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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DEAA9 it is the complementary color #721556. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DEAA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DEAA9 shade: #92EAA4, #A3FCB7, #B4FFCA, #C5FFDD and #D6FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DEAA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DEAA9 shade: #8DEAA9, #7CD896, #6BC683, #5AB470 and #49A25D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DEAA9 shade: #8EEAAA, #8EEA91, #A4EA8E, #BDEA8E and #D6EA8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DEAA9 shade: #8EEAAA, #8EEAC3, #8EEADB, #8EE0EA and #8EC7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DEAA9 shade matches the following richer shades: #8EEAAA and #84F5A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DEAA9 shade: #8EEAAA, #99DFAE, #A4D4B3, #AFCAB7 and #B9BFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DEAA9 shade: #A4EA8E, #8EEA92, #8EEAAA, #8EEAC2 and #8EEADB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DEAA9 shade: #49DD75, #6CE490, #8EEAAA, #B1F0C4 and #D4F7DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DEAA9 shade: #8DEAA9, #8EBCEA and #EA8E98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DEAA9 shade: #8DEAA9, #AA8EEA and #EAAA8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DEAA9 shade: #8DEAA9, #8EBCEA, #EA8ECE and #EABC8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DEAA9 shade: #8DEAA9, #8EA1EA, #EA8ECE and #EAD88E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 28 / 8

HEX #8DEAA9

RGB 141 234 169

HSL 138.06, 0.69%, 0.74%

LAB 85.69, -41.35, 23.08

 

Complementary color

CMYK 0 / 82 / 25 / 55

HEX #721556

RGB 114 21 86

HSL 318.06, 0.69%, 0.26%

LAB 26.12, 45.41, -15.34

 

CMYK 38 / 0 / 30 / 8

HEX #92EAA4

RGB 146 234 164

HSL 132.27, 0.68%, 0.75%

LAB 85.82, -40.79, 25.87

 

CMYK 35 / 0 / 27 / 1

HEX #A3FCB7

RGB 163 252 183

HSL 133.48, 0.94%, 0.81%

LAB 92.05, -40.53, 24.81

 

CMYK 29 / 0 / 21 / 0

HEX #B4FFCA

RGB 180 255 202

HSL 137.6, 1%, 0.85%

LAB 94.09, -33.47, 18.08

 

CMYK 23 / 0 / 13 / 0

HEX #C5FFDD

RGB 197 255 221

HSL 144.83, 1%, 0.89%

LAB 95.42, -24.8, 10.34

 

CMYK 16 / 0 / 6 / 0

HEX #D6FFF0

RGB 214 255 240

HSL 158.05, 1%, 0.92%

LAB 96.86, -15.94, 2.79

 

CMYK 40 / 0 / 28 / 8

HEX #8DEAA9

RGB 141 234 169

HSL 138.06, 0.69%, 0.74%

LAB 85.69, -41.35, 23.08

 

CMYK 43 / 0 / 31 / 15

HEX #7CD896

RGB 124 216 150

HSL 136.96, 0.54%, 0.67%

LAB 79.38, -41.6, 24.19

 

CMYK 46 / 0 / 34 / 22

HEX #6BC683

RGB 107 198 131

HSL 135.82, 0.44%, 0.6%

LAB 72.99, -41.82, 25.37

 

CMYK 50 / 0 / 38 / 29

HEX #5AB470

RGB 90 180 112

HSL 134.67, 0.38%, 0.53%

LAB 66.51, -41.99, 26.63

 

CMYK 55 / 0 / 43 / 36

HEX #49A25D

RGB 73 162 93

HSL 133.48, 0.38%, 0.46%

LAB 59.93, -42.07, 27.99

 

CMYK 39 / 0 / 27 / 8

HEX #8EEAAA

RGB 142 234 170

HSL 138.26, 0.69%, 0.74%

LAB 85.76, -40.89, 22.66

 

CMYK 39 / 0 / 38 / 8

HEX #8EEA91

RGB 142 234 145

HSL 121.96, 0.69%, 0.74%

LAB 85.32, -45.06, 34.82

 

CMYK 30 / 0 / 39 / 8

HEX #A4EA8E

RGB 164 234 142

HSL 105.65, 0.69%, 0.74%

LAB 86.35, -38.58, 37.87

 

CMYK 19 / 0 / 39 / 8

HEX #BDEA8E

RGB 189 234 142

HSL 89.35, 0.69%, 0.74%

LAB 87.78, -29.95, 40

 

CMYK 9 / 0 / 39 / 8

HEX #D6EA8E

RGB 214 234 142

HSL 73.04, 0.69%, 0.74%

LAB 89.44, -20.75, 42.45

 

CMYK 39 / 0 / 27 / 8

HEX #8EEAAA

RGB 142 234 170

HSL 138.26, 0.69%, 0.74%

LAB 85.76, -40.89, 22.66

 

CMYK 39 / 0 / 17 / 8

HEX #8EEAC3

RGB 142 234 195

HSL 154.57, 0.69%, 0.74%

LAB 86.27, -36.06, 10.39

 

CMYK 39 / 0 / 6 / 8

HEX #8EEADB

RGB 142 234 219

HSL 170.22, 0.69%, 0.74%

LAB 86.85, -30.86, -1.36

 

CMYK 39 / 4 / 0 / 8

HEX #8EE0EA

RGB 142 224 234

HSL 186.52, 0.69%, 0.74%

LAB 84.49, -22.46, -12.77

 

CMYK 39 / 15 / 0 / 8

HEX #8EC7EA

RGB 142 199 234

HSL 202.83, 0.69%, 0.74%

LAB 77.6, -9.67, -23.16

 

CMYK 39 / 0 / 27 / 8

HEX #8EEAAA

RGB 142 234 170

HSL 138.26, 0.69%, 0.74%

LAB 85.76, -40.89, 22.66

 

CMYK 46 / 0 / 32 / 4

HEX #84F5A6

RGB 132 245 166

HSL 138.05, 0.85%, 0.74%

LAB 88.43, -49.07, 28.29

 

CMYK 39 / 0 / 27 / 8

HEX #8EEAAA

RGB 142 234 170

HSL 138.26, 0.69%, 0.74%

LAB 85.76, -40.89, 22.66

 

CMYK 31 / 0 / 22 / 13

HEX #99DFAE

RGB 153 223 174

HSL 138, 0.52%, 0.74%

LAB 83.23, -31.88, 17.16

 

CMYK 23 / 0 / 16 / 17

HEX #A4D4B3

RGB 164 212 179

HSL 138.75, 0.36%, 0.74%

LAB 80.87, -22.18, 11.28

 

CMYK 13 / 0 / 9 / 21

HEX #AFCAB7

RGB 175 202 183

HSL 137.78, 0.2%, 0.74%

LAB 78.91, -12.74, 6.43

 

CMYK 3 / 0 / 2 / 25

HEX #B9BFBB

RGB 185 191 187

HSL 140, 0.04%, 0.74%

LAB 76.78, -2.82, 1.28

 

CMYK 30 / 0 / 39 / 8

HEX #A4EA8E

RGB 164 234 142

HSL 105.65, 0.69%, 0.74%

LAB 86.35, -38.58, 37.87

 

CMYK 39 / 0 / 38 / 8

HEX #8EEA92

RGB 142 234 146

HSL 122.61, 0.69%, 0.74%

LAB 85.34, -44.9, 34.34

 

CMYK 39 / 0 / 27 / 8

HEX #8EEAAA

RGB 142 234 170

HSL 138.26, 0.69%, 0.74%

LAB 85.76, -40.89, 22.66

 

CMYK 39 / 0 / 17 / 8

HEX #8EEAC2

RGB 142 234 194

HSL 153.91, 0.69%, 0.74%

LAB 86.25, -36.26, 10.88

 

CMYK 39 / 0 / 6 / 8

HEX #8EEADB

RGB 142 234 219

HSL 170.22, 0.69%, 0.74%

LAB 86.85, -30.86, -1.36

 

CMYK 67 / 0 / 47 / 13

HEX #49DD75

RGB 73 221 117

HSL 137.84, 0.69%, 0.58%

LAB 78.7, -61.04, 39.75

 

CMYK 53 / 0 / 37 / 11

HEX #6CE490

RGB 108 228 144

HSL 138, 0.69%, 0.66%

LAB 82.21, -51.9, 30.97

 

CMYK 39 / 0 / 27 / 8

HEX #8EEAAA

RGB 142 234 170

HSL 138.26, 0.69%, 0.74%

LAB 85.76, -40.89, 22.66

 

CMYK 26 / 0 / 18 / 6

HEX #B1F0C4

RGB 177 240 196

HSL 138.1, 0.68%, 0.82%

LAB 89.7, -28.46, 14.96

 

CMYK 14 / 0 / 10 / 3

HEX #D4F7DF

RGB 212 247 223

HSL 138.86, 0.69%, 0.9%

LAB 94.25, -15.78, 7.75

 

CMYK 40 / 0 / 28 / 8

HEX #8DEAA9

RGB 141 234 169

HSL 138.06, 0.69%, 0.74%

LAB 85.69, -41.35, 23.08

 

CMYK 39 / 20 / 0 / 8

HEX #8EBCEA

RGB 142 188 234

HSL 210, 0.69%, 0.74%

LAB 74.61, -3.79, -27.73

 

CMYK 0 / 39 / 35 / 8

HEX #EA8E98

RGB 234 142 152

HSL 353.48, 0.69%, 0.74%

LAB 68.83, 36.02, 9.7

 

CMYK 40 / 0 / 28 / 8

HEX #8DEAA9

RGB 141 234 169

HSL 138.06, 0.69%, 0.74%

LAB 85.69, -41.35, 23.08

 

CMYK 27 / 39 / 0 / 8

HEX #AA8EEA

RGB 170 142 234

HSL 258.26, 0.69%, 0.74%

LAB 64.83, 29.7, -42.75

 

CMYK 0 / 27 / 39 / 8

HEX #EAAA8E

RGB 234 170 142

HSL 18.26, 0.69%, 0.74%

LAB 74.95, 20.02, 23.71

 

CMYK 40 / 0 / 28 / 8

HEX #8DEAA9

RGB 141 234 169

HSL 138.06, 0.69%, 0.74%

LAB 85.69, -41.35, 23.08

 

CMYK 39 / 20 / 0 / 8

HEX #8EBCEA

RGB 142 188 234

HSL 210, 0.69%, 0.74%

LAB 74.61, -3.79, -27.73

 

CMYK 0 / 39 / 12 / 8

HEX #EA8ECE

RGB 234 142 206

HSL 318.26, 0.69%, 0.74%

LAB 70.38, 43.68, -18.14

 

CMYK 0 / 20 / 39 / 8

HEX #EABC8E

RGB 234 188 142

HSL 30, 0.69%, 0.74%

LAB 79.28, 10.47, 29.53

 

CMYK 40 / 0 / 28 / 8

HEX #8DEAA9

RGB 141 234 169

HSL 138.06, 0.69%, 0.74%

LAB 85.69, -41.35, 23.08

 

CMYK 39 / 31 / 0 / 8

HEX #8EA1EA

RGB 142 161 234

HSL 227.61, 0.69%, 0.74%

LAB 67.41, 11.22, -38.87

 

CMYK 0 / 39 / 12 / 8

HEX #EA8ECE

RGB 234 142 206

HSL 318.26, 0.69%, 0.74%

LAB 70.38, 43.68, -18.14

 

CMYK 0 / 8 / 39 / 8

HEX #EAD88E

RGB 234 216 142

HSL 48.26, 0.69%, 0.74%

LAB 86.28, -4.08, 38.72

 

Description

Color code: HEX #8DEAA9 | qconv.com Color code: HEX #8DEAA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 234 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 234 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 28 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 28% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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