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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DE1A9 it is the complementary color #721E56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DE1A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DE1A9 shade: #92E1A4, #A3F3B7, #B4FFCA, #C5FFDD and #D6FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DE1A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DE1A9 shade: #8DE1A9, #7CCF96, #6BBD83, #5AAB70 and #49995D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DE1A9 shade: #8EE1A9, #8EE193, #9FE18E, #B5E18E and #CBE18E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DE1A9 shade: #8EE1A9, #8EE1C0, #8EE1D6, #8ED5E1 and #8EBEE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DE1A9 shade matches the following richer shades: #8EE1A9, #82ECA5 and #77F8A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DE1A9 shade: #8EE1A9, #99D5AD, #A5C9B1, #B0BEB5 and #BCB2B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DE1A9 shade: #9EE18E, #8EE193, #8EE1A9, #8EE1BF and #8EE1D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DE1A9 shade: #4CCF78, #6DD891, #8EE1A9, #AEE9C2 and #CFF2DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DE1A9 shade: #8DE1A9, #8EB4E1 and #E18E93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DE1A9 shade: #8DE1A9, #A98EE1 and #E1A98E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DE1A9 shade: #8DE1A9, #8EB4E1, #E18EC5 and #E1BA8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DE1A9 shade: #8DE1A9, #8E9BE1, #E18EC5 and #E1D38E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 25 / 12

HEX #8DE1A9

RGB 141 225 169

HSL 140, 0.58%, 0.72%

LAB 83.11, -37.31, 19.52

 

Complementary color

CMYK 0 / 74 / 25 / 55

HEX #721E56

RGB 114 30 86

HSL 320, 0.58%, 0.28%

LAB 27.24, 42.24, -13.61

 

CMYK 35 / 0 / 27 / 12

HEX #92E1A4

RGB 146 225 164

HSL 133.67, 0.57%, 0.73%

LAB 83.25, -36.74, 22.35

 

CMYK 33 / 0 / 25 / 5

HEX #A3F3B7

RGB 163 243 183

HSL 135, 0.77%, 0.8%

LAB 89.54, -36.48, 21.34

 

CMYK 29 / 0 / 21 / 0

HEX #B4FFCA

RGB 180 255 202

HSL 137.6, 1%, 0.85%

LAB 94.09, -33.47, 18.08

 

CMYK 23 / 0 / 13 / 0

HEX #C5FFDD

RGB 197 255 221

HSL 144.83, 1%, 0.89%

LAB 95.42, -24.8, 10.34

 

CMYK 16 / 0 / 6 / 0

HEX #D6FFF0

RGB 214 255 240

HSL 158.05, 1%, 0.92%

LAB 96.86, -15.94, 2.79

 

CMYK 37 / 0 / 25 / 12

HEX #8DE1A9

RGB 141 225 169

HSL 140, 0.58%, 0.72%

LAB 83.11, -37.31, 19.52

 

CMYK 40 / 0 / 28 / 19

HEX #7CCF96

RGB 124 207 150

HSL 138.8, 0.46%, 0.65%

LAB 76.75, -37.57, 20.58

 

CMYK 43 / 0 / 31 / 26

HEX #6BBD83

RGB 107 189 131

HSL 137.56, 0.38%, 0.58%

LAB 70.29, -37.83, 21.71

 

CMYK 47 / 0 / 35 / 33

HEX #5AAB70

RGB 90 171 112

HSL 136.3, 0.33%, 0.51%

LAB 63.73, -38.05, 22.92

 

CMYK 52 / 0 / 39 / 40

HEX #49995D

RGB 73 153 93

HSL 135, 0.35%, 0.44%

LAB 57.06, -38.2, 24.24

 

CMYK 37 / 0 / 25 / 12

HEX #8EE1A9

RGB 142 225 169

HSL 139.52, 0.58%, 0.72%

LAB 83.16, -37.02, 19.59

 

CMYK 37 / 0 / 35 / 12

HEX #8EE193

RGB 142 225 147

HSL 123.61, 0.58%, 0.72%

LAB 82.76, -40.81, 30.42

 

CMYK 29 / 0 / 37 / 12

HEX #9FE18E

RGB 159 225 142

HSL 107.71, 0.58%, 0.72%

LAB 83.53, -36.16, 34.14

 

CMYK 20 / 0 / 37 / 12

HEX #B5E18E

RGB 181 225 142

HSL 91.81, 0.58%, 0.72%

LAB 84.81, -28.57, 36.05

 

CMYK 10 / 0 / 37 / 12

HEX #CBE18E

RGB 203 225 142

HSL 75.9, 0.58%, 0.72%

LAB 86.26, -20.51, 38.21

 

CMYK 37 / 0 / 25 / 12

HEX #8EE1A9

RGB 142 225 169

HSL 139.52, 0.58%, 0.72%

LAB 83.16, -37.02, 19.59

 

CMYK 37 / 0 / 15 / 12

HEX #8EE1C0

RGB 142 225 192

HSL 156.14, 0.58%, 0.72%

LAB 83.66, -32.5, 8.22

 

CMYK 37 / 0 / 5 / 12

HEX #8EE1D6

RGB 142 225 214

HSL 172.05, 0.58%, 0.72%

LAB 84.2, -27.69, -2.61

 

CMYK 37 / 5 / 0 / 12

HEX #8ED5E1

RGB 142 213 225

HSL 188.67, 0.58%, 0.72%

LAB 81.17, -19.17, -12.96

 

CMYK 37 / 16 / 0 / 12

HEX #8EBEE1

RGB 142 190 225

HSL 205.3, 0.58%, 0.72%

LAB 74.83, -7.21, -22.52

 

CMYK 37 / 0 / 25 / 12

HEX #8EE1A9

RGB 142 225 169

HSL 139.52, 0.58%, 0.72%

LAB 83.16, -37.02, 19.59

 

CMYK 45 / 0 / 30 / 7

HEX #82ECA5

RGB 130 236 165

HSL 139.81, 0.74%, 0.72%

LAB 85.73, -45.96, 25.12

 

CMYK 52 / 0 / 35 / 3

HEX #77F8A2

RGB 119 248 162

HSL 140, 0.9%, 0.72%

LAB 88.76, -54.24, 30.68

 

CMYK 37 / 0 / 25 / 12

HEX #8EE1A9

RGB 142 225 169

HSL 139.52, 0.58%, 0.72%

LAB 83.16, -37.02, 19.59

 

CMYK 28 / 0 / 19 / 16

HEX #99D5AD

RGB 153 213 173

HSL 140, 0.42%, 0.72%

LAB 80.39, -27.31, 13.7

 

CMYK 18 / 0 / 12 / 21

HEX #A5C9B1

RGB 165 201 177

HSL 140, 0.25%, 0.72%

LAB 77.84, -16.72, 8.04

 

CMYK 7 / 0 / 5 / 25

HEX #B0BEB5

RGB 176 190 181

HSL 141.43, 0.1%, 0.72%

LAB 75.7, -6.53, 2.88

 

CMYK 0 / 5 / 2 / 26

HEX #BCB2B9

RGB 188 178 185

HSL 318, 0.07%, 0.72%

LAB 73.57, 4.83, -2.29

 

CMYK 30 / 0 / 37 / 12

HEX #9EE18E

RGB 158 225 142

HSL 108.43, 0.58%, 0.72%

LAB 83.48, -36.49, 34.06

 

CMYK 37 / 0 / 35 / 12

HEX #8EE193

RGB 142 225 147

HSL 123.61, 0.58%, 0.72%

LAB 82.76, -40.81, 30.42

 

CMYK 37 / 0 / 25 / 12

HEX #8EE1A9

RGB 142 225 169

HSL 139.52, 0.58%, 0.72%

LAB 83.16, -37.02, 19.59

 

CMYK 37 / 0 / 15 / 12

HEX #8EE1BF

RGB 142 225 191

HSL 155.42, 0.58%, 0.72%

LAB 83.63, -32.71, 8.71

 

CMYK 37 / 0 / 5 / 12

HEX #8EE1D5

RGB 142 225 213

HSL 171.33, 0.58%, 0.72%

LAB 84.18, -27.92, -2.12

 

CMYK 63 / 0 / 42 / 19

HEX #4CCF78

RGB 76 207 120

HSL 140.15, 0.58%, 0.55%

LAB 74.52, -54.79, 32.9

 

CMYK 50 / 0 / 33 / 15

HEX #6DD891

RGB 109 216 145

HSL 140.19, 0.58%, 0.64%

LAB 78.7, -46.51, 25.76

 

CMYK 37 / 0 / 25 / 12

HEX #8EE1A9

RGB 142 225 169

HSL 139.52, 0.58%, 0.72%

LAB 83.16, -37.02, 19.59

 

CMYK 25 / 0 / 17 / 9

HEX #AEE9C2

RGB 174 233 194

HSL 140.34, 0.57%, 0.8%

LAB 87.57, -26.42, 12.97

 

CMYK 14 / 0 / 10 / 5

HEX #CFF2DB

RGB 207 242 219

HSL 140.57, 0.57%, 0.88%

LAB 92.52, -15.66, 7.3

 

CMYK 37 / 0 / 25 / 12

HEX #8DE1A9

RGB 141 225 169

HSL 140, 0.58%, 0.72%

LAB 83.11, -37.31, 19.52

 

CMYK 37 / 20 / 0 / 12

HEX #8EB4E1

RGB 142 180 225

HSL 212.53, 0.58%, 0.72%

LAB 72.11, -1.81, -26.67

 

CMYK 0 / 37 / 35 / 12

HEX #E18E93

RGB 225 142 147

HSL 356.39, 0.58%, 0.72%

LAB 67.62, 32.1, 10.64

 

CMYK 37 / 0 / 25 / 12

HEX #8DE1A9

RGB 141 225 169

HSL 140, 0.58%, 0.72%

LAB 83.11, -37.31, 19.52

 

CMYK 25 / 37 / 0 / 12

HEX #A98EE1

RGB 169 142 225

HSL 259.52, 0.58%, 0.72%

LAB 64.34, 27.24, -38.55

 

CMYK 0 / 25 / 37 / 12

HEX #E1A98E

RGB 225 169 142

HSL 19.52, 0.58%, 0.72%

LAB 73.76, 17.04, 21.94

 

CMYK 37 / 0 / 25 / 12

HEX #8DE1A9

RGB 141 225 169

HSL 140, 0.58%, 0.72%

LAB 83.11, -37.31, 19.52

 

CMYK 37 / 20 / 0 / 12

HEX #8EB4E1

RGB 142 180 225

HSL 212.53, 0.58%, 0.72%

LAB 72.11, -1.81, -26.67

 

CMYK 0 / 37 / 12 / 12

HEX #E18EC5

RGB 225 142 197

HSL 320.24, 0.58%, 0.72%

LAB 69.03, 39.27, -15.29

 

CMYK 0 / 17 / 37 / 12

HEX #E1BA8E

RGB 225 186 142

HSL 31.81, 0.58%, 0.72%

LAB 77.92, 7.98, 27.57

 

CMYK 37 / 0 / 25 / 12

HEX #8DE1A9

RGB 141 225 169

HSL 140, 0.58%, 0.72%

LAB 83.11, -37.31, 19.52

 

CMYK 37 / 31 / 0 / 12

HEX #8E9BE1

RGB 142 155 225

HSL 230.6, 0.58%, 0.72%

LAB 65.46, 12.2, -36.96

 

CMYK 0 / 37 / 12 / 12

HEX #E18EC5

RGB 225 142 197

HSL 320.24, 0.58%, 0.72%

LAB 69.03, 39.27, -15.29

 

CMYK 0 / 6 / 37 / 12

HEX #E1D38E

RGB 225 211 142

HSL 49.88, 0.58%, 0.72%

LAB 84.25, -5.04, 35.94

 

Description

Color code: HEX #8DE1A9 | qconv.com Color code: HEX #8DE1A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 225 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 225 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 25 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 25% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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