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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E00AE it is the complementary color #71FF51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E00AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E00AE shade: #9300A9, #A412BC, #B524CF, #C636E2 and #D748F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E00AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E00AE shade: #8E00AE, #7D009B, #6C0088, #5B0075 and #4A0062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E00AE shade: #8D00AD, #AD009E, #AD006F, #AD0040 and #AD0012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E00AE shade: #8D00AD, #5E00AD, #3000AD, #0100AD and #0000AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E00AE shade matches the following richer shades: #8D00AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E00AE shade: #8D00AD, #840E9F, #7B1C91, #722A83 and #6A3875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E00AE shade: #2E00AD, #5C00AD, #8A00AD, #AD00A1 and #AD0073

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E00AE shade: #4A005A, #6B0084, #8D00AD, #AF00D6 and #D000FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E00AE shade: #8E00AE, #AD0000 and #00AD45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E00AE shade: #8E00AE, #AD8A00 and #00AD8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E00AE shade: #8E00AE, #AD0000, #22AD00 and #00ADAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E00AE shade: #8E00AE, #AD3400, #22AD00 and #0079AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 100 / 0 / 32

HEX #8E00AE

RGB 142 0 174

HSL 288.97, 1%, 0.34%

LAB 35.61, 68.84, -55.15

 

Complementary color

CMYK 56 / 0 / 68 / 0

HEX #71FF51

RGB 113 255 81

HSL 108.97, 1%, 0.66%

LAB 89.68, -68.59, 68.41

 

CMYK 13 / 100 / 0 / 34

HEX #9300A9

RGB 147 0 169

HSL 292.19, 1%, 0.33%

LAB 36.11, 68.72, -51.3

 

CMYK 13 / 90 / 0 / 26

HEX #A412BC

RGB 164 18 188

HSL 291.53, 0.83%, 0.4%

LAB 41.15, 72.34, -54.31

 

CMYK 13 / 83 / 0 / 19

HEX #B524CF

RGB 181 36 207

HSL 290.88, 0.7%, 0.48%

LAB 46.43, 74.88, -56.7

 

CMYK 12 / 76 / 0 / 11

HEX #C636E2

RGB 198 54 226

HSL 290.23, 0.75%, 0.55%

LAB 51.99, 76.36, -58.47

 

CMYK 12 / 71 / 0 / 4

HEX #D748F5

RGB 215 72 245

HSL 289.6, 0.9%, 0.62%

LAB 57.73, 77.1, -59.8

 

CMYK 18 / 100 / 0 / 32

HEX #8E00AE

RGB 142 0 174

HSL 288.97, 1%, 0.34%

LAB 35.61, 68.84, -55.15

 

CMYK 19 / 100 / 0 / 39

HEX #7D009B

RGB 125 0 155

HSL 288.39, 1%, 0.3%

LAB 31.18, 63.04, -51.01

 

CMYK 21 / 100 / 0 / 47

HEX #6C0088

RGB 108 0 136

HSL 287.65, 1%, 0.27%

LAB 26.64, 57.11, -46.78

 

CMYK 22 / 100 / 0 / 54

HEX #5B0075

RGB 91 0 117

HSL 286.67, 1%, 0.23%

LAB 21.98, 51.01, -42.45

 

CMYK 24 / 100 / 0 / 62

HEX #4A0062

RGB 74 0 98

HSL 285.31, 1%, 0.19%

LAB 17.17, 44.74, -38.01

 

CMYK 18 / 100 / 0 / 32

HEX #8D00AD

RGB 141 0 173

HSL 288.9, 1%, 0.34%

LAB 35.36, 68.53, -54.97

 

CMYK 0 / 100 / 9 / 32

HEX #AD009E

RGB 173 0 158

HSL 305.2, 1%, 0.34%

LAB 40.17, 71.29, -37.91

 

CMYK 0 / 100 / 36 / 32

HEX #AD006F

RGB 173 0 111

HSL 321.5, 1%, 0.34%

LAB 37.9, 65.58, -12.42

 

CMYK 0 / 100 / 63 / 32

HEX #AD0040

RGB 173 0 64

HSL 337.8, 1%, 0.34%

LAB 36.47, 61.81, 15.74

 

CMYK 0 / 100 / 90 / 32

HEX #AD0012

RGB 173 0 18

HSL 353.76, 1%, 0.34%

LAB 35.85, 60.12, 42.74

 

CMYK 18 / 100 / 0 / 32

HEX #8D00AD

RGB 141 0 173

HSL 288.9, 1%, 0.34%

LAB 35.36, 68.53, -54.97

 

CMYK 46 / 100 / 0 / 32

HEX #5E00AD

RGB 94 0 173

HSL 272.6, 1%, 0.34%

LAB 27.84, 62.98, -67.58

 

CMYK 72 / 100 / 0 / 32

HEX #3000AD

RGB 48 0 173

HSL 256.65, 1%, 0.34%

LAB 22.46, 60.08, -76.66

 

CMYK 99 / 100 / 0 / 32

HEX #0100AD

RGB 1 0 173

HSL 240.35, 1%, 0.34%

LAB 20.14, 59.22, -80.6

 

CMYK 100 / 100 / 0 / 32

HEX #0000AD

RGB 0 0 173

HSL 240, 1%, 0.34%

LAB 20.11, 59.21, -80.64

 

CMYK 18 / 100 / 0 / 32

HEX #8D00AD

RGB 141 0 173

HSL 288.9, 1%, 0.34%

LAB 35.36, 68.53, -54.97

 

CMYK 18 / 100 / 0 / 32

HEX #8D00AD

RGB 141 0 173

HSL 288.9, 1%, 0.34%

LAB 35.36, 68.53, -54.97

 

CMYK 17 / 91 / 0 / 38

HEX #840E9F

RGB 132 14 159

HSL 288.83, 0.84%, 0.34%

LAB 33.4, 62.75, -49.78

 

CMYK 15 / 81 / 0 / 43

HEX #7B1C91

RGB 123 28 145

HSL 288.72, 0.68%, 0.34%

LAB 32, 55.22, -43.56

 

CMYK 13 / 68 / 0 / 49

HEX #722A83

RGB 114 42 131

HSL 288.54, 0.51%, 0.34%

LAB 31.51, 45.08, -35.75

 

CMYK 9 / 52 / 0 / 54

HEX #6A3875

RGB 106 56 117

HSL 289.18, 0.35%, 0.34%

LAB 32.21, 32.65, -25.95

 

CMYK 73 / 100 / 0 / 32

HEX #2E00AD

RGB 46 0 173

HSL 255.95, 1%, 0.34%

LAB 22.3, 60.01, -76.94

 

CMYK 47 / 100 / 0 / 32

HEX #5C00AD

RGB 92 0 173

HSL 271.91, 1%, 0.34%

LAB 27.55, 62.8, -68.06

 

CMYK 20 / 100 / 0 / 32

HEX #8A00AD

RGB 138 0 173

HSL 287.86, 1%, 0.34%

LAB 34.84, 68.11, -55.83

 

CMYK 0 / 100 / 7 / 32

HEX #AD00A1

RGB 173 0 161

HSL 304.16, 1%, 0.34%

LAB 40.34, 71.71, -39.45

 

CMYK 0 / 100 / 34 / 32

HEX #AD0073

RGB 173 0 115

HSL 320.12, 1%, 0.34%

LAB 38.06, 65.99, -14.7

 

CMYK 18 / 100 / 0 / 65

HEX #4A005A

RGB 74 0 90

HSL 289.33, 1%, 0.18%

LAB 16.47, 43.15, -33.79

 

CMYK 19 / 100 / 0 / 48

HEX #6B0084

RGB 107 0 132

HSL 288.64, 1%, 0.26%

LAB 26.13, 56.22, -45.1

 

CMYK 18 / 100 / 0 / 32

HEX #8D00AD

RGB 141 0 173

HSL 288.9, 1%, 0.34%

LAB 35.36, 68.53, -54.97

 

CMYK 18 / 100 / 0 / 16

HEX #AF00D6

RGB 175 0 214

HSL 289.07, 1%, 0.42%

LAB 44.19, 80.31, -64.41

 

CMYK 18 / 100 / 0 / 0

HEX #D000FF

RGB 208 0 255

HSL 288.94, 1%, 0.5%

LAB 52.54, 91.53, -73.78

 

CMYK 18 / 100 / 0 / 32

HEX #8E00AE

RGB 142 0 174

HSL 288.97, 1%, 0.34%

LAB 35.61, 68.84, -55.15

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 100 / 0 / 60 / 32

HEX #00AD45

RGB 0 173 69

HSL 143.93, 1%, 0.34%

LAB 61.93, -59.71, 42.24

 

CMYK 18 / 100 / 0 / 32

HEX #8E00AE

RGB 142 0 174

HSL 288.97, 1%, 0.34%

LAB 35.61, 68.84, -55.15

 

CMYK 0 / 20 / 100 / 32

HEX #AD8A00

RGB 173 138 0

HSL 47.86, 1%, 0.34%

LAB 59.03, 2.5, 63.8

 

CMYK 100 / 0 / 20 / 32

HEX #00AD8A

RGB 0 173 138

HSL 167.86, 1%, 0.34%

LAB 63.11, -45.95, 7.52

 

CMYK 18 / 100 / 0 / 32

HEX #8E00AE

RGB 142 0 174

HSL 288.97, 1%, 0.34%

LAB 35.61, 68.84, -55.15

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 80 / 0 / 100 / 32

HEX #22AD00

RGB 34 173 0

HSL 108.21, 1%, 0.34%

LAB 61.85, -61.78, 62.55

 

CMYK 100 / 0 / 0 / 32

HEX #00ADAD

RGB 0 173 173

HSL 180, 1%, 0.34%

LAB 64.08, -35.95, -10.57

 

CMYK 18 / 100 / 0 / 32

HEX #8E00AE

RGB 142 0 174

HSL 288.97, 1%, 0.34%

LAB 35.61, 68.84, -55.15

 

CMYK 0 / 70 / 100 / 32

HEX #AD3400

RGB 173 52 0

HSL 18.03, 1%, 0.34%

LAB 40.15, 47.55, 52.1

 

CMYK 80 / 0 / 100 / 32

HEX #22AD00

RGB 34 173 0

HSL 108.21, 1%, 0.34%

LAB 61.85, -61.78, 62.55

 

CMYK 100 / 30 / 0 / 32

HEX #0079AD

RGB 0 121 173

HSL 198.03, 1%, 0.34%

LAB 47.87, -8.87, -35.47

 

Description

Color code: HEX #8E00AE | qconv.com Color code: HEX #8E00AE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, none green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 0 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 100 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 100% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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