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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E4D48 it is the complementary color #71B2B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E4D48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E4D48 shade: #934D43, #A45F56, #B57169, #C6837C and #D7958F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E4D48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E4D48 shade: #8E4D48, #7D3B35, #6C2922, #5B170F and #4A0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E4D48 shade: #8E4C47 and #8E4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E4D48 shade: #8E4C47, #8E5F47, #8E7247, #8E8547 and #838E47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E4D48 shade matches the following richer shades: #8E4C47, #9F3D36, #B12F25, #C22013 and #D31102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E4D48 shade: #8E4C47, #7D5B59, #6B6A6A, #5A797B and #49888D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E4D48 shade: #8E4768, #8E4755, #8E4C47, #8E5F47 and #8E7247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E4D48 shade: #572F2C, #733E39, #8E4C47, #A95B55 and #B77671

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E4D48 shade: #8E4D48, #7B8E47 and #475F8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E4D48 shade: #8E4D48, #478E4C and #4C478E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E4D48 shade: #8E4D48, #7B8E47, #47898E and #5A478E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E4D48 shade: #8E4D48, #668E47, #47898E and #6F478E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 49 / 44

HEX #8E4D48

RGB 142 77 72

HSL 4.29, 0.33%, 0.42%

LAB 40.45, 26.74, 15.11

 

Complementary color

CMYK 38 / 3 / 0 / 28

HEX #71B2B7

RGB 113 178 183

HSL 184.29, 0.33%, 0.58%

LAB 68.58, -19.39, -9.11

 

CMYK 0 / 48 / 54 / 42

HEX #934D43

RGB 147 77 67

HSL 7.5, 0.37%, 0.42%

LAB 41.08, 28.29, 19.14

 

CMYK 0 / 42 / 48 / 36

HEX #A45F56

RGB 164 95 86

HSL 6.92, 0.31%, 0.49%

LAB 47.94, 27.05, 17.31

 

CMYK 0 / 38 / 42 / 29

HEX #B57169

RGB 181 113 105

HSL 6.32, 0.34%, 0.56%

LAB 54.71, 25.94, 15.75

 

CMYK 0 / 34 / 37 / 22

HEX #C6837C

RGB 198 131 124

HSL 5.68, 0.39%, 0.63%

LAB 61.39, 24.96, 14.4

 

CMYK 0 / 31 / 33 / 16

HEX #D7958F

RGB 215 149 143

HSL 5, 0.47%, 0.7%

LAB 67.97, 24.08, 13.19

 

CMYK 0 / 46 / 49 / 44

HEX #8E4D48

RGB 142 77 72

HSL 4.29, 0.33%, 0.42%

LAB 40.45, 26.74, 15.11

 

CMYK 0 / 53 / 58 / 51

HEX #7D3B35

RGB 125 59 53

HSL 5, 0.4%, 0.35%

LAB 33.45, 28.03, 17.14

 

CMYK 0 / 62 / 69 / 58

HEX #6C2922

RGB 108 41 34

HSL 5.68, 0.52%, 0.28%

LAB 26.42, 29.37, 19.72

 

CMYK 0 / 75 / 84 / 64

HEX #5B170F

RGB 91 23 15

HSL 6.32, 0.72%, 0.21%

LAB 19.52, 30.5, 22.81

 

CMYK 0 / 93 / 100 / 71

HEX #4A0500

RGB 74 5 0

HSL 4.05, 1%, 0.15%

LAB 13.01, 30.8, 20.28

 

CMYK 0 / 46 / 50 / 44

HEX #8E4C47

RGB 142 76 71

HSL 4.23, 0.33%, 0.42%

LAB 40.2, 27.2, 15.39

 

CMYK 0 / 50 / 50 / 44

HEX #8E4747

RGB 142 71 71

HSL 0, 0.33%, 0.42%

LAB 39.09, 29.98, 13.88

 

CMYK 0 / 46 / 50 / 44

HEX #8E4C47

RGB 142 76 71

HSL 4.23, 0.33%, 0.42%

LAB 40.2, 27.2, 15.39

 

CMYK 0 / 33 / 50 / 44

HEX #8E5F47

RGB 142 95 71

HSL 20.28, 0.33%, 0.42%

LAB 44.79, 16.26, 21.48

 

CMYK 0 / 20 / 50 / 44

HEX #8E7247

RGB 142 114 71

HSL 36.34, 0.33%, 0.42%

LAB 49.79, 5.21, 27.89

 

CMYK 0 / 6 / 50 / 44

HEX #8E8547

RGB 142 133 71

HSL 52.39, 0.33%, 0.42%

LAB 55.05, -5.53, 34.4

 

CMYK 8 / 0 / 50 / 44

HEX #838E47

RGB 131 142 71

HSL 69.3, 0.33%, 0.42%

LAB 56.71, -15.17, 36.19

 

CMYK 0 / 46 / 50 / 44

HEX #8E4C47

RGB 142 76 71

HSL 4.23, 0.33%, 0.42%

LAB 40.2, 27.2, 15.39

 

CMYK 0 / 62 / 66 / 38

HEX #9F3D36

RGB 159 61 54

HSL 4, 0.49%, 0.42%

LAB 39.54, 40.28, 25.44

 

CMYK 0 / 73 / 79 / 31

HEX #B12F25

RGB 177 47 37

HSL 4.29, 0.65%, 0.42%

LAB 40.43, 51.56, 37.26

 

CMYK 0 / 84 / 90 / 24

HEX #C22013

RGB 194 32 19

HSL 4.46, 0.82%, 0.42%

LAB 42.08, 60.72, 48.88

 

CMYK 0 / 92 / 99 / 17

HEX #D31102

RGB 211 17 2

HSL 4.31, 0.98%, 0.42%

LAB 44.6, 67.8, 57.82

 

CMYK 0 / 46 / 50 / 44

HEX #8E4C47

RGB 142 76 71

HSL 4.23, 0.33%, 0.42%

LAB 40.2, 27.2, 15.39

 

CMYK 0 / 27 / 29 / 51

HEX #7D5B59

RGB 125 91 89

HSL 3.33, 0.17%, 0.42%

LAB 42.1, 13.65, 6.63

 

CMYK 0 / 1 / 1 / 58

HEX #6B6A6A

RGB 107 106 106

HSL 0, 0%, 0.42%

LAB 44.91, 0.39, 0.13

 

CMYK 27 / 2 / 0 / 52

HEX #5A797B

RGB 90 121 123

HSL 183.64, 0.15%, 0.42%

LAB 48.61, -10.53, -4.71

 

CMYK 48 / 4 / 0 / 45

HEX #49888D

RGB 73 136 141

HSL 184.41, 0.32%, 0.42%

LAB 52.89, -18.82, -8.98

 

CMYK 0 / 50 / 27 / 44

HEX #8E4768

RGB 142 71 104

HSL 332.11, 0.33%, 0.42%

LAB 40.01, 34.12, -5.4

 

CMYK 0 / 50 / 40 / 44

HEX #8E4755

RGB 142 71 85

HSL 348.17, 0.33%, 0.42%

LAB 39.43, 31.55, 5.62

 

CMYK 0 / 46 / 50 / 44

HEX #8E4C47

RGB 142 76 71

HSL 4.23, 0.33%, 0.42%

LAB 40.2, 27.2, 15.39

 

CMYK 0 / 33 / 50 / 44

HEX #8E5F47

RGB 142 95 71

HSL 20.28, 0.33%, 0.42%

LAB 44.79, 16.26, 21.48

 

CMYK 0 / 20 / 50 / 44

HEX #8E7247

RGB 142 114 71

HSL 36.34, 0.33%, 0.42%

LAB 49.79, 5.21, 27.89

 

CMYK 0 / 46 / 49 / 66

HEX #572F2C

RGB 87 47 44

HSL 4.19, 0.33%, 0.26%

LAB 24.45, 17.87, 9.9

 

CMYK 0 / 46 / 50 / 55

HEX #733E39

RGB 115 62 57

HSL 5.17, 0.34%, 0.34%

LAB 32.67, 22.52, 13.29

 

CMYK 0 / 46 / 50 / 44

HEX #8E4C47

RGB 142 76 71

HSL 4.23, 0.33%, 0.42%

LAB 40.2, 27.2, 15.39

 

CMYK 0 / 46 / 50 / 34

HEX #A95B55

RGB 169 91 85

HSL 4.29, 0.33%, 0.5%

LAB 47.72, 31.15, 17.72

 

CMYK 0 / 36 / 38 / 28

HEX #B77671

RGB 183 118 113

HSL 4.29, 0.33%, 0.58%

LAB 56.3, 24.9, 13.35

 

CMYK 0 / 46 / 49 / 44

HEX #8E4D48

RGB 142 77 72

HSL 4.29, 0.33%, 0.42%

LAB 40.45, 26.74, 15.11

 

CMYK 13 / 0 / 50 / 44

HEX #7B8E47

RGB 123 142 71

HSL 76.06, 0.33%, 0.42%

LAB 56.1, -18.53, 35.31

 

CMYK 50 / 33 / 0 / 44

HEX #475F8E

RGB 71 95 142

HSL 219.72, 0.33%, 0.42%

LAB 40.37, 4.84, -28.76

 

CMYK 0 / 46 / 49 / 44

HEX #8E4D48

RGB 142 77 72

HSL 4.29, 0.33%, 0.42%

LAB 40.45, 26.74, 15.11

 

CMYK 50 / 0 / 46 / 44

HEX #478E4C

RGB 71 142 76

HSL 124.23, 0.33%, 0.42%

LAB 53.18, -36.81, 28.39

 

CMYK 46 / 50 / 0 / 44

HEX #4C478E

RGB 76 71 142

HSL 244.23, 0.33%, 0.42%

LAB 33.97, 21.55, -38.87

 

CMYK 0 / 46 / 49 / 44

HEX #8E4D48

RGB 142 77 72

HSL 4.29, 0.33%, 0.42%

LAB 40.45, 26.74, 15.11

 

CMYK 13 / 0 / 50 / 44

HEX #7B8E47

RGB 123 142 71

HSL 76.06, 0.33%, 0.42%

LAB 56.1, -18.53, 35.31

 

CMYK 50 / 4 / 0 / 44

HEX #47898E

RGB 71 137 142

HSL 184.23, 0.33%, 0.42%

LAB 53.15, -19.55, -9.18

 

CMYK 37 / 50 / 0 / 44

HEX #5A478E

RGB 90 71 142

HSL 256.06, 0.33%, 0.42%

LAB 35.27, 25.25, -36.73

 

CMYK 0 / 46 / 49 / 44

HEX #8E4D48

RGB 142 77 72

HSL 4.29, 0.33%, 0.42%

LAB 40.45, 26.74, 15.11

 

CMYK 28 / 0 / 50 / 44

HEX #668E47

RGB 102 142 71

HSL 93.8, 0.33%, 0.42%

LAB 54.68, -26.94, 33.26

 

CMYK 50 / 4 / 0 / 44

HEX #47898E

RGB 71 137 142

HSL 184.23, 0.33%, 0.42%

LAB 53.15, -19.55, -9.18

 

CMYK 22 / 50 / 0 / 44

HEX #6F478E

RGB 111 71 142

HSL 273.8, 0.33%, 0.42%

LAB 37.55, 31.28, -32.96

 

Description

Color code: HEX #8E4D48 | qconv.com Color code: HEX #8E4D48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 77 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 77 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 49 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 49% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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