.66, 32.17

 

CMYK 0 / 75 / 75 / 44

HEX #8E2323

RGB 142 35 35

HSL 0, 0.6%, 0.35%

LAB 31.98, 44.46, 27.27

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 0 / 16 / 75 / 44

HEX #8E7723

RGB 142 119 35

HSL 47.1, 0.6%, 0.35%

LAB 50.76, -0.35, 46.9

 

CMYK 4 / 0 / 75 / 44

HEX #898E23

RGB 137 142 35

HSL 62.8, 0.6%, 0.35%

LAB 56.87, -15.24, 52.59

 

CMYK 24 / 0 / 75 / 44

HEX #6C8E23

RGB 108 142 35

HSL 79.07, 0.6%, 0.35%

LAB 54.72, -27.81, 49.78

 

CMYK 44 / 0 / 75 / 44

HEX #4F8E23

RGB 79 142 35

HSL 95.33, 0.6%, 0.35%

LAB 53.09, -38.87, 47.63

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 0 / 42 / 87 / 38

HEX #9D5B15

RGB 157 91 21

HSL 30.88, 0.76%, 0.35%

LAB 45.23, 22.05, 47.89

 

CMYK 0 / 47 / 96 / 33

HEX #AB5B06

RGB 171 91 6

HSL 30.91, 0.93%, 0.35%

LAB 47.17, 27.88, 54.4

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 0 / 30 / 61 / 50

HEX #805A32

RGB 128 90 50

HSL 30.77, 0.44%, 0.35%

LAB 41.42, 10.98, 29.01

 

CMYK 0 / 21 / 43 / 56

HEX #715940

RGB 113 89 64

HSL 30.61, 0.28%, 0.35%

LAB 39.62, 6.16, 18.21

 

CMYK 0 / 10 / 20 / 61

HEX #63594F

RGB 99 89 79

HSL 30, 0.11%, 0.35%

LAB 38.48, 2.21, 7.26

 

CMYK 9 / 4 / 0 / 64

HEX #55595D

RGB 85 89 93

HSL 210, 0.04%, 0.35%

LAB 37.6, -0.69, -2.86

 

CMYK 0 / 75 / 73 / 44

HEX #8E2327

RGB 142 35 39

HSL 357.76, 0.6%, 0.35%

LAB 32.03, 44.65, 24.85

 

CMYK 0 / 58 / 75 / 44

HEX #8E3C23

RGB 142 60 35

HSL 14.02, 0.6%, 0.35%

LAB 36.18, 33.18, 31.95

 

CMYK 0 / 37 / 75 / 44

HEX #8E5923

RGB 142 89 35

HSL 30.28, 0.6%, 0.35%

LAB 42.79, 16.99, 38.94

 

CMYK 0 / 18 / 75 / 44

HEX #8E7523

RGB 142 117 35

HSL 45.98, 0.6%, 0.35%

LAB 50.21, 0.79, 46.36

 

CMYK 2 / 0 / 75 / 44

HEX #8B8E23

RGB 139 142 35

HSL 61.68, 0.6%, 0.35%

LAB 57.03, -14.34, 52.8

 

CMYK 0 / 37 / 75 / 70

HEX #4C3013

RGB 76 48 19

HSL 30.53, 0.6%, 0.19%

LAB 22.64, 9.56, 23.25

 

CMYK 0 / 37 / 75 / 57

HEX #6D451B

RGB 109 69 27

HSL 30.73, 0.6%, 0.27%

LAB 33.11, 13.09, 31.49

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 0 / 37 / 75 / 31

HEX #AF6F2B

RGB 175 111 43

HSL 30.91, 0.61%, 0.43%

LAB 52.57, 19.58, 46.52

 

CMYK 0 / 36 / 73 / 20

HEX #CD8437

RGB 205 132 55

HSL 30.8, 0.6%, 0.51%

LAB 61.44, 21.53, 51.32

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 53 / 0 / 75 / 44

HEX #438E23

RGB 67 142 35

HSL 102.06, 0.6%, 0.35%

LAB 52.58, -42.74, 46.95

 

CMYK 68 / 75 / 0 / 44

HEX #2E238E

RGB 46 35 142

HSL 246.17, 0.6%, 0.35%

LAB 22.78, 38.47, -57.16

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 75 / 0 / 37 / 44

HEX #238E59

RGB 35 142 89

HSL 150.28, 0.6%, 0.35%

LAB 52.31, -42.45, 19.93

 

CMYK 37 / 75 / 0 / 44

HEX #59238E

RGB 89 35 142

HSL 270.28, 0.6%, 0.35%

LAB 27.52, 45.31, -49.22

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 53 / 0 / 75 / 44

HEX #438E23

RGB 67 142 35

HSL 102.06, 0.6%, 0.35%

LAB 52.58, -42.74, 46.95

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 23 / 75 / 0 / 44

HEX #6E238E

RGB 110 35 142

HSL 282.06, 0.6%, 0.35%

LAB 30.57, 49.5, -44.13

 

CMYK 0 / 37 / 75 / 44

HEX #8E5A23

RGB 142 90 35

HSL 30.84, 0.6%, 0.35%

LAB 43.04, 16.41, 39.2

 

CMYK 75 / 0 / 75 / 44

HEX #238E23

RGB 35 142 35

HSL 120, 0.6%, 0.35%

LAB 51.64, -50.35, 45.7

 

CMYK 75 / 37 / 0 / 44

HEX #23598E

RGB 35 89 142

HSL 209.72, 0.6%, 0.35%

LAB 36.85, 1.35, -34.43

 

CMYK 0 / 75 / 0 / 44

HEX #8E238E

RGB 142 35 142

HSL 300, 0.6%, 0.35%

LAB 35.8, 56.42, -35.45

 

Description

Color code: HEX #8E5A23 | qconv.com Color code: HEX #8E5A23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 90 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 90 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 75 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 75% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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