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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E1947 it is the complementary color #71E6B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E1947. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E1947 shade: #931942, #A42B55, #B53D68, #C64F7B and #D7618E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E1947. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E1947 shade: #8E1947, #7D0734, #6C0021, #5B000E and #4A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E1947 shade: #8F1947, #8F1927 and #8F1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E1947 shade: #8F1947, #8F1967, #8F1987, #77198F and #57198F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E1947 shade matches the following richer shades: #8F1947 and #9C0B44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E1947 shade: #8F1947, #81264A, #73344D, #664250 and #584F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E1947 shade: #8F1987, #8F1967, #8F1948, #8F1928 and #8F2819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E1947 shade: #480C24, #6B1336, #8F1947, #B21F59 and #D5256A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E1947 shade: #8E1947, #8F7719 and #19778F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E1947 shade: #8E1947, #488F19 and #19488F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E1947 shade: #8E1947, #8F7719, #198F5F and #19308F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E1947 shade: #8E1947, #838F19, #198F5F and #25198F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 50 / 44

HEX #8E1947

RGB 142 25 71

HSL 336.41, 0.7%, 0.33%

LAB 31.58, 50.13, 3.36

 

Complementary color

CMYK 51 / 0 / 20 / 10

HEX #71E6B8

RGB 113 230 184

HSL 156.41, 0.7%, 0.67%

LAB 83.74, -43.83, 12.38

 

CMYK 0 / 83 / 55 / 42

HEX #931942

RGB 147 25 66

HSL 339.84, 0.71%, 0.34%

LAB 32.46, 51.11, 8.06

 

CMYK 0 / 74 / 48 / 36

HEX #A42B55

RGB 164 43 85

HSL 339.17, 0.58%, 0.41%

LAB 38.33, 51.94, 4.54

 

CMYK 0 / 66 / 43 / 29

HEX #B53D68

RGB 181 61 104

HSL 338.5, 0.5%, 0.47%

LAB 44.46, 51.97, 1.86

 

CMYK 0 / 60 / 38 / 22

HEX #C64F7B

RGB 198 79 123

HSL 337.82, 0.51%, 0.54%

LAB 50.72, 51.56, -0.24

 

CMYK 0 / 55 / 34 / 16

HEX #D7618E

RGB 215 97 142

HSL 337.12, 0.6%, 0.61%

LAB 57.03, 50.91, -1.95

 

CMYK 0 / 82 / 50 / 44

HEX #8E1947

RGB 142 25 71

HSL 336.41, 0.7%, 0.33%

LAB 31.58, 50.13, 3.36

 

CMYK 0 / 94 / 58 / 51

HEX #7D0734

RGB 125 7 52

HSL 337.12, 0.89%, 0.26%

LAB 26.04, 47.98, 7.79

 

CMYK 0 / 100 / 69 / 58

HEX #6C0021

RGB 108 0 33

HSL 341.67, 1%, 0.21%

LAB 21.2, 43.69, 13.81

 

CMYK 0 / 100 / 85 / 64

HEX #5B000E

RGB 91 0 14

HSL 350.77, 1%, 0.18%

LAB 16.78, 38.17, 20.07

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 83 / 50 / 44

HEX #8F1947

RGB 143 25 71

HSL 336.61, 0.7%, 0.33%

LAB 31.78, 50.41, 3.68

 

CMYK 0 / 83 / 73 / 44

HEX #8F1927

RGB 143 25 39

HSL 352.88, 0.7%, 0.33%

LAB 31.07, 48.23, 23.75

 

CMYK 0 / 83 / 83 / 44

HEX #8F1919

RGB 143 25 25

HSL 0, 0.7%, 0.33%

LAB 30.89, 47.67, 32.17

 

CMYK 0 / 83 / 50 / 44

HEX #8F1947

RGB 143 25 71

HSL 336.61, 0.7%, 0.33%

LAB 31.78, 50.41, 3.68

 

CMYK 0 / 83 / 28 / 44

HEX #8F1967

RGB 143 25 103

HSL 320.34, 0.7%, 0.33%

LAB 32.95, 53.84, -15.43

 

CMYK 0 / 83 / 6 / 44

HEX #8F1987

RGB 143 25 135

HSL 304.07, 0.7%, 0.33%

LAB 34.57, 58.39, -33.08

 

CMYK 17 / 83 / 0 / 44

HEX #77198F

RGB 119 25 143

HSL 287.8, 0.7%, 0.33%

LAB 30.88, 54.98, -44.17

 

CMYK 39 / 83 / 0 / 44

HEX #57198F

RGB 87 25 143

HSL 271.53, 0.7%, 0.33%

LAB 25.88, 49.37, -52.52

 

CMYK 0 / 83 / 50 / 44

HEX #8F1947

RGB 143 25 71

HSL 336.61, 0.7%, 0.33%

LAB 31.78, 50.41, 3.68

 

CMYK 0 / 93 / 56 / 39

HEX #9C0B44

RGB 156 11 68

HSL 336.41, 0.87%, 0.33%

LAB 33.4, 56.5, 8.33

 

CMYK 0 / 83 / 50 / 44

HEX #8F1947

RGB 143 25 71

HSL 336.61, 0.7%, 0.33%

LAB 31.78, 50.41, 3.68

 

CMYK 0 / 71 / 43 / 49

HEX #81264A

RGB 129 38 74

HSL 336.26, 0.54%, 0.33%

LAB 30.75, 42, -0.13

 

CMYK 0 / 55 / 33 / 55

HEX #73344D

RGB 115 52 77

HSL 336.19, 0.38%, 0.33%

LAB 30.96, 30.72, -2.07

 

CMYK 0 / 35 / 22 / 60

HEX #664250

RGB 102 66 80

HSL 336.67, 0.21%, 0.33%

LAB 32.48, 17.87, -1.99

 

CMYK 0 / 10 / 6 / 65

HEX #584F53

RGB 88 79 83

HSL 333.33, 0.05%, 0.33%

LAB 34.58, 4.53, -1

 

CMYK 0 / 83 / 6 / 44

HEX #8F1987

RGB 143 25 135

HSL 304.07, 0.7%, 0.33%

LAB 34.57, 58.39, -33.08

 

CMYK 0 / 83 / 28 / 44

HEX #8F1967

RGB 143 25 103

HSL 320.34, 0.7%, 0.33%

LAB 32.95, 53.84, -15.43

 

CMYK 0 / 83 / 50 / 44

HEX #8F1948

RGB 143 25 72

HSL 336.1, 0.7%, 0.33%

LAB 31.81, 50.5, 3.07

 

CMYK 0 / 83 / 72 / 44

HEX #8F1928

RGB 143 25 40

HSL 352.37, 0.7%, 0.33%

LAB 31.09, 48.28, 23.13

 

CMYK 0 / 72 / 83 / 44

HEX #8F2819

RGB 143 40 25

HSL 7.63, 0.7%, 0.33%

LAB 32.76, 42.47, 34.01

 

CMYK 0 / 83 / 50 / 72

HEX #480C24

RGB 72 12 36

HSL 336, 0.71%, 0.16%

LAB 14.22, 29.88, 0.73

 

CMYK 0 / 82 / 50 / 58

HEX #6B1336

RGB 107 19 54

HSL 336.14, 0.7%, 0.25%

LAB 23.2, 40.26, 1.83

 

CMYK 0 / 83 / 50 / 44

HEX #8F1947

RGB 143 25 71

HSL 336.61, 0.7%, 0.33%

LAB 31.78, 50.41, 3.68

 

CMYK 0 / 83 / 50 / 30

HEX #B21F59

RGB 178 31 89

HSL 336.33, 0.7%, 0.41%

LAB 39.86, 59.83, 4.54

 

CMYK 0 / 83 / 50 / 16

HEX #D5256A

RGB 213 37 106

HSL 336.48, 0.7%, 0.49%

LAB 47.64, 68.78, 5.96

 

CMYK 0 / 82 / 50 / 44

HEX #8E1947

RGB 142 25 71

HSL 336.41, 0.7%, 0.33%

LAB 31.58, 50.13, 3.36

 

CMYK 0 / 17 / 83 / 44

HEX #8F7719

RGB 143 119 25

HSL 47.8, 0.7%, 0.33%

LAB 50.81, -0.3, 50.68

 

CMYK 83 / 17 / 0 / 44

HEX #19778F

RGB 25 119 143

HSL 192.2, 0.7%, 0.33%

LAB 46.16, -17.39, -20.51

 

CMYK 0 / 82 / 50 / 44

HEX #8E1947

RGB 142 25 71

HSL 336.41, 0.7%, 0.33%

LAB 31.58, 50.13, 3.36

 

CMYK 50 / 0 / 83 / 44

HEX #488F19

RGB 72 143 25

HSL 96.1, 0.7%, 0.33%

LAB 53.05, -42.21, 50.82

 

CMYK 83 / 50 / 0 / 44

HEX #19488F

RGB 25 72 143

HSL 216.1, 0.7%, 0.33%

LAB 31.4, 11.8, -43.76

 

CMYK 0 / 82 / 50 / 44

HEX #8E1947

RGB 142 25 71

HSL 336.41, 0.7%, 0.33%

LAB 31.58, 50.13, 3.36

 

CMYK 0 / 17 / 83 / 44

HEX #8F7719

RGB 143 119 25

HSL 47.8, 0.7%, 0.33%

LAB 50.81, -0.3, 50.68

 

CMYK 83 / 0 / 34 / 44

HEX #198F5F

RGB 25 143 95

HSL 155.59, 0.7%, 0.33%

LAB 52.6, -42.84, 16.92

 

CMYK 83 / 66 / 0 / 44

HEX #19308F

RGB 25 48 143

HSL 228.31, 0.7%, 0.33%

LAB 24.65, 28.36, -54.75

 

CMYK 0 / 82 / 50 / 44

HEX #8E1947

RGB 142 25 71

HSL 336.41, 0.7%, 0.33%

LAB 31.58, 50.13, 3.36

 

CMYK 8 / 0 / 83 / 44

HEX #838F19

RGB 131 143 25

HSL 66.1, 0.7%, 0.33%

LAB 56.62, -18.86, 55.38

 

CMYK 83 / 0 / 34 / 44

HEX #198F5F

RGB 25 143 95

HSL 155.59, 0.7%, 0.33%

LAB 52.6, -42.84, 16.92

 

CMYK 74 / 83 / 0 / 44

HEX #25198F

RGB 37 25 143

HSL 246.1, 0.7%, 0.33%

LAB 20.33, 43.25, -61.86

 

Description

Color code: HEX #8E1947 | qconv.com Color code: HEX #8E1947 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 25 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 25 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 50 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 50% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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