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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DE783 it is the complementary color #72187C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DE783. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DE783 shade: #92E77E, #A3F991, #B4FFA4, #C5FFB7 and #D6FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DE783. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DE783 shade: #8DE783, #7CD570, #6BC35D, #5AB14A and #499F37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DE783 shade: #8CE782, #A7E782, #C3E782, #DEE782 and #E7D582

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DE783 shade: #8CE782, #82E793, #82E7AE, #82E7CA and #82E7E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DE783 shade matches the following richer shades: #8CE782 and #83F376

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DE783 shade: #8CE782, #96DB8E, #9FCF9A, #A9C3A6 and #B3B7B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DE783 shade: #C2E782, #A7E782, #8CE782, #82E793 and #82E7AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DE783 shade: #4DDA3D, #6CE060, #8CE782, #ACEDA5 and #CCF4C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DE783 shade: #8DE783, #82DDE7 and #E782B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DE783 shade: #8DE783, #828CE7 and #E7828C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DE783 shade: #8DE783, #82DDE7, #DD82E7 and #E78C82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DE783 shade: #8DE783, #82BFE7, #DD82E7 and #E7AA82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 43 / 9

HEX #8DE783

RGB 141 231 131

HSL 114, 0.68%, 0.71%

LAB 84.2, -46.12, 40.33

 

Complementary color

CMYK 8 / 81 / 0 / 51

HEX #72187C

RGB 114 24 124

HSL 294, 0.68%, 0.29%

LAB 28.61, 50.69, -36

 

CMYK 37 / 0 / 45 / 9

HEX #92E77E

RGB 146 231 126

HSL 108.57, 0.69%, 0.7%

LAB 84.36, -45.24, 43.03

 

CMYK 35 / 0 / 42 / 2

HEX #A3F991

RGB 163 249 145

HSL 109.62, 0.9%, 0.77%

LAB 90.59, -45.09, 41.84

 

CMYK 29 / 0 / 36 / 0

HEX #B4FFA4

RGB 180 255 164

HSL 109.45, 1%, 0.82%

LAB 93.41, -39.63, 36.33

 

CMYK 23 / 0 / 28 / 0

HEX #C5FFB7

RGB 197 255 183

HSL 108.33, 1%, 0.86%

LAB 94.66, -31.25, 28.66

 

CMYK 16 / 0 / 21 / 0

HEX #D6FFCA

RGB 214 255 202

HSL 106.42, 1%, 0.9%

LAB 96.03, -22.6, 21.07

 

CMYK 39 / 0 / 43 / 9

HEX #8DE783

RGB 141 231 131

HSL 114, 0.68%, 0.71%

LAB 84.2, -46.12, 40.33

 

CMYK 42 / 0 / 47 / 16

HEX #7CD570

RGB 124 213 112

HSL 112.87, 0.55%, 0.64%

LAB 77.9, -46.26, 41.55

 

CMYK 45 / 0 / 52 / 24

HEX #6BC35D

RGB 107 195 93

HSL 111.76, 0.46%, 0.56%

LAB 71.52, -46.32, 42.79

 

CMYK 49 / 0 / 58 / 31

HEX #5AB14A

RGB 90 177 74

HSL 110.68, 0.41%, 0.49%

LAB 65.05, -46.25, 44

 

CMYK 54 / 0 / 65 / 38

HEX #499F37

RGB 73 159 55

HSL 109.62, 0.49%, 0.42%

LAB 58.5, -45.98, 45.05

 

CMYK 39 / 0 / 44 / 9

HEX #8CE782

RGB 140 231 130

HSL 114.06, 0.68%, 0.71%

LAB 84.14, -46.56, 40.73

 

CMYK 28 / 0 / 44 / 9

HEX #A7E782

RGB 167 231 130

HSL 98.02, 0.68%, 0.71%

LAB 85.49, -37.81, 42.73

 

CMYK 16 / 0 / 44 / 9

HEX #C3E782

RGB 195 231 130

HSL 81.39, 0.68%, 0.71%

LAB 87.18, -27.79, 45.2

 

CMYK 4 / 0 / 44 / 9

HEX #DEE782

RGB 222 231 130

HSL 65.35, 0.68%, 0.71%

LAB 89.06, -17.52, 47.96

 

CMYK 0 / 8 / 44 / 9

HEX #E7D582

RGB 231 213 130

HSL 49.31, 0.68%, 0.71%

LAB 85.09, -4.98, 43.16

 

CMYK 39 / 0 / 44 / 9

HEX #8CE782

RGB 140 231 130

HSL 114.06, 0.68%, 0.71%

LAB 84.14, -46.56, 40.73

 

CMYK 44 / 0 / 36 / 9

HEX #82E793

RGB 130 231 147

HSL 130.1, 0.68%, 0.71%

LAB 83.97, -46.92, 31.93

 

CMYK 44 / 0 / 25 / 9

HEX #82E7AE

RGB 130 231 174

HSL 146.14, 0.68%, 0.71%

LAB 84.46, -42.1, 18.71

 

CMYK 44 / 0 / 13 / 9

HEX #82E7CA

RGB 130 231 202

HSL 162.77, 0.68%, 0.71%

LAB 85.08, -36.29, 4.93

 

CMYK 44 / 0 / 1 / 9

HEX #82E7E5

RGB 130 231 229

HSL 178.81, 0.68%, 0.71%

LAB 85.78, -29.98, -8.25

 

CMYK 39 / 0 / 44 / 9

HEX #8CE782

RGB 140 231 130

HSL 114.06, 0.68%, 0.71%

LAB 84.14, -46.56, 40.73

 

CMYK 46 / 0 / 51 / 5

HEX #83F376

RGB 131 243 118

HSL 113.76, 0.84%, 0.71%

LAB 87.11, -55.67, 50.08

 

CMYK 39 / 0 / 44 / 9

HEX #8CE782

RGB 140 231 130

HSL 114.06, 0.68%, 0.71%

LAB 84.14, -46.56, 40.73

 

CMYK 32 / 0 / 35 / 14

HEX #96DB8E

RGB 150 219 142

HSL 113.77, 0.52%, 0.71%

LAB 81.35, -36.38, 31.17

 

CMYK 23 / 0 / 26 / 19

HEX #9FCF9A

RGB 159 207 154

HSL 114.34, 0.36%, 0.71%

LAB 78.65, -25.82, 21.38

 

CMYK 13 / 0 / 15 / 24

HEX #A9C3A6

RGB 169 195 166

HSL 113.79, 0.19%, 0.71%

LAB 76.2, -14.31, 11.65

 

CMYK 2 / 0 / 3 / 28

HEX #B3B7B2

RGB 179 183 178

HSL 108, 0.03%, 0.71%

LAB 73.97, -2.33, 2.04

 

CMYK 16 / 0 / 44 / 9

HEX #C2E782

RGB 194 231 130

HSL 81.98, 0.68%, 0.71%

LAB 87.11, -28.16, 45.1

 

CMYK 28 / 0 / 44 / 9

HEX #A7E782

RGB 167 231 130

HSL 98.02, 0.68%, 0.71%

LAB 85.49, -37.81, 42.73

 

CMYK 39 / 0 / 44 / 9

HEX #8CE782

RGB 140 231 130

HSL 114.06, 0.68%, 0.71%

LAB 84.14, -46.56, 40.73

 

CMYK 44 / 0 / 36 / 9

HEX #82E793

RGB 130 231 147

HSL 130.1, 0.68%, 0.71%

LAB 83.97, -46.92, 31.93

 

CMYK 44 / 0 / 25 / 9

HEX #82E7AE

RGB 130 231 174

HSL 146.14, 0.68%, 0.71%

LAB 84.46, -42.1, 18.71

 

CMYK 65 / 0 / 72 / 15

HEX #4DDA3D

RGB 77 218 61

HSL 113.89, 0.68%, 0.55%

LAB 77.32, -65.71, 62.57

 

CMYK 52 / 0 / 57 / 12

HEX #6CE060

RGB 108 224 96

HSL 114.38, 0.67%, 0.63%

LAB 80.37, -57.18, 51.92

 

CMYK 39 / 0 / 44 / 9

HEX #8CE782

RGB 140 231 130

HSL 114.06, 0.68%, 0.71%

LAB 84.14, -46.56, 40.73

 

CMYK 27 / 0 / 30 / 7

HEX #ACEDA5

RGB 172 237 165

HSL 114.17, 0.67%, 0.79%

LAB 88, -33.91, 28.52

 

CMYK 16 / 0 / 18 / 4

HEX #CCF4C8

RGB 204 244 200

HSL 114.55, 0.67%, 0.87%

LAB 92.45, -20.96, 16.99

 

CMYK 39 / 0 / 43 / 9

HEX #8DE783

RGB 141 231 131

HSL 114, 0.68%, 0.71%

LAB 84.2, -46.12, 40.33

 

CMYK 44 / 4 / 0 / 9

HEX #82DDE7

RGB 130 221 231

HSL 185.94, 0.68%, 0.71%

LAB 83.03, -24.63, -13.41

 

CMYK 0 / 44 / 22 / 9

HEX #E782B5

RGB 231 130 181

HSL 329.7, 0.68%, 0.71%

LAB 66.74, 45.03, -9.69

 

CMYK 39 / 0 / 43 / 9

HEX #8DE783

RGB 141 231 131

HSL 114, 0.68%, 0.71%

LAB 84.2, -46.12, 40.33

 

CMYK 44 / 39 / 0 / 9

HEX #828CE7

RGB 130 140 231

HSL 234.06, 0.68%, 0.71%

LAB 61.02, 19.46, -47.31

 

CMYK 0 / 44 / 39 / 9

HEX #E7828C

RGB 231 130 140

HSL 354.06, 0.68%, 0.71%

LAB 65.63, 39.77, 11.87

 

CMYK 39 / 0 / 43 / 9

HEX #8DE783

RGB 141 231 131

HSL 114, 0.68%, 0.71%

LAB 84.2, -46.12, 40.33

 

CMYK 44 / 4 / 0 / 9

HEX #82DDE7

RGB 130 221 231

HSL 185.94, 0.68%, 0.71%

LAB 83.03, -24.63, -13.41

 

CMYK 4 / 44 / 0 / 9

HEX #DD82E7

RGB 221 130 231

HSL 294.06, 0.68%, 0.71%

LAB 67.36, 50.23, -36.76

 

CMYK 0 / 39 / 44 / 9

HEX #E78C82

RGB 231 140 130

HSL 5.94, 0.68%, 0.71%

LAB 67.54, 33.49, 20.14

 

CMYK 39 / 0 / 43 / 9

HEX #8DE783

RGB 141 231 131

HSL 114, 0.68%, 0.71%

LAB 84.2, -46.12, 40.33

 

CMYK 44 / 17 / 0 / 9

HEX #82BFE7

RGB 130 191 231

HSL 203.76, 0.68%, 0.71%

LAB 74.68, -9.26, -26.05

 

CMYK 4 / 44 / 0 / 9

HEX #DD82E7

RGB 221 130 231

HSL 294.06, 0.68%, 0.71%

LAB 67.36, 50.23, -36.76

 

CMYK 0 / 26 / 44 / 9

HEX #E7AA82

RGB 231 170 130

HSL 23.76, 0.68%, 0.71%

LAB 74.41, 17.54, 29.38

 

Description

Color code: HEX #8DE783 | qconv.com Color code: HEX #8DE783 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 231 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 231 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 43 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 43% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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