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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DEA88 it is the complementary color #721577. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DEA88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DEA88 shade: #92EA83, #A3FC96, #B4FFA9, #C5FFBC and #D6FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DEA88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DEA88 shade: #8DEA88, #7CD875, #6BC662, #5AB44F and #49A23C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DEA88 shade: #8EEA89, #A8EA89, #C2EA89, #DCEA89 and #EADD89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DEA88 shade: #8EEA89, #89EA9F, #89EAB9, #89EAD3 and #89E7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DEA88 shade matches the following richer shades: #8EEA89 and #84F57E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DEA88 shade: #8EEA89, #98DF95, #A2D4A0, #ACC8AB and #B6BDB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DEA88 shade: #C3EA89, #AAEA89, #90EA89, #89EA9D and #89EAB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DEA88 shade: #4BDD43, #6DE466, #8EEA89, #B0F0AD and #D2F6D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DEA88 shade: #8DEA88, #89DDEA and #EA89B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DEA88 shade: #8DEA88, #8990EA and #EA8990

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DEA88 shade: #8DEA88, #89DDEA, #E389EA and #EA9689

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DEA88 shade: #8DEA88, #89C0EA, #E389EA and #EAB389

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 42 / 8

HEX #8DEA88

RGB 141 234 136

HSL 116.94, 0.7%, 0.73%

LAB 85.14, -46.69, 39.07

 

Complementary color

CMYK 4 / 82 / 0 / 53

HEX #721577

RGB 114 21 119

HSL 296.94, 0.7%, 0.27%

LAB 27.97, 50.68, -33.85

 

CMYK 38 / 0 / 44 / 8

HEX #92EA83

RGB 146 234 131

HSL 111.26, 0.71%, 0.72%

LAB 85.3, -45.86, 41.77

 

CMYK 35 / 0 / 40 / 1

HEX #A3FC96

RGB 163 252 150

HSL 112.35, 0.94%, 0.79%

LAB 91.51, -45.69, 40.59

 

CMYK 29 / 0 / 34 / 0

HEX #B4FFA9

RGB 180 255 169

HSL 112.33, 1%, 0.83%

LAB 93.49, -38.9, 33.95

 

CMYK 23 / 0 / 26 / 0

HEX #C5FFBC

RGB 197 255 188

HSL 111.94, 1%, 0.87%

LAB 94.75, -30.47, 26.25

 

CMYK 16 / 0 / 19 / 0

HEX #D6FFCF

RGB 214 255 207

HSL 111.25, 1%, 0.91%

LAB 96.13, -21.79, 18.66

 

CMYK 40 / 0 / 42 / 8

HEX #8DEA88

RGB 141 234 136

HSL 116.94, 0.7%, 0.73%

LAB 85.14, -46.69, 39.07

 

CMYK 43 / 0 / 46 / 15

HEX #7CD875

RGB 124 216 117

HSL 115.76, 0.56%, 0.65%

LAB 78.86, -46.84, 40.3

 

CMYK 46 / 0 / 51 / 22

HEX #6BC662

RGB 107 198 98

HSL 114.6, 0.47%, 0.58%

LAB 72.49, -46.92, 41.55

 

CMYK 50 / 0 / 56 / 29

HEX #5AB44F

RGB 90 180 79

HSL 113.47, 0.4%, 0.51%

LAB 66.04, -46.88, 42.8

 

CMYK 55 / 0 / 63 / 36

HEX #49A23C

RGB 73 162 60

HSL 112.35, 0.46%, 0.44%

LAB 59.51, -46.65, 43.95

 

CMYK 39 / 0 / 41 / 8

HEX #8EEA89

RGB 142 234 137

HSL 116.91, 0.7%, 0.73%

LAB 85.2, -46.25, 38.66

 

CMYK 28 / 0 / 41 / 8

HEX #A8EA89

RGB 168 234 137

HSL 100.82, 0.7%, 0.73%

LAB 86.49, -37.92, 40.57

 

CMYK 17 / 0 / 41 / 8

HEX #C2EA89

RGB 194 234 137

HSL 84.74, 0.7%, 0.73%

LAB 88.03, -28.76, 42.84

 

CMYK 6 / 0 / 41 / 8

HEX #DCEA89

RGB 220 234 137

HSL 68.66, 0.7%, 0.73%

LAB 89.8, -19.03, 45.45

 

CMYK 0 / 6 / 41 / 8

HEX #EADD89

RGB 234 221 137

HSL 51.96, 0.7%, 0.73%

LAB 87.49, -7.14, 42.77

 

CMYK 39 / 0 / 41 / 8

HEX #8EEA89

RGB 142 234 137

HSL 116.91, 0.7%, 0.73%

LAB 85.2, -46.25, 38.66

 

CMYK 41 / 0 / 32 / 8

HEX #89EA9F

RGB 137 234 159

HSL 133.61, 0.7%, 0.73%

LAB 85.34, -44.24, 27.7

 

CMYK 41 / 0 / 21 / 8

HEX #89EAB9

RGB 137 234 185

HSL 149.69, 0.7%, 0.73%

LAB 85.84, -39.42, 14.96

 

CMYK 41 / 0 / 10 / 8

HEX #89EAD3

RGB 137 234 211

HSL 165.77, 0.7%, 0.73%

LAB 86.44, -33.93, 2.21

 

CMYK 41 / 1 / 0 / 8

HEX #89E7EA

RGB 137 231 234

HSL 181.86, 0.7%, 0.73%

LAB 86.21, -27.11, -10.22

 

CMYK 39 / 0 / 41 / 8

HEX #8EEA89

RGB 142 234 137

HSL 116.91, 0.7%, 0.73%

LAB 85.2, -46.25, 38.66

 

CMYK 46 / 0 / 49 / 4

HEX #84F57E

RGB 132 245 126

HSL 116.97, 0.86%, 0.73%

LAB 87.83, -55.18, 47.22

 

CMYK 39 / 0 / 41 / 8

HEX #8EEA89

RGB 142 234 137

HSL 116.91, 0.7%, 0.73%

LAB 85.2, -46.25, 38.66

 

CMYK 32 / 0 / 33 / 13

HEX #98DF95

RGB 152 223 149

HSL 117.57, 0.54%, 0.73%

LAB 82.71, -36.47, 29.42

 

CMYK 24 / 0 / 25 / 17

HEX #A2D4A0

RGB 162 212 160

HSL 117.69, 0.38%, 0.73%

LAB 80.35, -26.22, 20.58

 

CMYK 14 / 0 / 15 / 22

HEX #ACC8AB

RGB 172 200 171

HSL 117.93, 0.21%, 0.73%

LAB 77.89, -14.93, 11.38

 

CMYK 4 / 0 / 4 / 26

HEX #B6BDB6

RGB 182 189 182

HSL 120, 0.05%, 0.73%

LAB 75.9, -3.73, 2.68

 

CMYK 17 / 0 / 41 / 8

HEX #C3EA89

RGB 195 234 137

HSL 84.12, 0.7%, 0.73%

LAB 88.09, -28.4, 42.94

 

CMYK 27 / 0 / 41 / 8

HEX #AAEA89

RGB 170 234 137

HSL 99.59, 0.7%, 0.73%

LAB 86.6, -37.24, 40.73

 

CMYK 38 / 0 / 41 / 8

HEX #90EA89

RGB 144 234 137

HSL 115.67, 0.7%, 0.73%

LAB 85.29, -45.64, 38.79

 

CMYK 41 / 0 / 33 / 8

HEX #89EA9D

RGB 137 234 157

HSL 132.37, 0.7%, 0.73%

LAB 85.3, -44.58, 28.68

 

CMYK 41 / 0 / 22 / 8

HEX #89EAB6

RGB 137 234 182

HSL 147.84, 0.7%, 0.73%

LAB 85.78, -40.02, 16.43

 

CMYK 66 / 0 / 70 / 13

HEX #4BDD43

RGB 75 221 67

HSL 116.88, 0.69%, 0.56%

LAB 78.24, -66.63, 61.32

 

CMYK 52 / 0 / 55 / 11

HEX #6DE466

RGB 109 228 102

HSL 116.67, 0.7%, 0.65%

LAB 81.67, -57.75, 50.74

 

CMYK 39 / 0 / 41 / 8

HEX #8EEA89

RGB 142 234 137

HSL 116.91, 0.7%, 0.73%

LAB 85.2, -46.25, 38.66

 

CMYK 27 / 0 / 28 / 6

HEX #B0F0AD

RGB 176 240 173

HSL 117.31, 0.69%, 0.81%

LAB 89.19, -32.73, 26.1

 

CMYK 15 / 0 / 15 / 4

HEX #D2F6D0

RGB 210 246 208

HSL 116.84, 0.68%, 0.89%

LAB 93.52, -18.58, 14.44

 

CMYK 40 / 0 / 42 / 8

HEX #8DEA88

RGB 141 234 136

HSL 116.94, 0.7%, 0.73%

LAB 85.14, -46.69, 39.07

 

CMYK 41 / 6 / 0 / 8

HEX #89DDEA

RGB 137 221 234

HSL 188.04, 0.7%, 0.73%

LAB 83.43, -22.2, -14.38

 

CMYK 0 / 41 / 22 / 8

HEX #EA89B6

RGB 234 137 182

HSL 332.16, 0.7%, 0.73%

LAB 68.58, 42.59, -7.47

 

CMYK 40 / 0 / 42 / 8

HEX #8DEA88

RGB 141 234 136

HSL 116.94, 0.7%, 0.73%

LAB 85.14, -46.69, 39.07

 

CMYK 41 / 38 / 0 / 8

HEX #8990EA

RGB 137 144 234

HSL 235.67, 0.7%, 0.73%

LAB 62.68, 19.72, -46.32

 

CMYK 0 / 41 / 38 / 8

HEX #EA8990

RGB 234 137 144

HSL 355.67, 0.7%, 0.73%

LAB 67.57, 37.69, 12.41

 

CMYK 40 / 0 / 42 / 8

HEX #8DEA88

RGB 141 234 136

HSL 116.94, 0.7%, 0.73%

LAB 85.14, -46.69, 39.07

 

CMYK 41 / 6 / 0 / 8

HEX #89DDEA

RGB 137 221 234

HSL 188.04, 0.7%, 0.73%

LAB 83.43, -22.2, -14.38

 

CMYK 3 / 41 / 0 / 8

HEX #E389EA

RGB 227 137 234

HSL 295.67, 0.7%, 0.73%

LAB 69.59, 48.95, -34.9

 

CMYK 0 / 36 / 41 / 8

HEX #EA9689

RGB 234 150 137

HSL 8.04, 0.7%, 0.73%

LAB 70.25, 30.1, 20.03

 

CMYK 40 / 0 / 42 / 8

HEX #8DEA88

RGB 141 234 136

HSL 116.94, 0.7%, 0.73%

LAB 85.14, -46.69, 39.07

 

CMYK 41 / 18 / 0 / 8

HEX #89C0EA

RGB 137 192 234

HSL 205.98, 0.7%, 0.73%

LAB 75.43, -7.23, -26.5

 

CMYK 3 / 41 / 0 / 8

HEX #E389EA

RGB 227 137 234

HSL 295.67, 0.7%, 0.73%

LAB 69.59, 48.95, -34.9

 

CMYK 0 / 24 / 41 / 8

HEX #EAB389

RGB 234 179 137

HSL 25.98, 0.7%, 0.73%

LAB 77, 14.68, 29.15

 

Description

Color code: HEX #8DEA88 | qconv.com Color code: HEX #8DEA88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 234 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 234 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 42 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 42% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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