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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E53AC it is the complementary color #71AC53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E53AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E53AC shade: #9353A7, #A465BA, #B577CD, #C689E0 and #D79BF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E53AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E53AC shade: #8E53AC, #7D4199, #6C2F86, #5B1D73 and #4A0B60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E53AC shade: #8E52AC, #A652AC, #AC529A, #AC5281 and #AC5269

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E53AC shade: #8E52AC, #7552AC, #5D52AC and #5252AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E53AC shade matches the following richer shades: #8E52AC, #943EC0, #9B29D5, #A214EA and #A800FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E53AC shade: #8E52AC, #876797, #807C82, #79906E and #73A559

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E53AC shade: #5D52AC, #7552AC, #8C52AC, #A452AC and #AC529B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E53AC shade: #603874, #774590, #8E52AC, #A06EB9 and #B28AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E53AC shade: #8E53AC, #AC5260 and #52AC69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E53AC shade: #8E53AC, #AC8C52 and #52AC8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E53AC shade: #8E53AC, #AC5260, #72AC52 and #52AC9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E53AC shade: #8E53AC, #AC6052, #72AC52 and #529EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 52 / 0 / 33

HEX #8E53AC

RGB 142 83 172

HSL 279.78, 0.35%, 0.5%

LAB 45.52, 40.4, -38.08

 

Complementary color

CMYK 34 / 0 / 52 / 33

HEX #71AC53

RGB 113 172 83

HSL 99.78, 0.35%, 0.5%

LAB 64.68, -35.61, 39.47

 

CMYK 12 / 50 / 0 / 35

HEX #9353A7

RGB 147 83 167

HSL 285.71, 0.34%, 0.49%

LAB 45.88, 40.74, -34.52

 

CMYK 12 / 46 / 0 / 27

HEX #A465BA

RGB 164 101 186

HSL 284.47, 0.38%, 0.56%

LAB 52.67, 39.95, -34.81

 

CMYK 12 / 42 / 0 / 20

HEX #B577CD

RGB 181 119 205

HSL 283.26, 0.46%, 0.64%

LAB 59.37, 39.15, -35.04

 

CMYK 12 / 39 / 0 / 12

HEX #C689E0

RGB 198 137 224

HSL 282.07, 0.58%, 0.71%

LAB 65.97, 38.38, -35.25

 

CMYK 12 / 36 / 0 / 5

HEX #D79BF3

RGB 215 155 243

HSL 280.91, 0.79%, 0.78%

LAB 72.47, 37.64, -35.45

 

CMYK 17 / 52 / 0 / 33

HEX #8E53AC

RGB 142 83 172

HSL 279.78, 0.35%, 0.5%

LAB 45.52, 40.4, -38.08

 

CMYK 18 / 58 / 0 / 40

HEX #7D4199

RGB 125 65 153

HSL 280.91, 0.4%, 0.43%

LAB 38.62, 41.2, -37.83

 

CMYK 19 / 65 / 0 / 47

HEX #6C2F86

RGB 108 47 134

HSL 282.07, 0.48%, 0.35%

LAB 31.68, 41.83, -37.41

 

CMYK 21 / 75 / 0 / 55

HEX #5B1D73

RGB 91 29 115

HSL 283.26, 0.6%, 0.28%

LAB 24.77, 42.01, -36.65

 

CMYK 23 / 89 / 0 / 62

HEX #4A0B60

RGB 74 11 96

HSL 284.47, 0.79%, 0.21%

LAB 18.1, 41.06, -35.17

 

CMYK 17 / 52 / 0 / 33

HEX #8E52AC

RGB 142 82 172

HSL 280, 0.35%, 0.5%

LAB 45.31, 40.95, -38.41

 

CMYK 3 / 52 / 0 / 33

HEX #A652AC

RGB 166 82 172

HSL 296, 0.35%, 0.5%

LAB 48.41, 47.73, -33.32

 

CMYK 0 / 52 / 10 / 33

HEX #AC529A

RGB 172 82 154

HSL 312, 0.35%, 0.5%

LAB 48.43, 46.27, -22.59

 

CMYK 0 / 52 / 25 / 33

HEX #AC5281

RGB 172 82 129

HSL 328.67, 0.35%, 0.5%

LAB 47.48, 42.37, -9.08

 

CMYK 0 / 52 / 39 / 33

HEX #AC5269

RGB 172 82 105

HSL 344.67, 0.35%, 0.5%

LAB 46.74, 39.22, 4.36

 

CMYK 17 / 52 / 0 / 33

HEX #8E52AC

RGB 142 82 172

HSL 280, 0.35%, 0.5%

LAB 45.31, 40.95, -38.41

 

CMYK 32 / 52 / 0 / 33

HEX #7552AC

RGB 117 82 172

HSL 263.33, 0.35%, 0.5%

LAB 42.45, 34.11, -43.13

 

CMYK 46 / 52 / 0 / 33

HEX #5D52AC

RGB 93 82 172

HSL 247.33, 0.35%, 0.5%

LAB 40.15, 28.05, -46.94

 

CMYK 52 / 52 / 0 / 33

HEX #5252AC

RGB 82 82 172

HSL 240, 0.35%, 0.5%

LAB 39.25, 25.54, -48.43

 

CMYK 17 / 52 / 0 / 33

HEX #8E52AC

RGB 142 82 172

HSL 280, 0.35%, 0.5%

LAB 45.31, 40.95, -38.41

 

CMYK 23 / 68 / 0 / 25

HEX #943EC0

RGB 148 62 192

HSL 279.69, 0.51%, 0.5%

LAB 43.58, 56.8, -52.86

 

CMYK 27 / 81 / 0 / 16

HEX #9B29D5

RGB 155 41 213

HSL 279.77, 0.68%, 0.5%

LAB 43.3, 70.31, -65.42

 

CMYK 31 / 91 / 0 / 8

HEX #A214EA

RGB 162 20 234

HSL 279.81, 0.84%, 0.5%

LAB 44.41, 80.06, -75.55

 

CMYK 34 / 100 / 0 / 0

HEX #A800FE

RGB 168 0 254

HSL 279.69, 1%, 0.5%

LAB 46.29, 86.6, -83.69

 

CMYK 17 / 52 / 0 / 33

HEX #8E52AC

RGB 142 82 172

HSL 280, 0.35%, 0.5%

LAB 45.31, 40.95, -38.41

 

CMYK 11 / 32 / 0 / 41

HEX #876797

RGB 135 103 151

HSL 280, 0.19%, 0.5%

LAB 48.37, 22.05, -21.3

 

CMYK 2 / 5 / 0 / 49

HEX #807C82

RGB 128 124 130

HSL 280, 0.02%, 0.5%

LAB 52.53, 2.71, -2.73

 

CMYK 16 / 0 / 24 / 44

HEX #79906E

RGB 121 144 110

HSL 100.59, 0.13%, 0.5%

LAB 57.21, -14.86, 15.42

 

CMYK 30 / 0 / 46 / 35

HEX #73A559

RGB 115 165 89

HSL 99.47, 0.3%, 0.5%

LAB 62.74, -30.88, 34.07

 

CMYK 46 / 52 / 0 / 33

HEX #5D52AC

RGB 93 82 172

HSL 247.33, 0.35%, 0.5%

LAB 40.15, 28.05, -46.94

 

CMYK 32 / 52 / 0 / 33

HEX #7552AC

RGB 117 82 172

HSL 263.33, 0.35%, 0.5%

LAB 42.45, 34.11, -43.13

 

CMYK 19 / 52 / 0 / 33

HEX #8C52AC

RGB 140 82 172

HSL 278.67, 0.35%, 0.5%

LAB 45.07, 40.39, -38.81

 

CMYK 5 / 52 / 0 / 33

HEX #A452AC

RGB 164 82 172

HSL 294.67, 0.35%, 0.5%

LAB 48.14, 47.16, -33.76

 

CMYK 0 / 52 / 10 / 33

HEX #AC529B

RGB 172 82 155

HSL 311.33, 0.35%, 0.5%

LAB 48.48, 46.44, -23.12

 

CMYK 17 / 52 / 0 / 55

HEX #603874

RGB 96 56 116

HSL 280, 0.35%, 0.34%

LAB 30.82, 29.33, -27.59

 

CMYK 17 / 52 / 0 / 44

HEX #774590

RGB 119 69 144

HSL 280, 0.35%, 0.42%

LAB 38.18, 35.26, -33.11

 

CMYK 17 / 52 / 0 / 33

HEX #8E52AC

RGB 142 82 172

HSL 280, 0.35%, 0.5%

LAB 45.31, 40.95, -38.41

 

CMYK 14 / 41 / 0 / 27

HEX #A06EB9

RGB 160 110 185

HSL 280, 0.35%, 0.58%

LAB 54.16, 33.52, -31.93

 

CMYK 10 / 30 / 0 / 22

HEX #B28AC6

RGB 178 138 198

HSL 280, 0.34%, 0.66%

LAB 63.11, 26.19, -25.32

 

CMYK 17 / 52 / 0 / 33

HEX #8E53AC

RGB 142 83 172

HSL 279.78, 0.35%, 0.5%

LAB 45.52, 40.4, -38.08

 

CMYK 0 / 52 / 44 / 33

HEX #AC5260

RGB 172 82 96

HSL 350.67, 0.35%, 0.5%

LAB 46.51, 38.21, 9.5

 

CMYK 52 / 0 / 39 / 33

HEX #52AC69

RGB 82 172 105

HSL 135.33, 0.35%, 0.5%

LAB 63.61, -41.91, 26.46

 

CMYK 17 / 52 / 0 / 33

HEX #8E53AC

RGB 142 83 172

HSL 279.78, 0.35%, 0.5%

LAB 45.52, 40.4, -38.08

 

CMYK 0 / 19 / 52 / 33

HEX #AC8C52

RGB 172 140 82

HSL 38.67, 0.35%, 0.5%

LAB 60.01, 4.72, 35.32

 

CMYK 52 / 0 / 19 / 33

HEX #52AC8C

RGB 82 172 140

HSL 158.67, 0.35%, 0.5%

LAB 64.32, -34.77, 8.32

 

CMYK 17 / 52 / 0 / 33

HEX #8E53AC

RGB 142 83 172

HSL 279.78, 0.35%, 0.5%

LAB 45.52, 40.4, -38.08

 

CMYK 0 / 52 / 44 / 33

HEX #AC5260

RGB 172 82 96

HSL 350.67, 0.35%, 0.5%

LAB 46.51, 38.21, 9.5

 

CMYK 34 / 0 / 52 / 33

HEX #72AC52

RGB 114 172 82

HSL 98.67, 0.35%, 0.5%

LAB 64.72, -35.37, 40.03

 

CMYK 52 / 0 / 8 / 33

HEX #52AC9E

RGB 82 172 158

HSL 170.67, 0.35%, 0.5%

LAB 64.78, -30.39, -1.02

 

CMYK 17 / 52 / 0 / 33

HEX #8E53AC

RGB 142 83 172

HSL 279.78, 0.35%, 0.5%

LAB 45.52, 40.4, -38.08

 

CMYK 0 / 44 / 52 / 33

HEX #AC6052

RGB 172 96 82

HSL 9.33, 0.35%, 0.5%

LAB 49.19, 29.33, 21.53

 

CMYK 34 / 0 / 52 / 33

HEX #72AC52

RGB 114 172 82

HSL 98.67, 0.35%, 0.5%

LAB 64.72, -35.37, 40.03

 

CMYK 52 / 8 / 0 / 33

HEX #529EAC

RGB 82 158 172

HSL 189.33, 0.35%, 0.5%

LAB 60.98, -19.55, -14.52

 

Description

Color code: HEX #8E53AC | qconv.com Color code: HEX #8E53AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 83 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 83 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 52 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 52% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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