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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DF254 it is the complementary color #720DAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DF254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DF254 shade: #92F24F, #A3FF62, #B4FF75, #C5FF88 and #D6FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DF254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DF254 shade: #8DF254, #7CE041, #6BCE2E, #5ABC1B and #49AA08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DF254 shade: #8DF254, #B7F254, #E2F254, #F2D754 and #F2AC54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DF254 shade: #8DF254, #62F254, #54F270, #54F29B and #54F2C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DF254 shade matches the following richer shades: #8DF254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DF254 shade: #8DF254, #91E363, #95D471, #99C580 and #9DB68F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DF254 shade: #E2F254, #B8F254, #8EF254, #64F254 and #54F26E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DF254 shade: #5CE211, #73EF2D, #8DF254, #A6F57A and #C0F7A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DF254 shade: #8DF254, #54F2D7 and #F254CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DF254 shade: #8DF254, #548EF2 and #F2548E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DF254 shade: #8DF254, #54F2D7, #B854F2 and #F2546E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DF254 shade: #8DF254, #54DDF2, #B854F2 and #F26954

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

Complementary color

CMYK 33 / 92 / 0 / 33

HEX #720DAB

RGB 114 13 171

HSL 278.35, 0.86%, 0.36%

LAB 31.36, 62.62, -60.48

 

CMYK 40 / 0 / 67 / 5

HEX #92F24F

RGB 146 242 79

HSL 95.34, 0.86%, 0.63%

LAB 87.08, -54.58, 66.82

 

CMYK 36 / 0 / 62 / 0

HEX #A3FF62

RGB 163 255 98

HSL 95.16, 1%, 0.69%

LAB 91.77, -52.8, 64.6

 

CMYK 29 / 0 / 54 / 0

HEX #B4FF75

RGB 180 255 117

HSL 92.61, 1%, 0.73%

LAB 92.8, -45.37, 57.86

 

CMYK 23 / 0 / 47 / 0

HEX #C5FF88

RGB 197 255 136

HSL 89.24, 1%, 0.77%

LAB 93.96, -37.47, 50.77

 

CMYK 16 / 0 / 39 / 0

HEX #D6FF9B

RGB 214 255 155

HSL 84.6, 1%, 0.8%

LAB 95.24, -29.22, 43.51

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 45 / 0 / 71 / 12

HEX #7CE041

RGB 124 224 65

HSL 97.74, 0.72%, 0.57%

LAB 80.73, -55.42, 65.11

 

CMYK 48 / 0 / 78 / 19

HEX #6BCE2E

RGB 107 206 46

HSL 97.13, 0.63%, 0.49%

LAB 74.49, -54.87, 65.07

 

CMYK 52 / 0 / 86 / 26

HEX #5ABC1B

RGB 90 188 27

HSL 96.52, 0.75%, 0.42%

LAB 68.18, -54.02, 64.14

 

CMYK 57 / 0 / 95 / 33

HEX #49AA08

RGB 73 170 8

HSL 95.93, 0.91%, 0.35%

LAB 61.81, -52.77, 61.83

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 24 / 0 / 65 / 5

HEX #B7F254

RGB 183 242 84

HSL 82.41, 0.86%, 0.64%

LAB 89.02, -41.45, 67.53

 

CMYK 7 / 0 / 65 / 5

HEX #E2F254

RGB 226 242 84

HSL 66.08, 0.86%, 0.64%

LAB 91.83, -24.89, 71.32

 

CMYK 0 / 11 / 65 / 5

HEX #F2D754

RGB 242 215 84

HSL 49.75, 0.86%, 0.64%

LAB 86.07, -5.1, 65.72

 

CMYK 0 / 29 / 65 / 5

HEX #F2AC54

RGB 242 172 84

HSL 33.42, 0.86%, 0.64%

LAB 75.47, 17.22, 54.27

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 60 / 0 / 65 / 5

HEX #62F254

RGB 98 242 84

HSL 114.68, 0.86%, 0.64%

LAB 85.37, -67.36, 62.54

 

CMYK 65 / 0 / 54 / 5

HEX #54F270

RGB 84 242 112

HSL 130.63, 0.86%, 0.64%

LAB 85.28, -67.14, 50.29

 

CMYK 65 / 0 / 36 / 5

HEX #54F29B

RGB 84 242 155

HSL 146.96, 0.86%, 0.64%

LAB 85.88, -60.37, 30.18

 

CMYK 65 / 0 / 19 / 5

HEX #54F2C5

RGB 84 242 197

HSL 162.91, 0.86%, 0.64%

LAB 86.71, -51.63, 9.71

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 36 / 0 / 56 / 11

HEX #91E363

RGB 145 227 99

HSL 98.44, 0.7%, 0.64%

LAB 82.84, -47.02, 53.83

 

CMYK 30 / 0 / 47 / 17

HEX #95D471

RGB 149 212 113

HSL 98.18, 0.54%, 0.64%

LAB 78.85, -37.55, 42.51

 

CMYK 22 / 0 / 35 / 23

HEX #99C580

RGB 153 197 128

HSL 98.26, 0.37%, 0.64%

LAB 74.99, -27.12, 30.02

 

CMYK 14 / 0 / 21 / 29

HEX #9DB68F

RGB 157 182 143

HSL 98.46, 0.21%, 0.64%

LAB 71.29, -15.85, 17.06

 

CMYK 7 / 0 / 65 / 5

HEX #E2F254

RGB 226 242 84

HSL 66.08, 0.86%, 0.64%

LAB 91.83, -24.89, 71.32

 

CMYK 24 / 0 / 65 / 5

HEX #B8F254

RGB 184 242 84

HSL 82.03, 0.86%, 0.64%

LAB 89.08, -41.08, 67.61

 

CMYK 41 / 0 / 65 / 5

HEX #8EF254

RGB 142 242 84

HSL 97.97, 0.86%, 0.64%

LAB 86.95, -55.46, 64.69

 

CMYK 59 / 0 / 65 / 5

HEX #64F254

RGB 100 242 84

HSL 113.92, 0.86%, 0.64%

LAB 85.43, -66.9, 62.62

 

CMYK 65 / 0 / 55 / 5

HEX #54F26E

RGB 84 242 110

HSL 129.87, 0.86%, 0.64%

LAB 85.26, -67.4, 51.18

 

CMYK 59 / 0 / 92 / 11

HEX #5CE211

RGB 92 226 17

HSL 98.47, 0.86%, 0.48%

LAB 80.02, -67.07, 75.9

 

CMYK 52 / 0 / 81 / 6

HEX #73EF2D

RGB 115 239 45

HSL 98.35, 0.86%, 0.56%

LAB 84.78, -64.71, 74.98

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 32 / 0 / 50 / 4

HEX #A6F57A

RGB 166 245 122

HSL 98.54, 0.86%, 0.72%

LAB 89.31, -45.26, 51.25

 

CMYK 22 / 0 / 35 / 3

HEX #C0F7A0

RGB 192 247 160

HSL 97.93, 0.84%, 0.8%

LAB 91.8, -32.58, 36.33

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 65 / 0 / 11 / 5

HEX #54F2D7

RGB 84 242 215

HSL 169.75, 0.86%, 0.64%

LAB 87.14, -47.31, 0.93

 

CMYK 0 / 65 / 15 / 5

HEX #F254CD

RGB 242 84 205

HSL 314.05, 0.86%, 0.64%

LAB 61.33, 72.47, -31.36

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 65 / 41 / 0 / 5

HEX #548EF2

RGB 84 142 242

HSL 217.97, 0.86%, 0.64%

LAB 59.56, 12.27, -55.87

 

CMYK 0 / 65 / 41 / 5

HEX #F2548E

RGB 242 84 142

HSL 337.97, 0.86%, 0.64%

LAB 59.13, 64.9, 1.63

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 65 / 0 / 11 / 5

HEX #54F2D7

RGB 84 242 215

HSL 169.75, 0.86%, 0.64%

LAB 87.14, -47.31, 0.93

 

CMYK 24 / 65 / 0 / 5

HEX #B854F2

RGB 184 84 242

HSL 277.97, 0.86%, 0.64%

LAB 55.01, 65.35, -62.71

 

CMYK 0 / 65 / 55 / 5

HEX #F2546E

RGB 242 84 110

HSL 350.13, 0.86%, 0.64%

LAB 58.36, 62.13, 19.28

 

CMYK 42 / 0 / 65 / 5

HEX #8DF254

RGB 141 242 84

HSL 98.35, 0.86%, 0.64%

LAB 86.9, -55.77, 64.64

 

CMYK 65 / 9 / 0 / 5

HEX #54DDF2

RGB 84 221 242

HSL 187.97, 0.86%, 0.64%

LAB 81.84, -30.49, -21.19

 

CMYK 24 / 65 / 0 / 5

HEX #B854F2

RGB 184 84 242

HSL 277.97, 0.86%, 0.64%

LAB 55.01, 65.35, -62.71

 

CMYK 0 / 57 / 65 / 5

HEX #F26954

RGB 242 105 84

HSL 7.97, 0.86%, 0.64%

LAB 61.33, 51.34, 37.9

 

Description

Color code: HEX #8DF254 | qconv.com Color code: HEX #8DF254 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 242 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 242 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 65 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 65% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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