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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DE399 it is the complementary color #721C66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DE399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DE399 shade: #92E394, #A3F5A7, #B4FFBA, #C5FFCD and #D6FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DE399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DE399 shade: #8DE399, #7CD186, #6BBF73, #5AAD60 and #499B4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DE399 shade: #8CE398, #97E38C, #AEE38C, #C6E38C and #DDE38C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DE399 shade: #8CE398, #8CE3AF, #8CE3C7, #8CE3DE and #8CD0E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DE399 shade matches the following richer shades: #8CE398, #80EE8F and #74FA87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DE399 shade: #8CE398, #97D7A0, #A3CCA8, #AEC0B1 and #BAB4B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DE399 shade: #AEE38C, #97E38C, #8CE397, #8CE3AE and #8CE3C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DE399 shade: #49D35C, #6ADB7A, #8CE398, #ADEBB5 and #CEF3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DE399 shade: #8DE399, #8CC6E3 and #E38CA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DE399 shade: #8DE399, #978CE3 and #E3978C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DE399 shade: #8DE399, #8CC6E3, #E38CD7 and #E3A98C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DE399 shade: #8DE399, #8CABE3, #E38CD7 and #E3C38C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 33 / 11

HEX #8DE399

RGB 141 227 153

HSL 128.37, 0.61%, 0.72%

LAB 83.39, -41.02, 28.18

 

Complementary color

CMYK 0 / 75 / 11 / 55

HEX #721C66

RGB 114 28 102

HSL 308.37, 0.61%, 0.28%

LAB 27.76, 45.48, -23.27

 

CMYK 36 / 0 / 35 / 11

HEX #92E394

RGB 146 227 148

HSL 121.48, 0.59%, 0.73%

LAB 83.54, -40.32, 30.98

 

CMYK 33 / 0 / 32 / 4

HEX #A3F5A7

RGB 163 245 167

HSL 122.93, 0.8%, 0.8%

LAB 89.8, -40.07, 29.87

 

CMYK 29 / 0 / 27 / 0

HEX #B4FFBA

RGB 180 255 186

HSL 124.8, 1%, 0.85%

LAB 93.78, -36.23, 25.8

 

CMYK 23 / 0 / 20 / 0

HEX #C5FFCD

RGB 197 255 205

HSL 128.28, 1%, 0.89%

LAB 95.08, -27.66, 18.06

 

CMYK 16 / 0 / 12 / 0

HEX #D6FFE0

RGB 214 255 224

HSL 134.63, 1%, 0.92%

LAB 96.49, -18.88, 10.47

 

CMYK 38 / 0 / 33 / 11

HEX #8DE399

RGB 141 227 153

HSL 128.37, 0.61%, 0.72%

LAB 83.39, -41.02, 28.18

 

CMYK 41 / 0 / 36 / 18

HEX #7CD186

RGB 124 209 134

HSL 127.06, 0.48%, 0.65%

LAB 77.05, -41.26, 29.35

 

CMYK 44 / 0 / 40 / 25

HEX #6BBF73

RGB 107 191 115

HSL 125.71, 0.4%, 0.58%

LAB 70.61, -41.47, 30.58

 

CMYK 48 / 0 / 45 / 32

HEX #5AAD60

RGB 90 173 96

HSL 124.34, 0.34%, 0.52%

LAB 64.08, -41.62, 31.89

 

CMYK 53 / 0 / 50 / 39

HEX #499B4D

RGB 73 155 77

HSL 122.93, 0.36%, 0.45%

LAB 57.46, -41.66, 33.25

 

CMYK 38 / 0 / 33 / 11

HEX #8CE398

RGB 140 227 152

HSL 128.28, 0.61%, 0.72%

LAB 83.33, -41.48, 28.6

 

CMYK 33 / 0 / 38 / 11

HEX #97E38C

RGB 151 227 140

HSL 112.41, 0.61%, 0.72%

LAB 83.66, -39.96, 35.24

 

CMYK 23 / 0 / 38 / 11

HEX #AEE38C

RGB 174 227 140

HSL 96.55, 0.61%, 0.72%

LAB 84.91, -32.25, 37.11

 

CMYK 13 / 0 / 38 / 11

HEX #C6E38C

RGB 198 227 140

HSL 80, 0.61%, 0.72%

LAB 86.42, -23.59, 39.36

 

CMYK 3 / 0 / 38 / 11

HEX #DDE38C

RGB 221 227 140

HSL 64.14, 0.61%, 0.72%

LAB 88.07, -14.88, 41.8

 

CMYK 38 / 0 / 33 / 11

HEX #8CE398

RGB 140 227 152

HSL 128.28, 0.61%, 0.72%

LAB 83.33, -41.48, 28.6

 

CMYK 38 / 0 / 23 / 11

HEX #8CE3AF

RGB 140 227 175

HSL 144.14, 0.61%, 0.72%

LAB 83.76, -37.38, 17.28

 

CMYK 38 / 0 / 12 / 11

HEX #8CE3C7

RGB 140 227 199

HSL 160.69, 0.61%, 0.72%

LAB 84.3, -32.51, 5.44

 

CMYK 38 / 0 / 2 / 11

HEX #8CE3DE

RGB 140 227 222

HSL 176.55, 0.61%, 0.72%

LAB 84.89, -27.32, -5.84

 

CMYK 38 / 8 / 0 / 11

HEX #8CD0E3

RGB 140 208 227

HSL 193.1, 0.61%, 0.72%

LAB 79.75, -16.65, -16.17

 

CMYK 38 / 0 / 33 / 11

HEX #8CE398

RGB 140 227 152

HSL 128.28, 0.61%, 0.72%

LAB 83.33, -41.48, 28.6

 

CMYK 46 / 0 / 40 / 7

HEX #80EE8F

RGB 128 238 143

HSL 128.18, 0.76%, 0.72%

LAB 85.87, -51.02, 36.43

 

CMYK 54 / 0 / 46 / 2

HEX #74FA87

RGB 116 250 135

HSL 128.51, 0.93%, 0.72%

LAB 88.84, -60.03, 44.07

 

CMYK 38 / 0 / 33 / 11

HEX #8CE398

RGB 140 227 152

HSL 128.28, 0.61%, 0.72%

LAB 83.33, -41.48, 28.6

 

CMYK 30 / 0 / 26 / 16

HEX #97D7A0

RGB 151 215 160

HSL 128.44, 0.44%, 0.72%

LAB 80.58, -31.25, 20.8

 

CMYK 20 / 0 / 18 / 20

HEX #A3CCA8

RGB 163 204 168

HSL 127.32, 0.29%, 0.72%

LAB 78.34, -20.56, 13.55

 

CMYK 9 / 0 / 8 / 25

HEX #AEC0B1

RGB 174 192 177

HSL 130, 0.13%, 0.72%

LAB 75.99, -9.02, 5.46

 

CMYK 0 / 3 / 1 / 27

HEX #BAB4B9

RGB 186 180 185

HSL 310, 0.04%, 0.72%

LAB 73.92, 3.04, -1.79

 

CMYK 23 / 0 / 38 / 11

HEX #AEE38C

RGB 174 227 140

HSL 96.55, 0.61%, 0.72%

LAB 84.91, -32.25, 37.11

 

CMYK 33 / 0 / 38 / 11

HEX #97E38C

RGB 151 227 140

HSL 112.41, 0.61%, 0.72%

LAB 83.66, -39.96, 35.24

 

CMYK 38 / 0 / 33 / 11

HEX #8CE397

RGB 140 227 151

HSL 127.59, 0.61%, 0.72%

LAB 83.31, -41.65, 29.09

 

CMYK 38 / 0 / 23 / 11

HEX #8CE3AE

RGB 140 227 174

HSL 143.45, 0.61%, 0.72%

LAB 83.74, -37.57, 17.78

 

CMYK 38 / 0 / 13 / 11

HEX #8CE3C6

RGB 140 227 198

HSL 160, 0.61%, 0.72%

LAB 84.27, -32.72, 5.93

 

CMYK 65 / 0 / 56 / 17

HEX #49D35C

RGB 73 211 92

HSL 128.26, 0.61%, 0.56%

LAB 75.31, -61, 47.54

 

CMYK 52 / 0 / 44 / 14

HEX #6ADB7A

RGB 106 219 122

HSL 128.5, 0.61%, 0.64%

LAB 79.12, -52.33, 38

 

CMYK 38 / 0 / 33 / 11

HEX #8CE398

RGB 140 227 152

HSL 128.28, 0.61%, 0.72%

LAB 83.33, -41.48, 28.6

 

CMYK 26 / 0 / 23 / 8

HEX #ADEBB5

RGB 173 235 181

HSL 127.74, 0.61%, 0.8%

LAB 87.79, -30.02, 20.03

 

CMYK 15 / 0 / 13 / 5

HEX #CEF3D3

RGB 206 243 211

HSL 128.11, 0.61%, 0.88%

LAB 92.54, -17.91, 11.47

 

CMYK 38 / 0 / 33 / 11

HEX #8DE399

RGB 141 227 153

HSL 128.37, 0.61%, 0.72%

LAB 83.39, -41.02, 28.18

 

CMYK 38 / 13 / 0 / 11

HEX #8CC6E3

RGB 140 198 227

HSL 200, 0.61%, 0.72%

LAB 76.99, -11.47, -20.34

 

CMYK 0 / 38 / 28 / 11

HEX #E38CA3

RGB 227 140 163

HSL 344.14, 0.61%, 0.72%

LAB 67.82, 35.95, 1.98

 

CMYK 38 / 0 / 33 / 11

HEX #8DE399

RGB 141 227 153

HSL 128.37, 0.61%, 0.72%

LAB 83.39, -41.02, 28.18

 

CMYK 33 / 38 / 0 / 11

HEX #978CE3

RGB 151 140 227

HSL 247.59, 0.61%, 0.72%

LAB 62.41, 23.82, -42.8

 

CMYK 0 / 33 / 38 / 11

HEX #E3978C

RGB 227 151 140

HSL 7.59, 0.61%, 0.72%

LAB 69.72, 27.23, 17.52

 

CMYK 38 / 0 / 33 / 11

HEX #8DE399

RGB 141 227 153

HSL 128.37, 0.61%, 0.72%

LAB 83.39, -41.02, 28.18

 

CMYK 38 / 13 / 0 / 11

HEX #8CC6E3

RGB 140 198 227

HSL 200, 0.61%, 0.72%

LAB 76.99, -11.47, -20.34

 

CMYK 0 / 38 / 5 / 11

HEX #E38CD7

RGB 227 140 215

HSL 308.28, 0.61%, 0.72%

LAB 69.46, 43.99, -24.6

 

CMYK 0 / 26 / 38 / 11

HEX #E3A98C

RGB 227 169 140

HSL 20, 0.61%, 0.72%

LAB 73.93, 17.59, 23.29

 

CMYK 38 / 0 / 33 / 11

HEX #8DE399

RGB 141 227 153

HSL 128.37, 0.61%, 0.72%

LAB 83.39, -41.02, 28.18

 

CMYK 38 / 25 / 0 / 11

HEX #8CABE3

RGB 140 171 227

HSL 218.62, 0.61%, 0.72%

LAB 69.65, 3.16, -31.57

 

CMYK 0 / 38 / 5 / 11

HEX #E38CD7

RGB 227 140 215

HSL 308.28, 0.61%, 0.72%

LAB 69.46, 43.99, -24.6

 

CMYK 0 / 14 / 38 / 11

HEX #E3C38C

RGB 227 195 140

HSL 37.93, 0.61%, 0.72%

LAB 80.32, 3.8, 31.85

 

Description

Color code: HEX #8DE399 | qconv.com Color code: HEX #8DE399 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 227 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 227 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 33 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 33% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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