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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E1FB2 it is the complementary color #71E04D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E1FB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E1FB2 shade: #931FAD, #A431C0, #B543D3, #C655E6 and #D767F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E1FB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E1FB2 shade: #8E1FB2, #7D0D9F, #6C008C, #5B0079 and #4A0066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E1FB2 shade: #8D1FB1, #B11FAE, #B11F86, #B11F5F and #B11F37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E1FB2 shade: #8D1FB1, #661FB1, #3E1FB1 and #1F1FB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E1FB2 shade matches the following richer shades: #8D1FB1 and #960EC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E1FB2 shade: #8D1FB1, #8530A0, #7C418F, #74527E and #6B636E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E1FB2 shade: #3F1FB1, #661FB1, #8D1FB1, #B11FAF and #B11F88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E1FB2 shade: #55126B, #71198E, #8D1FB1, #A925D4 and #B845DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E1FB2 shade: #8E1FB2, #B11F26 and #1FB152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E1FB2 shade: #8E1FB2, #B18D1F and #1FB18D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E1FB2 shade: #8E1FB2, #B11F26, #43B11F and #1FB1AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E1FB2 shade: #8E1FB2, #B1431F, #43B11F and #1F8DB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 83 / 0 / 30

HEX #8E1FB2

RGB 142 31 178

HSL 285.31, 0.7%, 0.41%

LAB 37.74, 64.15, -54.08

 

Complementary color

CMYK 50 / 0 / 66 / 12

HEX #71E04D

RGB 113 224 77

HSL 105.31, 0.7%, 0.59%

LAB 80.38, -57.72, 60.07

 

CMYK 15 / 82 / 0 / 32

HEX #931FAD

RGB 147 31 173

HSL 289.01, 0.7%, 0.4%

LAB 38.2, 64.1, -50.32

 

CMYK 15 / 74 / 0 / 25

HEX #A431C0

RGB 164 49 192

HSL 288.25, 0.59%, 0.47%

LAB 44.08, 65.28, -51.92

 

CMYK 14 / 68 / 0 / 17

HEX #B543D3

RGB 181 67 211

HSL 287.5, 0.62%, 0.55%

LAB 50.15, 65.67, -53.03

 

CMYK 14 / 63 / 0 / 10

HEX #C655E6

RGB 198 85 230

HSL 286.76, 0.74%, 0.62%

LAB 56.3, 65.59, -53.82

 

CMYK 14 / 59 / 0 / 2

HEX #D767F9

RGB 215 103 249

HSL 286.03, 0.92%, 0.69%

LAB 62.5, 65.21, -54.4

 

CMYK 20 / 83 / 0 / 30

HEX #8E1FB2

RGB 142 31 178

HSL 285.31, 0.7%, 0.41%

LAB 37.74, 64.15, -54.08

 

CMYK 21 / 92 / 0 / 38

HEX #7D0D9F

RGB 125 13 159

HSL 286.03, 0.85%, 0.34%

LAB 32.15, 61.82, -51.87

 

CMYK 23 / 100 / 0 / 45

HEX #6C008C

RGB 108 0 140

HSL 286.29, 1%, 0.27%

LAB 26.97, 57.86, -48.74

 

CMYK 25 / 100 / 0 / 53

HEX #5B0079

RGB 91 0 121

HSL 285.12, 1%, 0.24%

LAB 22.32, 51.79, -44.46

 

CMYK 27 / 100 / 0 / 60

HEX #4A0066

RGB 74 0 102

HSL 283.53, 1%, 0.2%

LAB 17.53, 45.56, -40.06

 

CMYK 20 / 82 / 0 / 31

HEX #8D1FB1

RGB 141 31 177

HSL 285.21, 0.7%, 0.41%

LAB 37.51, 63.79, -53.86

 

CMYK 0 / 82 / 2 / 31

HEX #B11FAE

RGB 177 31 174

HSL 301.23, 0.7%, 0.41%

LAB 43.33, 69.91, -42.41

 

CMYK 0 / 82 / 24 / 31

HEX #B11F86

RGB 177 31 134

HSL 317.67, 0.7%, 0.41%

LAB 41.29, 64.28, -21.48

 

CMYK 0 / 82 / 46 / 31

HEX #B11F5F

RGB 177 31 95

HSL 333.7, 0.7%, 0.41%

LAB 39.84, 60.08, 0.68

 

CMYK 0 / 82 / 69 / 31

HEX #B11F37

RGB 177 31 55

HSL 350.14, 0.7%, 0.41%

LAB 38.9, 57.29, 24.79

 

CMYK 20 / 82 / 0 / 31

HEX #8D1FB1

RGB 141 31 177

HSL 285.21, 0.7%, 0.41%

LAB 37.51, 63.79, -53.86

 

CMYK 42 / 82 / 0 / 31

HEX #661FB1

RGB 102 31 177

HSL 269.18, 0.7%, 0.41%

LAB 31.76, 57.6, -63.49

 

CMYK 65 / 82 / 0 / 31

HEX #3E1FB1

RGB 62 31 177

HSL 252.74, 0.7%, 0.41%

LAB 27.24, 52.88, -71.09

 

CMYK 82 / 82 / 0 / 31

HEX #1F1FB1

RGB 31 31 177

HSL 240, 0.7%, 0.41%

LAB 25.09, 50.69, -74.71

 

CMYK 20 / 82 / 0 / 31

HEX #8D1FB1

RGB 141 31 177

HSL 285.21, 0.7%, 0.41%

LAB 37.51, 63.79, -53.86

 

CMYK 23 / 93 / 0 / 24

HEX #960EC2

RGB 150 14 194

HSL 285.33, 0.87%, 0.41%

LAB 39.06, 71.85, -61.32

 

CMYK 20 / 82 / 0 / 31

HEX #8D1FB1

RGB 141 31 177

HSL 285.21, 0.7%, 0.41%

LAB 37.51, 63.79, -53.86

 

CMYK 17 / 70 / 0 / 37

HEX #8530A0

RGB 133 48 160

HSL 285.54, 0.54%, 0.41%

LAB 37.19, 52.88, -44.28

 

CMYK 13 / 55 / 0 / 44

HEX #7C418F

RGB 124 65 143

HSL 285.38, 0.38%, 0.41%

LAB 37.93, 38.7, -32.86

 

CMYK 8 / 35 / 0 / 51

HEX #74527E

RGB 116 82 126

HSL 286.36, 0.21%, 0.41%

LAB 40, 22.57, -19.31

 

CMYK 3 / 10 / 0 / 57

HEX #6B636E

RGB 107 99 110

HSL 283.64, 0.05%, 0.41%

LAB 43.03, 5.42, -5.06

 

CMYK 64 / 82 / 0 / 31

HEX #3F1FB1

RGB 63 31 177

HSL 253.15, 0.7%, 0.41%

LAB 27.33, 52.97, -70.94

 

CMYK 42 / 82 / 0 / 31

HEX #661FB1

RGB 102 31 177

HSL 269.18, 0.7%, 0.41%

LAB 31.76, 57.6, -63.49

 

CMYK 20 / 82 / 0 / 31

HEX #8D1FB1

RGB 141 31 177

HSL 285.21, 0.7%, 0.41%

LAB 37.51, 63.79, -53.86

 

CMYK 0 / 82 / 1 / 31

HEX #B11FAF

RGB 177 31 175

HSL 300.82, 0.7%, 0.41%

LAB 43.39, 70.06, -42.91

 

CMYK 0 / 82 / 23 / 31

HEX #B11F88

RGB 177 31 136

HSL 316.85, 0.7%, 0.41%

LAB 41.38, 64.54, -22.57

 

CMYK 21 / 83 / 0 / 58

HEX #55126B

RGB 85 18 107

HSL 285.17, 0.71%, 0.25%

LAB 21.67, 43.3, -36.52

 

CMYK 20 / 82 / 0 / 44

HEX #71198E

RGB 113 25 142

HSL 285.13, 0.7%, 0.33%

LAB 29.81, 53.66, -45.33

 

CMYK 20 / 82 / 0 / 31

HEX #8D1FB1

RGB 141 31 177

HSL 285.21, 0.7%, 0.41%

LAB 37.51, 63.79, -53.86

 

CMYK 20 / 83 / 0 / 17

HEX #A925D4

RGB 169 37 212

HSL 285.26, 0.7%, 0.49%

LAB 44.96, 73.5, -62.05

 

CMYK 17 / 69 / 0 / 13

HEX #B845DE

RGB 184 69 222

HSL 285.1, 0.7%, 0.57%

LAB 51.52, 67.62, -57.07

 

CMYK 20 / 83 / 0 / 30

HEX #8E1FB2

RGB 142 31 178

HSL 285.31, 0.7%, 0.41%

LAB 37.74, 64.15, -54.08

 

CMYK 0 / 82 / 79 / 31

HEX #B11F26

RGB 177 31 38

HSL 357.12, 0.7%, 0.41%

LAB 38.67, 56.57, 34.84

 

CMYK 82 / 0 / 54 / 31

HEX #1FB152

RGB 31 177 82

HSL 140.96, 0.7%, 0.41%

LAB 63.63, -57.1, 38.09

 

CMYK 20 / 83 / 0 / 30

HEX #8E1FB2

RGB 142 31 178

HSL 285.31, 0.7%, 0.41%

LAB 37.74, 64.15, -54.08

 

CMYK 0 / 20 / 82 / 31

HEX #B18D1F

RGB 177 141 31

HSL 45.21, 0.7%, 0.41%

LAB 60.33, 3.28, 58.47

 

CMYK 82 / 0 / 20 / 31

HEX #1FB18D

RGB 31 177 141

HSL 165.21, 0.7%, 0.41%

LAB 64.69, -45.08, 8.14

 

CMYK 20 / 83 / 0 / 30

HEX #8E1FB2

RGB 142 31 178

HSL 285.31, 0.7%, 0.41%

LAB 37.74, 64.15, -54.08

 

CMYK 0 / 82 / 79 / 31

HEX #B11F26

RGB 177 31 38

HSL 357.12, 0.7%, 0.41%

LAB 38.67, 56.57, 34.84

 

CMYK 62 / 0 / 82 / 31

HEX #43B11F

RGB 67 177 31

HSL 105.21, 0.7%, 0.41%

LAB 63.95, -55.96, 59.07

 

CMYK 82 / 0 / 4 / 31

HEX #1FB1AA

RGB 31 177 170

HSL 177.12, 0.7%, 0.41%

LAB 65.47, -37.14, -6.81

 

CMYK 20 / 83 / 0 / 30

HEX #8E1FB2

RGB 142 31 178

HSL 285.31, 0.7%, 0.41%

LAB 37.74, 64.15, -54.08

 

CMYK 0 / 62 / 82 / 31

HEX #B1431F

RGB 177 67 31

HSL 14.79, 0.7%, 0.41%

LAB 43.45, 43.05, 43.32

 

CMYK 62 / 0 / 82 / 31

HEX #43B11F

RGB 67 177 31

HSL 105.21, 0.7%, 0.41%

LAB 63.95, -55.96, 59.07

 

CMYK 82 / 20 / 0 / 31

HEX #1F8DB1

RGB 31 141 177

HSL 194.79, 0.7%, 0.41%

LAB 54.57, -16.91, -27.29

 

Description

Color code: HEX #8E1FB2 | qconv.com Color code: HEX #8E1FB2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 31 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 31 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 83 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 83% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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