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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E55C1 it is the complementary color #71AA3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E55C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E55C1 shade: #9355BC, #A467CF, #B579E2, #C68BF5 and #D79DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E55C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E55C1 shade: #8E55C1, #7D43AE, #6C319B, #5B1F88 and #4A0D75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E55C1 shade: #8F56C2, #AC56C2, #C256BA, #C2569D and #C25680

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E55C1 shade: #8F56C2, #7256C2 and #5656C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E55C1 shade matches the following richer shades: #8F56C2, #9043D4, #9131E7 and #921EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E55C1 shade: #8F56C2, #8E68AF, #8D7B9D, #8C8E8A and #8BA077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E55C1 shade: #5658C2, #7156C2, #8E56C2, #AA56C2 and #C256BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E55C1 shade: #653491, #7A3FAF, #8F56C2, #A374CD and #B792D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E55C1 shade: #8E55C1, #C25674 and #56C262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E55C1 shade: #8E55C1, #C28E56 and #56C28E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E55C1 shade: #8E55C1, #C25674, #8AC256 and #56C2A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E55C1 shade: #8E55C1, #C25856, #8AC256 and #56C0C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 56 / 0 / 24

HEX #8E55C1

RGB 142 85 193

HSL 271.67, 0.47%, 0.55%

LAB 47.1, 44.16, -47.83

 

Complementary color

CMYK 34 / 0 / 64 / 33

HEX #71AA3E

RGB 113 170 62

HSL 91.67, 0.47%, 0.45%

LAB 63.84, -36.9, 48.37

 

CMYK 22 / 55 / 0 / 26

HEX #9355BC

RGB 147 85 188

HSL 276.12, 0.43%, 0.54%

LAB 47.41, 44.29, -44.41

 

CMYK 21 / 50 / 0 / 19

HEX #A467CF

RGB 164 103 207

HSL 275.19, 0.52%, 0.61%

LAB 54.13, 43.44, -44.53

 

CMYK 20 / 46 / 0 / 11

HEX #B579E2

RGB 181 121 226

HSL 274.29, 0.64%, 0.68%

LAB 60.77, 42.59, -44.62

 

CMYK 19 / 43 / 0 / 4

HEX #C68BF5

RGB 198 139 245

HSL 273.4, 0.84%, 0.75%

LAB 67.32, 41.77, -44.7

 

CMYK 16 / 38 / 0 / 0

HEX #D79DFF

RGB 215 157 255

HSL 275.51, 1%, 0.81%

LAB 73.4, 39.06, -40.51

 

CMYK 26 / 56 / 0 / 24

HEX #8E55C1

RGB 142 85 193

HSL 271.67, 0.47%, 0.55%

LAB 47.1, 44.16, -47.83

 

CMYK 28 / 61 / 0 / 32

HEX #7D43AE

RGB 125 67 174

HSL 272.52, 0.44%, 0.47%

LAB 40.3, 45.03, -47.71

 

CMYK 30 / 68 / 0 / 39

HEX #6C319B

RGB 108 49 155

HSL 273.4, 0.52%, 0.4%

LAB 33.46, 45.74, -47.43

 

CMYK 33 / 77 / 0 / 47

HEX #5B1F88

RGB 91 31 136

HSL 274.29, 0.63%, 0.33%

LAB 26.68, 46, -46.83

 

CMYK 37 / 89 / 0 / 54

HEX #4A0D75

RGB 74 13 117

HSL 275.19, 0.8%, 0.25%

LAB 20.16, 45.2, -45.54

 

CMYK 26 / 56 / 0 / 24

HEX #8F56C2

RGB 143 86 194

HSL 271.67, 0.47%, 0.55%

LAB 47.48, 44.11, -47.79

 

CMYK 11 / 56 / 0 / 24

HEX #AC56C2

RGB 172 86 194

HSL 287.78, 0.47%, 0.55%

LAB 51.06, 51.67, -41.88

 

CMYK 0 / 56 / 4 / 24

HEX #C256BA

RGB 194 86 186

HSL 304.44, 0.47%, 0.55%

LAB 53.68, 56.13, -32.95

 

CMYK 0 / 56 / 19 / 24

HEX #C2569D

RGB 194 86 157

HSL 320.56, 0.47%, 0.55%

LAB 52.46, 51.5, -17.91

 

CMYK 0 / 56 / 34 / 24

HEX #C25680

RGB 194 86 128

HSL 336.67, 0.47%, 0.55%

LAB 51.48, 47.57, -2.19

 

CMYK 26 / 56 / 0 / 24

HEX #8F56C2

RGB 143 86 194

HSL 271.67, 0.47%, 0.55%

LAB 47.48, 44.11, -47.79

 

CMYK 41 / 56 / 0 / 24

HEX #7256C2

RGB 114 86 194

HSL 255.56, 0.47%, 0.55%

LAB 44.42, 37.01, -52.88

 

CMYK 56 / 56 / 0 / 24

HEX #5656C2

RGB 86 86 194

HSL 240, 0.47%, 0.55%

LAB 42.04, 30.98, -56.82

 

CMYK 26 / 56 / 0 / 24

HEX #8F56C2

RGB 143 86 194

HSL 271.67, 0.47%, 0.55%

LAB 47.48, 44.11, -47.79

 

CMYK 32 / 68 / 0 / 17

HEX #9043D4

RGB 144 67 212

HSL 271.86, 0.63%, 0.55%

LAB 45.22, 58.16, -61.8

 

CMYK 37 / 79 / 0 / 9

HEX #9131E7

RGB 145 49 231

HSL 271.65, 0.79%, 0.55%

LAB 44.21, 69.95, -74.27

 

CMYK 41 / 88 / 0 / 2

HEX #921EF9

RGB 146 30 249

HSL 271.78, 0.95%, 0.55%

LAB 44.06, 79.34, -84.67

 

CMYK 26 / 56 / 0 / 24

HEX #8F56C2

RGB 143 86 194

HSL 271.67, 0.47%, 0.55%

LAB 47.48, 44.11, -47.79

 

CMYK 19 / 41 / 0 / 31

HEX #8E68AF

RGB 142 104 175

HSL 272.11, 0.31%, 0.55%

LAB 50.39, 29.18, -32.18

 

CMYK 10 / 22 / 0 / 38

HEX #8D7B9D

RGB 141 123 157

HSL 271.76, 0.15%, 0.55%

LAB 54.3, 13.66, -15.69

 

CMYK 1 / 0 / 3 / 44

HEX #8C8E8A

RGB 140 142 138

HSL 90, 0.02%, 0.55%

LAB 58.75, -1.51, 1.86

 

CMYK 13 / 0 / 26 / 37

HEX #8BA077

RGB 139 160 119

HSL 90.73, 0.18%, 0.55%

LAB 63.31, -15.02, 18.99

 

CMYK 56 / 55 / 0 / 24

HEX #5658C2

RGB 86 88 194

HSL 238.89, 0.47%, 0.55%

LAB 42.54, 29.74, -56.02

 

CMYK 42 / 56 / 0 / 24

HEX #7156C2

RGB 113 86 194

HSL 255, 0.47%, 0.55%

LAB 44.32, 36.77, -53.03

 

CMYK 27 / 56 / 0 / 24

HEX #8E56C2

RGB 142 86 194

HSL 271.11, 0.47%, 0.55%

LAB 47.37, 43.86, -47.98

 

CMYK 12 / 56 / 0 / 24

HEX #AA56C2

RGB 170 86 194

HSL 286.67, 0.47%, 0.55%

LAB 50.8, 51.15, -42.31

 

CMYK 0 / 56 / 3 / 24

HEX #C256BC

RGB 194 86 188

HSL 303.33, 0.47%, 0.55%

LAB 53.77, 56.47, -33.96

 

CMYK 30 / 64 / 0 / 43

HEX #653491

RGB 101 52 145

HSL 271.61, 0.47%, 0.39%

LAB 32.41, 40.11, -43.07

 

CMYK 30 / 64 / 0 / 31

HEX #7A3FAF

RGB 122 63 175

HSL 271.61, 0.47%, 0.47%

LAB 39.22, 46.65, -50.05

 

CMYK 26 / 56 / 0 / 24

HEX #8F56C2

RGB 143 86 194

HSL 271.67, 0.47%, 0.55%

LAB 47.48, 44.11, -47.79

 

CMYK 20 / 43 / 0 / 20

HEX #A374CD

RGB 163 116 205

HSL 271.69, 0.47%, 0.63%

LAB 56.77, 35.52, -39.25

 

CMYK 15 / 32 / 0 / 15

HEX #B792D8

RGB 183 146 216

HSL 271.71, 0.47%, 0.71%

LAB 66.2, 27.14, -30.57

 

CMYK 26 / 56 / 0 / 24

HEX #8E55C1

RGB 142 85 193

HSL 271.67, 0.47%, 0.55%

LAB 47.1, 44.16, -47.83

 

CMYK 0 / 56 / 40 / 24

HEX #C25674

RGB 194 86 116

HSL 343.33, 0.47%, 0.55%

LAB 51.14, 46.17, 4.48

 

CMYK 56 / 0 / 49 / 24

HEX #56C262

RGB 86 194 98

HSL 126.67, 0.47%, 0.55%

LAB 70.49, -51, 38.9

 

CMYK 26 / 56 / 0 / 24

HEX #8E55C1

RGB 142 85 193

HSL 271.67, 0.47%, 0.55%

LAB 47.1, 44.16, -47.83

 

CMYK 0 / 27 / 56 / 24

HEX #C28E56

RGB 194 142 86

HSL 31.11, 0.47%, 0.55%

LAB 62.92, 13.38, 37.3

 

CMYK 56 / 0 / 27 / 24

HEX #56C28E

RGB 86 194 142

HSL 151.11, 0.47%, 0.55%

LAB 71.22, -43.23, 16.97

 

CMYK 26 / 56 / 0 / 24

HEX #8E55C1

RGB 142 85 193

HSL 271.67, 0.47%, 0.55%

LAB 47.1, 44.16, -47.83

 

CMYK 0 / 56 / 40 / 24

HEX #C25674

RGB 194 86 116

HSL 343.33, 0.47%, 0.55%

LAB 51.14, 46.17, 4.48

 

CMYK 29 / 0 / 56 / 24

HEX #8AC256

RGB 138 194 86

HSL 91.11, 0.47%, 0.55%

LAB 72.67, -36.34, 47.85

 

CMYK 56 / 0 / 16 / 24

HEX #56C2A3

RGB 86 194 163

HSL 162.78, 0.47%, 0.55%

LAB 71.69, -38.55, 6.28

 

CMYK 26 / 56 / 0 / 24

HEX #8E55C1

RGB 142 85 193

HSL 271.67, 0.47%, 0.55%

LAB 47.1, 44.16, -47.83

 

CMYK 0 / 55 / 56 / 24

HEX #C25856

RGB 194 88 86

HSL 1.11, 0.47%, 0.55%

LAB 50.83, 42.32, 21.93

 

CMYK 29 / 0 / 56 / 24

HEX #8AC256

RGB 138 194 86

HSL 91.11, 0.47%, 0.55%

LAB 72.67, -36.34, 47.85

 

CMYK 56 / 1 / 0 / 24

HEX #56C0C2

RGB 86 192 194

HSL 181.11, 0.47%, 0.55%

LAB 71.94, -29.69, -10.26

 

Description

Color code: HEX #8E55C1 | qconv.com Color code: HEX #8E55C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 85 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 85 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 56 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 56% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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