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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DEA7B it is the complementary color #721584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DEA7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DEA7B shade: #92EA76, #A3FC89, #B4FF9C, #C5FFAF and #D6FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DEA7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DEA7B shade: #8DEA7B, #7CD868, #6BC655, #5AB442 and #49A22F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DEA7B shade: #8CEA7A, #AAEA7A, #C9EA7A, #E7EA7A and #EACF7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DEA7B shade: #8CEA7A, #7AEA86, #7AEAA4, #7AEAC2 and #7AEAE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DEA7B shade matches the following richer shades: #8CEA7A and #84F66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DEA7B shade: #8CEA7A, #95DD87, #9DD193, #A5C59F and #AEB8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DEA7B shade: #C8EA7A, #ABEA7A, #8DEA7A, #7AEA85 and #7AEAA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DEA7B shade: #4FDF33, #6DE456, #8CEA7A, #ABEF9E and #CAF5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DEA7B shade: #8DEA7B, #7AE6EA and #EA7AB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DEA7B shade: #8DEA7B, #7A8DEA and #EA7A8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DEA7B shade: #8DEA7B, #7AE6EA, #D77AEA and #EA7E7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DEA7B shade: #8DEA7B, #7AC5EA, #D77AEA and #EA9F7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 47 / 8

HEX #8DEA7B

RGB 141 234 123

HSL 110.27, 0.73%, 0.7%

LAB 84.96, -48.46, 45.18

 

Complementary color

CMYK 14 / 84 / 0 / 48

HEX #721584

RGB 114 21 132

HSL 290.27, 0.73%, 0.3%

LAB 28.85, 53.06, -40.64

 

CMYK 38 / 0 / 50 / 8

HEX #92EA76

RGB 146 234 118

HSL 105.52, 0.73%, 0.69%

LAB 85.13, -47.52, 47.82

 

CMYK 35 / 0 / 46 / 1

HEX #A3FC89

RGB 163 252 137

HSL 106.43, 0.95%, 0.76%

LAB 91.33, -47.42, 46.64

 

CMYK 29 / 0 / 39 / 0

HEX #B4FF9C

RGB 180 255 156

HSL 105.45, 1%, 0.81%

LAB 93.29, -40.76, 40.11

 

CMYK 23 / 0 / 31 / 0

HEX #C5FFAF

RGB 197 255 175

HSL 103.5, 1%, 0.84%

LAB 94.52, -32.45, 32.49

 

CMYK 16 / 0 / 24 / 0

HEX #D6FFC2

RGB 214 255 194

HSL 100.33, 1%, 0.88%

LAB 95.88, -23.86, 24.93

 

CMYK 40 / 0 / 47 / 8

HEX #8DEA7B

RGB 141 234 123

HSL 110.27, 0.73%, 0.7%

LAB 84.96, -48.46, 45.18

 

CMYK 43 / 0 / 52 / 15

HEX #7CD868

RGB 124 216 104

HSL 109.29, 0.59%, 0.63%

LAB 78.69, -48.53, 46.38

 

CMYK 46 / 0 / 57 / 22

HEX #6BC655

RGB 107 198 85

HSL 108.32, 0.5%, 0.55%

LAB 72.34, -48.5, 47.55

 

CMYK 50 / 0 / 63 / 29

HEX #5AB442

RGB 90 180 66

HSL 107.37, 0.46%, 0.48%

LAB 65.91, -48.32, 48.6

 

CMYK 55 / 0 / 71 / 36

HEX #49A22F

RGB 73 162 47

HSL 106.43, 0.55%, 0.41%

LAB 59.4, -47.88, 49.36

 

CMYK 40 / 0 / 48 / 8

HEX #8CEA7A

RGB 140 234 122

HSL 110.36, 0.73%, 0.7%

LAB 84.91, -48.89, 45.58

 

CMYK 27 / 0 / 48 / 8

HEX #AAEA7A

RGB 170 234 122

HSL 94.29, 0.73%, 0.7%

LAB 86.4, -39.08, 47.76

 

CMYK 14 / 0 / 48 / 8

HEX #C9EA7A

RGB 201 234 122

HSL 77.68, 0.73%, 0.7%

LAB 88.29, -27.82, 50.49

 

CMYK 1 / 0 / 48 / 8

HEX #E7EA7A

RGB 231 234 122

HSL 61.61, 0.73%, 0.7%

LAB 90.43, -16.24, 53.58

 

CMYK 0 / 12 / 48 / 8

HEX #EACF7A

RGB 234 207 122

HSL 45.54, 0.73%, 0.7%

LAB 83.72, -1.48, 45.47

 

CMYK 40 / 0 / 48 / 8

HEX #8CEA7A

RGB 140 234 122

HSL 110.36, 0.73%, 0.7%

LAB 84.91, -48.89, 45.58

 

CMYK 48 / 0 / 43 / 8

HEX #7AEA86

RGB 122 234 134

HSL 126.43, 0.73%, 0.7%

LAB 84.33, -52.38, 38.86

 

CMYK 48 / 0 / 30 / 8

HEX #7AEAA4

RGB 122 234 164

HSL 142.5, 0.73%, 0.7%

LAB 84.82, -47.36, 24.34

 

CMYK 48 / 0 / 17 / 8

HEX #7AEAC2

RGB 122 234 194

HSL 158.57, 0.73%, 0.7%

LAB 85.44, -41.34, 9.61

 

CMYK 48 / 0 / 4 / 8

HEX #7AEAE1

RGB 122 234 225

HSL 175.18, 0.73%, 0.7%

LAB 86.22, -34.18, -5.54

 

CMYK 40 / 0 / 48 / 8

HEX #8CEA7A

RGB 140 234 122

HSL 110.36, 0.73%, 0.7%

LAB 84.91, -48.89, 45.58

 

CMYK 46 / 0 / 55 / 4

HEX #84F66E

RGB 132 246 110

HSL 110.29, 0.88%, 0.7%

LAB 87.94, -57.5, 54.73

 

CMYK 40 / 0 / 48 / 8

HEX #8CEA7A

RGB 140 234 122

HSL 110.36, 0.73%, 0.7%

LAB 84.91, -48.89, 45.58

 

CMYK 33 / 0 / 39 / 13

HEX #95DD87

RGB 149 221 135

HSL 110.23, 0.56%, 0.7%

LAB 81.76, -38.65, 35.26

 

CMYK 25 / 0 / 30 / 18

HEX #9DD193

RGB 157 209 147

HSL 110.32, 0.4%, 0.7%

LAB 78.97, -28.6, 25.47

 

CMYK 16 / 0 / 19 / 23

HEX #A5C59F

RGB 165 197 159

HSL 110.53, 0.25%, 0.7%

LAB 76.34, -17.94, 15.56

 

CMYK 5 / 0 / 7 / 28

HEX #AEB8AC

RGB 174 184 172

HSL 110, 0.08%, 0.7%

LAB 73.71, -5.73, 4.89

 

CMYK 15 / 0 / 48 / 8

HEX #C8EA7A

RGB 200 234 122

HSL 78.21, 0.73%, 0.7%

LAB 88.22, -28.2, 50.4

 

CMYK 27 / 0 / 48 / 8

HEX #ABEA7A

RGB 171 234 122

HSL 93.75, 0.73%, 0.7%

LAB 86.46, -38.73, 47.84

 

CMYK 40 / 0 / 48 / 8

HEX #8DEA7A

RGB 141 234 122

HSL 109.82, 0.73%, 0.7%

LAB 84.95, -48.58, 45.64

 

CMYK 48 / 0 / 43 / 8

HEX #7AEA85

RGB 122 234 133

HSL 125.89, 0.73%, 0.7%

LAB 84.32, -52.52, 39.33

 

CMYK 48 / 0 / 30 / 8

HEX #7AEAA3

RGB 122 234 163

HSL 141.96, 0.73%, 0.7%

LAB 84.81, -47.54, 24.83

 

CMYK 65 / 0 / 77 / 13

HEX #4FDF33

RGB 79 223 51

HSL 110.23, 0.73%, 0.54%

LAB 78.85, -67.63, 67.4

 

CMYK 52 / 0 / 62 / 11

HEX #6DE456

RGB 109 228 86

HSL 110.28, 0.72%, 0.62%

LAB 81.52, -59.47, 57.58

 

CMYK 40 / 0 / 48 / 8

HEX #8CEA7A

RGB 140 234 122

HSL 110.36, 0.73%, 0.7%

LAB 84.91, -48.89, 45.58

 

CMYK 28 / 0 / 34 / 6

HEX #ABEF9E

RGB 171 239 158

HSL 110.37, 0.72%, 0.78%

LAB 88.38, -36.23, 32.58

 

CMYK 18 / 0 / 21 / 4

HEX #CAF5C2

RGB 202 245 194

HSL 110.59, 0.72%, 0.86%

LAB 92.47, -23.1, 20.09

 

CMYK 40 / 0 / 47 / 8

HEX #8DEA7B

RGB 141 234 123

HSL 110.27, 0.73%, 0.7%

LAB 84.96, -48.46, 45.18

 

CMYK 48 / 2 / 0 / 8

HEX #7AE6EA

RGB 122 230 234

HSL 182.14, 0.73%, 0.7%

LAB 85.34, -30.04, -11.59

 

CMYK 0 / 48 / 21 / 8

HEX #EA7AB9

RGB 234 122 185

HSL 326.25, 0.73%, 0.7%

LAB 65.68, 50.6, -13.49

 

CMYK 40 / 0 / 47 / 8

HEX #8DEA7B

RGB 141 234 123

HSL 110.27, 0.73%, 0.7%

LAB 84.96, -48.46, 45.18

 

CMYK 48 / 40 / 0 / 8

HEX #7A8DEA

RGB 122 141 234

HSL 229.82, 0.73%, 0.7%

LAB 60.89, 17.85, -49.21

 

CMYK 0 / 48 / 40 / 8

HEX #EA7A8D

RGB 234 122 141

HSL 349.82, 0.73%, 0.7%

LAB 64.43, 45.02, 9.66

 

CMYK 40 / 0 / 47 / 8

HEX #8DEA7B

RGB 141 234 123

HSL 110.27, 0.73%, 0.7%

LAB 84.96, -48.46, 45.18

 

CMYK 48 / 2 / 0 / 8

HEX #7AE6EA

RGB 122 230 234

HSL 182.14, 0.73%, 0.7%

LAB 85.34, -30.04, -11.59

 

CMYK 8 / 48 / 0 / 8

HEX #D77AEA

RGB 215 122 234

HSL 289.82, 0.73%, 0.7%

LAB 65.21, 53.16, -41.83

 

CMYK 0 / 46 / 48 / 8

HEX #EA7E7A

RGB 234 126 122

HSL 2.14, 0.73%, 0.7%

LAB 64.82, 41.07, 20.97

 

CMYK 40 / 0 / 47 / 8

HEX #8DEA7B

RGB 141 234 123

HSL 110.27, 0.73%, 0.7%

LAB 84.96, -48.46, 45.18

 

CMYK 48 / 16 / 0 / 8

HEX #7AC5EA

RGB 122 197 234

HSL 199.82, 0.73%, 0.7%

LAB 76.08, -13.51, -25.57

 

CMYK 8 / 48 / 0 / 8

HEX #D77AEA

RGB 215 122 234

HSL 289.82, 0.73%, 0.7%

LAB 65.21, 53.16, -41.83

 

CMYK 0 / 32 / 48 / 8

HEX #EA9F7A

RGB 234 159 122

HSL 19.82, 0.73%, 0.7%

LAB 72.02, 23.79, 30.58

 

Description

Color code: HEX #8DEA7B | qconv.com Color code: HEX #8DEA7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 234 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 234 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 47 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 47% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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